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Lyndsey Gollogly (2893 KP) rated Sucker Punch (Anita Blake #27) in Books
Sep 12, 2021
Contains spoilers, click to show
149 of 250
Book
Sucker Punch ( Anita Blake book 27)
By Laurell K Hamilton
Once read a review will be written via Smashbomb and link posted in comments
My name is Anita Blake and I thought nothing could surprise me. But what if the wrong man is about to be executed?
When a fellow U.S. Marshal flies me in on an emergency consult, I know time is running short. Evidence is mounting against a young wereleopard who stands accused of killing his uncle in the most gruesome and bloody way possible.
In this tiny Michigan town, the pressure from the cops is escalating, the victim's family want retribution and a warrant of execution is already under way. But something feels off about the murder - the evidence doesn't add up.
With the locals up in arms and their fear of supernatural beings growing, I must race to uncover the truth. I cannot let the authorities kill an innocent man. But what if I'm already too late?
Now that was an Anita Blake book!! Thank god!! The case was intriguing I even enjoyed the relationship/ sex stuff granted there wasn’t much but the scenes LKH wrote were just brilliant and fitting to the situation. This is what I needed to keep me wanting more from Anita! Olaf has completely creeped me the fuck out. I mean he has sort of humanised in a way and I think that’s more unsettling than the psychopath I’m praying to god that he gets a bullet soon. I absolutely adore her conversation with Micah he will always be my fav and I love the way LKH talks about him too. Edward and Anitas relationship was cemented even more in this I know they have saved each other numerous times but this one meant more also the fact he may now be one of the physical monsters! I’m genuinely so happy with this book and positive about the next. Thank you Mrs Hamilton!! Ooooo I nearly missed Nicky how I’ll never know that lion is just amazing and I love we got to see and hear him in this book.
Book
Sucker Punch ( Anita Blake book 27)
By Laurell K Hamilton
Once read a review will be written via Smashbomb and link posted in comments
My name is Anita Blake and I thought nothing could surprise me. But what if the wrong man is about to be executed?
When a fellow U.S. Marshal flies me in on an emergency consult, I know time is running short. Evidence is mounting against a young wereleopard who stands accused of killing his uncle in the most gruesome and bloody way possible.
In this tiny Michigan town, the pressure from the cops is escalating, the victim's family want retribution and a warrant of execution is already under way. But something feels off about the murder - the evidence doesn't add up.
With the locals up in arms and their fear of supernatural beings growing, I must race to uncover the truth. I cannot let the authorities kill an innocent man. But what if I'm already too late?
Now that was an Anita Blake book!! Thank god!! The case was intriguing I even enjoyed the relationship/ sex stuff granted there wasn’t much but the scenes LKH wrote were just brilliant and fitting to the situation. This is what I needed to keep me wanting more from Anita! Olaf has completely creeped me the fuck out. I mean he has sort of humanised in a way and I think that’s more unsettling than the psychopath I’m praying to god that he gets a bullet soon. I absolutely adore her conversation with Micah he will always be my fav and I love the way LKH talks about him too. Edward and Anitas relationship was cemented even more in this I know they have saved each other numerous times but this one meant more also the fact he may now be one of the physical monsters! I’m genuinely so happy with this book and positive about the next. Thank you Mrs Hamilton!! Ooooo I nearly missed Nicky how I’ll never know that lion is just amazing and I love we got to see and hear him in this book.
Kara Skinner (332 KP) rated Room Service in Books
Jun 11, 2019
Desperate Woman Gets Housekeeping Job at a Brothel
Genre: Erotic Romance
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
My Rating: 3 out of 5 stars
Word Count: 17,530 words
After getting conned and dumped by a traveling guitar player, Lucy is struggling to make ends meet and things only get worse when she’s laid off from her waitressing job. Her last customer– a sexy, mysterious man wearing clothes that cost five times her annual salary– leaves her a $1,000 tip out of sympathy, but that money will only last so long.
But when she gets offered a job as a housekeeper at a brothel, things are looking up. Cleaning up after sex isn’t her usual line of work, but at least she won’t have to struggle financially anymore. When she literally runs into her heavy tipper at the brothel, however, things might get a little more complicated, especially when just looking at him is enough to fill her fantasies.
I’m still not sure what to make of this book, but I definitely wish there was more of it. I’m fascinated by this high-class brothel where everything is safe and 100% consensual and everyone treats each other like old friends. There are panic buttons in every room and all of the “Room Service” workers carry panic buttons on them as well (where they carry them isn’t mentioned, unfortunately).
I’m a little uneasy about what happens if one of the staff wants to quit, though. That’s never really mentioned, and Mrs. Stark, the owner of the brothel and Iron Man’s mother, isn’t someone to cross. Are they allowed to leave as long or have they taken a blood oath?
” Just know that if you accept you will be all-in. The secrets you keep will need to go to your grave with you. We take this vow very seriously.” — Mrs. Stark
Sounds like a blood oath to me.
Lucy’s a pretty cool character. She took getting fired well and she’s pretty kind and relatable overall. But her emotions when it comes to her ex are really simplistic. She’s just enraged that he left her destitute. And she definitely has reason to be. But anger is all she’s feeling. She’s not sad that he didn’t love her enough to stick around. She’s not regretting her decision to squander her savings on his debt (and it really was her decision. He might have sweet-talked her into it, but he didn’t hold a gun to her head). There aren’t even any lingering feelings of love or any sign she loved him at all. When it comes to her past, her entire character falls flat.
