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LeftSideCut (3778 KP) rated X (2022) (2022) in Movies
Mar 22, 2022
Ti West has been gruesomely carving his name into the horror genre for a little while now, but with X, it feels like everything is really falling into place. It's a snappy, funny, unnerving, visceral, and chaotic ride that is easy to get lost in.
Despite it's fast moving narrative, it still finds time to slowly build its tension. Even before shit goes south, and everyone's having a bloody lovely time snorting cocaine and filming porn, something just feels off, to an almost unbearable degree.
Creepy, elderly antagonists have been done before, but the villains of the piece here have a well realised soft edge to them in the form of their relationship. There's some touching moments between them (as well as some gross ones), and it very much drives home the point that getting old sucks, and there's definitely a sliver of sympathy in there somewhere in between all the stabbing and nastiness.
The main group of protagonists are all a joy to watch on screen and are all pretty likable. Mia Goth is superb in her dual role, and it's great to see Jenna Ortega furthering a promising career in horror. The whole cast are decent and sell the unfolding madness with aplomb.
It's beautifully shot as well, from the opening scene, to the moment the credits roll, every frame feels like it's been slaved over with a great degree of passion. There's homages everywhere you look, the most obvious of course, being The Texas Chainsaw Massacre, from its setting and general vibe, to the very arthouse style that the film is presented in. It's really quite a treat to look at.
The more slasher side of things eventually takes over, and proceedings do become relatively predictable, but by that point, the film has descended into a crazy, gory, good time, and it's hard to care about any slight misgivings.
In short, X is a fucking blast and is well worth making a cinema trip for any fans of the genre. Don't sleep on it!
Despite it's fast moving narrative, it still finds time to slowly build its tension. Even before shit goes south, and everyone's having a bloody lovely time snorting cocaine and filming porn, something just feels off, to an almost unbearable degree.
Creepy, elderly antagonists have been done before, but the villains of the piece here have a well realised soft edge to them in the form of their relationship. There's some touching moments between them (as well as some gross ones), and it very much drives home the point that getting old sucks, and there's definitely a sliver of sympathy in there somewhere in between all the stabbing and nastiness.
The main group of protagonists are all a joy to watch on screen and are all pretty likable. Mia Goth is superb in her dual role, and it's great to see Jenna Ortega furthering a promising career in horror. The whole cast are decent and sell the unfolding madness with aplomb.
It's beautifully shot as well, from the opening scene, to the moment the credits roll, every frame feels like it's been slaved over with a great degree of passion. There's homages everywhere you look, the most obvious of course, being The Texas Chainsaw Massacre, from its setting and general vibe, to the very arthouse style that the film is presented in. It's really quite a treat to look at.
The more slasher side of things eventually takes over, and proceedings do become relatively predictable, but by that point, the film has descended into a crazy, gory, good time, and it's hard to care about any slight misgivings.
In short, X is a fucking blast and is well worth making a cinema trip for any fans of the genre. Don't sleep on it!
Lyndsey Gollogly (2893 KP) rated Moonville ( Gold Prophecy 1-4) in Books
Mar 1, 2024
40 of 220
Kindle
Booksirens arc
Moonville (Gold Blood Prophecy 1-4)
By K.J Devoir
⭐️⭐️
Please check Trigger warnings
Psycho gets the girl.
Leena Sperling has fallen into darkness. Darkness has a name...
ZAND BYRON
He’s larger than life. He’s also a deeply dangerous, twisted soul, a textbook psychopath. But, somehow...she makes him feel.
"You can run, Leena. But I will find you."
Leena: When I arrived to the City of Souls, the tiny cemetery town wrapping the Bay Area foothills where Moonvine Manor is located, I had no idea what to expect or how insane my life would become after moving into the former, Queen Anne, funeral home that belonged to my missing sister. I should have known that being greeted by a tombstone-shaped granite welcome sign was either a sick joke or a bad omen. But I could never have predicted that I would fall in love with the darkness.
Zand: I don’t want to ever stop making her cry. Her tears are full of human feelings, and I love the taste. She makes me feel, but part of me wants to end the human in her that brings out the human in me. In a heartbeat, I could make her nightmares infinitely darker. I'm a bad man, trying to be good.
