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Bob Mann (459 KP) rated Don't Breathe 2 (2021) in Movies
Aug 18, 2021
Nicely paced direction and non stop (bloody) action (1 more)
Madelyn Grace delivers a nice and professional performance
Not very original (1 more)
Should we be rooting for Norman at all?
That kid’ll need counselling for life!
I mean. If there was ever an opportunity to come up with a clever title for a sequel, this was it right? "Breathe Again"; "Hold it for a bit longer"; "Are You Turning Blue Yet?". But no... we just get a boring old "2" at the end!
Positives:
- Five years is an awfully long time to wait for a sequel! I have to admit I needed to read through my original review for "Don't Breathe" and the synopsis on IMDB before I went to see this. But, given that it is a fairly standard schlock-horror home-invasion movie, this is a nicely pieced together movie. Debut director Sayagues, who co-wrote the first film with original director Fede Alverez, moves the action along at a non-stop pace leaving you quite exhausted by the end of the (pleasantly short) 98 minutes.
- Stephen Lang nicely retreads his monster from the first movie as a besotted but anxious parent. But particularly good I thought was Madelyn Grace who plays the 11 year old Phoenix. I never once thought "there's a child actress doing a performance". Great job!
Negatives:
- It doesn't get many brownie points for originality: the blindness dice was already rolled in the original. So here we get some re-tread scenes of "the blind man being king", with red insecticide spray replacing the darkness.
- It never feels quite right that you are supposed to be cheering on Nordstrom: someone with virtually no redeeming features (other than a love for dogs).
- The original film had a decidedly icky moment with the whole baster thing. Here we have an equally icky, if ridiculous, plot-twist, taking us into a very dark place indeed. But what is supposed to be a shock-horror moment actually had me in fits of laughter, since all I could think of was a particular scene in "Monty Python and the Meaning of Life"!
Summary Thoughts on "Don't Breathe 2": We've been here so many times before that it's almost a (bloody) paint by numbers. But I have to admit that I thought this one was well done, and a cut above the norm. The first movie made $158M on a budget of just $10M. This one has a (restrained) $15M budget, and has already made that back. Good for them. The gore factor makes it not one for the illustrious Mrs Movie Man (who wisely didn't come). But for horror fans out for a nice gory little romp, this has its attractions.
And by the way, there is a 'monkey' (post-credit scene in One Mann's Movies speak) in this one. Well, Alvarez and Sayagues aren't going to dead-end their options for a "Don't Breathe 3" are they?
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- Five years is an awfully long time to wait for a sequel! I have to admit I needed to read through my original review for "Don't Breathe" and the synopsis on IMDB before I went to see this. But, given that it is a fairly standard schlock-horror home-invasion movie, this is a nicely pieced together movie. Debut director Sayagues, who co-wrote the first film with original director Fede Alverez, moves the action along at a non-stop pace leaving you quite exhausted by the end of the (pleasantly short) 98 minutes.
- Stephen Lang nicely retreads his monster from the first movie as a besotted but anxious parent. But particularly good I thought was Madelyn Grace who plays the 11 year old Phoenix. I never once thought "there's a child actress doing a performance". Great job!
Negatives:
- It doesn't get many brownie points for originality: the blindness dice was already rolled in the original. So here we get some re-tread scenes of "the blind man being king", with red insecticide spray replacing the darkness.
- It never feels quite right that you are supposed to be cheering on Nordstrom: someone with virtually no redeeming features (other than a love for dogs).
- The original film had a decidedly icky moment with the whole baster thing. Here we have an equally icky, if ridiculous, plot-twist, taking us into a very dark place indeed. But what is supposed to be a shock-horror moment actually had me in fits of laughter, since all I could think of was a particular scene in "Monty Python and the Meaning of Life"!
Summary Thoughts on "Don't Breathe 2": We've been here so many times before that it's almost a (bloody) paint by numbers. But I have to admit that I thought this one was well done, and a cut above the norm. The first movie made $158M on a budget of just $10M. This one has a (restrained) $15M budget, and has already made that back. Good for them. The gore factor makes it not one for the illustrious Mrs Movie Man (who wisely didn't come). But for horror fans out for a nice gory little romp, this has its attractions.