Of course, she’s better than Adam Palmer, the heavy tipper we know next to nothing about so far. The description “billionaire alpha” basically sums up everything about him. Not that I really mind Adam. He was actually pretty nice to Lucy. Despite the circumstances, I didn’t sense a disturbing power imbalance between them and he seems to genuinely care about her. I wish we saw at least one scene from his point of view. It would have gone a long way to making him a real character instead of an alpha-billionaire-on-the-verge-of-manly-tears stock photo.
I have a theory that he’s the one who got her the job at the brothel, but this has yet to be confirmed. I’ll be sad if this isn’t the case.
The sex scene, was honestly more comical than sexy to me. Reading about them screaming out each others’ names while doin’ it made me giggle.
“OH ADAM,” I cried out at the top of my lungs.
For real, have you or anyone you know actually shouted your partner’s name during sex because you were so caught up in the moment? It doesn’t count if you’re faking it.
Honestly, they talked a lot for two people who were supposed to be lost in the magical sensations of expert boning. Adam could even get out full sentences.
“Fuck Lucy, you are going to make me explode and I am definitely not done with you yet.”
As you can probably guess, this story is in need of some editing. Not just for punctuation issues (not too distracting, but still there), but also for the dialogue which is about as good as the best-written porn out there. The first chapter is also just Lucy straight-up telling her backstory. It only lasts for about a page, but it kept me from getting pulled into the story immediately and kept me from connecting to Lucy.
But despite all its faults, I still enjoyed the story. I thought it was really cute and I want to see more of Lucy and Adam together.
Bob Mann (459 KP) rated Emma (2020) in Movies
Feb 21, 2020
Anya Taylor-Joy.... mesmerising (2 more)
Gorgeous to look at; stunning locations and costumes
Witty and well-observed debut script
Simply Sublime
I loved the look of "Emma" from the trailer. And I was not disappointed. It is a simply sublime piece of comic entertainment.
Emma Woodhouse (Anya Taylor-Joy) is a rich, privileged 21 year-old looking after her elderly and quirky father (Bill Nighy) in the family stately home. She has never loved, despite the persistent presence of 'family friend' George Knightley (Johnny Flynn), but finds it entertaining to engage in matchmaking, particularly in respect to her somewhat lower class friend Harriet Smith (Mia Goth). Emma has high ambitions for Harriet... ideas significantly above what her social station and looks might suggest.
Emma has her sights on a dream.... the mystery man Frank Churchill (Callum Turner), son of wealthy local landowner Mr Weston (Rupert Graves). She has never actually met him, but is obsessed with his myth. #fangirl. As a source of immense annoyance to her, but often a source of valuable information on news of Churchill, is the village 'old maid' Miss Bates (Miranda Hart). "Such fun"!
But Emma's perfect life is about to face sticky times, as her machinations fail to yield the expected results and a stray comment, at a disastrous picnic, threatens to damage both her reputation and her social standing.
If you like your movies full of action and suspense, you are digging in the wrong place. "Emma" is slow... glacially slow... wallowing in beautiful bucolic scenes (with superb cinematography by Christopher Blauvelt); gorgeous costumes by Alexandra Byrne; and hair styling by Marese Langan.
The movie also benefits from a joyfully tight and funny script by debut screenwriter Eleanor Catton (a Man-Booker prize winner). This picks relentlessly at the strata of the class system set up by Jane Austen's novel: "Every body has their level" spits spurned suitor Mr Elton (Josh O'Connor).
I know Anya Taylor-Joy as the spirited Casey from "Split" and "Glass": she was impressive in "Split"; less so for me in the disappointing "Glass". But here, I found her UTTERLY mesmerising. She has such striking features - those eyes! - that she fully inhabits the role of the beautiful heiress who haunts multiple men sequentially. I even muttered the word "Oscar nomination" at the end of the film: though we are too early in the year to seriously go there.
An even bigger surprise was the actor playing George Knightley. Johnny Flynn has been in a number of TV shows I haven't seen, and a few films I haven't seen either (e.g. "Beast"). But I had the nagging feeling I knew him really well. The illustrious Mrs Movie Man clocked him: he's the Cineworld "plaid man"! (For those outside the UK or not patrons of Cineworld cinemas, he was the 'star' of a Cineworld advert that played over and Over AND OVER again for months on end before every film I saw. Arrrgggghhhh!).
Here, Flynn is excellent as the frustrated and brooding Austen-hunk. He even gets away with an ar*e-shot within a U-certificate!
Particularly strong in the supporting cast are Bill Nighy (being delightfully more restrained in his performance); Miranda Hart (being "Miranda", but perfectly cast) and Mia Goth (memorable for that eel-bath in "A Cure for Wellness").
And a big thank-you for a web review in the online Radio Times for naming one of the comical (and bizarrely uncredited) footmen as Angus Imrie - - the truly disturbed stepson of Claire in "Fleabag". It was driving me crazy where I knew him from!
The one criticism I would have is that I found the (perfectly fine and well-fitting) music, by David Schweitzer and Isobel Waller-Bridge (sister of Phoebe) poorly mixed within the soundtrack. There were times when I found it overly intrusive, suddenly ducking under dialogue and then BLASTING out again. Sometimes music should be at the forefront.... but more often it should be barely perceptible.
As you might guess....
...I loved this one. The story is brilliant (obsv!); the film is simply gorgeous to look at; the locations (including the village of Lower Slaughter in the Cotswolds and Wilton House - near me - in Salisbury) are magnificent and a blessing for the English Tourist Board.
All the more impressive then that this is the directorial feature of video/short director Autumn de Wilde.
This comes with a "highly recommended" from both myself and the illustrious Mrs Movie-Man.
(For the full graphical review, please check out https://bob-the-movie-man.com/2020/02/20/one-manns-movies-film-review-emma-2020/ .)
