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Kristy H (1252 KP) rated The Beloveds in Books
Apr 9, 2018
Slow-moving thriller with a despicable main character
Betty adores only one thing in her life: her childhood home, called Pipits, and desires nothing else than to live in it. Alone. So when her mother passes away and wills the home to her younger sister Gloria and her husband, Henry, Betty is beyond angry and ruined. She puts Henry and Gloria in a class called the Beloveds; people she deems loved and admired and lucky in love and everything they do. Betty, of course, is on the outside looking in on these Beloved sort. She vows she will do whatever it takes to get Pipits back, at any cost.
This novel features Betty talking to us directly in a conversational style, which I liked. However, sadly, the rest of this one didn't work too well for me. For one thing, it's just maddeningly slow. There is so much talk from Betty and she is so mean, crazy, and cruel. Halfway through the novel, I felt as if nothing had happened, other than her rantings. Beyond her being mentally ill, the whole book is built on her obsession for this house, and it became a bit much for me. I understand that it should be creepy, but it just didn't work for me.
For much of the novel, Betty isn't really even that good at being evil, she's just mean-spirited and a ranting drunk. I kept reading out of a morbid curiosity, but I really wasn't all that interested or engaged or drawn to anyone in the novel. In fact, I just despised Betty completely and couldn't even find myself liking her as a "bad guy." She was just mean. Also, again, I felt somewhat bad despising someone who was so clearly mentally ill, but she was so hateful, and her obsession with this house was just all-consuming and hard to empathize with.
Overall, this one didn't work for me. It was so slow, with such a despicable main character with odd motivations. However, I've read a lot of reviews where others really enjoyed its creepy nature, so it may work for you.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); more at https://justacatandabookatherside.blogspot.com/.
This novel features Betty talking to us directly in a conversational style, which I liked. However, sadly, the rest of this one didn't work too well for me. For one thing, it's just maddeningly slow. There is so much talk from Betty and she is so mean, crazy, and cruel. Halfway through the novel, I felt as if nothing had happened, other than her rantings. Beyond her being mentally ill, the whole book is built on her obsession for this house, and it became a bit much for me. I understand that it should be creepy, but it just didn't work for me.
For much of the novel, Betty isn't really even that good at being evil, she's just mean-spirited and a ranting drunk. I kept reading out of a morbid curiosity, but I really wasn't all that interested or engaged or drawn to anyone in the novel. In fact, I just despised Betty completely and couldn't even find myself liking her as a "bad guy." She was just mean. Also, again, I felt somewhat bad despising someone who was so clearly mentally ill, but she was so hateful, and her obsession with this house was just all-consuming and hard to empathize with.
Overall, this one didn't work for me. It was so slow, with such a despicable main character with odd motivations. However, I've read a lot of reviews where others really enjoyed its creepy nature, so it may work for you.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); more at https://justacatandabookatherside.blogspot.com/.

Lee (2222 KP) rated A Quiet Place (2018) in Movies
Apr 3, 2018 (Updated Apr 3, 2018)
Superb tension, great monster movie
We're on day 79 of what we assume is some kind of apocalyptic event. A general store is deserted, without power, and in a complete mess. A man and his wife (John Krasinski and off screen wife Emily Blunt) along with their 3 children, are quietly scavenging for drugs for one of the sick children, along with general supplies. They move quietly, carefully moving objects so as to not make a sound. They communicate only by sign language, and the youngest of the children is refused a battery operated rocket toy, because it will make a noise. The family quietly walk back home, and you begin to wonder what exactly could be so dangerous that it's wiped out most of humanity and left this family in fear, desperately trying to remain silent. We soon find out though, in one quick, and shocking moment.
Then we skip forward a few hundred days, joining the family once more in their home in the forest. We discover that the creatures responsible for the apocalypse are blind, with armoured skin and a superb sense of hearing which attracts them to their prey, and also explains why everyone is now being so quiet. The family walk about barefoot, still communicating in sign language and taking care not to make a sound with everything they do. It's very quiet, and very tense, which consequently amplifies every sneeze and every noisy rustle in the cinema I'm sitting in. Some of these idiots wouldn't last 5 minutes if they were in this movie!!
