Search
Hazel (1853 KP) rated A Library of Lemons in Books
Dec 17, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
okletmereviewit (4 KP) rated Closet Monster (2016) in Movies
May 11, 2018
PTSD and Coming of Age and Out
This movie is an amazing tale of coming of age and coming to terms with ones own sexuality. This movie for being an Indie film portrays the inner dialogue and the inner turmoil of coming to terms with ones sexuality, as well as showing the hidden side of a broken home. The movie begins with young Oscar (Jack Fulton) and his father tucking him into bed and their nightly rituals of his father (Aaron Abrams) "giving him a dream".
In the next scene you see Oscar and mother (Joanne Kelly) and father giving him a present of a Hamster, and then his father declaring that Oscars mother is leaving them. You then see Oscar in his room with the hamster, who begins "talking" to Oscar (voiced by Isabella Rossellini) and names herself "Buffy" (as in Buffy the Vampire Slayer) but the voice is an inner monologue that Oscar creates for the critter and is a comforting mechanism for him, as throughout the movie you gain the feeling that Oscar only has one friend, Gemma (Sofia Banzhaf).
The PTSD (Post Traumatic Stress Disorder) comes in when while coming home from school one day, Oscar notices a group of kids bullying another student. He follows them to a secluded cemetery where they see them beating the kids and sodomizing him with a piece of re-bar. Later that night Oscar and his dad are watching the News coverage of the situation and Oscars asks his dad why they did that and the father said "because he was gay" and makes a side reference to Oscars long shaggy hair. To which Oscar being scared cuts his hair himself.
Skip forward: Now Oscar as a teen (Connor Jessup) is taking pictures of Gemma for his portfolio for admissions into college. We also see that the now 18yr old Oscar is now working in a general hardware store who is ran by Allison (Mary Walsh) who teaches him the basics of greeting customers and how to help them make selections, etc. After his shift while in the employee locker room a strapping young man named Wilder (Aliocha Schneider) checks his locker for his employee uniform and realizes that it is not there and asks to borrow Oscars shirt. This is the first time that we witness Oscar's sexual preference, when Wilder takes off his shirt and puts on Oscars shirt. Oscar longingly looks at the finely toned body of Wilder.
Later the next day Wilder gives Oscar his shirt back before work, and says thanks. You then see Oscar smelling the shirt to see if it was "ok" to wear. And then he rushes into the restroom with the shirt and begins touching himself and fantasizing about Wilder, and then has a flash of the students sodomizing that other student when he was a kid.
Slowly Oscar and Wilder begin a friendship and get closer. As Oscar and Gemma seem to grow apart. Things at home take a turn for the worse as Oscars father begins seeing a woman, and Oscar becomes more frustrated with himself, work, life and everything between. It finally escalates into a fight with his father that leaves Oscar physically assaulting his dad, and running away to a party that Wilder had invited him to.
At the party he finds Wilder and his friends, and they take Oscar to a room and put together a costume for him to wear for the party. Wilders friends take some Ecstasy and begin to really party it up. Gemma runs into Oscar and realizes that he is high and Oscar excuses himself as he notices that Wilder is talking to some girls. A guy approaches Oscar and begins hitting on him, and Oscar who was holding out for Wilder notices that he is kissing a girl. So Oscar and the guy make their way into the bathroom where they begin to kiss and have sex. In the midst of it Oscar begins to have flash backs of the beaten boy in the cemetery and freaks out, vomits and passes out.
We then see Wilder waking him up and helping him home. Oscar and Wilder spend the night together in Oscars tree house. Oscar and Wilder begin talking about the escapades of the night and things turn to sexuality when Oscar mistakes Wilders reaching for a bottle of water as him wanting to kiss. Embarrassed, Oscar asks him to leave, and they begin to talk about it, and then Wilder kisses him. In the morning you see Oscar wake up and find a note from Wilder basically saying "See you later gotta run" and you are not sure if the two had slept together or not. Oscar sneaks back into his room only to find that everything had been destroyed by his father.