Ok so this premise was good it gave me very much Morganville vibes but a little darker and steamy. The characters were ok and certainly lived up to the dark paranormal romance vibe.
But I had a few issues and I can only be honest. There were bits of the book that didn’t quite add up and there was something really off about it all. A few times I wanted to stop reading. It just wasn’t for me.
I received an advance review copy for free, and I am leaving this review voluntarily.
Please check Trigger warnings
Kindle
Booksirens arc
Moonville (Gold Blood Prophecy 1-4)
By K.J Devoir
⭐️⭐️
Please check Trigger warnings
Psycho gets the girl.
Leena Sperling has fallen into darkness. Darkness has a name...
ZAND BYRON
He’s larger than life. He’s also a deeply dangerous, twisted soul, a textbook psychopath. But, somehow...she makes him feel.
"You can run, Leena. But I will find you."
Leena: When I arrived to the City of Souls, the tiny cemetery town wrapping the Bay Area foothills where Moonvine Manor is located, I had no idea what to expect or how insane my life would become after moving into the former, Queen Anne, funeral home that belonged to my missing sister. I should have known that being greeted by a tombstone-shaped granite welcome sign was either a sick joke or a bad omen. But I could never have predicted that I would fall in love with the darkness.
Zand: I don’t want to ever stop making her cry. Her tears are full of human feelings, and I love the taste. She makes me feel, but part of me wants to end the human in her that brings out the human in me. In a heartbeat, I could make her nightmares infinitely darker. I'm a bad man, trying to be good.
Ok so this premise was good it gave me very much Morganville vibes but a little darker and steamy. The characters were ok and certainly lived up to the dark paranormal romance vibe.
But I had a few issues and I can only be honest. There were bits of the book that didn’t quite add up and there was something really off about it all. A few times I wanted to stop reading. It just wasn’t for me.
I received an advance review copy for free, and I am leaving this review voluntarily.
Please check Trigger warnings
FilmIntuition (33 KP) rated The Myth of Perpetual Summer in Books
Jun 19, 2018
Tennessee Williams meets Anne Tyler in award-winning novelist Susan Crandall's gorgeously penned family opus. Centered on the oldest daughter of a unique Mississippi family, The Myth of Perpetual Summer is certain to appeal to book clubs.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Moving back and forth in time between 1972 and the late 1950s and early '60s, after she learns that her younger brother has been arrested for murder in a crime that's captured national attention, Tallulah James leaves the California home she's made for herself and returns back to her southern hometown where every corner holds dozens of memories.
Wondering where it all went wrong, after she finds unexpected help for her brother's case from an old crush and family friend, Ross Saenger, Tallulah begins seeking out answers for the many mysteries of the past including the truth about her brilliant but unstable father's family tree as well as her parents' turbulent relationship.
After beginning with quite the plot hook, the pace slows down considerably with Myth requiring a good eighty or so pages to establish both its characters and momentum to the point that it's hard to put down.
Having drawn comparisons to both The Secret Life of Bees and Forrest Gump, Crandall's Myth is also reminiscent of Mary Karr's memoirs. But while Myth eventually leads a majority of its characters to well earned conclusions, it's still slightly disappointing to see how quickly the author wraps up certain plot points. In fact, it's a main source of trouble for the otherwise moving last hundred pages of the novel. And nowhere is Crandall's difficulty in judging her reader's interest better epitomized than her decision to spend far more time on a romantic backstory with Tallulah and a character who appears out of thin air (whom we could care less about) than the one that Crandall built for nearly the entire length of the novel that pays off in two pages.
Though limited by the decision to present us with only one character's point-of-view, while the romantic plotline was in great need of either more obstacles or reflection, so were other characters throughout, including the one that's sure to be a reader favorite in the form of Tallulah's protective older brother, Griff. A major protagonist in the novel's extended flashback, I couldn't help but have wished he played an even greater role in the present day '70s storyline as he did in the past.
From the blink and you'll miss it decision for a main character to run away to the solution of a murder – both of which occur in a mere page or two – while there's enough going on in the plot and character heavy book to forgive some of its lopsided storytelling, Myth should've spent less time on extraneous subplots and more ink on what really matters.
Nonetheless a lovely work of Southern Gothic fiction anchored by a strong female protagonist, Crandall's promising Myth may have its flaws. But like a good glass of lemonade on a hot summer day, you can't enjoy the sweet without the sour and thankfully there's enough of both here to keep you coming back for more.
