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Awix (3310 KP) rated Geostorm (2017) in Movies
Feb 7, 2018 (Updated Feb 7, 2018)
Gerard Butles With The Elements
It's a movie directed by the producer of The Day After Tomorrow and 2012, in which Gerard Butler is shot into space to have a fight with bad weather. If the description alone does not make you engage in fairly serious expectation-management, you must be new to this whole going-to-the-movies business.
Um, yeah: Gerard Butler plays a brilliant but maverick meteorologist (stay with me) who invents a global weather control system codenamed 'Dutch Boy' (possibly because the satellites are really high all the time), then gets sacked for being a pain in the neck. Years later, the system starts to go wrong (unimportant people like Afghans and Chinese meet spectacular weather-related deaths) and Butler is recruited by his brother (don't ask) to figure out the problem.
There is a lot of chasing about and a conspiracy and the world's most oddly designed self-destruct system, and the villain turns out to be the person you thought it was all the time. Butler spends most of the movie in space, which at least means Abbie Cornish can do more as a member of the Secret Service who ends up kidnapping the President (it's that kind of movie). Geostorm hasn't quite figured out how to handle having the President as a character in a movie in the current situation: Andy Garcia plays him in a very sensible, nondescript manner, quite divorced from reality.
I have to say a friend of mine said Geostorm was so bad it made London Has Fallen look like a Christopher Nolan movie, but it's not so much flat-out awful as simply very silly, obvious, and predictable, not to mention very much like all the other movies Dean Devlin produced for Roland Emmerich. I suppose the moral should be 'stick to what you're (reasonably) good at'.
Um, yeah: Gerard Butler plays a brilliant but maverick meteorologist (stay with me) who invents a global weather control system codenamed 'Dutch Boy' (possibly because the satellites are really high all the time), then gets sacked for being a pain in the neck. Years later, the system starts to go wrong (unimportant people like Afghans and Chinese meet spectacular weather-related deaths) and Butler is recruited by his brother (don't ask) to figure out the problem.
There is a lot of chasing about and a conspiracy and the world's most oddly designed self-destruct system, and the villain turns out to be the person you thought it was all the time. Butler spends most of the movie in space, which at least means Abbie Cornish can do more as a member of the Secret Service who ends up kidnapping the President (it's that kind of movie). Geostorm hasn't quite figured out how to handle having the President as a character in a movie in the current situation: Andy Garcia plays him in a very sensible, nondescript manner, quite divorced from reality.
I have to say a friend of mine said Geostorm was so bad it made London Has Fallen look like a Christopher Nolan movie, but it's not so much flat-out awful as simply very silly, obvious, and predictable, not to mention very much like all the other movies Dean Devlin produced for Roland Emmerich. I suppose the moral should be 'stick to what you're (reasonably) good at'.
HyruleBalverine (16 KP) rated Justice League (2017) in Movies
Jun 9, 2018
A light begins to shine on the darkness of the DC Extended Universe
After the dark brooding mess that was Batman Vs. Superman and the hot mess that was Suicide Squad, I was quite pleasantly surprised with Justice League.
With no offense intended towards Zack Snyder, who is good at what he does, I found his gritty take on the DC universe to be too dark. Whether the original intent had always been to start off dark and depressing and lead into a more light and hopeful tone with Justice League, or if it was Joss Whedon's influence once he stepped in when Snyder had to leave, or just WB/DC trying to keep up with Marvel, the shift in tone was the right choice.
While they are clearly still trying to play catch up with the MCU in setting up their cinematic universe, the build up in this movie did not feel quite as rushed as Dawn of Justice. Personally, I would have liked to see the other characters getting their own movies in order to set this up, but they're introductions in this movie seemed to have been done well. Also, while DC is certainly trying to match Marvel by using their big baddie Darkseid (the Thanos of the DC Universe), they didn't throw him into this movie in an attempt to jump into their own Infinity War type movie; rather, they used another character, tied to Darkseid, to build up to the massive enemy that Darkseid will be.
It is my hope that after the amazing film that Wonder Woman was and the great change in tone of Justice League, the DCEU will continue with this current trend of hopefulness and quippy Super Heroes.
With no offense intended towards Zack Snyder, who is good at what he does, I found his gritty take on the DC universe to be too dark. Whether the original intent had always been to start off dark and depressing and lead into a more light and hopeful tone with Justice League, or if it was Joss Whedon's influence once he stepped in when Snyder had to leave, or just WB/DC trying to keep up with Marvel, the shift in tone was the right choice.
While they are clearly still trying to play catch up with the MCU in setting up their cinematic universe, the build up in this movie did not feel quite as rushed as Dawn of Justice. Personally, I would have liked to see the other characters getting their own movies in order to set this up, but they're introductions in this movie seemed to have been done well. Also, while DC is certainly trying to match Marvel by using their big baddie Darkseid (the Thanos of the DC Universe), they didn't throw him into this movie in an attempt to jump into their own Infinity War type movie; rather, they used another character, tied to Darkseid, to build up to the massive enemy that Darkseid will be.
