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Mark @ Carstairs Considers (2310 KP) rated Murder from Scratch in Books
Apr 11, 2019
Sally Must Look Closely to Find a Killer
Sally Solari gets the news from her father that her distant cousin Jackie has died of a drug overdose. While Sally is sad, she and Jackie weren’t close – in fact, they hadn’t spoken in years and she hadn’t met Evelyn, Jackie’s twenty-year-old daughter, who happens to be blind. Evelyn was still living with her mom, and she can’t face trying to live in the house alone right away, so she winds up moving into Sally’s spare room for a little while. The two women hit it off, and are soon plotting home cooked meals and plans for Evelyn’s twenty-first birthday.
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
Kristy H (1252 KP) rated The Raven King in Books
Feb 1, 2018
The fourth and final book in Stiefvater's "Raven Cycle" series picks up shortly after the third. Obviously, if you haven't read the three previous books, you should, and you shouldn't continue reading this review, as there will be spoilers. Gansey, of course, is still after the elusive Glendower, a buried king whom he believes will change his life. Blue, daughter of a psychic, is not-psychic, but still an amplifier of those who are, and still destined to kill her true love upon their first kiss. The pair--now in love--are joined by their usual gang: Ronan Lynch, dreamer of all things magical; Adam, a survivor, who is tied to the magical forest of Cabeswater in mysterious ways; Noah, who is dead; Maura, Blue's mother; and many more. In fact, we gain several more characters in this final installment, namely far more involvement from fellow Aglionby Academy student, Henry. Together, this group is focusing on the frenzied search to find Gansey's beloved king.
I'm not really even sure what I can say about this book. This whole series is amazing and crazy. I need to re-read all four books at some point, now that all are released. This novel actually started out a bit slow for me. It was, as weird as it sounds, almost a bit too fantastical, filled with almost too bizarre magic and plot. However, as things continued to unfold, pieces fell into place, and I was consumed by the story and its characters, per usual. Overall, I found this a fitting end to a beloved series. I will insert a caveat that it doesn't tie up loose ends for some of the ancillary characters and some pieces may leave you a bit befuddled. But some of the magic of these books is that everything doesn't make sense to the characters, so I give it a pass when it doesn't all make sense to us as well. I'd recommend the series-- it's an amazing trip to another world, and I certainly have grown to love the characters. I'll miss them!
I'm not really even sure what I can say about this book. This whole series is amazing and crazy. I need to re-read all four books at some point, now that all are released. This novel actually started out a bit slow for me. It was, as weird as it sounds, almost a bit too fantastical, filled with almost too bizarre magic and plot. However, as things continued to unfold, pieces fell into place, and I was consumed by the story and its characters, per usual. Overall, I found this a fitting end to a beloved series. I will insert a caveat that it doesn't tie up loose ends for some of the ancillary characters and some pieces may leave you a bit befuddled. But some of the magic of these books is that everything doesn't make sense to the characters, so I give it a pass when it doesn't all make sense to us as well. I'd recommend the series-- it's an amazing trip to another world, and I certainly have grown to love the characters. I'll miss them!
Kristy H (1252 KP) rated The Word Game in Books
Feb 13, 2018
Due to a traumatic event in her past, mom Alyson Ward keeps a protective and close watch over her ten-year-old daughter, Lyla. So when she allows Lyla to go on her first sleepover--to another friend's house--it's a big deal for Aly. Her fears are somewhat calmed by the fact that Lyla will be staying with Aly's sister Tricia and a group of her friends from dance class. All in all, it seems like a fun sleepover. But after Aly picks Lyla up, she has some troubling things to tell her Mom. Have Aly's worst fears come true after all?