Note – I received an ARC of the novel through Bookish First and if given the opportunity, I would've rated it 7.5 stars.
Debbiereadsbook (1166 KP) rated Nothing Serious in Books
Jul 15, 2019
really kinda cute!
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Mark finally admits to himself and his partner of 9 years, that he is gay. While Rachel is devastated, she knows things have not been right between them for a long time. Mark moving out of their home seems the best thing to do, but they will remain friends. On moving day, Jamie shows up with his brother, and Mark feels an immediate attraction to the younger man. When Jamie drops a box contains some. . .personal items, Mark is mortified but Jamie finds the blush on Mark’s face adorable, and all kinds of sexy. But neither man is looking for anything serious right now, so they can just help each other out, right?
This book, right here, landed in my queue just when I needed it to, cos its far too stinking cute for its own good!
It’s a wonderfully well written tale of a newly out of the closet man, finding himself and all about his sexuality, with a willing young man who wants to help. Jamie finds Mark attractive, but he doesn’t want anything serious, last time he ran away when *serious* was talked about, so helping Mark explore all the joys of sex with a man, seems a good way to get close to Mark, while keeping his distance.
Mark has an immediate attraction to Jamie, and when Jamie suggests a friends with benefits type arrangement, Mark is keen to get to know Jamie.
What neither man expected, or wanted, was their emotions to get involved, and when they both realise this is what was happening, Mark and Jamie struggle with ways to talk to each other about it!
It’s not overly explicit, but it is all kinds of sexy! There is no real drama, save the guys finally admitting to themselves, at least, what they feel for each other.
It really is one of those books you just fall into and lose a few hours. It’s only short, some 154 pages, but it packs a hefty punch of cuteness! I listened to this, it’s just over 4 hours.
Michael Pauley narrates.
I have, in the past, found Pauley a bit hit and miss, for me, personally. Here, however, he really nails it!
Pauley’s voices for Mark and Jamie are different enough to be easily identifiable when they are talking, for all the characters, actually. His reading voice is clear and even, and I had no trouble keeping up. There were no dips in the sound to put me off, which has happened with Pauley before. It’s just where he lowers his voice, for thinking or musing, really but here, there is no dipping.
I loved how Pauley gets all the things running around in Mark and Jamie’s heads across, you genuinely sort of fall in love with them, as they fall in love with each other!
I’ve shelved it on my *kinda creeps up on ya* shelf, simply because, that’s what happens!
Love creeps up on Mark and Jamie and it was a pleasure listening to that happen.
4 stars for the book
5 stars for the narration
4.5 stars overall.
**same worded review will appear elsewhere**
Mark finally admits to himself and his partner of 9 years, that he is gay. While Rachel is devastated, she knows things have not been right between them for a long time. Mark moving out of their home seems the best thing to do, but they will remain friends. On moving day, Jamie shows up with his brother, and Mark feels an immediate attraction to the younger man. When Jamie drops a box contains some. . .personal items, Mark is mortified but Jamie finds the blush on Mark’s face adorable, and all kinds of sexy. But neither man is looking for anything serious right now, so they can just help each other out, right?
This book, right here, landed in my queue just when I needed it to, cos its far too stinking cute for its own good!
It’s a wonderfully well written tale of a newly out of the closet man, finding himself and all about his sexuality, with a willing young man who wants to help. Jamie finds Mark attractive, but he doesn’t want anything serious, last time he ran away when *serious* was talked about, so helping Mark explore all the joys of sex with a man, seems a good way to get close to Mark, while keeping his distance.
Mark has an immediate attraction to Jamie, and when Jamie suggests a friends with benefits type arrangement, Mark is keen to get to know Jamie.
What neither man expected, or wanted, was their emotions to get involved, and when they both realise this is what was happening, Mark and Jamie struggle with ways to talk to each other about it!
It’s not overly explicit, but it is all kinds of sexy! There is no real drama, save the guys finally admitting to themselves, at least, what they feel for each other.
It really is one of those books you just fall into and lose a few hours. It’s only short, some 154 pages, but it packs a hefty punch of cuteness! I listened to this, it’s just over 4 hours.
Michael Pauley narrates.
