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Gareth von Kallenbach (980 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Gareth von Kallenbach (980 KP) rated Carrie (2013) in Movies
Aug 6, 2019
If you’ve got a taste for terror…take Carrie to the Prom.”
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Chloe Grace Moretz plays Carrie, an extremely shy outcast who is bullied by her peers for being “strange” and “different”. Her mother Margaret White (Julian Moore) is an overprotective and a religious extremist who uses her strange beliefs in the form of abuse on her daughter Carrie. Like all teens, Carrie would very much like to be normal and fit in. Her mothers crazy religious beliefs keeps her from teaching Carrie the basics of becoming a woman in the hopes that she will be kept “pure”.
The schools gym teacher Mrs Desjardin (Judy Greer) takes a liking to Carrie and tries to keep her protected from popular mean girls, Chris Hargenson (Portia Doubleday) who is the “leader of the pack” and Sue Snell (Gabrielle Wilde). Sue soon regrets her actions towards Carrie and though Chris does not, Sue devises a plan to be able to make it up to Carrie. Sue asks her boyfriend Tommy Ross (Ansel Elgort) to do her a favor by taking Carrie to the prom and showing her a magical night. When Carrie is pushed too far by her peers she unleashes telekinetic powers over all who have hurt her.
Most fans of horror know all too well about Carrie. This could be the fact that the film itself has been reimagined twice . The 1976 version won an Oscar Nomination for Sissy Spacek and Piper Laurie. It was well deserved then and may be well deserved now for the young Chloe who has been making great strides in her acting career since the Amityvile horror. She does a great job at embodying the archetypal superhero kind of character. Julian Moore is perfect in the role of Carrie’s mom, adding more creepiness to the character. This adaption by director Kimberly Pierce (Stop Loss, Boys Don’t Cry) is kept closer to Mr. King’s novel. Pierce makes the audience fall in love with Carrie and wants to see her succeed in her power and in herself.
Though the movie stays closer to the novel it still doesn’t stray far from it’s two predecessors. Pierce’ is my preferred version as she uses more modern effects and we can now visually see Carrie’s powers come to life instead of just burrowing eyes hinting towards powers that are being used. This film is perfect for any horror fan and those that like a great vengeful story about a girl who wanted to just be normal.
Eaglewood Pavilion
Book
The two stories in this collection of Chinese stories are related to the life of people living in...
Kristy H (1252 KP) rated Summer of '69 in Books
Aug 23, 2019
Every year Kate Levin and her family spend the summer on Nantucket with Kate's mother, Exalta. But this summer is different. Kate's eldest, Blair, 24, is now married to a MIT professor named Angus Whalen and they're expecting their first baby in August. As such, Blair won't be on Nantucket this summer. Middle sister, Kirby, is a junior in college and spending the summer on Martha's Vineyard. Her only son, Tiger, recently deployed to Vietnam, which has left Kate feeling completely panicked and lost. Only her youngest, thirteen-year-old, Jessie, makes the trip. But without her siblings, Jessie feels overlooked and ignored. It's the historic summer of '69--and Levin family will have some memorable experiences of their own, too.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
I just love Elin Hilderbrand's books and this was a really fun one. It didn't feel that much like "historical fiction," despite the 1969 setting, but it was fascinating to get a glimpse of how the late 1960s affected the family and their decisions--especially the females. The time period affects each woman, even Jessie, in their own way. Mom Kate was a tough one to love, at times, ignoring her poor daughter and moaning about Tiger and her own past. But, man, Hilderbrand just comes up with the best family dynamics. She sets an amazing scene, aided by her beloved Nantucket, and before you know it, you are there with her characters, immersed in their drama and daily lives.
For me, the star of this one was young Jessie. I loved how much of the book revolved around her--the points of view vary, but we hear from her a lot, and I couldn't help but love the kid. Nothing like growing up with a slightly absent mom, domineering grandmother, and a bunch of way older siblings, one of whom is at war. She was a breath of fresh air, and of course, Hilderbrand wrote from a teenage point of view perfectly. She gives all Kate's daughters their own unique voice, and it's amazing how each character stands out easily as distinct from one another.
This is not "simply" a tale of a family over a summer, it's captivating and engaging look at a family shaped by historical and domestic circumstances. I certainly enjoyed this novel and would definitely recommend it. I usually shy away from historical fiction, but I found it quite interesting--great characters and family dynamics as always from our summer novel queen. 4 stars.
Unsheltered
7.0
Rate It
Book
(via goodreads.com) The New York Times bestselling author of Flight Behavior, The Lacuna, and The...
Debbiereadsbook (1197 KP) rated Wisdom Check (Dungeons and Dating #2) in Books
Jan 20, 2022
loved that we are past the getting to know you stage!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Dungeons and Dating series, but it can be read as a stand-alone. I would say read book one, Strength Check, as a personal recommendation though! I loved that book!
As I did this one!
