Search

Search only in certain items:

The Man From U.N.C.L.E. (2015)
The Man From U.N.C.L.E. (2015)
2015 | Action, Comedy, Mystery
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.

As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.

As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.

I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.

This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
  
Kill Bill: Volume 1 (2003)
Kill Bill: Volume 1 (2003)
2003 | Action
Bloody Brilliant
A woman seeks revenge on the man that tried to kill her along with his gang of deadly assassins. Director Quentin Tarantino is known for producing masterpieces and this is definitely one of his finest.

Acting: 10

Beginning: 10
Talk about a movie that sucks you in right from the very beginning. The opening scene is jarring and so amazing. I was anxious and excited to see what would happen next.

Characters: 10

Cinematography/Visuals: 10
The cinematic appeal of Kill Bill Volume 1 is out of this world. The fight scenes are shot with flare and an intensity that ramps as each battle works towards the climax. I love how daring Tarantino is, even incorporating animated scenes to flesh out the story. One of my favorite moments is the main character’s final showdown against an assassin shot against the backdrop of a snowy landscape in Japan. It’s so incredibly beautiful, even as droplets of blood spatter against the snow.

Conflict: 10

Entertainment Value: 10
Captivating from beginning to end. This is why we watch movies. There was never a dull moment as intensity lingers around every corner. The entertainment comes from a combination of conflict and sheer originality. As you sit there, you realize you are seeing something you have never seen before. I loved every minute of it.

Memorability: 10
Tarantino operates with the flare of a man who has been there and done that. I appreciate the fact that he’s not afraid to try new things. As a result, we get something new in every single scene. It’s brilliant how all the puzzle pieces come together. We think we are watching something simple and straightforward, but it ends up being amazingly intricate.

Pace: 10

Plot: 10

Resolution: 10
You already know going in there’s going to be a sequel as the title indicates. But this movie wraps up quite nicely with a beautiful cliffhanger that gets you stoked for the sequel. No matter how many times I’ve watched this movie, the ending always pushes me into watching the sequel right after. Not many movies can say that.

Overall: 100
I’m not saying this lightly: Kill Bill Volume 1 is one of the greatest movies ever made. See it. I’ll end it there.
  
A Streetcar Named Desire (1951)
A Streetcar Named Desire (1951)
1951 | Drama
(0 Ratings)
Movie Favorite

"A Streetcar Named Desire with Marlon Brando. I just want to put there. All these movies that I’ve listed, including Casablanca, you have flavors, which I like it. Drama. Comedy. And again, we may argue back and forth about what is drama, what is a comedy, right? What is melodrama? The Room never did melodrama. The thing what I listed all the movies, they’re not melodrama, they are relate to real life. Streetcar Named Desire, for example, you have, my understanding was, the time the movie was made, the main characters, Brando and… He actually raped the girl. And they cut this on the movie. That’s my understanding, that it was part of the script. So this is again saying that Streetcar Named Desire give us some evidence that people were still cautious what we present in the big screen that certain ideas or situation between two people, you cannot do it. Today’s society, as you know, we go extra miles. The Room is perfect example. We show the nudity, we show the certain stuff, because I myself, I was struggling as a filmmaker, as a director, how I present the scene. Same, you see, if you look at Casablanca, a relationship between two main characters, how they, you see… I love it, black and white movies. Sometimes you can educate yourself that you don’t have to physically show it, sexuality, but it’s there because you can feel it. Now, just because of our culture, I decided to say, “Hey, we go extra miles.” And I was struggling with this. You see, I had talked to Greg. I don’t know if he remembered but I said, “Hey, okay, is it Johnny naked or not?” I said — and I was so frustrated — and I say, “Hell with everything because I don’t know how… I want to be real as much I can.” Even though people say… Remember, The Room, and is again, The Room is supposed to be play. People forget that; they are short-handed. [laughs] I don’t want to be too negative, but that’s the history of The Room. So I will say, originally I was supposed to… I wanted to put into play, but it didn’t come out right. Actually it come out better because more people can see it. That’s basically what happen."

