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House of Names
9.0
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They cut her hair before they dragged her to the place of sacrifice. Her mouth was gagged to stop...
Fiction
Tear Me Apart
7.5
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The follow-up to her critically acclaimed Lie to Me, J.T. Ellison’s Tear Me Apart is the powerful...
thriller mystery fiction
The Witches of Vardø
10.0
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They will have justice. They will show their power. They will not burn. Norway, 1662. A dangerous...
Historical fiction Witchcraft Witch trials Trigger warning: violence towards women
The Dartington Bride (Daughters of Devon #2)
Book
1571, and the beautiful, headstrong daughter of a French Count marries the son of the Vice Admiral...
Historical Fiction Devon Elizabethan French Wars of Religion Daughters of Devon Series
ClareR (6054 KP) rated The Wren, The Wren in Books
Jul 20, 2024
This is a beautiful story of 3 generations of women, all affected by the same man: poet Phil McDaragh. They have very different relationships with him. Carmel is his daughter and when he leaves the family, it’s up to Carmel and her sister to care for their mother with terminal cancer. Carmel loves her father, but is conflicted with their abandonment And how what he writes in his poems is at odds with the way he treated them.
Carmel’s daughter Nell, a Trinity College graduate, discovers just how difficult life is without her mothers help when she strikes out on her own. She meets a man who is abusive towards her.
This is a story that highlights multi-generational family trauma, and probably why both Carmel and Nell have such poor relationships with men. Running alongside this, is the love these women have for one another.
I get that not everyone will like this novel, but I’ve read two of Enright’s novels now and really enjoyed both of them. I read this as a part of the Women’s Prize shortlist, and whilst I realise they can’t all win, The Wren, The Wren really did deserve to be on that list.
Recommended.
Carmel’s daughter Nell, a Trinity College graduate, discovers just how difficult life is without her mothers help when she strikes out on her own. She meets a man who is abusive towards her.
This is a story that highlights multi-generational family trauma, and probably why both Carmel and Nell have such poor relationships with men. Running alongside this, is the love these women have for one another.
I get that not everyone will like this novel, but I’ve read two of Enright’s novels now and really enjoyed both of them. I read this as a part of the Women’s Prize shortlist, and whilst I realise they can’t all win, The Wren, The Wren really did deserve to be on that list.
Recommended.
Whatchareadin (174 KP) rated Boy, Snow, Bird in Books
May 10, 2018
A girl named Boy, a girl named Snow and a girl named Bird. Three unique names for three unique individuals. It's 1953 and Boy is living in New York, the daughter of a rat catcher. She has never known her mother. Boy "was a girl with a white-blonde pigtail hanging down over one shoulder..." When life with her father got to be too much, she packed her stuff and moved to the farthest place she could get on the bus, Flax Hill, CT.
Quickly, Boy made friends and met a man, Arturo Whitman. Arturo has a daughter named Snow, who the whole town adored. Shortly after Arturo and Boy are married, she becomes pregnant. When she gives birth to her daughter, Bird, the Whitman family secrets soon come to light.
There is an underlying theme in this book with mirrors. The women claim that they do not "see" themselves in them. Is it because they are ghosts? Or is it that their family secrets run so deep that they find it hard to see themselves as they really are?
This book reminded me of books I had to read for school. I enjoyed the storyline as a whole, but reading it, I felt as though there were questions I was supposed to be searching the answers for instead of just enjoying the book. There are so many secrets throughout the entire book with the biggest secret coming at the end. Told in three sections by Boy, Bird, and then Boy again, this is very interesting story about race in the north in the 50's and 60's.
Quickly, Boy made friends and met a man, Arturo Whitman. Arturo has a daughter named Snow, who the whole town adored. Shortly after Arturo and Boy are married, she becomes pregnant. When she gives birth to her daughter, Bird, the Whitman family secrets soon come to light.
There is an underlying theme in this book with mirrors. The women claim that they do not "see" themselves in them. Is it because they are ghosts? Or is it that their family secrets run so deep that they find it hard to see themselves as they really are?