Emma Woodhouse (Anya Taylor-Joy) is a rich, privileged 21 year-old looking after her elderly and quirky father (Bill Nighy) in the family stately home. She has never loved, despite the persistent presence of 'family friend' George Knightley (Johnny Flynn), but finds it entertaining to engage in matchmaking, particularly in respect to her somewhat lower class friend Harriet Smith (Mia Goth). Emma has high ambitions for Harriet... ideas significantly above what her social station and looks might suggest.
Emma has her sights on a dream.... the mystery man Frank Churchill (Callum Turner), son of wealthy local landowner Mr Weston (Rupert Graves). She has never actually met him, but is obsessed with his myth. #fangirl. As a source of immense annoyance to her, but often a source of valuable information on news of Churchill, is the village 'old maid' Miss Bates (Miranda Hart). "Such fun"!
But Emma's perfect life is about to face sticky times, as her machinations fail to yield the expected results and a stray comment, at a disastrous picnic, threatens to damage both her reputation and her social standing.
If you like your movies full of action and suspense, you are digging in the wrong place. "Emma" is slow... glacially slow... wallowing in beautiful bucolic scenes (with superb cinematography by Christopher Blauvelt); gorgeous costumes by Alexandra Byrne; and hair styling by Marese Langan.
The movie also benefits from a joyfully tight and funny script by debut screenwriter Eleanor Catton (a Man-Booker prize winner). This picks relentlessly at the strata of the class system set up by Jane Austen's novel: "Every body has their level" spits spurned suitor Mr Elton (Josh O'Connor).
I know Anya Taylor-Joy as the spirited Casey from "Split" and "Glass": she was impressive in "Split"; less so for me in the disappointing "Glass". But here, I found her UTTERLY mesmerising. She has such striking features - those eyes! - that she fully inhabits the role of the beautiful heiress who haunts multiple men sequentially. I even muttered the word "Oscar nomination" at the end of the film: though we are too early in the year to seriously go there.
An even bigger surprise was the actor playing George Knightley. Johnny Flynn has been in a number of TV shows I haven't seen, and a few films I haven't seen either (e.g. "Beast"). But I had the nagging feeling I knew him really well. The illustrious Mrs Movie Man clocked him: he's the Cineworld "plaid man"! (For those outside the UK or not patrons of Cineworld cinemas, he was the 'star' of a Cineworld advert that played over and Over AND OVER again for months on end before every film I saw. Arrrgggghhhh!).
Here, Flynn is excellent as the frustrated and brooding Austen-hunk. He even gets away with an ar*e-shot within a U-certificate!
Particularly strong in the supporting cast are Bill Nighy (being delightfully more restrained in his performance); Miranda Hart (being "Miranda", but perfectly cast) and Mia Goth (memorable for that eel-bath in "A Cure for Wellness").
And a big thank-you for a web review in the online Radio Times for naming one of the comical (and bizarrely uncredited) footmen as Angus Imrie - - the truly disturbed stepson of Claire in "Fleabag". It was driving me crazy where I knew him from!
The one criticism I would have is that I found the (perfectly fine and well-fitting) music, by David Schweitzer and Isobel Waller-Bridge (sister of Phoebe) poorly mixed within the soundtrack. There were times when I found it overly intrusive, suddenly ducking under dialogue and then BLASTING out again. Sometimes music should be at the forefront.... but more often it should be barely perceptible.
As you might guess....
...I loved this one. The story is brilliant (obsv!); the film is simply gorgeous to look at; the locations (including the village of Lower Slaughter in the Cotswolds and Wilton House - near me - in Salisbury) are magnificent and a blessing for the English Tourist Board.
All the more impressive then that this is the directorial feature of video/short director Autumn de Wilde.
This comes with a "highly recommended" from both myself and the illustrious Mrs Movie-Man.
(For the full graphical review, please check out https://bob-the-movie-man.com/2020/02/20/one-manns-movies-film-review-emma-2020/ .)
Bob Mann (459 KP) rated Pitch Perfect 3 (2017) in Movies
Sep 29, 2021
Aca-bysmal.
Mr Plot and Miss Tale were teenage sweethearts. They met at Storyville High School and inseparable, but were viciously cursed by a jealous school nurse, bitter from a recent split. Notwithstanding this setback, they realised that they were soul-mates, got engaged and were married in the following summer. Everyone wished them well, and spoke of the time when the sound of little Plots would ring out around their new house. Unfortunately, however hard they tried, no little Plot arrived. The ancient curse of the school nurse rang in their ears. They paid to see the most expensive doctors on Harley Street, but noone could help them. It turned out that not only was Mrs Plot infertile, but so was Mr Plot. It was hopeless, and because of an unfortunate conviction for marujiana possession in Mr Plot’s teenage years they couldn’t even adapt, sorry, adopt a little Plot from someone else. So they lived together with sadness and bitterness building up inside them. Would the curse ever be lifted? Would they work through their differences to find new purpose in life? Or would they part acromoniously with Mrs Plot joining a convent to sing mournful songs of grief and missed opportunities in the Swiss Alps? TO… BE…CONTINUED.
There. You were there, weren’t you? Living it. You want to know what happens next? Sure you do. You see, even I can come up with a story…. and I’m not a “professional Hollywood scriptwriter”.
Why then, I ask you. Why oh why oh why oh why oh why do the scriptwriters of Pitch Perfect 3 – Kay Cannon (the original PP screenwriter) and Mike White (“The Emoji Movie”) – think that this dreadfully lazy set of loosely connected scenes represent a viable basis for a movie? Is the view from the guys who green-lit this thing that the crowd that loved “Pitch Perfect” and the pretty dreadful sequel “Pitch Perfect 2” will pay their box office money regardless? Let’s advertise the hell out of it and cash in our chips before word of mouth gets out!?