And by the way, there is a 'monkey' (post-credit scene in One Mann's Movies speak) in this one. Well, Alvarez and Sayagues aren't going to dead-end their options for a "Don't Breathe 3" are they?
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Lottie disney bookworm (1056 KP) rated The Beast Within: A Tale of Beauty's Prince (Villains #2) in Books
Aug 24, 2019
Beauty and the Beast is arguably one of my favourite Disney classics. I adored Tale as Old as Time and so the Beast’s version of the villain’s tale series had some pretty big boots to fill.
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
The Beast Within is the second book in the villains’ series and shifts between time periods to provide the reader with an insight to the Beast’s life before and after he was cursed. This was such an interesting concept because each version of Beauty and the Beast contains the vain prince who shuns the enchantress: it’s a pretty key part of the story! However, Serena Valentino expands upon this and, although the Prince becomes no more likeable, Valentino humanises him. We learn the extent of his vanity and, to be honest, probably dislike him more than the original version!
We also receive more of an insight into the Odd Sisters within this novel. We visit their house and gain an idea of the pecking order within the foursome. Yes foursome! I have not drunk too much prosecco and can no longer count (well not yet) – the witches have a little sister.
Circe is as beautiful as her sisters are odd and also happens to be engaged to the Prince (massive coincidence I am sure) but is rejected by him when his best friend Gaston reveals that her family are pig farmers. He claims she deceived him with her beauty and is sickened by her grotesque appearance now he knows the truth.
In fact, by placing Gaston and the Prince side by side we start to think that maybe Belle made the wrong choice by dismissing the shallow hunter so quickly!
Needless to say, Circe is crushed: she accuses him of behaving like a beast, being tainted by vanity and not capable of true love. The spurned witch curses the Prince, warning him that he will slowly transform into the horrifying creature that he is within.
The fact that the reader witnesses the full transformation of Prince into Beast is really interesting and Circe’s words have a profound effect on the Prince, his grasp on his sanity and his future relationships. He veers wildly between dismissing Circe as crazy whilst simultaneously finding a bride in order to break the spell.
Naturally, the Prince is not alone in this story: Mrs Potts, Cogsworth and Lumiere unwittingly become swept up in Circe’s curse. In fact, the odd sisters taunt the Beast, implying that he is only concerned about his servants because of what they may do to him if the curse is not lifted.
Valentino does choose to express that Mrs Potts, in particular, had great affection for the Prince and Gaston as children but this isn’t really played on at all. The reader does gain the sense that the Prince is cared for by his staff but there are no real relationships developed here. Even when Lumiere realises that the Prince views the objects of the curse differently from everyone else; there lacks the compassion and assistance of their animated counterparts.
Another relationship that lacked conviction was that between the Beast and Belle. This is one of the most iconic love stories in the Disney portfolio but I’m afraid I just wasn’t feeling it. I understand that Valentino needs to focus on Tulip: she is an important character who shows the Prince’s desperation, his unwillingness to change and his escalating beastly behaviour (she also links into the next book in the series). However, the focus on Tulip seems to sacrifice any detail when it comes to Belle. Yes, we learn that she attended the original ball and that she will do anything to save her father but that’s pretty much it. The blossoming romance that ensues is witnessed third hand via the odd sisters’ mirror and it begs the question: is this the tale of Beauty’s Prince or is the tale of Circe and her sisters?
Despite Circe being the youngest, it is often implied that she is more powerful than her older sisters and, although she does seem more sane, it cannot be said that Circe is a pushover: upon learning of her sisters’ involvement in the Beast’s fate, Circe punishes them; removes the curse and creates the spinning prince complete with fireworks that we remember from the original movie. This transition from bitter, heartbroken witch to sympathetic and forgiving is unforeseen and abrupt. To be honest it felt like it was a convenient way of shoe-horning the movie ending into the book.
Overall, I loved the potential of The Beast Within. I really enjoyed learning more about the Prince’s character and seeing a side of him that the reader cannot merely brush off as young or vain: he was a truly horrible person. I also loved the little nods to the fairy-tale world, such as Gaston suggesting a ball because it all worked out for the Prince’s friend “after the business with the slipper”.
