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Melania and Me
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What Melania wants, Melania gets. The former director of special events at Vogue and producer of...
Lost Luggage
8.0
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Cyd Redondo, a young, third-generation Brooklyn travel agent who specializes in senior citizens, has...
Angel Thieves
10.0
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An ocelot. A slave. An angel thief. Multiple perspectives spanning across time are united through...
Houston Texas Historical Fiction slavery YA Young Adult
God Rest Ye, Royal Gentlemen
8.0
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Georgie is back and hanging the stockings with care when a murder interrupts her Christmas cheer in...
ClareR (5726 KP) rated The Second Sight of a Zachary Cloudesley in Books
Nov 11, 2023
I don’t quite know how I can write anything about this book and still do it justice! It’s a wide sweeping novel, that takes the reader from a clockmakers in London to Constantinople.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Starting in 1754, Zachary is born on the day that his mother dies. His father, Abel, loves him fiercely, and wants to always do his best for him, which brings a Mrs Grace Morley and her baby daughter Leonora into their lives. She’s a strong, forceful woman who is to leave an impression on everyone that meets her.
After a near-fatal accident leaves Zachary blind in one eye, his father sends him to live part of the year with his Aunt Frances. This is another strong, independent woman who is determined to make Zachary the son she never had. She sees in Zachary the gift that his mother had: the ability to read people and see inside to their hopes, wishes and dreams - and also their not-so-positive thoughts.
Abel finds himself forced to go to Constantinople, and Zachary begins to have visions that send him on a chase across Europe to find his father after he loses contact with him.
The descriptions of London, Frances’ house and land, and those of Constantinople are rich and detailed - I could have been there. I was gripped from the first page, immersed in an 18th century world where lives were at stake and a boy had to be brave to save the life of his father. I loved Aunt Frances and Tom, Abel’s apprentice, who both join the Cloudesley’s in Constantinople.
The love between the characters is bright and clear, and their losses are the readers losses as well (I cried). This is historical fiction, an adventure story with a dash of fantasy and the love of family and good friends.
Highly recommended.
Lindsay (1717 KP) rated Saving Mrs. Roosevelt in Books
Sep 10, 2022
Saving Mrs. Roosevelt is a good book about some actual historical events. It deals with someone that needs to be a spy to help keep the first lady safe. But this also has some fiction in it as it is historical fiction. Some actual historical events do take place. This book is about Shirley Davenport and a few SPARS that help on the home front.
The author does a beautiful job of telling the story and adventures that Shirley Davenport goes through. She goes through some training and trials as she is on a mission but can not tell her family. The way she comes home and has to deal with losing her brother on the same day she comes home from training.
You will be surprised as to who it is in the end. Shirley and her friend Joan sign up to be SPARS. Will Joan be loyal to her country, or will she not be? Things do not all seem as they are when Shirley gets home. She must lie to protect herself and her family. Will she be found out?
She seems to be charming a young man who is a Captain. Will the Captain fall for Miss Davenport, or will he wall in his grief for his two young brothers? They have stood paired up to capture the person trying to kill the Roosevelts. Will Shirley be successful in finding out about the conspiracy against the first lady?
Suppose you are looking for an excellent book to read about history and the woman that help during world war two on the homefront. This book does tell a story about a few heroes of ww2. With a little bit of romance as well.
The author does a beautiful job of telling the story and adventures that Shirley Davenport goes through. She goes through some training and trials as she is on a mission but can not tell her family. The way she comes home and has to deal with losing her brother on the same day she comes home from training.
You will be surprised as to who it is in the end. Shirley and her friend Joan sign up to be SPARS. Will Joan be loyal to her country, or will she not be? Things do not all seem as they are when Shirley gets home. She must lie to protect herself and her family. Will she be found out?
She seems to be charming a young man who is a Captain. Will the Captain fall for Miss Davenport, or will he wall in his grief for his two young brothers? They have stood paired up to capture the person trying to kill the Roosevelts. Will Shirley be successful in finding out about the conspiracy against the first lady?
Suppose you are looking for an excellent book to read about history and the woman that help during world war two on the homefront. This book does tell a story about a few heroes of ww2. With a little bit of romance as well.
BankofMarquis (1832 KP) rated Mary Poppins (1964) in Movies
Apr 20, 2019
Practically Perfect In Every Way
After watching MARY POPPINS RETURNS, the BankofMarquis was itching to check out the original 1964 Julie Andrews/Dick Van Dyke/Walt Disney production of MARY POPPINS to see if it holds up as well as my memory has held it up. I was a little nervous when I put the DVD in the player and hit go.
And I shouldn't have worried, for MARY POPPINS is...pardon the expression..."Practically Perfect in Every Way".
Based on the series of books by P.L. Travers and set right around 1900, the film tells the tale of the London Banks' Family - Mr., Mrs., Jane and Michael - who need a new nanny. Both parents are too busy to spend time with their children - he with his job at the Bank (get it - Mr. Banks works at a Bank) and her involvement in the Women's Suffragette movement. Into their lives flies (quite literally) Mary Poppins - a nanny with magical qualities who, along with her friend and cohort Bert, casts a spell on the children - and the Banks' family.
Julie Andrews earned the Oscar for Best Actress for her feature film debut - and it is richly deserved. Her Poppins is stern, smart, brassy and loving - oh...and a marvelous singer and dancer. Just as strong as Andrews is Dick Van Dyke as Bert (though some will quibble with his Cockney accent). I say...don't worry about his accent and watch the wonderful comedic timing, dancing and joi de vivre that Van Dyke brings to this film. He is the "secret sauce" that makes this work. Julie would not be as good - nor would this film be as interesting - without Bert by her side.
