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ClareR (5674 KP) rated The Silver Road in Books
Mar 7, 2019
A wonderful debut
This is a novel of love and loss, guilt and grief, and of family in both the good and bad sense of the word. It has been translated so well from the Swedish by Susan Beard that I didn't actually occur to me that it had been translated at all.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.
Lille's daughter has been missing for three years, and he spends every night of the summer driving the Silver Road in an effort to find her. This has caused the breakdown of his marriage, and he has a tenuous grasp on his sanity: he drinks too much, he smokes too much, and he sleeps too little in the summer. His wife has left him, and he spends a lot of time alone with the ghost of the daughter he is searching for.
Enter Meja: her mother has mental health problems, and has decided to move in with a man she has only met online. Meja is used to being her mothers carer, and she's used to a series of men moving in and out of their lives. This is such an emotional novel. I became really invested in the characters of Lelle and Meja. There was a real atmosphere of sadness around both of them.
The peripheral characters were really well written as well: from the ex-wife to the local police officer, from the family of 'Preppers' to Meja's mother and her new boyfriend, Torbjorn.
I loved the atmosphere of this book: there was an air of 'something drastic is going to happen very soon', and the melancholy was palpable. Although the subject matter was very sad, it really was a joy to read.
Many thanks to Readers First, The Pigeonhole and the publisher for the chance to read this book.
Whatchareadin (174 KP) rated Motherhood in Books
Apr 9, 2019
As women, it's our one job to reproduce, but is it? Some women can't wait to be mothers, others want to wait for the right time. Some women can't have children, and some women don't want children. This book examines one woman's journey through one of the biggest decisions women make between the ages of 20-40(the childbearing years). To have a baby or not to have a baby, that is the question.
Thank you to Henry Holt and NetGalley for the opportunity to read and review this book.
I couldn't get this book. I read it from cover to cover and I just couldn't find the something that drew it all together. To me it seemed really repetitive and there was really no cohesiveness.
I wanted to read this book because from a young age, I didn't want kids. Everyone one in my family and all of my friends knew this about me. I love kids. I was the neighborhood babysitter, I was a Girl Scout Camp leader, I went to school to become a child psychologist, but I just didn't want to have any of my own. One year before my Doctor agreed to tie my tubes if I hadn't had kids I got pregnant, two years later came baby number 2 and 10.5 months after that baby number 3. So I was really looking forward to reading this book and hearing someone else's perspective on the topic.
I couldn't relate to anything in this fiction/non-fiction tale. I'm not even sure if the main character had a name. Was it the author? The boyfriend was Miles. I'm not sure what message was trying to be conveyed, but I didn't get it.
I don't know if I will read other books by this author.
Thank you to Henry Holt and NetGalley for the opportunity to read and review this book.
I couldn't get this book. I read it from cover to cover and I just couldn't find the something that drew it all together. To me it seemed really repetitive and there was really no cohesiveness.
I wanted to read this book because from a young age, I didn't want kids. Everyone one in my family and all of my friends knew this about me. I love kids. I was the neighborhood babysitter, I was a Girl Scout Camp leader, I went to school to become a child psychologist, but I just didn't want to have any of my own. One year before my Doctor agreed to tie my tubes if I hadn't had kids I got pregnant, two years later came baby number 2 and 10.5 months after that baby number 3. So I was really looking forward to reading this book and hearing someone else's perspective on the topic.
I couldn't relate to anything in this fiction/non-fiction tale. I'm not even sure if the main character had a name. Was it the author? The boyfriend was Miles. I'm not sure what message was trying to be conveyed, but I didn't get it.
I don't know if I will read other books by this author.