This book was a quick read with a timely plot. It's always horrific to read about abuse, especially at it relates to children. In many ways, I would have enjoyed this book more if Aly was simply an overprotective parent and the story unfolded based on what happened at the sleepover, without involving Aly and Tricia's past. The novel unwinds from both their perspectives, as well as that of their mother, Ida, and their friend, Myah, who teaches the girls' dance class. For me, the messed up family tale involving Aly, Tricia, and Ida simply became too much after a while - the constant bickering and allusions "to things in the past." When all is revealed, it's shocking and horrible yes, but really just poorly overshadows what was otherwise a fairly well-written and interesting (albeit sad and horrific) story about the women's daughters.
Also, while we get a lot of arguing among the elder sisters and their mom, and whispers about their troublesome upbringing and childhood, there's no real character development, so I wound up feeling more annoyed by them (especially Tricia and her mom) versus sympathetic. It seems especially appalling that no one listens to Aly -- you'd think one would rather be safe than sorry when the subject is potential child abuse.
I'm giving this three stars for the story that focuses more on the younger generation and Myah, but feel the book needed to better deal with Alyson and Tricia's backstory and character development.
This book was a quick read with a timely plot. It's always horrific to read about abuse, especially at it relates to children. In many ways, I would have enjoyed this book more if Aly was simply an overprotective parent and the story unfolded based on what happened at the sleepover, without involving Aly and Tricia's past. The novel unwinds from both their perspectives, as well as that of their mother, Ida, and their friend, Myah, who teaches the girls' dance class. For me, the messed up family tale involving Aly, Tricia, and Ida simply became too much after a while - the constant bickering and allusions "to things in the past." When all is revealed, it's shocking and horrible yes, but really just poorly overshadows what was otherwise a fairly well-written and interesting (albeit sad and horrific) story about the women's daughters.
Also, while we get a lot of arguing among the elder sisters and their mom, and whispers about their troublesome upbringing and childhood, there's no real character development, so I wound up feeling more annoyed by them (especially Tricia and her mom) versus sympathetic. It seems especially appalling that no one listens to Aly -- you'd think one would rather be safe than sorry when the subject is potential child abuse.
I'm giving this three stars for the story that focuses more on the younger generation and Myah, but feel the book needed to better deal with Alyson and Tricia's backstory and character development.
Carma (21 KP) rated Bayside Heat (Bayside Summers, #3) in Books
Jun 17, 2019
Bayside Heat is book 3 in the Love in Bloom: Bayside Summers series. It was a wonderful love story from Melissa Foster earning 4.5 stars from this reviewer.
Drake Savage and Serena Mallery have known each other since they were children. Serena and her sister spent many days and nights with the Savage family, their daughter Mira and sons Drake and Rick. Serena and Mira are best friends and Serena has had a crush on Drake since she was a teenager.
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Drake has had a crush on Serena since she asked him to sing a duet with her one summer long ago. He knew he couldnt hold her back from whatever dreams she was meant to accomplish so he had to be satisfied with having her as his best friend. Keeping her close without getting close was torture.
Serena and Drake work together at his family resort but when her dream designer job becomes available in Boston she realizes it is now or never to put her feelings on the table where Drake is concerned.
Drake realizes that he is about to lose the one person who knows him better than anyone else. He knows he cant make her choose him over Boston but also knows he cant live without her. He confesses his feelings and finds out she feels the same way.
Drake and Serena make their new long distance relationship work as well as they can. They travel the 2 hour drive back and forth to each other each chance they get but life gets in the way more than once. Serena finds herself questioning her decision to leave but not wanting to end up like her mother (following men around).
Serena and Drake each find that the one thing they want more than anything is to be together, but can they find a way to survive together in their new worlds?
I have read a few books by Ms Foster by now and this one keeps with the good love stories Ive come to expect from her. I received an advance copy without expectations for review; any opinions expressed are my own. Not having read the first 2 in this series has my TBR list growing by two.
Drake Savage and Serena Mallery have known each other since they were children. Serena and her sister spent many days and nights with the Savage family, their daughter Mira and sons Drake and Rick. Serena and Mira are best friends and Serena has had a crush on Drake since she was a teenager.