In this ‘adventure’ the Bellas go on a US Forces overseas tour (though this is not really explained until they suddenly appear in Spain – what? how?). The really REALLY annoying commentators John (John Michael Higgins) and Gail (Elizabeth Banks, “Love and Mercy“) tag along, filming some lame half-arsed documentary about them until even the scriptwriters get fed up of that tedious plot-line and it quietly withers on the vine.
Fat Amy (is this still an acceptable nickname in 2017?) also runs into her nefarious father again after many years (John Lithgow, “Interstellar“, “Daddy’s Home 2“). Lithgow – sporting a wonderful Australian accent – is about the best thing in the film. The “plot” (sorry, I can barely bring myself to use that word) revolves around Daddy trying to get something of Amy’s that he needs, for reasons – given the yacht he sails – that makes no sense whatsoever. Will he succeed? Will the Bellas get selected to headline with DJ Khaled (who is apparently a thing, but I’ve never heard him on BBC Radio 2)? Does anyone really care?
As my wife pointed out, it’s a bit unfortunate that the only Bellas who are not stick-thin size zeroes are the obese and annoyingly loud one, the black lesbian one and two that nobody knows why they are there. The message to the target female teen audience is clear: if you want to be “in” you’d better diet… hard. Nice.
Looking for all the world like sticks of candy-cane. The size 0 Bellas.
What can I say that’s vaguely nice about this monstrosity?
Some of the acapella song and dance numbers are fun enough, particularly “Toxic” that opens the film;
The closing number by Anna Kendrick (“Table 19“) is quite appealing;
There are also about 5 funny lines that made me smile: not laugh… smile;
It’s also a relief that John and Gail, unlike in “Pitch Perfect 2“, only come out with one xenophobic/racist comment in the film (and that’s about the French, so that hardly counts 🙂 ).
And I’m out…
There will be no doubt die-hard teenage fans who will love this one too. But my wife was a great fan of the first film (as indeed was I); she tolerated the second one; but even she declared this to be “Aca-Awful”. It’s not as toxically dreadful as “Dirty Grandpa“… what could be? But, seriously, life is too short for this.
There. You were there, weren’t you? Living it. You want to know what happens next? Sure you do. You see, even I can come up with a story…. and I’m not a “professional Hollywood scriptwriter”.
Why then, I ask you. Why oh why oh why oh why oh why do the scriptwriters of Pitch Perfect 3 – Kay Cannon (the original PP screenwriter) and Mike White (“The Emoji Movie”) – think that this dreadfully lazy set of loosely connected scenes represent a viable basis for a movie? Is the view from the guys who green-lit this thing that the crowd that loved “Pitch Perfect” and the pretty dreadful sequel “Pitch Perfect 2” will pay their box office money regardless? Let’s advertise the hell out of it and cash in our chips before word of mouth gets out!?
In this ‘adventure’ the Bellas go on a US Forces overseas tour (though this is not really explained until they suddenly appear in Spain – what? how?). The really REALLY annoying commentators John (John Michael Higgins) and Gail (Elizabeth Banks, “Love and Mercy“) tag along, filming some lame half-arsed documentary about them until even the scriptwriters get fed up of that tedious plot-line and it quietly withers on the vine.
Fat Amy (is this still an acceptable nickname in 2017?) also runs into her nefarious father again after many years (John Lithgow, “Interstellar“, “Daddy’s Home 2“). Lithgow – sporting a wonderful Australian accent – is about the best thing in the film. The “plot” (sorry, I can barely bring myself to use that word) revolves around Daddy trying to get something of Amy’s that he needs, for reasons – given the yacht he sails – that makes no sense whatsoever. Will he succeed? Will the Bellas get selected to headline with DJ Khaled (who is apparently a thing, but I’ve never heard him on BBC Radio 2)? Does anyone really care?
As my wife pointed out, it’s a bit unfortunate that the only Bellas who are not stick-thin size zeroes are the obese and annoyingly loud one, the black lesbian one and two that nobody knows why they are there. The message to the target female teen audience is clear: if you want to be “in” you’d better diet… hard. Nice.
Looking for all the world like sticks of candy-cane. The size 0 Bellas.
What can I say that’s vaguely nice about this monstrosity?
Some of the acapella song and dance numbers are fun enough, particularly “Toxic” that opens the film;
The closing number by Anna Kendrick (“Table 19“) is quite appealing;
There are also about 5 funny lines that made me smile: not laugh… smile;
It’s also a relief that John and Gail, unlike in “Pitch Perfect 2“, only come out with one xenophobic/racist comment in the film (and that’s about the French, so that hardly counts 🙂 ).
And I’m out…
There will be no doubt die-hard teenage fans who will love this one too. But my wife was a great fan of the first film (as indeed was I); she tolerated the second one; but even she declared this to be “Aca-Awful”. It’s not as toxically dreadful as “Dirty Grandpa“… what could be? But, seriously, life is too short for this.
Whatchareadin (174 KP) rated Still Me in Books
Apr 9, 2019
Louisa Clark is headed to New York City to start a new job. Life in England is not going the way she had hoped, so across the pond she goes. She will be the personal assistant to Agnes Gopnik. Agnes is the new wife of Mr. Gopnik. So far Agnes's life being married has not been easy having to deal with all of the former Mrs. Gopnik's friends. Agnes looks to Louisa as a friend and a relief in her life. Louisa is trying to adjust to her new life as well. With her boyfriend in England and her this new life in New York, will Louisa be able to survive this new situation she has put herself in?
