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Amanda (96 KP) rated Little Fires Everywhere in Books
Mar 21, 2019
I was so close to putting this book on my DNF list. The beginning of it was SO slow that I found myself spacing out and then remembering that I was listening to a book.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
Obviously, I'm writing a review on it, so of course, I DID NOT put it on my DNF list. It took quite a few chapters (roughly five I think) to really get into the story and by then, I was completely hooked.
There are several stories going on.
The Richardsons rent out a house to a single mother, Mia Warren with her daughter Pearl. The Richardsons are friends with another family who are in the process of adopting a Chinese-American baby, but the process is paused when the mother comes forward wanting her daughter back. The husband, Mr. Richardson, is a lawyer representing the family who want to keep the baby and Mrs. Richardson basically tries to do some investigating of her own, including finding out things about her tenants past and what she has done to cause this drama for her best friends.
The theme of it all centers around a baby. Not just one baby, but that's the whole premise of the story.
One family wants to adopt the Chinese baby they renamed Mirabelle (I'm sorry, but I really don't like that name, or the reason WHY they changed it) and then the mother coming forward wanting her baby back. Now, the mother left her baby at a fire house cause she was not the right state to take care of her. If someone hadn't tipped her off as to where her baby was, then maybe this whole thing could have been avoided.
I struggled with not yelling at when the woman says the family is stealing her baby. No, they are not. They adopted her when she was left at a fire house. That is a thing that women in her state CAN do. If they cannot afford resources available (cost wise) they can leave their baby with a hospital or a fire house no questions asked. That also means that you give up parental rights. Granted, there should be some sort of grace period, but you cannot say this family stole your baby, because they didn't!
One teenager in the story finds out she's pregnant from her boyfriend and I just cannot fathom her snobby naivete attitude. She swoons over Mirabelle because she's so cute. I'll give you that, babies are cute. But then she starts to fantasize that her and her also teenage boyfriend could work it out and their parents would take care of the baby while at college. Yeah, okay! Reality does hit her hard though, but I won't say how, but it does and I almost feel bad for her, but not quite.
Then there's someone who agreed to be a surrogate and winds up stealing the baby before it was born. Now, technically, that woman did steal a baby. Granted, it's biologically yours, but she agreed, verbally and legally, to be this couple's surrogate. I'm not entirely sure I could do it, cause I really don't want to go through the whole pregnancy, but I can't speak for other women who go into the surrogacy and then start to regret it later. I don't know.
I'm now just babbling. Despite the slow beginning, I can definitely see why this book had as much hype as it did when it was published. It really gets you thinking about different perspectives of motherhood, biological or not. The story is told as if someone was indeed telling a story to a group of people. Almost like when someone is narrating a play and you're watching it as it unfolds before your eyes.
I do look forward to seeing about Celeste Ng's previous novels. This story may be sensitive to some people who have gone through any of these scenarios because I think some things that happen later, could very well get emotional. The story is great, but also keep that in mind if you are at all familiar with these kinds of stories.
Lee (2222 KP) rated Train to Busan (2016) in Movies
Jul 27, 2017
Zombies on a train!
Taking the very simple concept of ‘zombies on a train’, this isn’t just one of the best zombie movies I’ve ever seen, it’s one of the best movies I’ve seen in recent years – period!
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.
Haley Mathiot (9 KP) rated The Ice Twins in Books
Apr 27, 2018
This was literally the most depressing book I’ve ever read. Like, literally. The writing was lyrical and descriptive (almost too much so), and it was hard to listen to because of the emotional devastation of the characters. It was a rollercoaster because out of the three main characters (daughter, husband, wife) you loved all of them, you hated all of them, but you weren’t sure which one was the bad guy (and there was definitely a bad guy). And then once you figured out which one you hated the most, it would switch on you. Suffice to say, this made it an emotional trip.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
Gareth von Kallenbach (980 KP) rated Life of the Party (2018) in Movies
Jul 8, 2019
Deanna (Melissa McCarthy) has spent the past 21 years being a dedicated wife and mother. Her and her husband Dan (Matt Walsh) have delivered their only daughter, Maddie (Molly Gordon) to their alma mater for her Senior year at college. As Deanna and Dan leave to what she thinks is their romantic trip to Italy, Dan breaks the information that 1. He wants a divorce and 2. He has been seeing Marcie (Julie Bowen) for a while and is in love with her. In a tailspin, Deanna retreats to her parents Mike and Sandy (Stephen Root and Jacki Weaver, respectively)feeling upended and lost.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
While recovering from the emotional bomb, her best friend Christine (Maya Rudolph as that BFF who says all things unedited and is SO VERY Ride or Die) helps to pull her (and the audience) out of the dark depths with the best drunk racquetball sideline ever. The chemistry between McCarthy and Rudolph feels like two naturals riffing off with each other. Their interchanges throughout the film had me snort-laughing throughout.