And then we discover that Emily Blunts character is pregnant! We see the family preparing a sound proof cot, in an underground room where the other children are also trying to make the walls soundproof. How on earth are they going to keep a baby from being heard?
Occasionally the creatures make an appearance. All teeth and claws, and genuinely scary as the family try and contain their terror to avoid making a sound. The first half of the movie follows this formula - prolonged periods of silent tension, followed by the odd burst of terror. It's extremely effective. So when the final third of the movie shifts towards more lengthy moments of monster action, with the separated family all having their own problems to overcome, it's hugely enjoyable edge of seat stuff. This really is a refreshingly smart horror movie.
Then we skip forward a few hundred days, joining the family once more in their home in the forest. We discover that the creatures responsible for the apocalypse are blind, with armoured skin and a superb sense of hearing which attracts them to their prey, and also explains why everyone is now being so quiet. The family walk about barefoot, still communicating in sign language and taking care not to make a sound with everything they do. It's very quiet, and very tense, which consequently amplifies every sneeze and every noisy rustle in the cinema I'm sitting in. Some of these idiots wouldn't last 5 minutes if they were in this movie!!
And then we discover that Emily Blunts character is pregnant! We see the family preparing a sound proof cot, in an underground room where the other children are also trying to make the walls soundproof. How on earth are they going to keep a baby from being heard?
Occasionally the creatures make an appearance. All teeth and claws, and genuinely scary as the family try and contain their terror to avoid making a sound. The first half of the movie follows this formula - prolonged periods of silent tension, followed by the odd burst of terror. It's extremely effective. So when the final third of the movie shifts towards more lengthy moments of monster action, with the separated family all having their own problems to overcome, it's hugely enjoyable edge of seat stuff. This really is a refreshingly smart horror movie.

Scott Tostik (389 KP) rated He's Out There (2018) in Movies
Aug 16, 2019
The mask... Wicked (1 more)
One helluva great build up
Slow burn that heats up well
Contains spoilers, click to show
Woman takes kids to weekend home in the woods. Husband to meet up with them later that night. What could possibly go wrong?
Well... Lemme tell you.... Your whole fuckin day just got ruined by some psycho in a mask who starts of small... Banging on windows... Moving things around the yard... Typical teenage prank type stuff...
As the fear builds, his sadistic nature come to the surface... He intercepts the husband on his way through the darkened goat path of a road and proceeds to carve out his eyeballs and leave his corpse on the front step... Like some cat leaving his master a dead rat or bird... Seeking approval
There's a scene near the end of the film that I found kind of brilliant.
The killer hangs three life sized dolls, representing the mother and her children, for the three to find when they try to run... Stopping them in their tracks... Then... As if they were kids playing a game, he begins pelting them with paintballs to drive them back into the house... Giving himself total control over the situation. The killer has made it impossible for the victims to leave... Thinking the car is a good idea... Mommy hides her children in the closet... Telling them how brave they are and giving them a watch to time 20 seconds before they make a break for it to meet their mother at the car... Mom takes the keys from her dead husbands pocket and start a the car. She then grabs the kids from the closet and is immediately trapped in a room by Mr. Madman.
A neighbor comes over and sees the carnage that is the yard, smashed up SUV, deadman on the steps and tries to help... His fate is sealed by an axe to the head...
The killers total control of everything is what makes me like this movie... Reminds me of The Collector in so many ways... Total control...
Its worth a watch or two... When the climax of the film finally comes a long... Its kind of a let down... But the build up was nice and impressive... If you're looking to get blue balled by a movie... Its a great pick :)
Well... Lemme tell you.... Your whole fuckin day just got ruined by some psycho in a mask who starts of small... Banging on windows... Moving things around the yard... Typical teenage prank type stuff...
As the fear builds, his sadistic nature come to the surface... He intercepts the husband on his way through the darkened goat path of a road and proceeds to carve out his eyeballs and leave his corpse on the front step... Like some cat leaving his master a dead rat or bird... Seeking approval
There's a scene near the end of the film that I found kind of brilliant.
