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LeftSideCut (3778 KP) rated The Slumber Party Massacre (1982) in Movies
Oct 10, 2020
This film has a slumber party and it also has a massacre. In that respect, The Slumber Party Massacre does exactly what is says on the tin, but actually has more to it underneath it's trashy exterior.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
LoganCrews (2861 KP) rated Annabelle: Creation (2017) in Movies
Oct 25, 2020
This damn doll just isn't scary, people - and neither is this movie, not a single time. However, for about half the time it does succeed at being effectively creepy and sometimes even sort of fun. I mean this is still just the same two or three rusty clichés and dated, predictable jumpscares on repeat but it has a lot of half-okay vignettes... which all get soured by the surfeit of nonsensical connections to other movies in the series and the insufferable "Hey, remember when THIS happened??" bullcrap. For one I wish they'd let David F. Sandberg be David F. Sandberg here instead of yet another inferior Wan clone like they do with the rest of these. And for two I'm not the first to suggest that this movie being more concerned with milking the Conjuring mythos dry of any miniscule amount of nuance it once had through attempting to spin it thin into some sort of pointless, scuffed 'cinematic universe' kills the standalone decent horror flick this could have been (as well as devalues the originals in the process) - and I hopefully won't be the last - but Jesus Christ did it have to be so fucking long too? When this script was written, did every sentence have to include at least three sets of ellipses between words? Also the non-horror stuff is worlds better than the horror stuff - personally I would have loved to have seen the movie that was pushed to the side in here about this group of orphans finding out something isn't right with Anthony LaPaglia and Miranda Otto or the secretive demonic stuff they've been cooking up in the background after their daughter gets killed. But no, it rushes past all the intriguing stuff in favor of a competent but saccharine and generic cash grab. Far from awful but also not all that much better than the original 𝘈𝘯𝘯𝘢𝘣𝘦𝘭𝘭𝘦. Did we really need a prequel... to a prequel (which in and of itself we didn't need)?
LeftSideCut (3778 KP) rated Indiana Jones and the Last Crusade (1989) in Movies
Jan 28, 2021
Returning to a much more balanced tone that the overly "cooky" Temple of Doom, the third Indiana Jones adventure gives Raiders of the Lost Ark some serious competition for best entry in the franchise (Raiders just about beats it for me based on the ratio of melting nazi face content).
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
The Last Crusade is a hugely entertaining movie from start to finish. It has a fantastic cast from the ever reliable Harrison Ford in the title role, to the convincingly menacing antagonist played by Julian Glover. Of course, Sean Connery is here for the ride this time around, as Indy's old man. The dynamic between Connery and Ford is great, and every scene with the two of them is cinema gold. Alison Doody makes for a welcome change with this films female protagonist (sort of), her character finally bucking the trend of typical love interest and having some depth, and a hell of a mean streak. Its nice to see John Rhys-Davies return from his ToD absence, and River Phoenix makes for an extremely memorable young Indiana in the movies opening flashback scene - on the subject of that scene, the transition from young Indy to Harrison Ford Indy is epic, thanks in part to another wonderful John Williams score, and is one of my highlights of the entire franchise!
The pacing is spot on - the over-two-hour runtime never once feels like a slog. The constant action is some of Spielberg's best work, and is suitably high octane. Everything in between boasts an engaging screenplay that develops all of the characters nicely, and the comedy elements are well done and sporadically placed, making the sillier moments genuinely funny (even the ridiculous Hitler scene)
All in all, The Last Crusade is a wonderful conclusion to the original trilogy, and is a genuinely fantastic adventure movie that stands toe to toe with the first film in its quality.
Jimmy Fallon recommended American Movie (1999) in Movies (curated)
Darren (1599 KP) rated Refuge (2013) in Movies
Sep 26, 2019
Characters – The characters focus on a family, Jack the father, the man that will do everything to keep his family safe, even if it means taking risks by saving strangers, he doesn’t back down from enemies or threats, but is forced into decisions he doesn’t want to make. Nell is the wife and mother, we don’t really learn too much about her though, she falls in the woman being protected circle. Birdie is the daughter that doesn’t fully understand the world and wants to just be a child in this world. Kyle is one of the people that Jack has saved in the past.
Performances – The performances from the cast are great throughout, we feel their bleak outlook on the life they are living which is what we want to see, the final act shows them at their best too.
Story – The story here follows a family in a post-apocalyptic world where the biggest threats marauders and the virus that has wiped out most of the world. This is a bleak story that helps show us just how desperate the world now is and not having any sort of zombie side to everything giving us the only enemy the human one. This keeps everything simple because it is all we need, even though it does follow the typical mistakes being made by the characters.
Thriller – This does try to keep us on the edge of our seats about whether our characters will survive and what is next in line for them.