Deanna decides that since she did not graduate with her degree due to motherhood and Dan, it’s an opportunity to finish and pursue her dream of being an archaeologist. Dee registers and lets her daughter know of the huge changes happening. Dee can come off as a Pollyanna to a degree, but it is her can do, positive attitude that eventually helps her ride out the rollercoaster for her senior year.
Once she is entrenched in the school year, her daughter’s friends bring her into their circle and forces her to life the college life instead of only studying all the time. She meets the very handsome Jack ( Luke Benward) a much younger man, teaching him the finer arts of canoodling of a more experienced kind.
The film is cleverly written and produced by McCarthy and Ben Falcone (her husband) at the helm directing this movie. Melissa, is brilliant at giving us wonderfully unexpected physical comedy with fantastic comic timing. The cast, have given us an enjoyable movie that is a heartily, welcomed respite.
Life of the Party is a fun Girls Night Out.
Let's Just Say it Wasn't Pretty
10.0
Rate It
Book
From Academy Award winner and bestselling author Diane Keaton comes a candid, hilarious, and deeply...
Shelter: Getaway Series Book 2
Book
Sutton Warner is a mess. Everything in his life feels like it’s unraveling. He’s let a lot of...
romance
Dianne Robbins (1738 KP) rated Dirty John in TV
Apr 4, 2021 (Updated Apr 4, 2021)
The creepiness factor is high AF (2 more)
Believable
Accurate
The actual people (3 more)
Painful to watch
OMG, what's with her accent?
Long and drawn out.
I hate giving the show the low rating but it wasn't an enjoyable show. It's difficult to judge something that is literally a reenactment of real people's dramatic events but that's why we are here.
Connie Britton's character was just so submissive and deluded that it was painful to watch. I wanted to see her make different choices and grow a backbone but she was literally playing the woman that this happened to so for what it's worth, she did her job well. Jean Smart played Connie Britton's character's mother very well. The woman who played the daughter was annoying and had a really annoying voice. Again, this is based on real people and very accurate. The people are from Orange County, CA, USA, which might as well be in a different universe than most of us. So what seems bratty and whatever to us is just normal and how it is there. Eric Bana was very creepy. I don't see how the main character could have fallen for a sketchy character like the one he was playing, but again, different life choices. You want to feel sorry for the female characters in this series but seeing the mom basically choosing to be victimized is frustrating and the daughter is just awful. The victim's mom's psychology is bizarre and how she feeds her own daughter's psychology is messed up. I don't get it. It makes me so uncomfortable. Just thinking about it while I'm typing this is making me cringe.
The series is very long and drawn out. I think they could have told the same story in less than half the time with an even greater impact because we wouldn't have as much time to be bored or to hate the characters we're supposed to be rooting for.
If you want to know the story, listen to the podcast by the same name or go down an internet rabbit hole and discover message boards, photos, videos, articles, etc., about the case. But unless you're a masochist with way too much time on your hands, avoid this series.
Connie Britton's character was just so submissive and deluded that it was painful to watch. I wanted to see her make different choices and grow a backbone but she was literally playing the woman that this happened to so for what it's worth, she did her job well. Jean Smart played Connie Britton's character's mother very well. The woman who played the daughter was annoying and had a really annoying voice. Again, this is based on real people and very accurate. The people are from Orange County, CA, USA, which might as well be in a different universe than most of us. So what seems bratty and whatever to us is just normal and how it is there. Eric Bana was very creepy. I don't see how the main character could have fallen for a sketchy character like the one he was playing, but again, different life choices. You want to feel sorry for the female characters in this series but seeing the mom basically choosing to be victimized is frustrating and the daughter is just awful. The victim's mom's psychology is bizarre and how she feeds her own daughter's psychology is messed up. I don't get it. It makes me so uncomfortable. Just thinking about it while I'm typing this is making me cringe.
The series is very long and drawn out. I think they could have told the same story in less than half the time with an even greater impact because we wouldn't have as much time to be bored or to hate the characters we're supposed to be rooting for.
If you want to know the story, listen to the podcast by the same name or go down an internet rabbit hole and discover message boards, photos, videos, articles, etc., about the case. But unless you're a masochist with way too much time on your hands, avoid this series.
Laura Doe (1350 KP) rated I Couldn't Love You More in Books
Jul 1, 2021
A very confusing book. Timelines all over the place and changing between there different characters meant that I spent most of the first half of the book confused about what was happening and how old certain characters were at that point in the story.
The story follows three women Aoife, Rosaleen and Kate, who are three generations of the same family. Throughout the book Aoife is wondering where her daughter has gone as she seems to have vanished without a trace after coming home one Christmas and then never to be heard from again. Rosaleen has her own secret, that she is pregnant with a married man’s baby and finds herself going to a convent to have her baby, and this book sheds some light on the horrors that unmarried mothers had to suffer before and after giving birth and having their babies taken from them. Kate was adopted and is trying to find out information about her birth mother whilst also trying to cope with her husband who spends most of his time “with the band” and coming back drunk most nights.