The next scene you see his mother and father fighting as Oscar is looking through whats left of his possessions that are scattered throughout the drive way. Oscar sees his beloved Buffy laying dead in her cage. Enraged by this, Oscar comes to terms with his sexuality and breaks something of his fathers and then moves in with his mother. The movie ends with Oscar moving to a small house near the beach. Leaving you wondering how much time had passed or if he was in a school or what was going on.
But throughout the whole of the movie. The sexuality is done in a very muted and respectable manner. There is some cussing and things like that but over all very tastefully done. If you are a lover of coming to age films or films dealing with the nature of coming out, then you are sure to love this movie.
In the next scene you see Oscar and mother (Joanne Kelly) and father giving him a present of a Hamster, and then his father declaring that Oscars mother is leaving them. You then see Oscar in his room with the hamster, who begins "talking" to Oscar (voiced by Isabella Rossellini) and names herself "Buffy" (as in Buffy the Vampire Slayer) but the voice is an inner monologue that Oscar creates for the critter and is a comforting mechanism for him, as throughout the movie you gain the feeling that Oscar only has one friend, Gemma (Sofia Banzhaf).
The PTSD (Post Traumatic Stress Disorder) comes in when while coming home from school one day, Oscar notices a group of kids bullying another student. He follows them to a secluded cemetery where they see them beating the kids and sodomizing him with a piece of re-bar. Later that night Oscar and his dad are watching the News coverage of the situation and Oscars asks his dad why they did that and the father said "because he was gay" and makes a side reference to Oscars long shaggy hair. To which Oscar being scared cuts his hair himself.
Skip forward: Now Oscar as a teen (Connor Jessup) is taking pictures of Gemma for his portfolio for admissions into college. We also see that the now 18yr old Oscar is now working in a general hardware store who is ran by Allison (Mary Walsh) who teaches him the basics of greeting customers and how to help them make selections, etc. After his shift while in the employee locker room a strapping young man named Wilder (Aliocha Schneider) checks his locker for his employee uniform and realizes that it is not there and asks to borrow Oscars shirt. This is the first time that we witness Oscar's sexual preference, when Wilder takes off his shirt and puts on Oscars shirt. Oscar longingly looks at the finely toned body of Wilder.
Later the next day Wilder gives Oscar his shirt back before work, and says thanks. You then see Oscar smelling the shirt to see if it was "ok" to wear. And then he rushes into the restroom with the shirt and begins touching himself and fantasizing about Wilder, and then has a flash of the students sodomizing that other student when he was a kid.
Slowly Oscar and Wilder begin a friendship and get closer. As Oscar and Gemma seem to grow apart. Things at home take a turn for the worse as Oscars father begins seeing a woman, and Oscar becomes more frustrated with himself, work, life and everything between. It finally escalates into a fight with his father that leaves Oscar physically assaulting his dad, and running away to a party that Wilder had invited him to.
At the party he finds Wilder and his friends, and they take Oscar to a room and put together a costume for him to wear for the party. Wilders friends take some Ecstasy and begin to really party it up. Gemma runs into Oscar and realizes that he is high and Oscar excuses himself as he notices that Wilder is talking to some girls. A guy approaches Oscar and begins hitting on him, and Oscar who was holding out for Wilder notices that he is kissing a girl. So Oscar and the guy make their way into the bathroom where they begin to kiss and have sex. In the midst of it Oscar begins to have flash backs of the beaten boy in the cemetery and freaks out, vomits and passes out.
We then see Wilder waking him up and helping him home. Oscar and Wilder spend the night together in Oscars tree house. Oscar and Wilder begin talking about the escapades of the night and things turn to sexuality when Oscar mistakes Wilders reaching for a bottle of water as him wanting to kiss. Embarrassed, Oscar asks him to leave, and they begin to talk about it, and then Wilder kisses him. In the morning you see Oscar wake up and find a note from Wilder basically saying "See you later gotta run" and you are not sure if the two had slept together or not. Oscar sneaks back into his room only to find that everything had been destroyed by his father.