This book reminded me of books I had to read for school. I enjoyed the storyline as a whole, but reading it, I felt as though there were questions I was supposed to be searching the answers for instead of just enjoying the book. There are so many secrets throughout the entire book with the biggest secret coming at the end. Told in three sections by Boy, Bird, and then Boy again, this is very interesting story about race in the north in the 50's and 60's.
Whatchareadin (174 KP) rated Boy, Snow, Bird in Books
Apr 3, 2019
A girl named Boy, a girl named Snow and a girl named Bird. Three unique names for three unique individuals. It's 1953 and Boy is living in New York, the daughter of a rat catcher. She has never known her mother. Boy "was a girl with a white-blonde pigtail hanging down over one shoulder..." When life with her father got to be too much, she packed her stuff and moved to the farthest place she could get on the bus, Flax Hill, CT.
Quickly, Boy made friends and met a man, Arturo Whitman. Arturo has a daughter named Snow, who the whole town adored. Shortly after Arturo and Boy are married, she becomes pregnant. When she gives birth to her daughter, Bird, the Whitman family secrets soon come to light.
There is an underlying theme in this book with mirrors. The women claim that they do not "see" themselves in them. Is it because they are ghosts? Or is it that their family secrets run so deep that they find it hard to see themselves as they really are?
This book reminded me of books I had to read for school. I enjoyed the storyline as a whole, but reading it, I felt as though there were questions I was supposed to be searching the answers for instead of just enjoying the book. There are so many secrets throughout the entire book with the biggest secret coming at the end. Told in three sections by Boy, Bird, and then Boy again, this is very interesting story about race in the north in the 50's and 60's.
Quickly, Boy made friends and met a man, Arturo Whitman. Arturo has a daughter named Snow, who the whole town adored. Shortly after Arturo and Boy are married, she becomes pregnant. When she gives birth to her daughter, Bird, the Whitman family secrets soon come to light.
There is an underlying theme in this book with mirrors. The women claim that they do not "see" themselves in them. Is it because they are ghosts? Or is it that their family secrets run so deep that they find it hard to see themselves as they really are?
This book reminded me of books I had to read for school. I enjoyed the storyline as a whole, but reading it, I felt as though there were questions I was supposed to be searching the answers for instead of just enjoying the book. There are so many secrets throughout the entire book with the biggest secret coming at the end. Told in three sections by Boy, Bird, and then Boy again, this is very interesting story about race in the north in the 50's and 60's.
Lee (2222 KP) rated A Monster Calls (2016) in Movies
Jul 26, 2017
A Monster Calls is based on an idea by writer and activist Siobhan Dowd, who sadly died from cancer in 2007 before she could develop her story to print. Her ideas were developed into a book by Patrick Ness in 2011 and illustrated by Jim Kay where it went on to receive a number of childrens literary awards.
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
The story is set in a very dreary looking England and features a boy called Conor struggling to cope with his mother’s terminal cancer. His father is divorced from his mother and is living in the States with his new family. He’s bullied at school and he’s troubled by nightmares. And then he starts being visited at night by a monster who tells him 3 stories. It’s a bleak tale about the harshness of life, and I was kind of worried about how my 11 year old daughter might take to it when she said she wanted to see it with me.
J.A.Bayona, director of The Orphanage, handles the subject matter well, showing us how a child’s fantasy can make sense of the world and their feelings. The stories told by the monster occur over a number of days and are beautifully depicted in watercolour animation. Each one providing its own lesson to be learned in life. Liam Neeson is the monster, the large yew tree that Conor can see from his bedroom window, giving his best Aslan voice. Felicity Jones is the mother, gradually dying as each cancer drug fails. Sigourney Weaver is the grandmother who Conor reluctantly goes to stay with while his mother is receiving treatment.
The monster itself, the great yew tree, is a real triumph. Beautifully rendered and realistically interacting with its surroundings. When you consider the films meagre budget of 43 million dollars, it’s breathtaking what they’ve managed to achieve.
As expected, the movie really packs a punch with barely any humour or lightheartedness. There are times it’s a little too slow and gloomy, but it’s hard hitting thought provoking and intense. I don’t mind admitting that both me and my daughter found ourselves in tears towards the end too. Along with most of the cinema!
Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.