Thank you to NetGalley and Viking Books for the opportunity to read and review this book.
For me, this by far is the best book in the series. I'm not sure if it is because it was set in the United States or for another reason, but this one captivated me and I enjoyed it more than other books in the series.
After the death of Will Traynor and spending a few years close enough to home, Louisa has finally decided to take a big leap and go for her dreams. When she lands in New York, things seem to be going fairly well for her, but as Louisa life goes, things take a dramatic turn and she has to find a way to adjust to her new way of life. She goes on many adventures and discovers many new things about life, but also about herself in the process.
The Gopnik family is not quite what Louisa is expecting when she first arrives in New York. The job she signed up for and the one she tries to execute aren't quite the same, but she always does her best. When she is unexpected released from her duties, she has to scramble to find out what will happen next. An unlikely opportunity presents itself and Louisa finds joy in this new position, a joy she had never experienced before.
If you haven't read the series, I think it is important to start with book one. You have to go on the journey with Louisa. I don't know if her story will continue after this book, but it will be interesting to know what happens next. This book made the series as a whole more enjoyable for me.
Thank you to NetGalley and Viking Books for the opportunity to read and review this book.
For me, this by far is the best book in the series. I'm not sure if it is because it was set in the United States or for another reason, but this one captivated me and I enjoyed it more than other books in the series.
After the death of Will Traynor and spending a few years close enough to home, Louisa has finally decided to take a big leap and go for her dreams. When she lands in New York, things seem to be going fairly well for her, but as Louisa life goes, things take a dramatic turn and she has to find a way to adjust to her new way of life. She goes on many adventures and discovers many new things about life, but also about herself in the process.
The Gopnik family is not quite what Louisa is expecting when she first arrives in New York. The job she signed up for and the one she tries to execute aren't quite the same, but she always does her best. When she is unexpected released from her duties, she has to scramble to find out what will happen next. An unlikely opportunity presents itself and Louisa finds joy in this new position, a joy she had never experienced before.
If you haven't read the series, I think it is important to start with book one. You have to go on the journey with Louisa. I don't know if her story will continue after this book, but it will be interesting to know what happens next. This book made the series as a whole more enjoyable for me.
BookwormMama14 (18 KP) rated The Governess of Highland Hall (Edwardian Brides, #1) in Books
Jan 2, 2019
I have finally made some time to read a few books on my TBR list that have been taunting me with their sweet descriptions. And oh gosh, I can NOT believe that it has taken me so long to read this book! The Governess of Highland Hall was perfect for satisfying the Downton Abbey fan in me. And Carrie Turansky's descriptions and attention to detail drew me into Edwardian England and I got lost wandering down the road alongside Julia...my husband didn't see me for days. Because it is the same era as Downton Abbey I was tempted to think of the characters in relation to the show, but boy are they different! Let's just say the housekeeper, is no Mrs. Hughes. However, she definitely adds a very interesting twist on the story. Throughout this book you will see the storyline unfold through multiple perspectives. It was easy to follow along and added a lot of depth and insight to our supporting characters. I LOVE Sir William's sister Sarah! And I just giggled with delight to find out that Sir William's cousin (and dependent) Katherine Ramsey is our leading lady in the next book. SO excited to read her story. One of the things mentioned in this book are Christmas crackers...And let me tell you, if you have never had these at Christmas you are missing out! We started our own tradition last year with these, and they were a HUGE hit! No one else in the family knew what they were, but the immediately put on their paper crown, and we all wore them throughout dinner. You can order them on Amazon. This isn't the first book I have read about a governess. Not a servant, not a part of the family...But they pour so much into the children. Love them, raise them, and they are so easily cast aside. It can be a sad lot from what I have seen. However, we are reminded throughout the story, that we must walk on God's path for our lives. We may not understand His purpose or His ways, but we must trust that He loves us, His children, and wants the best for us. I encourage you, as this book encouraged me, to keep your heart tender toward the Lord's voice and follow where He leads. Now, bring me book two!
But Bottom line, "You have bewitched me body and soul."
But Bottom line, "You have bewitched me body and soul."
Ivana A. | Diary of Difference (1171 KP) rated The Other Mrs Miller in Books
Oct 2, 2020
The Other Mrs Miller is a great mystery to help you out on a boring day. But if you are looking for the dark and twisty masterpiece to blow your mind, I’m afraid this is not it…
Phoebe Miller is married to a man she doesn’t love. He is a psychotherapist and Phoebe feels he constantly analyses her. She doesn’t work because her father was rich. And when he died, women started to tell their stories of all the terrible things he did. All Phoebe wants to do is hide in her house. But she feels constantly watched and notices a car parked on her street almost every day. And then there are these new neighbours that are clearly hiding something. Should she be worried?
There were a lot of relationships in this book that I had an issue with:
- the husband that treats his wife as a study subject
- the wife that treats her husband as garbage
- the new relationship between a man with the IQ of a three-year-old and a woman that has no clue of what she wants
- the unknown sister who would rather threaten you or kill you, than come and tell you she is your sister
- the overprotective mother who doesn’t let her child speak
A very different, and at times, confusing plot. Interesting beginning and introduction, followed by a boring section in the book. A bit of tiny action, and then a slow paced stage again. And finally, an epilogue with a lot of pressure, many characters and a lot of mystery. Very satisfying, until the very last chapter, where the author turns everything around with another small twist, and here I am, sitting on my sofa, with the Kindle in my hand, thinking: THIS IS NOT RIGHT.
A final twist, without any buildup, or any hints, without making any sense or adding to the story in any way. I wish the author or their editor just deleted that last bit. Disappointing.