Kristy H (1252 KP) rated Dirty Wings (Metamorphoses, #2) in Books
Feb 13, 2018
The second book in Sarah McCarry's Metamorphoses' trilogy, this novel actually goes back in time to introduce us to Cass and Maia - the mothers of the heroines from McCarry's first book, "All Our Pretty Songs." Maia is a lovely, but sheltered, teen - a piano prodigy living with her rigid, overprotective adoptive parents. Cass, meanwhile, is a tough kid living on the streets - she's used to taking care of herself and no one else. But when she meets Maia, everything changes.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Gareth von Kallenbach (977 KP) rated The Back-up Plan (2010) in Movies
Aug 8, 2019
Ah, the story of Mr. Right appearing just in the nick of time, well almost. Zoe (Jennifer Lopez) has spent her life looking for the perfect guy but he has never shown up. Now she wants a baby and decides to become pregnant on her own through artificial insemination. It would just figure that right after deciding to use her backup plan a new man enters the picture forcing her life to adjust once again.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
The film stars and generally centers around Lopez as the wacky yet likeable Zoe, a character who is not unlike those we have seen in J.Lo’s past. Her co-star, Alex O’Loughlin plays the male lead of Stan, a handsome cheese-maker. Other notable cast members include Micheala Watkins, as the jaded New York mother, Mona, and Melissa McCarthy as Carol the leader of a group of proud single mothers.
The most amusing scenes in “The Back-Up Plan” occurs during moments of the true-to-life internal dialogue by the problem riddled Zoe. Unfortunately the remaining seventy percent of the film is spent bouncing awkwardly between the less than steamy romance and the failed attempts at comedy.
There are a couple of good scenes but are they reason enough to endure the rest of the film? Not unless you have a deep desire to see farmers’ markets in New York and a poorly acted cameo by the Dog Whisperer, Cesar Millan. Still, fans of Lopez’s quirky romantic comedy style will enjoy her, just not as much as her previous roles because of the gnawingly awkward plot that defines this movie.
Too goofy to be romantic and too sappy to be funny, “The Back-Up Plan” continually fails to reach either goal accurately. It almost goes without saying that this film is, excuse the pun, simply too much of a stretch.
ClareR (5674 KP) rated How It Was in Books
Nov 18, 2019
How It Was looks at the complexity of a mother/ daughter relationship, and how a mothers own childhood can affect this. Or at least it does in the case of this family.
The 1970s were a time of change for some women, but not the women in this story. Marion is the mother of two children: Sarah, 14 and Eddie, 7. She is unhappy in her life, and has been for many years. We look at her life through a series of flashbacks (and flashbacks through her daughters eyes at the same time) as she sits at the hospital bedside of her dying husband. We learn of the affairs, the terrible relationship with her daughter, and the catastrophic accident that cost the family far more than just a child (although this was quite traumatic enough).
I found it very difficult to empathise with Marion, she’s not a likeable character. She seems self absorbed, I didn’t like how she felt about her daughter (it’s as though she feels repulsed by her), and how she speaks to everyone is simply rude. To me, it seemed to be a mixture of boredom, depression, selfishness and desperation that drove Marion’s actions. Michael, her husband, is endlessly patient, perhaps scared that she will leave him. He puts up with some terrible behaviour from Marion. I really wanted him to stand up for himself.
It doesn’t sound like it, I know, but I really liked this book. It’s a book with a thoroughly unpleasant main character (in fact she’s not on her own on that score - watch out for Adrian!) and they do make for interesting story lines!
This is the first book I’ve read by Janet Ellis, and I will be looking for more.
Many thanks to NetGalley and Two Roads for my copy of this book.
The 1970s were a time of change for some women, but not the women in this story. Marion is the mother of two children: Sarah, 14 and Eddie, 7. She is unhappy in her life, and has been for many years. We look at her life through a series of flashbacks (and flashbacks through her daughters eyes at the same time) as she sits at the hospital bedside of her dying husband. We learn of the affairs, the terrible relationship with her daughter, and the catastrophic accident that cost the family far more than just a child (although this was quite traumatic enough).
I found it very difficult to empathise with Marion, she’s not a likeable character. She seems self absorbed, I didn’t like how she felt about her daughter (it’s as though she feels repulsed by her), and how she speaks to everyone is simply rude. To me, it seemed to be a mixture of boredom, depression, selfishness and desperation that drove Marion’s actions. Michael, her husband, is endlessly patient, perhaps scared that she will leave him. He puts up with some terrible behaviour from Marion. I really wanted him to stand up for himself.
It doesn’t sound like it, I know, but I really liked this book. It’s a book with a thoroughly unpleasant main character (in fact she’s not on her own on that score - watch out for Adrian!) and they do make for interesting story lines!
This is the first book I’ve read by Janet Ellis, and I will be looking for more.
Many thanks to NetGalley and Two Roads for my copy of this book.
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