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Bong Mines Entertainment (15 KP) rated I Can See The Future - Single by Gold Spectacles in Music
Jun 21, 2019
Gold Spectacles is a baroque pop duo from London, England. Not too long ago, they released an indie-alternative tune, entitled, “I Can See The Future”.
‘I Can See The Future’ tells an interesting tale of a young woman who shares a terminal relationship with her significant other.
Apparently, she sees the future, therefore, she knows that their relationship is over because her partner doesn’t love her like he used to love her.
‘I Can See The Future’ contains a bittersweet storyline, pleasing vocals, and lush instrumentation flavored with Spanish guitars, stabbing bass line, and synthesizers.
“We were drawing on the idea of being too caught up in the future to appreciate the present. The singer sees glimpses of imperfections in their relationship forming and jumps to the conclusion that everything is falling apart. The track developed from a chord pattern played on a beaten up 1952 Hammond organ which we rescued and restored from a local school. A new addition to our home studio.” – Gold Spectacles
Gold Spectacles is the collaborative output of two British songwriter, producer, and multi-instrumentalists. Their musical influences include Paul Simon, Local Natives, Bombay Bicycle Club, Phoenix, and Lykke Li.
Since October 2018, they have released a track a month which coincides with the lunar calendar. Also, these tracks will one day come together to form their upcoming debut album.
‘I Can See The Future’ tells an interesting tale of a young woman who shares a terminal relationship with her significant other.
Apparently, she sees the future, therefore, she knows that their relationship is over because her partner doesn’t love her like he used to love her.
‘I Can See The Future’ contains a bittersweet storyline, pleasing vocals, and lush instrumentation flavored with Spanish guitars, stabbing bass line, and synthesizers.
“We were drawing on the idea of being too caught up in the future to appreciate the present. The singer sees glimpses of imperfections in their relationship forming and jumps to the conclusion that everything is falling apart. The track developed from a chord pattern played on a beaten up 1952 Hammond organ which we rescued and restored from a local school. A new addition to our home studio.” – Gold Spectacles
Gold Spectacles is the collaborative output of two British songwriter, producer, and multi-instrumentalists. Their musical influences include Paul Simon, Local Natives, Bombay Bicycle Club, Phoenix, and Lykke Li.
Since October 2018, they have released a track a month which coincides with the lunar calendar. Also, these tracks will one day come together to form their upcoming debut album.
Debbiereadsbook (1202 KP) rated Crystal Shard (Paladins of Crystal. #1) in Books
Aug 5, 2022
Amazing world building!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Oooooohhhhh! I loved this! I really did!
The thing I loved the most, was there wasn't that info dump you get in some fantasy books. When Crystal gets pulled into the rose bush and spat out the other side, she has to learn everything about where she now is. And as she learns, we learn. So, it comes in dribs and drabs, just enough for you to process that bit and move on to the next. Loved that, it meant I could fully engage with the characters, instead of trying to keep up with information. Excellent world building!
I loved that Crystal has her say in the first person, and the Paladins, her group of protectors at this point, have their say in the third. Different, yes, but I loved that it was.
And I say at this point, because given what happens at the end (which, to be honest I saw coming, but hey, still loved it!) things will change in future books.
I've not tagged it as romance or multi partner YET, cos there isn't any romance, and the only smexy times is in dreams, for both Crystal and the guys. But it's coming, oh yes, it's a-coming!
Obviously, things aren't smooth sailing, and I've an idea who might be wanting to cause all this trouble. I'm fairly certain they aren't done yet.
So, when is the next one out? Cos I NEEEEEEEEEEEEEEEEEEEEEEED it!
This is the second book of Cameron's I tried to read. I didn't much care for the first one, but this?? Bloody loved it!
5 stars
*same worded review will appear elsewhere
Oooooohhhhh! I loved this! I really did!
The thing I loved the most, was there wasn't that info dump you get in some fantasy books. When Crystal gets pulled into the rose bush and spat out the other side, she has to learn everything about where she now is. And as she learns, we learn. So, it comes in dribs and drabs, just enough for you to process that bit and move on to the next. Loved that, it meant I could fully engage with the characters, instead of trying to keep up with information. Excellent world building!