Valentino also provides hints to future novels and so the references to Ursula were very intriguing as I prepare to read ‘Poor Unfortunate Soul’ next. There is the occasional reference to the old Queen, as well as the continuation of the theme of mirrors and love as a weakness: the odd sisters really do dominate the tales.
In a way I almost feel that the book has a little too much going on: we have the beast’s battle against the curse; the odd sister’s magic; Circe and Ursula’s little tangent and the original storyline. In my opinion, all of these factors make the ending of the book very rushed. For example, the Beast juxtaposes from being unable to fall in love with someone like Belle to presenting her with an entire library just to see her smile in a matter of sentences!
It is a shame because, after the ending of ‘Fairest of All’ I was expecting so much more. I did still like the book but I didn’t love it- I felt like the book could have expanded more on the more unique/dark aspects of the story, such as the creepy statues and the Beast’s alternative view of the curse.
Ah well, you can’t love them all! Onwards and upwards to Poor Unfortunate Soul!
Kristy H (1252 KP) rated The Golden Tresses of the Dead in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Love Flavia but a letdown for the series ending
Flavia's sister, Feely, is finally getting married. But at the wedding, as Feely and Dieter cut their cake, Feely slices into a human finger! How very Flavia! It's certainly a case for Arthur W. Dogger & Associates, with Flavia being the main associate, of course. And, not long after, the two are hired by a Mrs. Prill to help track down some missing letters. Flavia and Dogger barely know where to focus first. Then someone else winds up dead--with Flavia and Dogger in the thick of things--and things spiral from there..
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Movie Metropolis (309 KP) rated Mr. Holmes (2015) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Sir Ian McKellen is magnificent
Sherlock Holmes is hot property at the moment. Robert Downey Jr has played the titular detective in two box-office behemoths and Benedict Cumberbatch is supremely popular across the globe for his take on the character.
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Kristy H (1252 KP) rated Always and Forever, Lara Jean in Books
Feb 1, 2018
In the final book of Jenny Han's "To All the Boys I've Loved Before" series, we find our heroine, Lara Jean, in her senior year of high school and facing some big changes: college choices; her dad's impending marriage (yay, Mrs. Rothschild!); and figuring out the fate of her relationship with her handsome high school sweetheart, Peter K. The plan, of course, is for Lara Jean and Peter to head to UVA together. Peter already has a lacrosse scholarship there, and Lara Jean's acceptance email should be arriving any day. Still, Lara Jean is worried about the possibility of change and if things do not go exactly according to her plans.
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
BankofMarquis (1832 KP) rated The Incredibles 2 (2018) in Movies
Jun 20, 2018
Not just a good "kids" movie, but a good "movie" movie
INCREDIBLES 2 is one of the best movies that has been released, thus far, in 2018.
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Darren (1599 KP) rated Against All Odds (1984) in Movies
Jun 20, 2019
Story: Against All Odds starts as veteran American football Terry Brogan (Bridges) gets cu from his team, wanting to take legal action it is his former friend and gangster Jake Wise (Woods) that hires him to track down a woman Jessie Wyler (Ward) daughter of Terry’s former employer.
Terry ends up doing the job with both sides fighting to pay him to finds Jessie, Terry uses this as a chance for a paid vacation even after locating Jessie who he gets to spend time with and fall in love with. Soon not everything is as it seems and Terry finds himself needing to fight for his own life too.
Thoughts on Against All Odds
Characters/Performance – Terry Brogan is a veteran American footballer, his career is about to be ended on the field due to injuries and after not saving money in his life, he finds himself with nothing. Terry finds himself needing to work for both Mrs Wyler and Jake Wise from different sides to locate Jessie but soon he finds himself in bigger trouble. Jessie is the daughter of the owner of the football team and former lover of Jake Wise, she has gone into hiding for her own reasons with Terry searching for her to hopefully return to the States. Jake is the gangster that has details on Terry which could ruin his legacy but offers him money to find Jessie for him.
Performance wise, Jeff Bridges is good as he always is through any film he steps into and shows that he was always going to be a big name, Rachel Ward is good but doesn’t reach the levels of Bridges and James Woods can always splay the creepy figure which is why we love him so.