We hear about Caleb's divorce in book one, and here, it's all signed on the dotted line, and Sarah has moved out. He has Kaylee, his 2 year old daughter for a week at a time. Julian has crushed on Cal since the very beginning, calling him handsome. But Cal is hurting, and Jules is carrying the weight of his family on his shoulders.
I loved this, I really did.
Jules and Cal have been friends for a year, so there was none of the getting to know you stuff and I really liked that! The story jumps straight in.
Jules has lusted over Cal for all that time, but its really only NOW that Cal is noticing Jules, and I loved that he does wait. Granted. it isn't long after his divorce that he and Jules start something, but he does wait.
Jules carries a lot of weight on his shoulders. You can feel the weight of it pressing him down. It takes a health scare for his youngest brother for Jules to finally break down and get it all out: what he feels for his deceased mother, and his feelings for having to wait to fulfil his own dreams.
I loved that both Jules and Cal thought that this could be something big between them, but both of them had been hurt before.
I did NOT like Cal's ex-wife and how nasty she gets! But she really does get it back, once Cal and Jules get their act together!
Loved that Rox and Mel play a part here, and I loved all the supporting cast too.
Mason and Hunter are next and I look forward to reading their story, especially after the clues that are thrown about here!
But does Jasper get a story, Ms McIntyre?? Does he?? Puleeeeeeeeze say he does! Given as he professes to be a serial one-night-stand-er, it would be fun watching him fall, cos that boy will fall hard, I can just see it!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Dungeons and Dating series, but it can be read as a stand-alone. I would say read book one, Strength Check, as a personal recommendation though! I loved that book!
As I did this one!
We hear about Caleb's divorce in book one, and here, it's all signed on the dotted line, and Sarah has moved out. He has Kaylee, his 2 year old daughter for a week at a time. Julian has crushed on Cal since the very beginning, calling him handsome. But Cal is hurting, and Jules is carrying the weight of his family on his shoulders.
I loved this, I really did.
Jules and Cal have been friends for a year, so there was none of the getting to know you stuff and I really liked that! The story jumps straight in.
Jules has lusted over Cal for all that time, but its really only NOW that Cal is noticing Jules, and I loved that he does wait. Granted. it isn't long after his divorce that he and Jules start something, but he does wait.
Jules carries a lot of weight on his shoulders. You can feel the weight of it pressing him down. It takes a health scare for his youngest brother for Jules to finally break down and get it all out: what he feels for his deceased mother, and his feelings for having to wait to fulfil his own dreams.
I loved that both Jules and Cal thought that this could be something big between them, but both of them had been hurt before.
I did NOT like Cal's ex-wife and how nasty she gets! But she really does get it back, once Cal and Jules get their act together!
Loved that Rox and Mel play a part here, and I loved all the supporting cast too.
Mason and Hunter are next and I look forward to reading their story, especially after the clues that are thrown about here!
But does Jasper get a story, Ms McIntyre?? Does he?? Puleeeeeeeeze say he does! Given as he professes to be a serial one-night-stand-er, it would be fun watching him fall, cos that boy will fall hard, I can just see it!
5 full and shiny stars
*same worded review will appear elsewhere
Bob Mann (459 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 28, 2021
A fantasy that’s glossy and beautiful to look at.
Before the heavyweight juggernaut of “Mary Poppins Returns” arrives at Christmas, here’s another Disney live action feature to get everyone in the festive spirit.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
Lee (2222 KP) rated The Mule (2018) in Movies
Jan 29, 2019 (Updated Jan 29, 2019)
A simple, enjoyable story
It appears there's just no stopping Clint Eastwood. Not only does he star in The Mule, a movie 'inspired by a true story', but he's also on producing and directing duties too. Just when you think you've seen him in his last ever role, he's back, 88 years old and still going strong!
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Darren (1599 KP) rated Parasite (2019) in Movies
Dec 2, 2019
Verdict: Astonishing
Story: Parasite starts as we meet the Kim family, all unemployed, with father Ki-taek (Kang Ho), mother Chung-sook (Hye-jin) and adult children, former military service Ki-woo (Woo-sik) and genius computer wizard Ki-jung (So-dam), they take simple jobs like folding pizza boxes, until Ki-woo gets pushed into taking a tutoring job for the Park family, teaching Da-hye (Ji-so) English.
Soon after Ki-woo gets a job for the family, the Park family businessman Dong Ik (Sun-kyun) his wife Yeon-kyo (Yeo-Jeong) fill the roles of their trusted staff with Ki-woo’s family as they get themselves secure well paying jobs, but not everything is as it seems with the house.
Thoughts on Parasite
Characters – Ki-taek Kim is the father of the unemployed family, he has always looked out for his family, while they search for their next meal, once the job opens up for him, he becomes the driver, proving to be a model employee. Ki-woo gets the first job as a tutor for the daughter in the family, he sees this as a chance to get to university, where he makes the plan for the family to get the extra jobs. Ki-jung is the daughter of the family that will become an art therapist for the family, while Chung-sook takes over the house as the maid. This family shows the poverty a family can be experiencing and just how far they would go to try and get out of it. The Park family has businessman Dong-ik who has always been patient with people, letting his wife do the hardest decisions in life, while supporting her always. Yeon-kyo is the wife that deals with the everyday routines in the house, she will do everything she needs to with the people she trusts, even if this does mean she can be taken advantage of.