I loved that Crystal has her say in the first person, and the Paladins, her group of protectors at this point, have their say in the third. Different, yes, but I loved that it was.
And I say at this point, because given what happens at the end (which, to be honest I saw coming, but hey, still loved it!) things will change in future books.
I've not tagged it as romance or multi partner YET, cos there isn't any romance, and the only smexy times is in dreams, for both Crystal and the guys. But it's coming, oh yes, it's a-coming!
Obviously, things aren't smooth sailing, and I've an idea who might be wanting to cause all this trouble. I'm fairly certain they aren't done yet.
So, when is the next one out? Cos I NEEEEEEEEEEEEEEEEEEEEEEED it!
This is the second book of Cameron's I tried to read. I didn't much care for the first one, but this?? Bloody loved it!
5 stars
*same worded review will appear elsewhere
Ivana A. | Diary of Difference (1171 KP) rated The Thursday Murder Club in Books
Oct 5, 2020
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I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
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I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
Merissa (12061 KP) created a post
Mar 16, 2021
Merissa (12061 KP) rated Wolf Tamer (Claiming My Pack #1) in Books
Dec 17, 2018
Wolf Tamer (Claiming My Pack #1) by Yumoyori Wilson
Wolf Tamer is the first book in the Claiming My Pack series, and right off, I will say it's NOT Reverse Harem. Not yet. It's leading up to it, but not in this book.
Harper watches her family being murdered and manages to escape, although at a cost. She finds her way into the forest and is found by Wolfie. She is then found by Sam and Dolly, together with Rogan, who put her in the system to see if she can find a forever home away from them. This doesn't work, so she ends up with them, much to little Ian's happiness.
The author tried something very difficult in this book, and that is to have the character change from being a child to an adult IN the story. Not viewing her childhood as an adult, but actually being a child. This is hard because it's a RH book, so you've got to have the innocence of the child, and then steamy, multi-partner scenes later on.
I did enjoy this book, although there were parts that didn't make sense to me. I'm hoping they will in the later books. For example, Ian has the ability to be an Alpha, but can't be bothered even though he and Carter butt heads all the time. He is the one who mated Harper first, and has been her mate for years. So why does he back down so damned quickly to Carter at one point. And who was the strange, disembodied voice?
I also would have liked more character development about Rogan, Sam, and Dolly. All three of these characters are pivotal to the story, but all three sort of fade out until the ending.
On the whole, this was a thoroughly enjoyable book, and I would carry on with the series. Like I said though, for this book, it's NOT a RH.
* I received a copy of this book with no requirement or obligation to review. I voluntarily read this book, and the review here is my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Harper watches her family being murdered and manages to escape, although at a cost. She finds her way into the forest and is found by Wolfie. She is then found by Sam and Dolly, together with Rogan, who put her in the system to see if she can find a forever home away from them. This doesn't work, so she ends up with them, much to little Ian's happiness.
The author tried something very difficult in this book, and that is to have the character change from being a child to an adult IN the story. Not viewing her childhood as an adult, but actually being a child. This is hard because it's a RH book, so you've got to have the innocence of the child, and then steamy, multi-partner scenes later on.
I did enjoy this book, although there were parts that didn't make sense to me. I'm hoping they will in the later books. For example, Ian has the ability to be an Alpha, but can't be bothered even though he and Carter butt heads all the time. He is the one who mated Harper first, and has been her mate for years. So why does he back down so damned quickly to Carter at one point. And who was the strange, disembodied voice?
I also would have liked more character development about Rogan, Sam, and Dolly. All three of these characters are pivotal to the story, but all three sort of fade out until the ending.
On the whole, this was a thoroughly enjoyable book, and I would carry on with the series. Like I said though, for this book, it's NOT a RH.
* I received a copy of this book with no requirement or obligation to review. I voluntarily read this book, and the review here is my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Debbiereadsbook (1202 KP) rated WHo We Truly Are (Enhanced #2) in Books
Oct 26, 2018
Wanted to punch Talon so bad!
Independent reviewer for Divine Magazine, I was gifted the AUDIO copy of this book.