The next scene you see his mother and father fighting as Oscar is looking through whats left of his possessions that are scattered throughout the drive way. Oscar sees his beloved Buffy laying dead in her cage. Enraged by this, Oscar comes to terms with his sexuality and breaks something of his fathers and then moves in with his mother. The movie ends with Oscar moving to a small house near the beach. Leaving you wondering how much time had passed or if he was in a school or what was going on.
But throughout the whole of the movie. The sexuality is done in a very muted and respectable manner. There is some cussing and things like that but over all very tastefully done. If you are a lover of coming to age films or films dealing with the nature of coming out, then you are sure to love this movie.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Oct 20, 2017
For Victoria Hislop fans
I received this book for free through Goodreads First Reads.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
The House at the Edge of the Night begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
The House at the Edge of the Night is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as The Island being all the rage amongst many female readers, Catherine Banner’s The House at the Edge of the Night is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Gareth von Kallenbach (980 KP) rated Lady in the Water (2006) in Movies
Aug 14, 2019
M. Night Shyamalan has crafted a true modern day Fairy Tale with his surprisingly delightful film Lady in the Water.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
Gareth von Kallenbach (980 KP) rated Aliens vs. Predator: Requiem (AVP 2) (2007) in Movies
Aug 14, 2019
Two of the biggest creature franchises in cinematic history clash again this Christmas in the new film Aliens VS Predator: Requiem.
Picking up where the last film ended, “AVP-R” follows the surprise attack inside a predator ship and its subsequent crash in the woods near the small town of Gunnison Colorado. The crash does not go unnoticed, and sadly for a father and son on a hunting trip, investigating the crash site turns out to be a fatal mistake when they are infected by a pair of Alien Face-huggers from the crash site.
As if the Aliens were not bad enough, the locales also have to content with a Predator elite warrior who has been dispatched to stop the spread of the Aliens as well as cover up any evidence of the creatures and Predator technology from the crash.
In short order, an Alien infestation of Gunnison is underway and the local townspeople an unprepared to deal with the series of events that are underway and they find that even the local National Guard units are not prepared to face the ever expanding Alien legions.
In a race against time, a few survivors attempt to flee the carnage and our racing against time before even stronger containment methods are put into place.
The film is packed with action and there are enough solid visuals to keep fans entertained. However the films biggest failing, is a complete and utter lack of character development. While I do not usually expect much in this department from a film in this genre, “AVP-R” barely plays this lip service. We know that Dallas (Steven Pasquale) is an ex-con who is returned home to see his brother who in turn is drawing heat from his interest in girl who is dating the locale goon. We also know that Kelly (Reiko Aylesworth) is a soldier who has returned home to her daughter and husband and whose daughter resents her mom being away. Beyond those factors, there is precious else we are given about the characters which in turn makes it very hard to bond with them and care if they survive as they are little more than fodder for the interstellar killing machines.
The plot of the film is also very linear as the script from Shane Salerno does a nice job of setting up the events, but does not hold any real twists or turns and plays out in a very standard manner. While there is an attempt at the end to offer a little bonus for fans, it is not really enough to push the film over the top.
Directors Greg and Colin Strause have done a great job of capturing the look and feel of the franchise and have given fans what they have long asked for, a chance to see the Aliens loose in a modern setting on Earth. While the battle scenes shine and the duo keep the film moving along at a steady pace, they are hampered by the script and character issues I mentioned earlier.
Thankfully the series has returned to its R-Rated roots and the gore is back which is essential to show just how dangerous and destructive the two species are. The introduction of a new Alien/Predator hybrid is a nice touch, and does add a new albeit it controversial new chapter in Alien reproduction that is sure to get the fans talking.
In the end, fans are left with a mixed bag as the film is better than the previous film in the series but pales when compared with “Alien”, “Aliens”, and “Predator” where interesting characters combined with suspense and action to create true genre classics. As it stands,” AVP-R” is a worthy effort that comes up short of its aspirations.