It is my hope that after the amazing film that Wonder Woman was and the great change in tone of Justice League, the DCEU will continue with this current trend of hopefulness and quippy Super Heroes.
Kevin Wilson (179 KP) rated 1313: Giant Killer Bees (2010) in Movies
Jul 14, 2018
Horrible acting (2 more)
Weird props (I'll get into it)
Looooooong scenes and establishing shots
So bad it's good?
This is a horrible movie but it's 1 of those movies that are so bad it's actually good? Good is a strong word though, it's funny to pick out scenes to laugh at.
It starts with a scene where a guy gets dropped off by a car and then walks for 15 minutes to a house which goes on and on (could have easily been dropped off at the house) I can tell this movie is going to be exhausting.
The director, David decoteau returns to the same house he uses in every one of his movies. Same furniture, same props. It's almost a running gag now.
The props they use are weird. There is a beehive someone is attending to is just a bunch of office boxes while the guy is wearing what looks like one of those white outfits that painters and forensic scientists wear.
The CGI on the bees is horrible and the acting is terrible. It's easy to laugh at but you find yourself feeling exhausted when they spend 20 minutes showing a guy rubbing his body on a bed (it's like 5 minutes with the same moves repeating) and a 10-15 minute shower scene.
You cringe and you can't wait for it to end but grab some popcorn, get some friends over and just laugh at this because I did have fun watching despite how boring it is. It was mostly all out if confusion tbh lol
I'd still recommend giving it a try just for a laugh. I still don't know the exact plot, I don't know any of the characters names, I don't know what's happening half the time but as long as you laugh, it's worth it.
It starts with a scene where a guy gets dropped off by a car and then walks for 15 minutes to a house which goes on and on (could have easily been dropped off at the house) I can tell this movie is going to be exhausting.
The director, David decoteau returns to the same house he uses in every one of his movies. Same furniture, same props. It's almost a running gag now.
The props they use are weird. There is a beehive someone is attending to is just a bunch of office boxes while the guy is wearing what looks like one of those white outfits that painters and forensic scientists wear.
The CGI on the bees is horrible and the acting is terrible. It's easy to laugh at but you find yourself feeling exhausted when they spend 20 minutes showing a guy rubbing his body on a bed (it's like 5 minutes with the same moves repeating) and a 10-15 minute shower scene.
You cringe and you can't wait for it to end but grab some popcorn, get some friends over and just laugh at this because I did have fun watching despite how boring it is. It was mostly all out if confusion tbh lol
I'd still recommend giving it a try just for a laugh. I still don't know the exact plot, I don't know any of the characters names, I don't know what's happening half the time but as long as you laugh, it's worth it.
Kevin Wilson (179 KP) rated A Quiet Place (2018) in Movies
Jul 17, 2018
Incredible acting (3 more)
Unique take on the monster horror genre
Superb cast
Super intense
The most intense I've felt in a movie!!
This is an incredible movie. I cannot find a single fault to this movie.
The acting is incredible and that's without very little dialogue. The whole idea if the movie is: you make a sound, you die. This made me feel very intense at times especially considering the main female lead (Emily blunt) was pregnant. Even stuff as simple as moving medicine bottles had to be moved very carefully and this kept me on the edge of my seat. It's funny how very little and slight sounds and movements can sound so loud and scary. This was a very unique concept which added so much.
John Krisinki is an incredible actor and director. The movie is shot beautifully. He manages to not only bring the horror perfectly but he brings forward the importance of family and what a parent would do to protect their children. The kids were cast perfectly and every part of the cast brings so much emotion to the roles, they completely suck you in and you really care about them.
The CGI was great and not knowing exactly what the monsters are or where they came from brought another level of creepy to them. There were twists I didn't see happened within the first 10 minutes and the movie is paced incredibly well.
I'd be very interested to see a sequel to this with a whole new cast but not sure what the plot could be without reusing this same plot. I did get a feeling of cloverfield from this and could easily see this as being some kind of spinoff to those movies.
1 of the best movies I've seen of this genre. Could definitely recommend watching this.
The acting is incredible and that's without very little dialogue. The whole idea if the movie is: you make a sound, you die. This made me feel very intense at times especially considering the main female lead (Emily blunt) was pregnant. Even stuff as simple as moving medicine bottles had to be moved very carefully and this kept me on the edge of my seat. It's funny how very little and slight sounds and movements can sound so loud and scary. This was a very unique concept which added so much.
John Krisinki is an incredible actor and director. The movie is shot beautifully. He manages to not only bring the horror perfectly but he brings forward the importance of family and what a parent would do to protect their children. The kids were cast perfectly and every part of the cast brings so much emotion to the roles, they completely suck you in and you really care about them.
The CGI was great and not knowing exactly what the monsters are or where they came from brought another level of creepy to them. There were twists I didn't see happened within the first 10 minutes and the movie is paced incredibly well.