I did enjoy the whole book, but the very end left me with a bad after-taste and I can’t give it more than these three stars. Amazing mystery, but ahh, if I could just forget about that last chapter.
If you love mysteries, I am still recommending this. You might enjoy it more than I did.
Phoebe Miller is married to a man she doesn’t love. He is a psychotherapist and Phoebe feels he constantly analyses her. She doesn’t work because her father was rich. And when he died, women started to tell their stories of all the terrible things he did. All Phoebe wants to do is hide in her house. But she feels constantly watched and notices a car parked on her street almost every day. And then there are these new neighbours that are clearly hiding something. Should she be worried?
There were a lot of relationships in this book that I had an issue with:
- the husband that treats his wife as a study subject
- the wife that treats her husband as garbage
- the new relationship between a man with the IQ of a three-year-old and a woman that has no clue of what she wants
- the unknown sister who would rather threaten you or kill you, than come and tell you she is your sister
- the overprotective mother who doesn’t let her child speak
A very different, and at times, confusing plot. Interesting beginning and introduction, followed by a boring section in the book. A bit of tiny action, and then a slow paced stage again. And finally, an epilogue with a lot of pressure, many characters and a lot of mystery. Very satisfying, until the very last chapter, where the author turns everything around with another small twist, and here I am, sitting on my sofa, with the Kindle in my hand, thinking: THIS IS NOT RIGHT.
A final twist, without any buildup, or any hints, without making any sense or adding to the story in any way. I wish the author or their editor just deleted that last bit. Disappointing.
I did enjoy the whole book, but the very end left me with a bad after-taste and I can’t give it more than these three stars. Amazing mystery, but ahh, if I could just forget about that last chapter.
If you love mysteries, I am still recommending this. You might enjoy it more than I did.
Bob Mann (459 KP) rated The Hitman's Bodyguard (2017) in Movies
Sep 29, 2021
A plethora of clichés.
2017’s summer blockbusters fizzle to a halt with this formulaic action comedy. Ryan Reynolds (“Deadpool“) plays Michael Bryce: a cocksure “Triple A rated” bodyguard, always planning three steps ahead so that he can protect his clients without killing anyone in the process. With such arrogance, a fall is inevitable. On the other side of the legal scales is Darius Kincaid (Samuel L Jackson, “The Hateful Eight“), a contract killer who always gets his man. But the incarcerated Kincaid is offered a deal to release his equally incarcerated wife Sonia (Selma Hayek) in return for testifying against the fearsome Belarus president Vladislav Dukhovich (Gary Oldman, “Dawn of the Planet of the Apes”), on trial for war crimes at The Hague. An Interpol team led by Bryce’s’s ex-squeeze Amelia Roussel (the striking Elodie Yung) now have to get Kincaid to Belgium unscathed with Dukhovich’s well-trained and well-armed thugs stopping at nothing to ensure he won’t be there to testify. Fate transpires that Bryce and Kincaid become an unlikely team in trying to bring Dukhovich to justice.
After losing your no claims bonus, hysterical laughter is the only way forwards. Ryan Reynolds and Samuel L Jackson.
This is a movie whose script seems to have been glued together from a patchwork of other movie scenes:
– the bad guy / bad guy partner relationship of “The Nice Guys“. Check.
– the street ambush of “Clear and Present Danger”. Check.
– the Amsterdam boat chase of “Puppet on a Chain”. Check.
– the comedic bar-room brawl from “Airplane”. Check.
Many of the action scenes are done with panache and some great stunt work. But it’s all stuff we’ve seen countless times before, so what is needed for differentiation is the relationships between Bryce and Kincaid: this needs to be the cornerstone of the film. But it just doesn’t quite work. Jackson’s contribution is never in doubt, even though we’ve seen this motherf-ing shtick countless times before: he’s still magnetic, charismatic and a joy to watch. But unfortunately Reynolds just doesn’t deliver the acting goods to make the banter believable: there is a reason “Deadpool” is his best film – he wears a mask for most of it! His ‘puppy-dog look’ gets rolled out multiple times, but it’s unconvincing in the extreme. Together they are no match for Gosling/Crowe in “The Nice Guys“.
Nun but the brave. Jackson (if not Reynolds) get happy clappy.
On firmer ground is the quirky relationship between Mr and Mrs Kincaid. Although sharing limited screen time together, Hayek and Jackson spark off each other wonderfully. Seeing Selma Hayek in uncharacteristically sweary and belligerent mode was highly entertaining (although it’s worth commenting that my wife took great offence to the ‘comic’ bullying of an overweight cellmate).
“I had to ask the guy next to me to pinch me to make sure I wasn’t dreaming” – the future Mr and Mrs Kincaid meet in a rough place… the seediest dive on the wharf.
Elsewhere in the acting roll call, Elodie Yung delivers just the right measure of cuteness, toughness and passion as Roussel, but Oldman delivers a full-on retread of his Ivan “Get off my plane” Korshunov from “Air Force One”. There is also a change to Oldman’s character’s face at the end of the film in the form of a rampant skin complaint which is ‘explained’ by a clumsily inserted news item about an “attempted poisoning”: it’s such a clunky and bizarre addition to the script that it made me wonder whether the actor has some unexpected ailment (like shingles) during filming…. but I can see nothing related to this online.
The striking Elodie Yung as the Interpol agent Roussel.
The screenplay by relative newcomer Tom O’Connor bumps along from implausible action scene to implausible action scene, with more that its fair share of ‘WTF’ moments. For example, after a random chase through multiple Amsterdam alleys and shops, Jackson pulls up outside the very DIY shop Reynolds ends up in to pick him up! The script is also tonally uneven throughout: given this is supposed to be an “action comedy” the action is often brutal and unpleasant and the comedy – in the main – just not funny enough. (About the funniest thing in the film are the most ineffective sub machine guns known to man, most notably in the mildly ludicrous, if well staged, boat chase scene!)
