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Phillip McSween (751 KP) rated Chloe (2010) in Movies
Dec 3, 2019
Decent Beginning Then All Downhill
A woman struggling in her marriage hires a call girl to come on to her husband to see if he will cheat. If Chloe sounds like a recipe for disaster in real life, just wait until I dive into the movie! It’s not a complete failure, but it fails enough for me to highly recommend avoiding it.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
Acting: 9
Beginning: 7
All the players are introduced in the first ten minutes doing their respective jobs. You can tell the movie will be shrouded in a bit of mystery. I didn’t hate the way it started, but I was looking for a bit more originality.
Characters: 10
Chloe (Amanda Seyfried) is an intriguing character in and of herself. I was drawn to her and I couldn’t figure out why. Is she crazy? Misunderstood? Is she making everything up? What the hell is with this woman? The other characters are merely a moth to her flame. It’s not to say I didn’t like them, but they would fall flat without Chloe at the helm.
Cinematography/Visuals: 9
As you’re watching this movie, you definitely get the erotic thriller feel which I think is exactly what director Atom Egoyan is going for. There are certain scenes that seem to jump off the screen with sensuality and intrigue. It keeps your eyes rooted to the screen while little details are shot to keep you guessing.
Conflict: 7
Entertainment Value: 7
Memorability: 6
Pace: 6
Plot: 3
Remember my description in the opening paragraph? Yeah, it somehow manages to get even dumber than that. It’s a shame because I think the movie definitely could have been redeemed with a slightly better storyline.
Resolution: 5
Overall: 69
Going back over my notes for Chloe, I notice I have a lot of whats, whys, and hows. That’s usually not a good sign. Few loops were closed here which is a burden for a viewer already sitting through a wandering story. Close, but no cigar.
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BookwormMama14 (18 KP) rated The Secret of Pembrooke Park in Books
Jan 2, 2019
Mystery, murder, treasure and romance. All of which can be found in Julie Klassen’s most recent book, The Secret of Pembrooke Park. This book will have you turning pages until the wee hours of morning.
England, 1817, Abigail Foster and her family are in the midst of a financial crisis that could ruin them forever, when an offer to let Pembrooke Park is brought before them. The house has been vacant for almost 20 years, and there is a lot of clean up needed before they can move in, but the terms seem too good to be true. This is just the opportunity the Foster’s need so they can begin to rebuild their lives. Abigail and her father travel to the village of Caldwell to begin fixing up the property. It is not long before whispers and rumors make it to Abigail’s ears regarding the previous inhabitants. Whispers of treasure and murder and ghosts. What happened here so many years ago? Will Abigail be able to uncover the truth? Clues are found and mysterious letters are sent to Abigail from what appears to be someone who lived at Pembrooke Park. Does the miniature doll’s house hold the key to where the treasure was hidden? Abigail befriends the previous steward’s daughter, Leah Chapman, who has her own mysteries of the past that she is concealing. William Chapman, Leah’s sister and the local pastor, seems to become interested in Abigail, but will Miss Foster’s sister, Louisa sweep him off his feet as she does to every man she meets? And Mr. Chapman is not the only man that has taken an interest in Abigail. Truth, faith and love are the primary factors guiding our players. “Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt.”
I have not enjoyed a book so much as I enjoyed reading The Secret of Pembrooke Park. I stayed up late many a night reading when I should have been sleeping. Most definitely a page turner if I ever read one. I cannot praise Mrs. Klassen enough for her fine works. The historical accuracy, the depth, the feeling. Creative liberties are used in regards to classes intermingling, but that’s what makes her books so intriguing. The suspense and mystery was mild (compared to the thrillers my husband reads), but it was enough to make my head turn at the sounds of my own house creaking in the night. I am looking forward to her next release. I told my husband that I want the rest of Julie Klassen’s books for Christmas this year!
As a part of their blogger review program, I received a free copy of The Secret of Pembrooke Park from Bethany House Publishers. All opinions expressed are mine alone.
England, 1817, Abigail Foster and her family are in the midst of a financial crisis that could ruin them forever, when an offer to let Pembrooke Park is brought before them. The house has been vacant for almost 20 years, and there is a lot of clean up needed before they can move in, but the terms seem too good to be true. This is just the opportunity the Foster’s need so they can begin to rebuild their lives. Abigail and her father travel to the village of Caldwell to begin fixing up the property. It is not long before whispers and rumors make it to Abigail’s ears regarding the previous inhabitants. Whispers of treasure and murder and ghosts. What happened here so many years ago? Will Abigail be able to uncover the truth? Clues are found and mysterious letters are sent to Abigail from what appears to be someone who lived at Pembrooke Park. Does the miniature doll’s house hold the key to where the treasure was hidden? Abigail befriends the previous steward’s daughter, Leah Chapman, who has her own mysteries of the past that she is concealing. William Chapman, Leah’s sister and the local pastor, seems to become interested in Abigail, but will Miss Foster’s sister, Louisa sweep him off his feet as she does to every man she meets? And Mr. Chapman is not the only man that has taken an interest in Abigail. Truth, faith and love are the primary factors guiding our players. “Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt.”
I have not enjoyed a book so much as I enjoyed reading The Secret of Pembrooke Park. I stayed up late many a night reading when I should have been sleeping. Most definitely a page turner if I ever read one. I cannot praise Mrs. Klassen enough for her fine works. The historical accuracy, the depth, the feeling. Creative liberties are used in regards to classes intermingling, but that’s what makes her books so intriguing. The suspense and mystery was mild (compared to the thrillers my husband reads), but it was enough to make my head turn at the sounds of my own house creaking in the night. I am looking forward to her next release. I told my husband that I want the rest of Julie Klassen’s books for Christmas this year!
As a part of their blogger review program, I received a free copy of The Secret of Pembrooke Park from Bethany House Publishers. All opinions expressed are mine alone.
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Phillip McSween (751 KP) rated Lost In Translation (2003) in Movies
May 13, 2018
Solid Film
When a famous actor hops over to Tokyo to shoot a commercial, he meets a young woman that fills an empty void in his life.
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Bob Mann (459 KP) rated The Commuter (2018) in Movies
Sep 29, 2021
“This train is freaking me out”.
“The Commuter” is not a good film. You know that I’m not a prude about action films: “Die Hard” is one of my all time favourites and I even gave this actor/director combo’s previous outing – “Non-Stop” – a rather generous three Fads. But like many of my commutes, this is a hundred minutes of life that I won’t get back again.
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!