Picking up where the last film ended, “AVP-R” follows the surprise attack inside a predator ship and its subsequent crash in the woods near the small town of Gunnison Colorado. The crash does not go unnoticed, and sadly for a father and son on a hunting trip, investigating the crash site turns out to be a fatal mistake when they are infected by a pair of Alien Face-huggers from the crash site.
As if the Aliens were not bad enough, the locales also have to content with a Predator elite warrior who has been dispatched to stop the spread of the Aliens as well as cover up any evidence of the creatures and Predator technology from the crash.
In short order, an Alien infestation of Gunnison is underway and the local townspeople an unprepared to deal with the series of events that are underway and they find that even the local National Guard units are not prepared to face the ever expanding Alien legions.
In a race against time, a few survivors attempt to flee the carnage and our racing against time before even stronger containment methods are put into place.
The film is packed with action and there are enough solid visuals to keep fans entertained. However the films biggest failing, is a complete and utter lack of character development. While I do not usually expect much in this department from a film in this genre, “AVP-R” barely plays this lip service. We know that Dallas (Steven Pasquale) is an ex-con who is returned home to see his brother who in turn is drawing heat from his interest in girl who is dating the locale goon. We also know that Kelly (Reiko Aylesworth) is a soldier who has returned home to her daughter and husband and whose daughter resents her mom being away. Beyond those factors, there is precious else we are given about the characters which in turn makes it very hard to bond with them and care if they survive as they are little more than fodder for the interstellar killing machines.
The plot of the film is also very linear as the script from Shane Salerno does a nice job of setting up the events, but does not hold any real twists or turns and plays out in a very standard manner. While there is an attempt at the end to offer a little bonus for fans, it is not really enough to push the film over the top.
Directors Greg and Colin Strause have done a great job of capturing the look and feel of the franchise and have given fans what they have long asked for, a chance to see the Aliens loose in a modern setting on Earth. While the battle scenes shine and the duo keep the film moving along at a steady pace, they are hampered by the script and character issues I mentioned earlier.
Thankfully the series has returned to its R-Rated roots and the gore is back which is essential to show just how dangerous and destructive the two species are. The introduction of a new Alien/Predator hybrid is a nice touch, and does add a new albeit it controversial new chapter in Alien reproduction that is sure to get the fans talking.
In the end, fans are left with a mixed bag as the film is better than the previous film in the series but pales when compared with “Alien”, “Aliens”, and “Predator” where interesting characters combined with suspense and action to create true genre classics. As it stands,” AVP-R” is a worthy effort that comes up short of its aspirations.
Andy K (10823 KP) rated Poltergeist (1982) in Movies
Oct 25, 2019
The TV People!
When the Freeling family moved into their suburban California home, little did they know what they were getting themselves into! Minor oddities began showing themselves like chairs stacking in the kitchen lights flashing or even being pulled across the kitchen floor. It felt like a "tickle". The situation quickly grows more severe as a tree outside the children's room plunges inside and tries to ingest son, Robbie. Simultaneously, a gateway of sorts opens in the children's room eventually pulling the entire contents into its closet vortex including youngest daughter, Carol Anne.
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Samurai: Way of the Warrior HD
Games and Entertainment
App
☞ SAMURAI II: Vengeance is coming on 21st October ☜ ★ "Samurai is absolutely gorgeous. Not...
Watch the Lady
Book
The Queen's God Daughter. Her Most Trusted Maid. Adultress. Enemy Of The State. Who is The Real...
Andy K (10823 KP) rated Electric Dreams (1984) in Movies
Oct 13, 2019
Let me start off by saying I recently purchased a region free DVD/Blu Ray player for myself when I discovered there were films I have not seen in 20+ years because they have never had a DVD/Blu Ray release in the US, but are actually available overseas! When I discovered this fact, among the first movies I purchased is this 1980s classic which has been mostly forgotten due to its unavailability.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.