The story was an interesting look at how the Catholic Church dealt with expectant mothers who weren’t married, and although you’d think going to a convent for help they would be well looked after, it didn’t work out that way at all. But I did find that it was unnecessarily confusing and jumped around with the timelines quite a lot.
I found myself not wanting to sit down and carry on with the book, but I did persevere with it because I wanted to know how it turned out. The writing was beautiful and some of the descriptions really did make you feel like you were there. The ending seemed quite rushed and after 95% of the book being emotional and there not seeming like there would be a happy ending, the last few pages of the book seemed to solve everything quickly. It would have been nice to have a few more pages around that and questions answered around whether Aoife ever found out what happened to her daughter.
Thank you to Esther and Pigeonhole for allowing me to read this book in return for an honest review.
The story follows three women Aoife, Rosaleen and Kate, who are three generations of the same family. Throughout the book Aoife is wondering where her daughter has gone as she seems to have vanished without a trace after coming home one Christmas and then never to be heard from again. Rosaleen has her own secret, that she is pregnant with a married man’s baby and finds herself going to a convent to have her baby, and this book sheds some light on the horrors that unmarried mothers had to suffer before and after giving birth and having their babies taken from them. Kate was adopted and is trying to find out information about her birth mother whilst also trying to cope with her husband who spends most of his time “with the band” and coming back drunk most nights.
The story was an interesting look at how the Catholic Church dealt with expectant mothers who weren’t married, and although you’d think going to a convent for help they would be well looked after, it didn’t work out that way at all. But I did find that it was unnecessarily confusing and jumped around with the timelines quite a lot.
I found myself not wanting to sit down and carry on with the book, but I did persevere with it because I wanted to know how it turned out. The writing was beautiful and some of the descriptions really did make you feel like you were there. The ending seemed quite rushed and after 95% of the book being emotional and there not seeming like there would be a happy ending, the last few pages of the book seemed to solve everything quickly. It would have been nice to have a few more pages around that and questions answered around whether Aoife ever found out what happened to her daughter.
Thank you to Esther and Pigeonhole for allowing me to read this book in return for an honest review.
Suswatibasu (1703 KP) rated The God of Small Things in Books
Oct 10, 2017 (Updated Oct 11, 2017)
Brilliant way with words
This beautifully-written book tells the story of Estha and Rahel, a twin brother and sister who have been long separated due to a family tragedy about which we only learn the full truth near the end of the book, and who come back together at the age of 31 at the family home.
The book moves seamlessly between the summer that the twins were seven, when their lives changed for ever, and their present, as they strive to come to terms with the guilt of their past. Along with exploring the children's lives, Roy also develops in detail those family members and friends who have been most important to them - their frail violinist grandmother Mamachi (a battered wife turned domestic tyrant after her husband's death), their beautiful, frustrated mother Ammu, their overweight depressive uncle Chacko, and his English ex-wife Margaret and extrovert little daughter Sophie, the mysterious gardener Velutha, the local communist Mr Pillai and the twins' great aunt, 'Baby' (Navomi) Kochamma, the only one of the family to still be around when the twins reach the age of 31, and the most bitter and destructive in the entire doomed clan.
There is a great deal to admire in the book. Roy tells a lot about Indian customs without ever giving way to dry lectures, but there are a lot of unanswered questions left in the book. Nevertheless, this is a wonderful read by a superb author.
The book moves seamlessly between the summer that the twins were seven, when their lives changed for ever, and their present, as they strive to come to terms with the guilt of their past. Along with exploring the children's lives, Roy also develops in detail those family members and friends who have been most important to them - their frail violinist grandmother Mamachi (a battered wife turned domestic tyrant after her husband's death), their beautiful, frustrated mother Ammu, their overweight depressive uncle Chacko, and his English ex-wife Margaret and extrovert little daughter Sophie, the mysterious gardener Velutha, the local communist Mr Pillai and the twins' great aunt, 'Baby' (Navomi) Kochamma, the only one of the family to still be around when the twins reach the age of 31, and the most bitter and destructive in the entire doomed clan.
There is a great deal to admire in the book. Roy tells a lot about Indian customs without ever giving way to dry lectures, but there are a lot of unanswered questions left in the book. Nevertheless, this is a wonderful read by a superb author.
It would be silly of me to repeat that this is an Asian version of Cinderella, since so many others do it. I am just annoyed that every story is compared to Cinderella considering rags to riches, marrying the prince is nothing new and Cinderella was certainly not the first of its kind. If you read the author's note, it says she was inspired by some Chinese students telling their native fairy tales.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.