The killer hangs three life sized dolls, representing the mother and her children, for the three to find when they try to run... Stopping them in their tracks... Then... As if they were kids playing a game, he begins pelting them with paintballs to drive them back into the house... Giving himself total control over the situation. The killer has made it impossible for the victims to leave... Thinking the car is a good idea... Mommy hides her children in the closet... Telling them how brave they are and giving them a watch to time 20 seconds before they make a break for it to meet their mother at the car... Mom takes the keys from her dead husbands pocket and start a the car. She then grabs the kids from the closet and is immediately trapped in a room by Mr. Madman.
A neighbor comes over and sees the carnage that is the yard, smashed up SUV, deadman on the steps and tries to help... His fate is sealed by an axe to the head...
The killers total control of everything is what makes me like this movie... Reminds me of The Collector in so many ways... Total control...
Its worth a watch or two... When the climax of the film finally comes a long... Its kind of a let down... But the build up was nice and impressive... If you're looking to get blue balled by a movie... Its a great pick :)

Emma @ The Movies (1786 KP) rated Eighth Grade (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Eighth Grade was quite difficult for me to watch. I absolutely hate watching things that are awkward, and if one word sums up this film it's "awkward". I'm throwing it in the pool with talk shows and reality TV in all their cringy glory. Between those awkward moments we do thankfully see some nicer moments.
Kayla is trying to navigate the move from eighth grade to high school, the perils of friends and enemies, and how to get noticed by the right people. Like many of us have done she tries stepping out of her comfort zone with varying degrees of success. But every one of those steps helps her learn something about herself and life, things that she hopes future Kayla will remember when life seems tough.
I'm just going to skip over the things I didn't like about the movie because honestly, it's all mainly issues to do with the awkwardness I've already mentioned.
Kayla's dad is probably my favourite character in this, he is involved in some of the scenes I didn't like but overall he brings a lot of heart to the film. When he makes his speech at Kayla towards the end it's a genuinely moving moment and it brought a tear to my eye. One of the only things that I came away wondering was where was mum, she's mentioned but I don't think anything is specifically mentioned apart from "she left". Part of me thinks it's frustrating, but there was no real way to bring it up out of context.
There's nothing particularly wrong with the film, the acting was fine and although the script was frustrating it was accurate to what was trying to be achieved. This is definitely not for me though. Partly for the awkward reason and partly because I don't entirely enjoy watching films that involve things I could, or have, done myself.
What you should do
It's not one that' I'd recommend for the obvious reason above. It does seem to be liked by lots of people though so it's probably one that's worth checking out when it goes to streaming services.
Movie thing you wish you could take home
I not sure there's actually anything from this I'd like to take home with me... I don't need any more angsty teen in my life.
Kayla is trying to navigate the move from eighth grade to high school, the perils of friends and enemies, and how to get noticed by the right people. Like many of us have done she tries stepping out of her comfort zone with varying degrees of success. But every one of those steps helps her learn something about herself and life, things that she hopes future Kayla will remember when life seems tough.
I'm just going to skip over the things I didn't like about the movie because honestly, it's all mainly issues to do with the awkwardness I've already mentioned.
Kayla's dad is probably my favourite character in this, he is involved in some of the scenes I didn't like but overall he brings a lot of heart to the film. When he makes his speech at Kayla towards the end it's a genuinely moving moment and it brought a tear to my eye. One of the only things that I came away wondering was where was mum, she's mentioned but I don't think anything is specifically mentioned apart from "she left". Part of me thinks it's frustrating, but there was no real way to bring it up out of context.
There's nothing particularly wrong with the film, the acting was fine and although the script was frustrating it was accurate to what was trying to be achieved. This is definitely not for me though. Partly for the awkward reason and partly because I don't entirely enjoy watching films that involve things I could, or have, done myself.
What you should do
It's not one that' I'd recommend for the obvious reason above. It does seem to be liked by lots of people though so it's probably one that's worth checking out when it goes to streaming services.
Movie thing you wish you could take home
I not sure there's actually anything from this I'd like to take home with me... I don't need any more angsty teen in my life.

