"This is a project from Ben Wallers and Alastair Mackinven from Country Teasers. We moved in similar circles in the mid-90s. I saw them do the whole of this at the Moth Club earlier this year. You could think 'oh what a funny idea to cover the whole of Pink Floyd's The Wall', but they actually did it really well. I used to be a Pink Floyd fan, and one of the first albums I bought was Dark Side Of The Moon, but The Wall is where I parted company with them, I thought it was just a self-indulgent mess. So I was amazed to go and see that they'd actually made it palatable, they'd done something interesting with it. I know it's not coming from a take the piss point of view, Ben's got an actual affection for that record, and they'd really thought it out. The Wall is one of the most indulgent, over-produced records ever done, and so the idea of two guys on a stage at the Moth Club doing it is like 'how the fuck are you going to do that? Where's the choir, where's all this?' But it worked, it was really good. I preferred their version of The Wall to the Floyd one. I remember going to see the film version of The Wall, and Bob Geldof played the main character, and it was so rubbish and painful, the worst kind of that rock star moaning about nothing in particular. There's something in that record to do with a performer's relationship with an audience that's interesting - there is something strange about getting up on a stage and performing in front of people. In Ben's live performances as The Country Teasers or The Rebel, sometimes people think he's trying to wind the audience up or whatever, but it's always important that the audience is there and you're never allowed to be a passive spectator. I don't know if that's why he finds [this album] an interesting thing to deal with, but you could tell that there's a reason for it, it wasn't just 'let's try and do something ridiculous'. "

"We saw their show a couple of weeks back, and of course I love the Black Moth Super Rainbow stuff, and Tobacco too. But I have to say when I was at the show there was a lot of new music he played and I was like 'Fuck, that's cool'. And then he gave me the new record and I discovered that a lot of what they played is on that, so to me it's the best that they've, or he's, done. He does the same song, over and over. He's working in the same colour palette every time, and he knows it, and he knows he's trapped in it, and I know it too. And it's rejuvenating. Even though you've heard these sounds he does a lot, it still comes back at you. Very effective. It's very evocative. He uses all these reverbs and echoes and distortions and it doesn't become music to you, it becomes an atmosphere, a mood. That's what a lot of this music I've talked about does: you don't think it's about drugs, you don't think it's about guitar playing, it's about a world that's created in your mind as these sounds are playing. It's fantastic."