This is book two in the Enhanced Series, and you really SHOULD read or listen to book one, Five Minutes Longer, before you start this one. It's a continuation of Talon and Finn's tale, and not all is repeated here.
Talon and Finn are partners in all ways, it's just not common knowledge. When Finn is sent undercover to try to locate the missing Enhanced children, Talon has to dig deep within himself to let Finn do his job, and then for Talon to do his, when Finn turns up missing too.
For most of this book, I wanted to punch Talon in the face so bloody hard!! He's such an idiot when it comes to Finn doing his job, he really is! I get he cares for Finn, very much so, but Finn came into Talon's world as his WORK partner, and that has to be front and centre. But no, Talon's reaction to Finn going undercover is to bury his head in the sand, and ignore Finn. So much so, Finn thinks to leave Florida and find himself some who really appreciates him.
But in Talon's defense, he is dealing with his ever increasing powers, taking on the powers of the other team members, and it does take its toll on him.
I found this one a little more explicit than book one, as Talon and Finn's physical relationship seems to be the outlet for their work situations frustration, for BOTH of them. No complaining, min, no ma'am not at all! Even though I wanted to punch Talon, he does somewhat redeem himself when they get home!
The missing children has *some* conclusion, but there are still some unanswered questions. We meet some new people, both Enhanced and regular.
When Talon finally gets his head out his ass, and *literally* explodes, it's Finn that brings him back from the brink. Finn's words said to him, that words Talon longed to hear, and indeed say, manage to clear his mind and focus in time to save them both.
Nick J Russo again narrates. I love his narration again. His voices are clear, and consistent across both books, and I have no trouble following multi person conversations. His reading voice is deep and even, making it such an easy listen!
Russo gets all of Finn's emotions when Talon almost blanks him, and I felt for Finn, I really did. Listening to a book is such a different experience to reading, and the narrator makes listening to this book such a pleasure.
Of course, a narrator can ONLY reads the words he's given and if Victoria Sue continues to write about these guys, I'm gonna be listening! (I don't like to flip between listening and reading in a series, I find I lose something if I do!)
Off to listen to book three, Beneath The Mask. I've a feeling Gael is in a world of hurt and the guys don't really know how deep it goes!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
This is book two in the Enhanced Series, and you really SHOULD read or listen to book one, Five Minutes Longer, before you start this one. It's a continuation of Talon and Finn's tale, and not all is repeated here.
Talon and Finn are partners in all ways, it's just not common knowledge. When Finn is sent undercover to try to locate the missing Enhanced children, Talon has to dig deep within himself to let Finn do his job, and then for Talon to do his, when Finn turns up missing too.
For most of this book, I wanted to punch Talon in the face so bloody hard!! He's such an idiot when it comes to Finn doing his job, he really is! I get he cares for Finn, very much so, but Finn came into Talon's world as his WORK partner, and that has to be front and centre. But no, Talon's reaction to Finn going undercover is to bury his head in the sand, and ignore Finn. So much so, Finn thinks to leave Florida and find himself some who really appreciates him.
But in Talon's defense, he is dealing with his ever increasing powers, taking on the powers of the other team members, and it does take its toll on him.
I found this one a little more explicit than book one, as Talon and Finn's physical relationship seems to be the outlet for their work situations frustration, for BOTH of them. No complaining, min, no ma'am not at all! Even though I wanted to punch Talon, he does somewhat redeem himself when they get home!
The missing children has *some* conclusion, but there are still some unanswered questions. We meet some new people, both Enhanced and regular.
When Talon finally gets his head out his ass, and *literally* explodes, it's Finn that brings him back from the brink. Finn's words said to him, that words Talon longed to hear, and indeed say, manage to clear his mind and focus in time to save them both.
Nick J Russo again narrates. I love his narration again. His voices are clear, and consistent across both books, and I have no trouble following multi person conversations. His reading voice is deep and even, making it such an easy listen!
Russo gets all of Finn's emotions when Talon almost blanks him, and I felt for Finn, I really did. Listening to a book is such a different experience to reading, and the narrator makes listening to this book such a pleasure.
