Search
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
Spectacles
Book
Spectacles is the hilarious, creative and incredibly moving memoir from much loved comedian, writer...
The Crocodile by the Door: The Story of a House, a Farm and a Family
Book
The Crocodile by the Door by Selina Guinness - shortlisted for the Costa Biography Award - is a...
The Inner World - The Last Wind Monk
7.0
Rate It
Video Game Watch
The flute nose dynasty has been watching over Asposia for centuries on end. In secret, they fill the...
adventure
Melanie Caldicott (6 KP) rated The Beauty of Your Face in Books
Apr 29, 2021
You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
Kristy H (1252 KP) rated Bad Habits in Books
Feb 18, 2021
Claire "Mac" Woods is now a well-respected professor in academia--making her the person she's always dreamed of becoming. But ten years ago, she was just Mac. A poor student at university: part of The Project, with her best friend Gwen Whitney. When Gwen moved to Mac's hometown, her life changed. Through the lens of Gwen's wealthy life, Mac saw another future for herself than one with an addict mom; a sick sister; and a deadbeat dad. But while part of The Project, Gwen and Mac are sucked into the power dynamics of a married professor couple, with disastrous consequences. Meeting by accident a decade later, the two are hashing things out--but will uncovering long buried secrets do anyone any good?
This was a well-done and suspenseful book, but it took me a while to get into it for some reason. Mostly by design, the characters are incredibly unlikable and nearly impossible to feel any attachment for. Even Mac, our supposed protagonist, has her irritating and questionable moments. I think of this book as dark and twisted people doing dark and twisted things. But, there's some delight in that, sometimes, right? Because Gentry gives us really twisted people and what happens can be really dark.
If you're someone who came up in academia, this book will really hit home, as most of our characters' motivations center around getting ahead in that world. Mac envies Gwen and her "easy" life more than anything. And the two professors? Well, I'm not sure I can even *explain* them without giving away any spoilers. Let's just say it's a cutthroat world out there.
There are certainly some twists here--more at the end, where things pick up. There's an "event" that we know happened, and we don't really find out what transpired until near the book's conclusions. At times this is suspenseful; at others, frustrating. Is the power grab that's happening really worth it all? Only our characters can truly say, I suppose.
Overall, this a dark and sometimes slow-moving novel, but it has its share of surprises. It will be especially intriguing if you love academia-themed novels and power-grabbing characters. 3 stars.
This was a well-done and suspenseful book, but it took me a while to get into it for some reason. Mostly by design, the characters are incredibly unlikable and nearly impossible to feel any attachment for. Even Mac, our supposed protagonist, has her irritating and questionable moments. I think of this book as dark and twisted people doing dark and twisted things. But, there's some delight in that, sometimes, right? Because Gentry gives us really twisted people and what happens can be really dark.
If you're someone who came up in academia, this book will really hit home, as most of our characters' motivations center around getting ahead in that world. Mac envies Gwen and her "easy" life more than anything. And the two professors? Well, I'm not sure I can even *explain* them without giving away any spoilers. Let's just say it's a cutthroat world out there.
There are certainly some twists here--more at the end, where things pick up. There's an "event" that we know happened, and we don't really find out what transpired until near the book's conclusions. At times this is suspenseful; at others, frustrating. Is the power grab that's happening really worth it all? Only our characters can truly say, I suppose.
Overall, this a dark and sometimes slow-moving novel, but it has its share of surprises. It will be especially intriguing if you love academia-themed novels and power-grabbing characters. 3 stars.
Heather Cranmer (2721 KP) created a post
Jan 12, 2021
BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Gareth von Kallenbach (980 KP) rated Clerks II (2006) in Movies
Aug 14, 2019
In 1994, Writer/Director/Producer Kevin Smith emerged as a talented filmmaker to watch with his independent film Clerks The film was a no holds barred look at the lives of two desk clerks, who toil away behind the counters of a video and convince store.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.