I have, in the past, found Pauley a bit hit and miss, for me, personally. Here, however, he really nails it!
Pauley’s voices for Mark and Jamie are different enough to be easily identifiable when they are talking, for all the characters, actually. His reading voice is clear and even, and I had no trouble keeping up. There were no dips in the sound to put me off, which has happened with Pauley before. It’s just where he lowers his voice, for thinking or musing, really but here, there is no dipping.
I loved how Pauley gets all the things running around in Mark and Jamie’s heads across, you genuinely sort of fall in love with them, as they fall in love with each other!
I’ve shelved it on my *kinda creeps up on ya* shelf, simply because, that’s what happens!
Love creeps up on Mark and Jamie and it was a pleasure listening to that happen.
4 stars for the book
5 stars for the narration
4.5 stars overall.
**same worded review will appear elsewhere**
Sarah (7798 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
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Mark @ Carstairs Considers (2163 KP) rated Murder from Scratch in Books
Apr 11, 2019
Sally Must Look Closely to Find a Killer
Sally Solari gets the news from her father that her distant cousin Jackie has died of a drug overdose. While Sally is sad, she and Jackie weren’t close – in fact, they hadn’t spoken in years and she hadn’t met Evelyn, Jackie’s twenty-year-old daughter, who happens to be blind. Evelyn was still living with her mom, and she can’t face trying to live in the house alone right away, so she winds up moving into Sally’s spare room for a little while. The two women hit it off, and are soon plotting home cooked meals and plans for Evelyn’s twenty-first birthday.
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
Carma (21 KP) rated Saving Samantha: A Single Dad Romance (The Redwood Billionaires Series Book 1) in Books
Jun 17, 2019
Samantha is looking forward to her wedding day, the day all her dreams will come true. The morning of dawns with a missing groom and a Dear Jane letter explaining how the groom fell in love
with the best man. Samantha decides to go on her honeymoon to the mountains of Colorado by herself to get away and regroup. A hike in the woods one day to clear her head, quickly turns into a nightmare.
Weston hasnt yet come to terms with the loss of his wife 4 years ago. He was a horrible husband and father, fueled by the need for making more money and growing his family business into something bigger and bigger. He realized too late just how much he was giving up each and every day. After his loss, he moved with his son to the mountains of Colorado. Cheryl had always talked about moving there to just get away and back to their family roots. He felt as if he owed that too her for the very least. One day while exercising his horses in a rainstorm he comes across and unconscious woman in the woods. He brings her home and they nurse her back to health.
Samantha wakes up in a house in the woods after getting lost in the woods. A man, his son and housekeeper wait on her hand and foot and she is starting to feel a little more normal. They invite her to spend the night and she happily accepts hoping to come out on the other side of this nightmare.
Weston and Samantha find themselves interested in each other but not really knowing where the other one stands. Weston knows she was just left on her wedding day and she sees he is still wearing his wedding ring. Can they have and honest talk with one another and lay all their cards on the table?
I enjoyed this novel, as I have from the other novels Ive read by the author. There are some parts I felt are a little lacking of content but words to just have words to count. Aside from that the story moves well and the flow is satisfying, 4 stars.
Weston hasnt yet come to terms with the loss of his wife 4 years ago. He was a horrible husband and father, fueled by the need for making more money and growing his family business into something bigger and bigger. He realized too late just how much he was giving up each and every day. After his loss, he moved with his son to the mountains of Colorado. Cheryl had always talked about moving there to just get away and back to their family roots. He felt as if he owed that too her for the very least. One day while exercising his horses in a rainstorm he comes across and unconscious woman in the woods. He brings her home and they nurse her back to health.
Samantha wakes up in a house in the woods after getting lost in the woods. A man, his son and housekeeper wait on her hand and foot and she is starting to feel a little more normal. They invite her to spend the night and she happily accepts hoping to come out on the other side of this nightmare.
Weston and Samantha find themselves interested in each other but not really knowing where the other one stands. Weston knows she was just left on her wedding day and she sees he is still wearing his wedding ring. Can they have and honest talk with one another and lay all their cards on the table?
I enjoyed this novel, as I have from the other novels Ive read by the author. There are some parts I felt are a little lacking of content but words to just have words to count. Aside from that the story moves well and the flow is satisfying, 4 stars.
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.