Of course, a narrator can ONLY reads the words he's given and if Victoria Sue continues to write about these guys, I'm gonna be listening! (I don't like to flip between listening and reading in a series, I find I lose something if I do!)
Off to listen to book three, Beneath The Mask. I've a feeling Gael is in a world of hurt and the guys don't really know how deep it goes!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated The Mummy (2017) in Movies
Jun 10, 2019
A new franchise is reborn
It seems that the Marvel Cinematic Universe has kicked off a trend over in tinseltown. Shared franchises are all the rage at the moment, and why not. Marvel has taken over $10billion. DC has finally found its footing with Wonder Woman and Legendary are fusing Godzilla with Kong: Skull Island to create their own monster universe.
But for every success story there is a failed series that didn’t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ‘Dark Universe’. Proceedings kick off with The Mummy. But how does this reboot fare?
Nick Morton (Tom Cruise) is a soldier of fortune who plunders ancient sites for timeless artefacts and sells them to the highest bidder. When Nick and his partner (Jake Johnson) come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess (Sofia Boutella) who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
First-time director and long-time screenwriter Alex Kurtzman crafts a film that moves at breakneck speed, features a lot of nifty set-pieces and is an intriguing precursor to the next instalment of the franchise. It’s pretty good fun to be honest.
Tom Cruise is as reliable as ever, and does all the Tom Cruise staples; running, heavy breathing, shirtless preening, but the stand-out performance here is Russell Crowe’s Dr. Henry Jekyll (yes, that’s right). Despite being slightly underused, Crowe is a fantastic choice to play this multi-layered character. Elsewhere, Sofia Boutella is very good as Ahmanet.
Unfortunately, Jake Johnson (Jurassic World) and Cruise’s love interest Annabelle Wallis (King Arthur: Legend of the Sword) feel miscast with Wallis in particular having no believable chemistry with her co-star.
To look at The Mummy is first-rate. Gone are the campy special effects of the Brendan Fraser-era films, instead replaced with crisp CGI – though the dark and gloomy filming style hampers the obviously great effects. Nevertheless, the aircraft and subsequent crash sequences that have been marketed in the trailers are gripping and produced very well indeed.
Unfortunately, The Mummy relies heavily on jump scares, of which there are far too many, and the trade-off for that rollercoaster pace is a film that feels disjointed, relying on visually stunning action sequences to cover over cracks in the story. Some of the humour also falls flat.
Ultimately though, these are small gripes in a vastly entertaining popcorn flick that is a very solid starting point to a series that will include films like The Invisible Man, Bride of Frankenstein and The Wolfman.
Whilst not the most original film you will see this year, The Mummy opens up some intriguing doors and whilst I’m in no rush to see it again, despite its competence, I’m excited to see how Universal will bring all of their iconic monsters back to the big screen in one unified franchise.
https://moviemetropolis.net/2017/06/10/a-new-franchise-is-reborn-the-mummy-review/
But for every success story there is a failed series that didn’t quite grab the cinema-going public with The Golden Compass and The Last Airbender immediately springing to mind. Nevertheless, Universal Pictures has pushed ahead with creating its own ‘Dark Universe’. Proceedings kick off with The Mummy. But how does this reboot fare?
Nick Morton (Tom Cruise) is a soldier of fortune who plunders ancient sites for timeless artefacts and sells them to the highest bidder. When Nick and his partner (Jake Johnson) come under attack in the Middle East, the ensuing battle accidentally unearths Ahmanet, a betrayed Egyptian princess (Sofia Boutella) who was entombed under the desert for thousands of years. With her powers constantly evolving, Morton must now stop the resurrected monster as she embarks on a furious rampage through the streets of London.
First-time director and long-time screenwriter Alex Kurtzman crafts a film that moves at breakneck speed, features a lot of nifty set-pieces and is an intriguing precursor to the next instalment of the franchise. It’s pretty good fun to be honest.
Tom Cruise is as reliable as ever, and does all the Tom Cruise staples; running, heavy breathing, shirtless preening, but the stand-out performance here is Russell Crowe’s Dr. Henry Jekyll (yes, that’s right). Despite being slightly underused, Crowe is a fantastic choice to play this multi-layered character. Elsewhere, Sofia Boutella is very good as Ahmanet.