An entertaining cameo from Richard E Grant as a businessman in danger.
The film also manages to offend, in more ways than the 15-rated violence and language used: I’m not sure WHEN this movie was actually filmed, but the use of an articulated lorry as a terrorist weapon towards the end of the film is certainly in very poor taste after the events of Nice, London and Barcelona. Not appreciated.
Directed by Patrick Hughes (“The Expendables 3″…. say no more) this hodge-podge of a flick is sporadically entertaining, but is one I will struggle to remember in a couple of months time.
After losing your no claims bonus, hysterical laughter is the only way forwards. Ryan Reynolds and Samuel L Jackson.
This is a movie whose script seems to have been glued together from a patchwork of other movie scenes:
– the bad guy / bad guy partner relationship of “The Nice Guys“. Check.
– the street ambush of “Clear and Present Danger”. Check.
– the Amsterdam boat chase of “Puppet on a Chain”. Check.
– the comedic bar-room brawl from “Airplane”. Check.
Many of the action scenes are done with panache and some great stunt work. But it’s all stuff we’ve seen countless times before, so what is needed for differentiation is the relationships between Bryce and Kincaid: this needs to be the cornerstone of the film. But it just doesn’t quite work. Jackson’s contribution is never in doubt, even though we’ve seen this motherf-ing shtick countless times before: he’s still magnetic, charismatic and a joy to watch. But unfortunately Reynolds just doesn’t deliver the acting goods to make the banter believable: there is a reason “Deadpool” is his best film – he wears a mask for most of it! His ‘puppy-dog look’ gets rolled out multiple times, but it’s unconvincing in the extreme. Together they are no match for Gosling/Crowe in “The Nice Guys“.
Nun but the brave. Jackson (if not Reynolds) get happy clappy.
On firmer ground is the quirky relationship between Mr and Mrs Kincaid. Although sharing limited screen time together, Hayek and Jackson spark off each other wonderfully. Seeing Selma Hayek in uncharacteristically sweary and belligerent mode was highly entertaining (although it’s worth commenting that my wife took great offence to the ‘comic’ bullying of an overweight cellmate).
“I had to ask the guy next to me to pinch me to make sure I wasn’t dreaming” – the future Mr and Mrs Kincaid meet in a rough place… the seediest dive on the wharf.
Elsewhere in the acting roll call, Elodie Yung delivers just the right measure of cuteness, toughness and passion as Roussel, but Oldman delivers a full-on retread of his Ivan “Get off my plane” Korshunov from “Air Force One”. There is also a change to Oldman’s character’s face at the end of the film in the form of a rampant skin complaint which is ‘explained’ by a clumsily inserted news item about an “attempted poisoning”: it’s such a clunky and bizarre addition to the script that it made me wonder whether the actor has some unexpected ailment (like shingles) during filming…. but I can see nothing related to this online.
The striking Elodie Yung as the Interpol agent Roussel.
The screenplay by relative newcomer Tom O’Connor bumps along from implausible action scene to implausible action scene, with more that its fair share of ‘WTF’ moments. For example, after a random chase through multiple Amsterdam alleys and shops, Jackson pulls up outside the very DIY shop Reynolds ends up in to pick him up! The script is also tonally uneven throughout: given this is supposed to be an “action comedy” the action is often brutal and unpleasant and the comedy – in the main – just not funny enough. (About the funniest thing in the film are the most ineffective sub machine guns known to man, most notably in the mildly ludicrous, if well staged, boat chase scene!)
An entertaining cameo from Richard E Grant as a businessman in danger.
The film also manages to offend, in more ways than the 15-rated violence and language used: I’m not sure WHEN this movie was actually filmed, but the use of an articulated lorry as a terrorist weapon towards the end of the film is certainly in very poor taste after the events of Nice, London and Barcelona. Not appreciated.
Directed by Patrick Hughes (“The Expendables 3″…. say no more) this hodge-podge of a flick is sporadically entertaining, but is one I will struggle to remember in a couple of months time.
Rhubarbio (27 KP) rated The Resistance: Avalon in Tabletop Games
May 25, 2019
Excellent gateway game (1 more)
Amazing for playing with large groups
Great Bluffing Game!
Avalon is an enhancement to the Resistance,l (which in turn is a revision of Mafia/Werewolf) as it includes special player roles. This card game requires players to select a card each, which tells them if they are a good character (loyal servant of King Arthur) or a bad character (minion of Mordred), which defines how they play the game. As a good guy, you must try and succeed 3 of 5 missions, whilst the bad guys will try to make the missions fail. No one knows who the other good guys are, except for the player who receives the Merlin card. Merlin knows who the good guys are, and will therefore try to persuade the group towards ensuring only the good guys go on missions. However, there is a special role for the bad guys too. If the bad guys lose, the player who is the Assassin has a last chance to claim victory for the bad guys, if the Assassin can guess who Merlin is. Therefore, Merlin has to be subtle, otherwise the bad guys will win.
This is essentially a bluffing game where you just convince others that you are good and, inevitably, accuse others of being bad. This game, for the right group, is hours of fun! You need a ln engaged group of people who are willing to chat and be enthusiastic about engaging with this; the game and fun C Mrs from this interaction, and layer dissecting who was good and bad and how they fooled or misled everyone. I thoroughly recommend this game for gateway gamers i.e. those making the transition from everyday well known games such as Monopoly, to more designer games that have flourished over the past 20 years or so.