Story – A former sports star needs money and takes a risky job for a shady figure to earn the money and not have his career exposed. This all seems like a simple enough story and one we can all follow nicely. We have twists along the way which try to put u in the wrong direction but otherwise everything is all simple enough to enjoy for an 80s style of film.
REPORT THIS AD
Action/Adventure/Crime/Romance – When we break down the genres we get plenty to go through but the reality is that because we focus on too many we don’t get a strong enough side to any of them with each part being the first part of the generic of any of them.
Settings – The two main settings are LA which is the one we can all understand as being the glitz and glamour with the crimes taking place in while the Mexico setting shows us the calm before the storm.
Final Thoughts – The 80s were a decade of films with unlikely heroes taking over the leading roles in action like films and this was no different, it can be enjoyed throughout the film.
Overall: Thriller that just says 80s all over it.
https://moviesreview101.com/2018/02/07/against-all-odds-1984/
Terry ends up doing the job with both sides fighting to pay him to finds Jessie, Terry uses this as a chance for a paid vacation even after locating Jessie who he gets to spend time with and fall in love with. Soon not everything is as it seems and Terry finds himself needing to fight for his own life too.
Thoughts on Against All Odds
Characters/Performance – Terry Brogan is a veteran American footballer, his career is about to be ended on the field due to injuries and after not saving money in his life, he finds himself with nothing. Terry finds himself needing to work for both Mrs Wyler and Jake Wise from different sides to locate Jessie but soon he finds himself in bigger trouble. Jessie is the daughter of the owner of the football team and former lover of Jake Wise, she has gone into hiding for her own reasons with Terry searching for her to hopefully return to the States. Jake is the gangster that has details on Terry which could ruin his legacy but offers him money to find Jessie for him.
Performance wise, Jeff Bridges is good as he always is through any film he steps into and shows that he was always going to be a big name, Rachel Ward is good but doesn’t reach the levels of Bridges and James Woods can always splay the creepy figure which is why we love him so.
Story – A former sports star needs money and takes a risky job for a shady figure to earn the money and not have his career exposed. This all seems like a simple enough story and one we can all follow nicely. We have twists along the way which try to put u in the wrong direction but otherwise everything is all simple enough to enjoy for an 80s style of film.
REPORT THIS AD
Action/Adventure/Crime/Romance – When we break down the genres we get plenty to go through but the reality is that because we focus on too many we don’t get a strong enough side to any of them with each part being the first part of the generic of any of them.
Settings – The two main settings are LA which is the one we can all understand as being the glitz and glamour with the crimes taking place in while the Mexico setting shows us the calm before the storm.
Final Thoughts – The 80s were a decade of films with unlikely heroes taking over the leading roles in action like films and this was no different, it can be enjoyed throughout the film.
Overall: Thriller that just says 80s all over it.
https://moviesreview101.com/2018/02/07/against-all-odds-1984/
Gareth von Kallenbach (971 KP) rated Miracle (2004) in Movies
Aug 14, 2019
n 1980, America was in a state of transition and turmoil as political events threatened world stability. The Reagan era was just starting but the nation was still trying to deal with economic issues as well as the Iran hostage crisis, and long gas lines.
As if those issues were not enough, the Cold War was still in full swing and tensions had mounted due to the Russian invasion of Afghanistan. Against this backdrop, coach Herb Brooks (Kurt Russell), is busy preparing a team of college Hockey players to represent the United States in the upcoming Winter Olympics.
Since the Olympics were being held in Lake Placid New York, the pressure was on for the U.S. team to make a respectable showing as the Olympic committee did not want the team to be embarrassed in front of the home crowd.
This was a task easier said than done, as the young players would be facing the best the world could throw at them, including the invincible Russian team that had not lost a game in 15 years and had recently handily defeated a team of NHL All Stars. The Russians like many of the teams that the Americans would face had played with each other for years and were like well-oiled machines in comparison to the assembled Americans who had less than a year to prepare.
The early part of the film focuses on the team selection process and Brook’s constant pushing of the team mentally and physically, even when it is to the dismay of his assistant coaches and disdain of his players. The audience is introduced to the players but they are never given much depth as the story focuses on Brooks and his desire to beat the Russians.