Settings – The film keeps us in the bleak locations from start to finish, they show where people will survive and keeps us away from the big city.
Scene of the Movie – The break in.
That Moment That Annoyed Me – Just shot them.
Final Thoughts – This is one of the best looking bleak virus outbreak movies, it does have questionable character decisions but that does add to the drama.
Overall: Simple and effective.
Performances – The performances from the cast are great throughout, we feel their bleak outlook on the life they are living which is what we want to see, the final act shows them at their best too.
Story – The story here follows a family in a post-apocalyptic world where the biggest threats marauders and the virus that has wiped out most of the world. This is a bleak story that helps show us just how desperate the world now is and not having any sort of zombie side to everything giving us the only enemy the human one. This keeps everything simple because it is all we need, even though it does follow the typical mistakes being made by the characters.
Thriller – This does try to keep us on the edge of our seats about whether our characters will survive and what is next in line for them.
Settings – The film keeps us in the bleak locations from start to finish, they show where people will survive and keeps us away from the big city.
Scene of the Movie – The break in.
That Moment That Annoyed Me – Just shot them.
Final Thoughts – This is one of the best looking bleak virus outbreak movies, it does have questionable character decisions but that does add to the drama.
Overall: Simple and effective.
Darren (1599 KP) rated Swiss Family Robinson (1960) in Movies
Sep 26, 2019
Characters – The characters focus on a family, Jack the father, the man that will do everything to keep his family safe, even if it means taking risks by saving strangers, he doesn’t back down from enemies or threats, but is forced into decisions he doesn’t want to make. Nell is the wife and mother, we don’t really learn too much about her though, she falls in the woman being protected circle. Birdie is the daughter that doesn’t fully understand the world and wants to just be a child in this world. Kyle is one of the people that Jack has saved in the past.
Performances – The performances from the cast are great throughout, we feel their bleak outlook on the life they are living which is what we want to see, the final act shows them at their best too.
Story – The story here follows a family in a post-apocalyptic world where the biggest threats marauders and the virus that has wiped out most of the world. This is a bleak story that helps show us just how desperate the world now is and not having any sort of zombie side to everything giving us the only enemy the human one. This keeps everything simple because it is all we need, even though it does follow the typical mistakes being made by the characters.
Thriller – This does try to keep us on the edge of our seats about whether our characters will survive and what is next in line for them.
Settings – The film keeps us in the bleak locations from start to finish, they show where people will survive and keeps us away from the big city.
Scene of the Movie – The break in.
That Moment That Annoyed Me – Just shot them.
Final Thoughts – This is one of the best looking bleak virus outbreak movies, it does have questionable character decisions but that does add to the drama.
Overall: Simple and effective.
Performances – The performances from the cast are great throughout, we feel their bleak outlook on the life they are living which is what we want to see, the final act shows them at their best too.
Story – The story here follows a family in a post-apocalyptic world where the biggest threats marauders and the virus that has wiped out most of the world. This is a bleak story that helps show us just how desperate the world now is and not having any sort of zombie side to everything giving us the only enemy the human one. This keeps everything simple because it is all we need, even though it does follow the typical mistakes being made by the characters.
Thriller – This does try to keep us on the edge of our seats about whether our characters will survive and what is next in line for them.
Settings – The film keeps us in the bleak locations from start to finish, they show where people will survive and keeps us away from the big city.
Scene of the Movie – The break in.
That Moment That Annoyed Me – Just shot them.
Final Thoughts – This is one of the best looking bleak virus outbreak movies, it does have questionable character decisions but that does add to the drama.
Overall: Simple and effective.
Gareth von Kallenbach (977 KP) rated It Comes At Night (2017) in Movies
Jul 11, 2019
There are some things that are truly frightening. For some, it could be ghosts while others fear zombies. There are many things that concern us and even keep us awake at night. With It Comes At Night, audiences are faced with one of the greatest fears that man has: the unknown.
The film features Paul (Joel Edgerton) a father and husband who is seeking to keep his family safe in the wilderness from unknown threats. He and his family are uncertain of what has taken place. They are not sure if the population has become victims to terrorism, disease, or some sort of supernatural occurrence. Paranoia builds as a stranger arrives on their land. What are his intentions? Can they trust each other long enough to survive? Will they outlast whatever has consumed countless others?
The film is haunting and will have its audience trying to guess and discover what exactly is taking place. The film is reminiscent of The Village, The Happening, and other movies that rely on ambiguity. For some films, the mystery may be the downfall as it leads nowhere. With It Comes At Night, the filmmakers allow for reality to seep into the lives that viewers are witnessing on the screen. For this film, the ambiguity allows for the audience to question how they would behave or adapt in a seemingly post-apocalyptic environment. We like to think that we know, but we can never be sure. This comes through with the actions of each of the characters. They are alone and afraid.