This game, whilst great, falters at lower or highest playcounts. At the lower end, it is very difficult to play as a bad guy, unless you use other roles included in the game. At the higher gamecount, things get very confusing and overly exhausting. However, this is an exceptional game and is likely only bettered as a bluffing game by the soon to be released Blood on the Clocktower.
I have played this hundreds of time, with the same group of people. Whilst I am now fatigued by the game, given this game only costs around £15, it is a solid investment for so many hours of fun.
This is essentially a bluffing game where you just convince others that you are good and, inevitably, accuse others of being bad. This game, for the right group, is hours of fun! You need a ln engaged group of people who are willing to chat and be enthusiastic about engaging with this; the game and fun C Mrs from this interaction, and layer dissecting who was good and bad and how they fooled or misled everyone. I thoroughly recommend this game for gateway gamers i.e. those making the transition from everyday well known games such as Monopoly, to more designer games that have flourished over the past 20 years or so.
This game, whilst great, falters at lower or highest playcounts. At the lower end, it is very difficult to play as a bad guy, unless you use other roles included in the game. At the higher gamecount, things get very confusing and overly exhausting. However, this is an exceptional game and is likely only bettered as a bluffing game by the soon to be released Blood on the Clocktower.
I have played this hundreds of time, with the same group of people. Whilst I am now fatigued by the game, given this game only costs around £15, it is a solid investment for so many hours of fun.
Movie Metropolis (309 KP) rated Knight and Day (2010) in Movies
Jun 11, 2019
You’d be forgiven for thinking that a spy film with the likes of Tom Cruise and Cameron Diaz could do no wrong, and indeed that’s the view I had, how wrong I was. Despite a fantastic performance from Diaz, Knight & Day falls well short.
There have been numerous comedy spy capers over the years, some of which have been fantastic, like Johnny English and Get Smart for example and others which have been less than stellar; Mr. & Mrs. Smith comes to mind. Unfortunately Knight & Day fits in between the good and the bad and comes out distinctly average.
Problems blight the film from the off stemming from wobbly CGI to ridiculous stunts and lazy direction choices, it seems like director James Mangold went into this project a little half-heartedly.
Tom Cruise plays spy Roy Miller and the film follows his adventures across the globe protecting the elusive ‘Zephyr’ battery which apparently never runs out of power. Needless to say Cameron Diaz plays the ditzy blonde who later becomes the love interest for the film. Whilst Diaz provides a fun and exciting performance, providing many of the movie’s best comedic moments, Cruise feels seriously miscast in a humorous role and he becomes tiresome to watch.
Alas, the issues don’t stop there. For an action film, it’s distinctly lacking in action and the set pieces that are there are lazily choreographed or rendered in shoddy CGI. Considering its less than modest budget (£120m), Knight & Day should’ve been a joy to watch, instead it’s like looking at a TV programme for 109 minutes.
Meanwhile the villains in the film are simply cardboard cut-outs as the writers haven’t given enough thought to fleshing out their characters. Cruise simply points and shoots and bang, they’re dead.
However, all of these problems could’ve been forgiven if the film had some great storytelling – it doesn’t. What should’ve been the best parts of the film are blacked out. The escapes, the fighting and even some of the ending are lost as Mangold decides to get around inexplicable plot events by drugging the main characters. Again, this is a lazy technique which doesn’t work.
It’s a shame, as there are many reasons why this film should’ve been at least a good summer action flick. In reality, Knight & Day simply becomes passable at best with some inexcusably lazy direction choices, dreadful CGI, bad casting and flimsy characters which all add up to a film which is left hanging on the merits of Cameron Diaz.
https://moviemetropolis.net/2011/09/13/knight-day-2011/
There have been numerous comedy spy capers over the years, some of which have been fantastic, like Johnny English and Get Smart for example and others which have been less than stellar; Mr. & Mrs. Smith comes to mind. Unfortunately Knight & Day fits in between the good and the bad and comes out distinctly average.
Problems blight the film from the off stemming from wobbly CGI to ridiculous stunts and lazy direction choices, it seems like director James Mangold went into this project a little half-heartedly.
Tom Cruise plays spy Roy Miller and the film follows his adventures across the globe protecting the elusive ‘Zephyr’ battery which apparently never runs out of power. Needless to say Cameron Diaz plays the ditzy blonde who later becomes the love interest for the film. Whilst Diaz provides a fun and exciting performance, providing many of the movie’s best comedic moments, Cruise feels seriously miscast in a humorous role and he becomes tiresome to watch.
Alas, the issues don’t stop there. For an action film, it’s distinctly lacking in action and the set pieces that are there are lazily choreographed or rendered in shoddy CGI. Considering its less than modest budget (£120m), Knight & Day should’ve been a joy to watch, instead it’s like looking at a TV programme for 109 minutes.
Meanwhile the villains in the film are simply cardboard cut-outs as the writers haven’t given enough thought to fleshing out their characters. Cruise simply points and shoots and bang, they’re dead.
However, all of these problems could’ve been forgiven if the film had some great storytelling – it doesn’t. What should’ve been the best parts of the film are blacked out. The escapes, the fighting and even some of the ending are lost as Mangold decides to get around inexplicable plot events by drugging the main characters. Again, this is a lazy technique which doesn’t work.
It’s a shame, as there are many reasons why this film should’ve been at least a good summer action flick. In reality, Knight & Day simply becomes passable at best with some inexcusably lazy direction choices, dreadful CGI, bad casting and flimsy characters which all add up to a film which is left hanging on the merits of Cameron Diaz.
https://moviemetropolis.net/2011/09/13/knight-day-2011/