Source
  
Carnival of Souls (1962)
Carnival of Souls (1962)
1962 | Horror
8.0 (4 Ratings)
Movie Favorite

"Another incredible thing about Criterion is that in addition to the classics, the treasures, the widely acclaimed, they also have a true love for cult and lowbrow cinema. Director Herk Harvey explains on the Carnival of Souls commentary that they had hoped the film would have an art-house release, and they actually approached a distributor successful in that market and were told that, since it wasn’t in a foreign language, it didn’t really fit. I’m sure being American-made wasn’t the only reason this was a hard fit for distributors, but it was interesting in terms of what art houses were looking for at that time and how the filmmakers saw the film’s niche. This film taught me how to watch Mulholland Drive . . . which is to say, if you stay with the mood, without fighting it, your intuition will serve you far better than the plot and structure and logic your brain is craving. Because essentially all stories are simple; what isn’t simple is the underneath of it all. And that’s more rewarding in the end. I was on a plane about ten years ago when a businessman sat down next to me. Like most people, I dreaded having to talk to someone new. I figured he wouldn’t talk to me anyway, ’cause I have tattoos and he looked very straight-up corporate. He immediately smiled and asked me who I was, what I did for a living. I told him I made movies, but probably none he’d ever heard of. Indie movies. I figured that would shut him up so I could look out the window and mope. He smiled big—“Oh, you mean like cult movies?” I shrugged kindly—well, yeah, I guess you could say that, hopefully that. He said his sister had been in a movie when he was a youngster. A film as independent as it gets. One that had become a cult classic. Somehow I just knew what he was going to say next. His sister was not Candace but another girl in the film, and that man and I talked about Carnival of Souls for well over an hour. And then we spent the next two hours of our flight engrossed in each other as he told me vividly of the supremely radical life he’d led prior to becoming a businessman for the environment! You just never know . . ."

Source
  
The Lego Batman Movie (2017)
The Lego Batman Movie (2017)
2017 | Action, Animation, Comedy
You know a movie is going to be hilarious when you find yourself laughing
out loud before the beginning credits start.

It’s no surprise a second film was in development after the massive success
of the first LEGO movie in 2014. The lengthy list of Batman movies/TV
shows that have existed–yes, this film actually addresses each one–always
ask the questions, but never quite answers them. The LEGO Batman movie
will answer them all for you in the best way LEGO movies can–with major
master builder craftsmanship, sarcasm, and slapstick humor.

In serious denial about his loneliness, Batman (Will Arnett) spends most of
his days saving Gotham from the Joker(Zach Gilfianakis), eating alone, and
watching sappy romantic comedies. He never lets anyone get close enough to
him for fear that he will lose them just like he lost his parents when he
was a young boy.
Commissioner Jim Gordon (Hector Elizondo) retires thus handing the baton
and Bat signal over to his daughter, Barbara Gordon (Rosario Dawson). The
newly appointed commissioner decides that Gotham Police Department should
take a more involved approach instead of just relying on one person to
fight crime. Of course, Batman isn’t having it—he works alone!
By this point in the film, Batman has managed to adopt a son, Dick Grayson
(Michael Cera), released the kracken on some of movies most notorious (some
forgettable) villains, and broken up one of the greatest relationships ever
to exist. I don’t want to give away too much because there are some great
cameos.

In true LEGO spirit, this movie addresses the importance of relationships,
working together, being part of a team, and trust. Batman is such an
important character to pop culture–we all have our own interpretation of
him–our ideals, our definition of a hero, and our own moral choices. It’s
nice to have this refreshing and comical take with way more depth,
creativity, and character development than we’ve seen from some of DCs
latest feature films. If you’re not too big on delving into the dark side
and complexity of Batman, don’t fret. Just sit back, relax, laugh, and
enjoy a wonderful movie for the whole family. Be sure and stay till the
end to watch the credits. The reason we all have come to love Batman
throughout the years is addressed and appreciated.
  
Killer Klowns from Outer Space (1988)
Killer Klowns from Outer Space (1988)
1988 | Comedy, Horror, Sci-Fi
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
  
40x40

Autumn (430 KP) rated Ready Player One in Books

Jan 2, 2018 (Updated Jan 2, 2018)  
Ready Player One
Ready Player One
Ernest Cline | 2011 | Fiction & Poetry
8
8.9 (161 Ratings)
Book Rating
80s references (2 more)
Immersive world building
Not just for gamers
A bit too much referencing (1 more)
Would have liked to know what the winner did with the money after the game was over
I wasn’t alive in the 80s and am not a gamer, but I still got sucked into this book. I have seen a lot of 80s movies and heard of a lot of the consoles and games mentioned, so I was able to catch/understand most of the references. A lot of world building went into this, both inside and outside the OASIS simulation, and I think it was done well. I wish it had gone into what happened after the game was over. Did the winner try to help fix this dystopian society or just buy a big mansion, live like a king and watch the rest of the world burn? I’m glad the main character was from Oklahoma, my home state, and from a city only about 2 to 3 hrs from where I live. Oklahoma isn’t usually a popular place for movies or books to take place so it was nice to see something that partly took place in my state. It was also nice that this character wasn’t portrayed as a country bumpkin being from Oklahoma. Although, his living conditions and home life are pretty standard for characters from my state. I’m excited to see how this story translates from book to movie because, if done right, I think it could be good.
  