Unfortunately, Jake Johnson (Jurassic World) and Cruise’s love interest Annabelle Wallis (King Arthur: Legend of the Sword) feel miscast with Wallis in particular having no believable chemistry with her co-star.
To look at The Mummy is first-rate. Gone are the campy special effects of the Brendan Fraser-era films, instead replaced with crisp CGI – though the dark and gloomy filming style hampers the obviously great effects. Nevertheless, the aircraft and subsequent crash sequences that have been marketed in the trailers are gripping and produced very well indeed.
Unfortunately, The Mummy relies heavily on jump scares, of which there are far too many, and the trade-off for that rollercoaster pace is a film that feels disjointed, relying on visually stunning action sequences to cover over cracks in the story. Some of the humour also falls flat.
Ultimately though, these are small gripes in a vastly entertaining popcorn flick that is a very solid starting point to a series that will include films like The Invisible Man, Bride of Frankenstein and The Wolfman.
Whilst not the most original film you will see this year, The Mummy opens up some intriguing doors and whilst I’m in no rush to see it again, despite its competence, I’m excited to see how Universal will bring all of their iconic monsters back to the big screen in one unified franchise.
https://moviemetropolis.net/2017/06/10/a-new-franchise-is-reborn-the-mummy-review/
BankofMarquis (1832 KP) rated Vice (2018) in Movies
Jan 21, 2019
Good movie with 2 GREAT performances
Writer/Director Adam McKay was known for years as the writing partner/director of Will Ferrell, having written and directed such comedy gems as ANCHORMAN, TALLADEGA NIGHTS and STEP BROTHERS and then, in 2015, he stepped out of Ferrell's shadow - and the comedy world - and delivered the multi-Oscar nominated film THE BIG SHORT, a fascinating, terrifying and (at times) funny look at the financial crisis of the mid-2000's.
His follow-up to this film is another fascinating, terrifying and (at times) funny look at a serious subject - the life and career of former Vice President Dick Cheney, an unassuming bureaucrat that wields much power in the George W. Bush White House. I thought THE BIG SHORT worked on every level so was looking forward to this follow-up and this one works on MOST levels.
So..what does work? Let's start with the acting of the top-notch cast. Steve Carrell, Sam Rockwell, Lily Rabe, Justin Kirk and Tyler Perry all are terrific in smaller, supporting roles that depict real people (like Donald Rumsfeld, George W. Bush, Liz Cheney, Scooter LIbbey and Colin Powell, respectively). They all bring the necessary level of gravitas and ironic humor to their parts.
But...make no mistake...this film stars and IS ABOUT Lynne and Dick Cheney (Amy Adams and Christian Bale) and both of these two stars SHINE BRIGHTLY in their portrayal of a a Washington DC power couple who are always calculating the political angle of any issue and how they can benefit from it. I expect both of these two actors to get Oscar nominations.
What also works is the pseduo-documentary style that McKay brings to the screen (similar to THE BIG SHORT), the characters, at times, speak directly to the camera to explain something or (at one time) breaks into a Shakespearean scene to emphasize what's going on.
So...what doesn't work? I'm going to start with the Narrator of this piece, Jesse Plemons. He is a solid actor who can bring a wry sense of humor - or gravitas - to the proceedings. But, to be plain about it, Plemons narrator character (who we come to find out has a VERY big role in Cheney's life) is just not interesting enough to follow or listen to. In THE BIG SHORT, this role was filled by the charm and charisma of Ryan Gosling and, I'm afraid, Plemons just doesn't have that same level of charm and charisma.
Secondly, what didn't work for me was the people/events that were unfolding in front of me. There was NOT ONE character to root for on the screen. Every politician seen upon the screen was just out for themselves and were willing to screw (or stab in the back) anyone that is no longer any use for them. These are not very likable characters and I longed for someone to root for, which made this film fall short of "GREAT" status for me. It is a very good film - strongly acted - but not a GREAT film.
If you haven't seen it, I would recommend VICE to all if, for nothing else, the performances of Adams and Bale, they are mesmerizing, just don't expect to root for anyone.