EVERY major player shines in this film from David Tomlinson's befuddled, straight-laced British Gentleman Mr. Banks to Glynnis Johns as the enthusiastic supporter of Votes for Women, Mrs. Banks, to the children - Karen Dotrice and Matthew Garber. Special notice should be made to Ed Wynn who's one scene/song/cameo as Uncle Albert - the "I Love To Laugh" scene - is pure gold.
Even the smaller, supporting roles are stellar. Reta Shaw and Hermione Baddely as the "domestics", Arthur Treacher (yes - he, of FISH AND CHIPS fame) as the Constable and Reginald Owen (Scrooge in the 1930's version of A CHRISTMAS CAROL) as Admiral Boom are all fun to watch and match the energy and timing of the leads in their limited screen time.
And...the music...Oh, the Music! Written by Richard M and Robert B Sherman - these songs are classic. Starting with the Oscar Winner for Best Song - Chim Chim Cheree and continuing through Feed The Birds, I Love To Laugh, Jolly Holiday and Let's Go Fly A Kite - ALL the songs are magical and lend a hand to the story - they serve a purpose and are not just a distraction. This film is worth watching just for the rooftop Step-In-Time song and dance number alone.
But the thing that makes this film go is the story - the characters, settings, costumes, songs and dances - are all in service to a touching, sentimental (but not cloying) simple story of a family coming together. It is charming in it's simplicity and leaves everyone with a heart full of joy.
Surprisingly to a modern audience, the special effects (especially the "Live Action and Animation" sequence) holds up really, really well. It is amazing to me how strong these effects are - even over 50 years later.
This is a wonderful, heartfelt family film that deserves a re-watch if you haven't seen it in awhile.
Letter Grade A+
10 Stars (out of 10) and you can take that to the Bank (OfMarquis)
And I shouldn't have worried, for MARY POPPINS is...pardon the expression..."Practically Perfect in Every Way".
Based on the series of books by P.L. Travers and set right around 1900, the film tells the tale of the London Banks' Family - Mr., Mrs., Jane and Michael - who need a new nanny. Both parents are too busy to spend time with their children - he with his job at the Bank (get it - Mr. Banks works at a Bank) and her involvement in the Women's Suffragette movement. Into their lives flies (quite literally) Mary Poppins - a nanny with magical qualities who, along with her friend and cohort Bert, casts a spell on the children - and the Banks' family.
Julie Andrews earned the Oscar for Best Actress for her feature film debut - and it is richly deserved. Her Poppins is stern, smart, brassy and loving - oh...and a marvelous singer and dancer. Just as strong as Andrews is Dick Van Dyke as Bert (though some will quibble with his Cockney accent). I say...don't worry about his accent and watch the wonderful comedic timing, dancing and joi de vivre that Van Dyke brings to this film. He is the "secret sauce" that makes this work. Julie would not be as good - nor would this film be as interesting - without Bert by her side.
EVERY major player shines in this film from David Tomlinson's befuddled, straight-laced British Gentleman Mr. Banks to Glynnis Johns as the enthusiastic supporter of Votes for Women, Mrs. Banks, to the children - Karen Dotrice and Matthew Garber. Special notice should be made to Ed Wynn who's one scene/song/cameo as Uncle Albert - the "I Love To Laugh" scene - is pure gold.
Even the smaller, supporting roles are stellar. Reta Shaw and Hermione Baddely as the "domestics", Arthur Treacher (yes - he, of FISH AND CHIPS fame) as the Constable and Reginald Owen (Scrooge in the 1930's version of A CHRISTMAS CAROL) as Admiral Boom are all fun to watch and match the energy and timing of the leads in their limited screen time.
And...the music...Oh, the Music! Written by Richard M and Robert B Sherman - these songs are classic. Starting with the Oscar Winner for Best Song - Chim Chim Cheree and continuing through Feed The Birds, I Love To Laugh, Jolly Holiday and Let's Go Fly A Kite - ALL the songs are magical and lend a hand to the story - they serve a purpose and are not just a distraction. This film is worth watching just for the rooftop Step-In-Time song and dance number alone.
But the thing that makes this film go is the story - the characters, settings, costumes, songs and dances - are all in service to a touching, sentimental (but not cloying) simple story of a family coming together. It is charming in it's simplicity and leaves everyone with a heart full of joy.
Surprisingly to a modern audience, the special effects (especially the "Live Action and Animation" sequence) holds up really, really well. It is amazing to me how strong these effects are - even over 50 years later.
This is a wonderful, heartfelt family film that deserves a re-watch if you haven't seen it in awhile.
Letter Grade A+
10 Stars (out of 10) and you can take that to the Bank (OfMarquis)
Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
The fantastic ensemble cast (1 more)
Great directing and editing
Effortlessly stylish and entertaining
The Personal History of David Copperfield starts with the young man (Dev Patel) regaling a theatre audience with a reading of his autobiography. This immediately pitches him into witnessing his own birth to widowed single mother Clara (the wonderful Morfydd Clark, or "Saint Maud" fame). From there, Copperfield goes helter-skelter into a rollercoaster life encompassing workhouse-bottling poverty, fish-gutting and rich gentlemanly pursuits.
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