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Gareth von Kallenbach (980 KP) rated Dunkirk (2017) in Movies
Jul 11, 2019
In May 1940, as Germany advanced into France, Allied troops found themselves surrounded at the town of Dunkirk with little time to escape. In the distance, the Germans sought to capture or kill each of the nearly 400,000 men. French and British soldiers began the slow process to evacuate using every naval or civilian ship available. Dunkirk examines the heroism involved by everyone on the land, sea, and air in their attempt to get their countrymen home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.

Zuky the BookBum (15 KP) rated A Pleasure and a Calling in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/a-pleasure-and-a-calling-by-phil-hogan
<b><I>You won’t remember Mr Heming. He showed you round your comfortable home, suggested a sustainable financial package, negotiated a price with the owner and called you with the good news. The less good news is that, all these years later, he still has the key.
That’s absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine?
The answer to that is, he has the keys to them all.</b></i>
This is a truly chilling novel. With such a unique plot line, excellent narration and beautiful descriptions, I’m amazed this hasn’t found itself being more popular. After scanning this books lower reviews, I can understand some people's frustrations with this because they were expecting a thriller, and while this technically does class as a thriller, it’s not what most people associate with thrillers. When you think of a thriller, you think Jason Bourne, fast-paced, exciting, and, of course, thrilling, so when you open this to find it’s slow-paced narration of Heming’s day-to-day life you’re going to be a bit miffed. So don’t go into this thinking your socks are going to be blown off in super fast-paced action.
Heming is a seriously unreliable narrator. Thanks to his wonderful storytelling, we’re drawn into his life, eager to know what happens next with almost no regard to the horrible things he’s actually doing! The narration is amazing at masking the creepiness of the situations Heming puts himself into, making you want to like his character, when really we know we shouldn’t.
Each character in this novel was presented in an excellent way, giving you enough to know about them without things becoming confusing and too heavy. As for the plot, well, what can I say? It was magnificent! It was so well thought out and solidly presented. I had wanted to read this novel for such a long time, I’m remarkably pleased it didn’t let me down, not even in the slightest!
I don’t have a lot more to say about this other than I loved it completely, I don’t think it let itself down at all and I was prepared for it to be a slow moving, almost dream like novel (which is a writing style I personally adore). In many ways, this is a very Lolita-esque novel, the unreliable narrator, the slow moving pace, in-depth and beautiful descriptions, deep infatuation etc etc, so if Lolita was a novel you enjoyed, for all of those reasons, then definitely give this a try.
<b><I>You won’t remember Mr Heming. He showed you round your comfortable home, suggested a sustainable financial package, negotiated a price with the owner and called you with the good news. The less good news is that, all these years later, he still has the key.
That’s absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine?
The answer to that is, he has the keys to them all.</b></i>
This is a truly chilling novel. With such a unique plot line, excellent narration and beautiful descriptions, I’m amazed this hasn’t found itself being more popular. After scanning this books lower reviews, I can understand some people's frustrations with this because they were expecting a thriller, and while this technically does class as a thriller, it’s not what most people associate with thrillers. When you think of a thriller, you think Jason Bourne, fast-paced, exciting, and, of course, thrilling, so when you open this to find it’s slow-paced narration of Heming’s day-to-day life you’re going to be a bit miffed. So don’t go into this thinking your socks are going to be blown off in super fast-paced action.
Heming is a seriously unreliable narrator. Thanks to his wonderful storytelling, we’re drawn into his life, eager to know what happens next with almost no regard to the horrible things he’s actually doing! The narration is amazing at masking the creepiness of the situations Heming puts himself into, making you want to like his character, when really we know we shouldn’t.
Each character in this novel was presented in an excellent way, giving you enough to know about them without things becoming confusing and too heavy. As for the plot, well, what can I say? It was magnificent! It was so well thought out and solidly presented. I had wanted to read this novel for such a long time, I’m remarkably pleased it didn’t let me down, not even in the slightest!
I don’t have a lot more to say about this other than I loved it completely, I don’t think it let itself down at all and I was prepared for it to be a slow moving, almost dream like novel (which is a writing style I personally adore). In many ways, this is a very Lolita-esque novel, the unreliable narrator, the slow moving pace, in-depth and beautiful descriptions, deep infatuation etc etc, so if Lolita was a novel you enjoyed, for all of those reasons, then definitely give this a try.

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