"I’d never seen this one, but you know me — I’m a sucker for a classic. You remember my old crew chief, right? Figures it’d take a classic like Doc to make me park it and “appreciate the greats” — old flicks like Thunder Road, Two-Lane Blacktop… and at the top of my faves? GRAND PRIX. I mean, come on! You’ve got a killer international cast and some of the best shots with real racers I’ve ever seen in a movie. Every year, New Year’s Day rolls around, and it’s the first movie I throw on, like clockwork. Now THAT’S how you start things moving!"

"I read this book in high school when it was first published. It had the reputation of being “dirty.” It did not disappoint: I was all of 14. It was also deliciously funny. It still is. Its status is secure and I doubt there’s a “Best” list it’s not on. It’s wildly romantic, scathingly satiric of middle-class Americans as only a European aristocrat can see us, and ultimately deeply moving. Lolita is the light of everyone’s loins. Humbert Humbert’s despair is anyone’s who has loved and lost in vain. Nabokov “gets” America and Americans. He is one of the great writers in English and it wasn’t even his first language."

"It was seminal, you know? It’s still a cult film for actors. It’s just about two out-of-work actors in England. I keep that on my iPad; I’ll go back and watch that at any point or scene. And there’s a performance by Uncle Monty (Richard Griffiths) — I think it’s one of the greatest comedic performances I’ve seen in my life. Such a wonderful film. It just reaffirms to me that I’m part of an ongoing world of actors. It’s funny, but it’s also beautiful in the end. When Grant does the Hamlet speech… It’s about success, failure, moving on, friendship, loss, and just life. It’s brilliant."