The later part of the film deals with the warm up games the team faced and then swings into the Olympics and the march to glory. The games are recreated mainly in highlight format as the focus of the films game recreation is saved for the dramatic and emotional game with the Russians. The action is fast and furious and is very accurate to the actual game itself.
While very emotional and entertaining, much of “Miracle” unfolds like a movie of the week. Russell does a great job as Brooks, but the supporting cast is not given any chance to shine. Patricia Clarkson is wasted in the role of Mrs. Brooks as she is not given much to do other than utter a few lines of encouragement and be the wife by the side of the coach.
All that being said, “Miracle;” is an uplifting and enjoyable look back at arguably the greatest moment in U.S. sports history. The film does stir the emotions and those of us who were old enough to remember the huge shot of patriotic pride that enveloped the land during those magical two weeks and how that team gave a nation renewed hope for the future and made us feel good just when we needed it the most.
As if those issues were not enough, the Cold War was still in full swing and tensions had mounted due to the Russian invasion of Afghanistan. Against this backdrop, coach Herb Brooks (Kurt Russell), is busy preparing a team of college Hockey players to represent the United States in the upcoming Winter Olympics.
Since the Olympics were being held in Lake Placid New York, the pressure was on for the U.S. team to make a respectable showing as the Olympic committee did not want the team to be embarrassed in front of the home crowd.
This was a task easier said than done, as the young players would be facing the best the world could throw at them, including the invincible Russian team that had not lost a game in 15 years and had recently handily defeated a team of NHL All Stars. The Russians like many of the teams that the Americans would face had played with each other for years and were like well-oiled machines in comparison to the assembled Americans who had less than a year to prepare.
The early part of the film focuses on the team selection process and Brook’s constant pushing of the team mentally and physically, even when it is to the dismay of his assistant coaches and disdain of his players. The audience is introduced to the players but they are never given much depth as the story focuses on Brooks and his desire to beat the Russians.
The later part of the film deals with the warm up games the team faced and then swings into the Olympics and the march to glory. The games are recreated mainly in highlight format as the focus of the films game recreation is saved for the dramatic and emotional game with the Russians. The action is fast and furious and is very accurate to the actual game itself.
While very emotional and entertaining, much of “Miracle” unfolds like a movie of the week. Russell does a great job as Brooks, but the supporting cast is not given any chance to shine. Patricia Clarkson is wasted in the role of Mrs. Brooks as she is not given much to do other than utter a few lines of encouragement and be the wife by the side of the coach.
All that being said, “Miracle;” is an uplifting and enjoyable look back at arguably the greatest moment in U.S. sports history. The film does stir the emotions and those of us who were old enough to remember the huge shot of patriotic pride that enveloped the land during those magical two weeks and how that team gave a nation renewed hope for the future and made us feel good just when we needed it the most.
EmersonRose (320 KP) rated The Haunting of Hill House in Books
Nov 20, 2019
The Haunting of Hill House was written by Shirley Jackson in 1959. Since then it has been heralded as a milestone in the horror genre. The book takes its reader on an unnerving adventure with four characters who chose to spend a summer in a haunted house.
Dr. Montague wishes to track the supernatural and write a factual paper on hauntings. He enlists the help of two women who he believes to have connections with the unnatural. The first is Theodora lighthearted and the center of attention, and Eleanor, quiet and fragile but ready for something in her life to change. Their party is completed by Luke, the charming heir to Hill House. The unnerving atmosphere of the house puts them all on edge from the moment they see it, but things only get stranger as the power of the house grows.
I was drawn to this book for several reasons. First, it was the week of Halloween, why not get into the spirit. But Hill House had begun to orbit in my life before this. I myself read The Lottery in my eighth-grade creative writing class. I also recently read a book called House of Leaves by Mark Z. Danielewski, which is also a haunted house story and Shirley Jackson’s book began getting recommended to me. As I started to read the book, I began to have this feeling best expressed through a quote from the book itself: “Am I walking toward something I should be running away from?”
When I started reading the story, I could not help but let my thoughts fly trying to solve 13388the mystery myself. The language of the book captured my attention completely. The descriptions built up the house so vividly in my imagination. The haunting Victorian atmosphere is both beautiful and disturbing. The unnerving and uncomfortable were created, kept up, and made the book hard to put down. I loved wondering about Mrs. Dudley, questioning the other characters, and imagining what could be knocking on the door.