Letter Grade B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
His follow-up to this film is another fascinating, terrifying and (at times) funny look at a serious subject - the life and career of former Vice President Dick Cheney, an unassuming bureaucrat that wields much power in the George W. Bush White House. I thought THE BIG SHORT worked on every level so was looking forward to this follow-up and this one works on MOST levels.
So..what does work? Let's start with the acting of the top-notch cast. Steve Carrell, Sam Rockwell, Lily Rabe, Justin Kirk and Tyler Perry all are terrific in smaller, supporting roles that depict real people (like Donald Rumsfeld, George W. Bush, Liz Cheney, Scooter LIbbey and Colin Powell, respectively). They all bring the necessary level of gravitas and ironic humor to their parts.
But...make no mistake...this film stars and IS ABOUT Lynne and Dick Cheney (Amy Adams and Christian Bale) and both of these two stars SHINE BRIGHTLY in their portrayal of a a Washington DC power couple who are always calculating the political angle of any issue and how they can benefit from it. I expect both of these two actors to get Oscar nominations.
What also works is the pseduo-documentary style that McKay brings to the screen (similar to THE BIG SHORT), the characters, at times, speak directly to the camera to explain something or (at one time) breaks into a Shakespearean scene to emphasize what's going on.
So...what doesn't work? I'm going to start with the Narrator of this piece, Jesse Plemons. He is a solid actor who can bring a wry sense of humor - or gravitas - to the proceedings. But, to be plain about it, Plemons narrator character (who we come to find out has a VERY big role in Cheney's life) is just not interesting enough to follow or listen to. In THE BIG SHORT, this role was filled by the charm and charisma of Ryan Gosling and, I'm afraid, Plemons just doesn't have that same level of charm and charisma.
Secondly, what didn't work for me was the people/events that were unfolding in front of me. There was NOT ONE character to root for on the screen. Every politician seen upon the screen was just out for themselves and were willing to screw (or stab in the back) anyone that is no longer any use for them. These are not very likable characters and I longed for someone to root for, which made this film fall short of "GREAT" status for me. It is a very good film - strongly acted - but not a GREAT film.
If you haven't seen it, I would recommend VICE to all if, for nothing else, the performances of Adams and Bale, they are mesmerizing, just don't expect to root for anyone.
Letter Grade B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Amazon Echo Dot (3rd Generation) in Tech
Nov 4, 2019
Wonderfully useful and functional
I’m one of those people who often takes a while to get into and accept new technology. Not because I’m a technophobe, in fact I’m a massive techie and often the go to person for tech related issues within my family and friends. My issue is that I find a lot of technology is encouraging people to become lazier or become out of touch with basic home skills (like smart ovens or washers, I just don’t get it!). I’ve often lumped smart speakers like the Echo Dot in the same category in that I just didn’t see the point in them when most people still have functioning old school speaker systems. However I can honestly say my mind has definitely been changed for the better on the Echo.
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
Firstly it looks and feels great. I was expecting a rather flimsy feeling speaker but in fact it feels quite weighty and substantial, and the Sandstone version that I’ve bought looks rather sleek. It stands out and looks good but at the same time isn’t at any time the focal point in a room. The speaker aspect is rather good too and has a decent sound quality. I’ve placed this in my kitchen, as I have a fairly open downstairs and the sound easily reaches the entire floor - I can even speak to Alexa from my living room which is a good 7+ metres away with only a standard sized doorway for sound to reach through. Admittedly I had to mute the TV, but I’m still impressed she can hear me from there! The Echo Dot links up seamlessly with my Spotify account and I’m surprised it plays so well and doesn’t encourage you to try and sign up to Amazon Music instead.