40x40

Jazzy Jeff (7 KP) rated REC (2007) in Movies

Jan 6, 2018  
REC (2007)
REC (2007)
2007 | Horror
9
7.5 (13 Ratings)
Movie Rating
Zombies (2 more)
Suspenseful
Tense zombie chases
Shaky found footage (0 more)
My favorite horror film
Contains spoilers, click to show
The film offers newbies to the horror genre the kick they are looking for within the horror genre. Suspenseful, intense, scary, and gory, it is without a doubt one of the best Horror movies of the past decade, if not of all time, and one i have remembered. 2007 had not seen a whole lot of found footage movies, or those of memorable ones other than cloverfield and the blair witch project, so this style was relatively new, and it's yet to have been done better. We follow a young reporter and her cameraman (who represents us as the audience) as they become unwillingly quarantined in an apartment with its residents, pleading with the outside for their escape. An outbreak is turning those infected into flesh eating "zombies" carried within the people as a standard illness at first. This film creates the "you are there" experience like nothing you have seen or will see before, and that you are just as desperate to escape as the camera crew. Nothing within this film feels staged, the emotions feel raw and geniune. The scariest moments are things that are happening in the frame but not front and centre, those things lingering in the dark or the corner of your eye. As the story slowly gets revealed, you get more unnerved by the events unfolding. There are brilliant and terrifying scenes that will stay with you for life.

However, the rest of the franchise doesnt give as much impact as this one presents.
  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
great script (3 more)
very good main villain
fits so well into the mcu
back on form for spidey
suit a bit of a gimmick (0 more)
spidey back on form
spiderman homecoming, a return to form for the webslinger after a series of disapointing movies. Not since spiderman 2 has there been such a good version of the character. Is it as good as those films know but in terms of the 3rd rami film and the mark webb films this movies is head and shoulder above them. Tom holland is perfectly cast as the hero. He balances the awkwardness and geeky charm of peter parker mixed with the wisecracking and heroism of spidey perfectly. Michael Keaton plays a rare beast a good mcu villian. He plays it so well you hate what he is doing but you can feel for the guy because of what he has been through. all other characters fit there purpose even a small role from iron man brings more connection with the wider mcu and helps further the story. I like the fact they went with the more john hughs feel with this movie. Its good there keeping the character in high school because in my opinion they skipped over that two fast in previous films.

my only criticism is that i found the spiderman suit too gimmicky. he is spiderman not iron spiderman.


in all this is a great film. with a fantastic cast and a great entry into the mcu. I look forward to more spidey in the future.
  
Rogue One: A Star Wars Story (2016)
Rogue One: A Star Wars Story (2016)
2016 | Action, Drama, Fantasy, Sci-Fi
(FYI, I meant to rate this a 9/10 but my mouse is borked. Have to wait 4 weeks to fix the rating.)
                   
This is an amazing movie to wash Star Wars 1-3 from the collective palate. (To be fair, I didn't HATE those movies...they just didn't live up to the rest of the series.) This is basically a restart, but without losing any of the history that was already built up.

It is much more a straight-up war movie than any of the rest of the series. Death and violence were definitely present before, but always with a "galaxy far, far away" feeling to them. In Rogue One, every injury and death is immediate, not gory but much more real than Obi-Wan winking out of existence or Luke's hand shearing off with minor discomfort. The ending definitely continues in that vein: I love the sharp reality of it and the flavor it gives to rewatches of the original movies now, but it was so painful to watch in the theater!

My biggest gripe was simply the CGI done for young Leia and Tarkin. Leia wasn't too bad, just enough off that it makes my eyes want to slide off without quite knowing why. But Tarkin was awkward and just weird looking. If you're going to recreate characters for whatever reason, either put the money in to get the CGI right or if the effects simply aren't up to that yet, wait until they are.
  
40x40

Dean (6927 KP) Sep 29, 2018

Just click edit and should be able to change rating?