Eleanor, as the point of view character, is the easiest to identify with. Her paranoia, fear, and anxiety are central parts to her identity, but she also seems to the most real in her reactions to both the house and the other characters. He relationships with each of the other four are almost dreamlike in the way level of closeness she has with them ebbs and flows. I could not help but feel for Eleanor, especially when it seems she is being targeted by the house.
I found this book to be enthralling. The horror genre is not my go-to read, but Shirley Jackson has a way with words and intimate feelings that makes me want to read through every book she has ever written. The psychological descent of the characters is natural and terrifying to behold. Now that I have read it, I cannot help but see Jackson’s influence on horror and psychological thriller. I am very pleased with having finally read this book and would highly recommend it as a must read. Only beware, the house as power and no one’s mind is safe.
Dr. Montague wishes to track the supernatural and write a factual paper on hauntings. He enlists the help of two women who he believes to have connections with the unnatural. The first is Theodora lighthearted and the center of attention, and Eleanor, quiet and fragile but ready for something in her life to change. Their party is completed by Luke, the charming heir to Hill House. The unnerving atmosphere of the house puts them all on edge from the moment they see it, but things only get stranger as the power of the house grows.
I was drawn to this book for several reasons. First, it was the week of Halloween, why not get into the spirit. But Hill House had begun to orbit in my life before this. I myself read The Lottery in my eighth-grade creative writing class. I also recently read a book called House of Leaves by Mark Z. Danielewski, which is also a haunted house story and Shirley Jackson’s book began getting recommended to me. As I started to read the book, I began to have this feeling best expressed through a quote from the book itself: “Am I walking toward something I should be running away from?”
When I started reading the story, I could not help but let my thoughts fly trying to solve 13388the mystery myself. The language of the book captured my attention completely. The descriptions built up the house so vividly in my imagination. The haunting Victorian atmosphere is both beautiful and disturbing. The unnerving and uncomfortable were created, kept up, and made the book hard to put down. I loved wondering about Mrs. Dudley, questioning the other characters, and imagining what could be knocking on the door.
Eleanor, as the point of view character, is the easiest to identify with. Her paranoia, fear, and anxiety are central parts to her identity, but she also seems to the most real in her reactions to both the house and the other characters. He relationships with each of the other four are almost dreamlike in the way level of closeness she has with them ebbs and flows. I could not help but feel for Eleanor, especially when it seems she is being targeted by the house.
I found this book to be enthralling. The horror genre is not my go-to read, but Shirley Jackson has a way with words and intimate feelings that makes me want to read through every book she has ever written. The psychological descent of the characters is natural and terrifying to behold. Now that I have read it, I cannot help but see Jackson’s influence on horror and psychological thriller. I am very pleased with having finally read this book and would highly recommend it as a must read. Only beware, the house as power and no one’s mind is safe.
BankofMarquis (1832 KP) rated Airplane! in Apps
Mar 27, 2020
Holds Up Well
Doctor: Can you fly this plane, and land it?
Striker: Surely you can't be serious.
Doctor: I am serious... and don't call me Shirley.
And that, in a nutshell, is the humor to be found in the 1980 laugh-a-minute comedy AIRPLANE brought to us by the demented minds of David Zucker, Jim Abrahams and Jerry Zucker. If you haven't seen this flick in awhile - or if you have NEVER seen it - check it out, you'll be glad you did.
Parodying Disaster Movies that were all the rage in the 1970's, AIRPLANE tells the tale of an airliner who's flight crew is incapacitated by food poisoning and it is up to a Stewardess and her on again/off again former fighter pilot (fighting PTSD) boyfriend to land the plane and save the passengers.
And...along the way we have a hodgepodge of quirky, weird characters that are not afraid to sling a joke in a deadpan style. It is an unusual film to watch.
And...make sure you put your phone down and actually WATCH this film, for there is quite a bit of visual humor that you need to be paying attention to to catch it...humor such as...
Kramer: Steve, I want every light you can get poured onto that field.