Performances – We have incredible performances from the whole cast here Song Kang-ho in the leading role shines beyond belief in one of the performances of the year. Lee Sun-kyun and Jo Yeo-jeong give us wonderful supporting roles, with Choi Woo-sik, Park So-dam and Jang Hye-jin shining like the rest of the cast which is flawless throughout the film.
Story – The story here follows a poverty family that luck and con their way into secure jobs for one family, only to see everything spiral out of control in a story that highlights the lines between the rich and poor. This story is one of the most fascinating ones of the year, it does seem like it is going to be a simple enough story, but when everything goes out of control we get to see threads of the story unravel in every directions, see the highlights placed on the rich and poor divide, slowly chipping away at the poorer side of the family, as well as having the other incident going on (which does include too bigger spoilers). Much like ‘Shoplifters’ we see just how hopeless people can feel when they have no realistic future because money they can’t earn can’t give them an out. This is a perfect highlight of how to bring an original story to life, where the audience will be left to ponder what will happen next.
Comedy – The film is set up like a comedy which at times does work, with just how crazy certain moments are, though it doesn’t fall into a laugh out loud comedy.
Settings – The film uses the settings excellently, with the poverty sized house the family can barely not have some drunk piss on the window, to the wealthy businessman who has earnt his way to the top, the difference in lifestyle is drastic with the locations almost being a character of their own.
Scene of the Movie – Party time.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is one of the most amazing films you will see this year, it will shock you and give us an important message about the clash system in the world.
Overall: Essential Movie.
Story: Parasite starts as we meet the Kim family, all unemployed, with father Ki-taek (Kang Ho), mother Chung-sook (Hye-jin) and adult children, former military service Ki-woo (Woo-sik) and genius computer wizard Ki-jung (So-dam), they take simple jobs like folding pizza boxes, until Ki-woo gets pushed into taking a tutoring job for the Park family, teaching Da-hye (Ji-so) English.
Soon after Ki-woo gets a job for the family, the Park family businessman Dong Ik (Sun-kyun) his wife Yeon-kyo (Yeo-Jeong) fill the roles of their trusted staff with Ki-woo’s family as they get themselves secure well paying jobs, but not everything is as it seems with the house.
Thoughts on Parasite
Characters – Ki-taek Kim is the father of the unemployed family, he has always looked out for his family, while they search for their next meal, once the job opens up for him, he becomes the driver, proving to be a model employee. Ki-woo gets the first job as a tutor for the daughter in the family, he sees this as a chance to get to university, where he makes the plan for the family to get the extra jobs. Ki-jung is the daughter of the family that will become an art therapist for the family, while Chung-sook takes over the house as the maid. This family shows the poverty a family can be experiencing and just how far they would go to try and get out of it. The Park family has businessman Dong-ik who has always been patient with people, letting his wife do the hardest decisions in life, while supporting her always. Yeon-kyo is the wife that deals with the everyday routines in the house, she will do everything she needs to with the people she trusts, even if this does mean she can be taken advantage of.
Performances – We have incredible performances from the whole cast here Song Kang-ho in the leading role shines beyond belief in one of the performances of the year. Lee Sun-kyun and Jo Yeo-jeong give us wonderful supporting roles, with Choi Woo-sik, Park So-dam and Jang Hye-jin shining like the rest of the cast which is flawless throughout the film.
Story – The story here follows a poverty family that luck and con their way into secure jobs for one family, only to see everything spiral out of control in a story that highlights the lines between the rich and poor. This story is one of the most fascinating ones of the year, it does seem like it is going to be a simple enough story, but when everything goes out of control we get to see threads of the story unravel in every directions, see the highlights placed on the rich and poor divide, slowly chipping away at the poorer side of the family, as well as having the other incident going on (which does include too bigger spoilers). Much like ‘Shoplifters’ we see just how hopeless people can feel when they have no realistic future because money they can’t earn can’t give them an out. This is a perfect highlight of how to bring an original story to life, where the audience will be left to ponder what will happen next.
Comedy – The film is set up like a comedy which at times does work, with just how crazy certain moments are, though it doesn’t fall into a laugh out loud comedy.
Settings – The film uses the settings excellently, with the poverty sized house the family can barely not have some drunk piss on the window, to the wealthy businessman who has earnt his way to the top, the difference in lifestyle is drastic with the locations almost being a character of their own.
Scene of the Movie – Party time.
That Moment That Annoyed Me – Nothing.
Final Thoughts – This is one of the most amazing films you will see this year, it will shock you and give us an important message about the clash system in the world.
Overall: Essential Movie.
The Vicious & The Virile VII: Seven Freaky Stories for Adults
Book
A collection of short horror stories, The Vicious and The Virile VII offers a captivating...
Dark Fantasy Short Story Collection