The thing about the Echo Dot is that it isn’t just a glorified speaker and it’s only from owning one that I’ve truly appreciated this. As well as music, Alexa also helps out with so much more like reminders, timers and the weather as well as a whole host of fun features. There are so many fun things you can ask Alexa (google it if you haven’t already), too many to name although one of my favourites is “Alexa, find Chuck Norris”. There’s also the rather sad fact that as I live on my own, Alexa provides a rather welcome conversational partner and definitely less one sided than talking to the cat! I’m also a rather forgetful person, so having the ability to ask Alexa to set reminders when I can’t do something at the time (i.e. remembering to take the bins out when I’m in the middle of making dinner) is a god send. I’m surprised at how well the voice recognition works too. I’ve often experienced issues with voice recognition on mobile phones, because it doesn’t appear to like the northern accent, but Alexa so far has not had any issues. Maybe I need to speak “proper” Northern and see how she reacts...
I love this that much that I’m looking at buying a second Echo Dot for my upstairs so I have full coverage in my house, and can then take advantage of using Alexa as my morning wake up call amongst as well as being able to link both together to act as a multi room speaker system. Fingers crossed I’ll be able to get a bargain during Black Friday in a couple of weeks!
BankofMarquis (1832 KP) rated Rocketman (2019) in Movies
Jun 11, 2019
Strong Lead Performance
I have to admit, I thought the Freddy Mercury bio-pic BOHEMIAN RHAPSODY was just "meh" and that Rami Malek was "just o'k" as the Queen frontman (personally, I would have given the Oscar to Christian Bale for his portrayal of Dick Cheney in VICE) so I was not rushing to the multi-plex to check out the Elton John musical film ROCKETMAN. And the fact that the release of this film was "buried" in the summer and not right before "Oscar Season" gave me room to pause.
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I would be wrong...for ROCKETMAN is a fun, fantastical fantasy musical depicting the rise and fall (by drug and alcohol abuse) of one of rock's most flamboyant showman of the 1970's.
Following the "Jukebox Musical" blueprint of something like JERSEY BOYS, Rocketman follows a young Reggie Dwight as he discovers his musical talent and grows into the Global Superstar known as Elton John.
I was happy that the filmmakers went this route (vs the bio-pic route that BOHEMIAN RHAPSODY went) for they were able to use the vast catalog of Elton John/Bernie Taupin tunes to their fullest advantage, when it made sense to drive the narrative forward - or to give the storytelling a shot of adrenaline.
This film had Elton John's blessings and he was not kind to a few people in his life - most notably his mother (an almost unrecognizable Bryce Dallas Howard in a strong turn), his father (Steve Mackintosh, who I had never seen before) and his Manager, John Reid (Game of Throne's Richard Madden). All 3 are pretty one-dimensional villains that help contribute to Elton's drug and alcohol abuse.
On the other side of the coin is his writing partner, Bernie Taupin (Jamie Bell, the original BILLY ELLIOT in a performance that I think is the best of his career) and his Grandmother, Ivy (good ol' Gemma Jones BRIDGET JONES DIARY and Madam Pomfrey in the Harry Potter films). Both of these characters are generally positive influences on Elton's life, trying to understand and support our hero on his journey.
As for our hero, Taran Egerton (the KINGSMAN films) embodies Elton with panache and zeal while showing an underlying shyness and insecurity that helps lead to his abuse issues. Egerton is EXCELLENT in this role - both in acting and singing. He doesn't so much imitate Elton John but embodies the essence of Sir Elton and his performance is quite effective. If Rami Malek deserved his Oscar for playing Freddy Mercury in BOHEMIAN RHAPSODY then Taran Egerton better be in the Oscar conversation this year.
The film was Directed by Dexter Fletcher (who was brought on to finish BOHEMIAN RHAPSODY once Bryan Singer was fired from that film for his on-set behavior), so he puts to good use his experience on the Queen movie, keeping the action moving fast, the characterizations simple (but satisfying) enough while showcasing just enough music to fill a "Best of" Album.
While BOHEMIAN RHAPSODY was a "meh" movie with a buffo ending (the recreation of the LIVE AID concert was amazing), ROCKETMAN suffers from just the opposite problem. Starting off strong and growing weaker until it ends in "meh" fashion. The fact that this film musical fantasy decided to end with a faithful recreation of the I'M STILL STANDING music video is at the heart of the issue. I understand the implied underlying meaning of this song selection, but it just doesn't pack the punch that a live concert appearance would have.
Come for the music, stay for Egerton's performance and you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)