Steve: Bein' done right now.
[On the runway, a truck dumps a full load of lamps onto the ground]
Also...the verbal humor needs to be paid attention to...
Doctor: What was it we had for dinner tonight?
Elaine: Well, we had a choice of steak or fish.
Doctor: Yes, yes, I remember, I had lasagna.
All of this delivered with a deadpan wink in the eye by such dramatic 1960's and '70's TV stalwarts as Leslie Nielsen, Lloyd Bridges and Robert Stack. Add to that the wholesome cuteness of leads Robert Hayes and Julie Hagerty with fun cameos by the likes of Kareem Abdul-Jabbar and Mrs. Cleaver herself, Barbara Billingsly ("Excuse me stewardess, I speak jive) and a fun time was had by all.
Finally, I would be remiss if I didn't single out the craziness of the character Johnny (Stephen Stucker). He flits in and out of this film (in some cases quite literally) throwing non-sequiturs at the screen that had me laughing out loud on my umpteenth viewing of this film. Non-sequiturs like...
Steve: Johnny, what can you make out of this?
[Hands him the weather briefing]
Johnny: This? Why, I can make a hat or a brooch or a pterodactyl...
This film gave myself and my family some much need yuks - even my "eye rolling" 19 year old College Freshman was heard guffawing out loud from time to time.
So...check out AIRPLANE - you'll be glad you did.
Letter Grade:: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Oh...and one other thing...
Kramer: Do you know what it's like to fall in the mud and get kicked... in the head... with an iron boot? Of course you don't, no one does. It never happens. Sorry, Ted, that's a dumb question... skip that...
Striker: Surely you can't be serious.
Doctor: I am serious... and don't call me Shirley.
And that, in a nutshell, is the humor to be found in the 1980 laugh-a-minute comedy AIRPLANE brought to us by the demented minds of David Zucker, Jim Abrahams and Jerry Zucker. If you haven't seen this flick in awhile - or if you have NEVER seen it - check it out, you'll be glad you did.
Parodying Disaster Movies that were all the rage in the 1970's, AIRPLANE tells the tale of an airliner who's flight crew is incapacitated by food poisoning and it is up to a Stewardess and her on again/off again former fighter pilot (fighting PTSD) boyfriend to land the plane and save the passengers.
And...along the way we have a hodgepodge of quirky, weird characters that are not afraid to sling a joke in a deadpan style. It is an unusual film to watch.
And...make sure you put your phone down and actually WATCH this film, for there is quite a bit of visual humor that you need to be paying attention to to catch it...humor such as...
Kramer: Steve, I want every light you can get poured onto that field.
Steve: Bein' done right now.
[On the runway, a truck dumps a full load of lamps onto the ground]
Also...the verbal humor needs to be paid attention to...
Doctor: What was it we had for dinner tonight?
Elaine: Well, we had a choice of steak or fish.
Doctor: Yes, yes, I remember, I had lasagna.
All of this delivered with a deadpan wink in the eye by such dramatic 1960's and '70's TV stalwarts as Leslie Nielsen, Lloyd Bridges and Robert Stack. Add to that the wholesome cuteness of leads Robert Hayes and Julie Hagerty with fun cameos by the likes of Kareem Abdul-Jabbar and Mrs. Cleaver herself, Barbara Billingsly ("Excuse me stewardess, I speak jive) and a fun time was had by all.
Finally, I would be remiss if I didn't single out the craziness of the character Johnny (Stephen Stucker). He flits in and out of this film (in some cases quite literally) throwing non-sequiturs at the screen that had me laughing out loud on my umpteenth viewing of this film. Non-sequiturs like...
Steve: Johnny, what can you make out of this?
[Hands him the weather briefing]
Johnny: This? Why, I can make a hat or a brooch or a pterodactyl...
This film gave myself and my family some much need yuks - even my "eye rolling" 19 year old College Freshman was heard guffawing out loud from time to time.
So...check out AIRPLANE - you'll be glad you did.
Letter Grade:: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Oh...and one other thing...
Kramer: Do you know what it's like to fall in the mud and get kicked... in the head... with an iron boot? Of course you don't, no one does. It never happens. Sorry, Ted, that's a dumb question... skip that...