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Semiotics and Title Sequences: Text-Image Composites in Motion Graphics

Michael Betancourt

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Title sequences are the most obvious place where photography and typography combine on-screen, yet...

Turns of Event: Nineteenth-Century American Literary Studies in Motion

Hester Blum

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American literary studies has undergone a series of field redefinitions over the past two decades...

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Give Love on Christmas Day (with The Supremes/The Temptations (Motown)/Diana Ross) by Diana Ross / Supremes / Temptations

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String Quartet No. 6 In G Major, Op. 101: II. Moderato Con Moto (with Rasumowsky Quartet) by Razumovsky Quartet

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Fantasie On Motive From Beethoven's Ruinen Von Athen, S122/R454 (with Louis Lortie) by Liszt / Lortie / Pehlivanian / Resedentie Orch

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Selig sind die Toten, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 391 (Op. 11/23) by Brahms / Gardiner / Monteverdi Choir / Schutz

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Symphonic Dances, Op. 45 - No. 2: Symphonic Dances, Op. 45 - No. 2 Andante con moto (Tempo di valse) by Rachmaninoff

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Symphony No.89 in F Major: II. Andante con moto (with Austro-Hungarian Haydn Orchestra) by Austro-Hungarian / Fischer cnd

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Civitas sancti tui also anthem 'Bow Thine ear, O Lord', motet for 5 voices SAT Bar or tenor B by Brown / Choir Of Clare College Cambridge

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Symphony No. 4 In C Minor, Op. 43: II. Moderato Con Moto (with Chicago Symphony Orchestra) by Cso / Haitink / Shostakovich

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Semiotics and Title Sequences: Text-Image Composites in Motion Graphics

Turns of Event: Nineteenth-Century American Literary Studies in Motion

Give Love on Christmas Day (with The Supremes/The Temptations (Motown)/Diana Ross) by Diana Ross / Supremes / Temptations

String Quartet No. 6 In G Major, Op. 101: II. Moderato Con Moto (with Rasumowsky Quartet) by Razumovsky Quartet

Fantasie On Motive From Beethoven's Ruinen Von Athen, S122/R454 (with Louis Lortie) by Liszt / Lortie / Pehlivanian / Resedentie Orch

Selig sind die Toten, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 391 (Op. 11/23) by Brahms / Gardiner / Monteverdi Choir / Schutz

Symphonic Dances, Op. 45 - No. 2: Symphonic Dances, Op. 45 - No. 2 Andante con moto (Tempo di valse) by Rachmaninoff

Symphony No.89 in F Major: II. Andante con moto (with Austro-Hungarian Haydn Orchestra) by Austro-Hungarian / Fischer cnd

Civitas sancti tui also anthem 'Bow Thine ear, O Lord', motet for 5 voices SAT Bar or tenor B by Brown / Choir Of Clare College Cambridge

Symphony No. 4 In C Minor, Op. 43: II. Moderato Con Moto (with Chicago Symphony Orchestra) by Cso / Haitink / Shostakovich

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Semiotics and Title Sequences: Text-Image Composites in Motion Graphics

Turns of Event: Nineteenth-Century American Literary Studies in Motion

Give Love on Christmas Day (with The Supremes/The Temptations (Motown)/Diana Ross) by Diana Ross / Supremes / Temptations

String Quartet No. 6 In G Major, Op. 101: II. Moderato Con Moto (with Rasumowsky Quartet) by Razumovsky Quartet

Fantasie On Motive From Beethoven's Ruinen Von Athen, S122/R454 (with Louis Lortie) by Liszt / Lortie / Pehlivanian / Resedentie Orch

Selig sind die Toten, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 391 (Op. 11/23) by Brahms / Gardiner / Monteverdi Choir / Schutz

Symphonic Dances, Op. 45 - No. 2: Symphonic Dances, Op. 45 - No. 2 Andante con moto (Tempo di valse) by Rachmaninoff

Symphony No.89 in F Major: II. Andante con moto (with Austro-Hungarian Haydn Orchestra) by Austro-Hungarian / Fischer cnd

Civitas sancti tui also anthem 'Bow Thine ear, O Lord', motet for 5 voices SAT Bar or tenor B by Brown / Choir Of Clare College Cambridge

Symphony No. 4 In C Minor, Op. 43: II. Moderato Con Moto (with Chicago Symphony Orchestra) by Cso / Haitink / Shostakovich