I'd be very interested to see a sequel to this with a whole new cast but not sure what the plot could be without reusing this same plot. I did get a feeling of cloverfield from this and could easily see this as being some kind of spinoff to those movies.
1 of the best movies I've seen of this genre. Could definitely recommend watching this.
Gareth von Kallenbach (971 KP) rated Night at the Museum: Secret of the Tomb (2014) in Movies
Jun 19, 2019
Night At The Museum: Secret of the Tomb, is a new movie (rated PG) starring Ben Stiller, Robin Williams, Owen Wilson, Steve Coogan, Dan Stevens, and Rebel Wilson.
It is the third installment in the ‘Night At The Museum’ series.
The movie begins in time before any of the movies take place in time, throwing us back to the discovery of the magical tablet that brings the museum to life after sunset.
We then flash forward to current day,
and Ben Stillers character, Larry Daley, is the ‘special effects’ manager, in charge of all the magic of the museum.
Things go awry, and the rest of the movie is spent wrapped up in an attempt to first find out how to stop the erosion of the tablet, and then how to implement the information that is discovered.
The movie is fast paced, and it did draw me in. It is likely I was more emotionally invested in this film because it is the last film I will see Robin Williams in, and that was definitely at the forefront of my mind while watching the movie.
Some of the scenes between Rebel Wilson and Ben Stiller were less than funny to me, and some of the jokes were definitely groan worthy.
It was fairly predictable, but Dan
Stevens as Sir Lancelot did throw a few curve balls that mixed it up a bit.
It seems, based on some of the scenes, that Night at The Museum might be better in 3D than it was in 2D.
Over all, I liked the movie, but wouldn’t bother to take my son, who is 6 to see it ‘at the theatre’. It is one of those movies where the best parts seem to be in the previews.
http://sknr.net/2014/12/19/night-museum-3/
It is the third installment in the ‘Night At The Museum’ series.
The movie begins in time before any of the movies take place in time, throwing us back to the discovery of the magical tablet that brings the museum to life after sunset.
We then flash forward to current day,
and Ben Stillers character, Larry Daley, is the ‘special effects’ manager, in charge of all the magic of the museum.
Things go awry, and the rest of the movie is spent wrapped up in an attempt to first find out how to stop the erosion of the tablet, and then how to implement the information that is discovered.
The movie is fast paced, and it did draw me in. It is likely I was more emotionally invested in this film because it is the last film I will see Robin Williams in, and that was definitely at the forefront of my mind while watching the movie.
Some of the scenes between Rebel Wilson and Ben Stiller were less than funny to me, and some of the jokes were definitely groan worthy.
It was fairly predictable, but Dan
Stevens as Sir Lancelot did throw a few curve balls that mixed it up a bit.
It seems, based on some of the scenes, that Night at The Museum might be better in 3D than it was in 2D.
Over all, I liked the movie, but wouldn’t bother to take my son, who is 6 to see it ‘at the theatre’. It is one of those movies where the best parts seem to be in the previews.
http://sknr.net/2014/12/19/night-museum-3/
Justin Long recommended Annie Hall (1977) in Movies (curated)
Bai Ling recommended Red Corner (1997) in Movies (curated)
Will Oldham recommended Coup de torchon (Clean Slate) (1981) in Movies (curated)
Bob Mann (459 KP) rated Thunder Force (2021) in Movies
May 9, 2021
Terrible and unfunny script (1 more)
Wasted talent.
Getting the crabs is never a laugh.
Positives:
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
LoganCrews (2861 KP) rated Palo Alto (2014) in Movies
Sep 20, 2020
Flooringly seismic, as someone who was around this exact age in this exact time period - this is the perfect representation of high school in 2012/2013 to a T. I'm always put off by how high school kids in movies from around this time never talk right, and even when its ever so close there's still just that slight amount of "out-of-touch adult writes how they think teens speak" jargon which completely takes me out of it. Not here, the way people talk to each other here is scarily dead-on to how me and my shithead friends used to talk to each other to the comma. The fact that there's no clear-cut good or bad guys, just varying degrees of shitty; those tiny but thick iPod touches that had the messaging apps with the grey background and green messages; weird fake meme-sounding music abound parties with lethal amounts of alcohol... trades in the (still tantalizing in its own way) metaphorical cringe that these movies usually have and finally depicts high schoolers from this time as the snaky, rash, social-status obsessed psychopaths that we were - the type who would sooner ask for mouthwash after they vomited up hours worth of alcohol rather than water. The déjà vu I felt during this was unreal, and beyond that it's the movie equivalent to an opiate - not to mention daring, economical, accurate, and cautiously brisk with tremendous performances across the board (Nat Wolff holy *shit*). What happens when you stick a bunch of emotionally unstable sociopaths who don't like each other (or are at least fooled into thinking they do) into a 5-days-a-week institution and leave them to their own devices in the early 2010s. I fucking *lived* this movie - which may even be the best one directed by a Coppola.