The film is deep in its approach to what the world would look like should calamity approach. People would become distrustful, fight, turn on each other, kill without thinking, and eventually sink into the realization that they don’t know what to do. It Comes at Night allows for the reality of horror to be exposed. It is not knowing how to face a certain danger, it is about having to come to terms with the unknown.
The film features Paul (Joel Edgerton) a father and husband who is seeking to keep his family safe in the wilderness from unknown threats. He and his family are uncertain of what has taken place. They are not sure if the population has become victims to terrorism, disease, or some sort of supernatural occurrence. Paranoia builds as a stranger arrives on their land. What are his intentions? Can they trust each other long enough to survive? Will they outlast whatever has consumed countless others?
The film is haunting and will have its audience trying to guess and discover what exactly is taking place. The film is reminiscent of The Village, The Happening, and other movies that rely on ambiguity. For some films, the mystery may be the downfall as it leads nowhere. With It Comes At Night, the filmmakers allow for reality to seep into the lives that viewers are witnessing on the screen. For this film, the ambiguity allows for the audience to question how they would behave or adapt in a seemingly post-apocalyptic environment. We like to think that we know, but we can never be sure. This comes through with the actions of each of the characters. They are alone and afraid.
The film is deep in its approach to what the world would look like should calamity approach. People would become distrustful, fight, turn on each other, kill without thinking, and eventually sink into the realization that they don’t know what to do. It Comes at Night allows for the reality of horror to be exposed. It is not knowing how to face a certain danger, it is about having to come to terms with the unknown.
LeftSideCut (3778 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 28, 2019 (Updated Oct 25, 2019)
Another fantastic entry into Tarantino's legacy
If there's one thing that springs to mind after watching Once Upon a Time in Hollywood, is that's it's not particularly user friendly, it's not easily consumed.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
LeftSideCut (3778 KP) rated 1917 (2020) in Movies
Aug 16, 2020
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
Phillip McSween (751 KP) rated Hercules (1997) in Movies
Sep 5, 2020
Great Combo of Action and Hilarity
Disney’s animated retelling of the classic story of the Greek demi-god. The fun spin that was put on it just happens to make it my favorite. You can’t help but have a good time while watching Disney’s Hercules.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Hercules is beautiful from a visual standpoint. I love the contrast of bright colors against dark backgrounds. My favorite scene is when Hercules is battling the hydra in the rain while flying on his pegasus. It’s so grand in scale as he soars in and out of the dozens of heads. Oh, and I haven’t even touched on the beauty of Hades. It’s gorgeous even in its weird creepiness. So much attention to detail that it’s hard not to appreciate.
Conflict: 9
Entertainment Value: 9
From the opening scene where the awesome divas are singing the setup, I knew I was going to be watching something original and new. With a combo of action-packed sequences and a number of hilarious moments from a great cast, I was invested in the movie from beginning to end. It’s a damn good ride.
Memorability: 8
Pace: 10
Hercules moves extremely efficiently through its story which I find some stories hard to do when singing is involved. There is very little lingering if any as scenes get their point across and you’re off to the next thing. I respect films that can do that as I know a number of movies that overstay their welcome.
Plot: 8
Resolution: 8
Overall: 92
Not only does it have action and comedy, but there is also a love story in true Disney fashion within Hercules. And it all works. I do wish that they would have jumped into Hercules’ hero aspect a smidge earlier, but overall I think the movie is fantastic. Great job yet again by Disney.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Hercules is beautiful from a visual standpoint. I love the contrast of bright colors against dark backgrounds. My favorite scene is when Hercules is battling the hydra in the rain while flying on his pegasus. It’s so grand in scale as he soars in and out of the dozens of heads. Oh, and I haven’t even touched on the beauty of Hades. It’s gorgeous even in its weird creepiness. So much attention to detail that it’s hard not to appreciate.
Conflict: 9
Entertainment Value: 9
From the opening scene where the awesome divas are singing the setup, I knew I was going to be watching something original and new. With a combo of action-packed sequences and a number of hilarious moments from a great cast, I was invested in the movie from beginning to end. It’s a damn good ride.
Memorability: 8
Pace: 10
Hercules moves extremely efficiently through its story which I find some stories hard to do when singing is involved. There is very little lingering if any as scenes get their point across and you’re off to the next thing. I respect films that can do that as I know a number of movies that overstay their welcome.
Plot: 8
Resolution: 8
Overall: 92
Not only does it have action and comedy, but there is also a love story in true Disney fashion within Hercules. And it all works. I do wish that they would have jumped into Hercules’ hero aspect a smidge earlier, but overall I think the movie is fantastic. Great job yet again by Disney.