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Drake has had a crush on Serena since she asked him to sing a duet with her one summer long ago. He knew he couldnt hold her back from whatever dreams she was meant to accomplish so he had to be satisfied with having her as his best friend. Keeping her close without getting close was torture.
Serena and Drake work together at his family resort but when her dream designer job becomes available in Boston she realizes it is now or never to put her feelings on the table where Drake is concerned.
Drake realizes that he is about to lose the one person who knows him better than anyone else. He knows he cant make her choose him over Boston but also knows he cant live without her. He confesses his feelings and finds out she feels the same way.
Drake and Serena make their new long distance relationship work as well as they can. They travel the 2 hour drive back and forth to each other each chance they get but life gets in the way more than once. Serena finds herself questioning her decision to leave but not wanting to end up like her mother (following men around).
Serena and Drake each find that the one thing they want more than anything is to be together, but can they find a way to survive together in their new worlds?
I have read a few books by Ms Foster by now and this one keeps with the good love stories Ive come to expect from her. I received an advance copy without expectations for review; any opinions expressed are my own. Not having read the first 2 in this series has my TBR list growing by two.
JT (287 KP) rated Fractured (2019) in Movies
Mar 10, 2020
I went into this without expecting much. More often than not Netflix originals fall flat. I can’t understand why, given the amount of money that the streaming service has behind them? While their original TV series’ are bingewatched, their original films just don’t seem to get the high praise – until now.
Ray Monroe (Sam Worthington) and his wife Joanne (Lily Rabe) are driving back from Thanksgiving with Joanne’s parents, by all accounts it didn’t go well as the pair bicker over cold turkey and the dirty looks Ray receives from Joanne’s mother. Oblivious to their low key argument is daughter Peri (Lucy Capri), sat in the back seat. When the trio makes a pit stop at a local gas station Peri is injured in a fall and Ray takes her to the local hospital to get help. What results is a Hitchkoiam style thriller with several clever twists and turns that will leave you constantly second-guessing yourself.
Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge
Ray has a troubled past. At the gas station, he purchases miniature bottles of alcohol rather than the batteries needed for Peri’s music player. He’s dealing with a number of issues that invlude trying to save his rocky marraige and escape a past that keeps coming back to haunt him. Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge.
As the drama and tension unfolds we start to wonder whether or not Ray has actually lost it? We are swayed one way to the next, settling on a likely outcome but then changing our minds mid way through. Is the hospital hiding something? To go into any more detail would give it away but it’s safe to say that in my humble opion this is one the best thrillers I have seen for some time.
Ray Monroe (Sam Worthington) and his wife Joanne (Lily Rabe) are driving back from Thanksgiving with Joanne’s parents, by all accounts it didn’t go well as the pair bicker over cold turkey and the dirty looks Ray receives from Joanne’s mother. Oblivious to their low key argument is daughter Peri (Lucy Capri), sat in the back seat. When the trio makes a pit stop at a local gas station Peri is injured in a fall and Ray takes her to the local hospital to get help. What results is a Hitchkoiam style thriller with several clever twists and turns that will leave you constantly second-guessing yourself.
Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge
Ray has a troubled past. At the gas station, he purchases miniature bottles of alcohol rather than the batteries needed for Peri’s music player. He’s dealing with a number of issues that invlude trying to save his rocky marraige and escape a past that keeps coming back to haunt him. Worthington is a hit and miss actor, but here actually stands up on his own two feet and delivers a solid performance as a desperate father and husband pushed to the edge.
As the drama and tension unfolds we start to wonder whether or not Ray has actually lost it? We are swayed one way to the next, settling on a likely outcome but then changing our minds mid way through. Is the hospital hiding something? To go into any more detail would give it away but it’s safe to say that in my humble opion this is one the best thrillers I have seen for some time.
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
Gareth von Kallenbach (980 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Gareth von Kallenbach (980 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
The Historian
9.2
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What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the...