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Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
Practice to Deceive
Book
#1 New York Times bestselling author and Queen of True Crime Ann Rule delivers another gripping...
True crime murder
Kristy H (1252 KP) rated The Beautiful Dead in Books
Feb 8, 2018
Eve Singer is a beleaguered TV crime reporter dealing with a pushy boss who wants Eve to be everything: younger, covering every story, and on top of every lead. In her personal life, Eve goes home to her childhood home and her father, Duncan, who is suffering from dementia. When Eve winds up covering the murder of a young woman, she doesn't realize she will soon be entwined with the girl's killer, someone who is obsessed with death, and the desire to be recognized for his "killing performances." As the killer pulls Eve deeper into his twisted web, she has some startling choices to make.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
I have to say, my last book of 2016 surprised me. This novel was certainly creepy, but also had a certain nuance and depth to it that I wasn't expecting. Eve is a complicated and likeable character, and the book doesn't just cover murder and gore, it goes into her personal life, and the struggles she has caring for her father and his failing memory. The bits with her father are often both sad and humorous; they are very real and give the book a true humanity. Indeed, there's a real depth to Eve, who is stuck in a man's world and the pressures and unfairness that brings to to her career-wise (there's always a younger, prettier reporter waiting in the wings, as her boss never hesitates to remind her), as well as the burdens a woman feels as a caretaker. After all, it's not her brother taking care of her dad. Further, the book looks at an interesting psychological conundrum: how our society seems to need murder and the way it feeds on the social media aspect of it, as of late. Without society's interest in murder and death, Eve has no job.
Overall, I really enjoyed this one. It lost me slightly for a bit near the end, but managed to get back on track, and even threw in a very interesting twist I didn't see coming. Although I admit, I kept wondering where the police's behavioral scientist was. Why was the poor Lead Detective reading and deciphering everything from a serial killer alone? However, I digress. This was a well-done thriller with a different and engaging plot. I really found myself drawn to Eve, and her father, Duncan. It was an enjoyable novel with which to end the year.
I received a copy of this book from the publisher and Netgalley (thank you!); it's available in the U.S. as of 01/03/2017.
Sarah (7800 KP) rated Murder on the Orient Express (2017) in Movies
Nov 8, 2017
Dull and boring
I've never read the book or seen any previous adaptations, or indeed any other Poirot stories or any Agatha Christie novels at all. And all I can say is that I hope this film isn't a reflection on the rest of her work.
The film starts well, with a fun introduction to Poirot and Kenneth Branagh is probably the best thing about the film in general. He does a fantastic job as Poirot for the most part, very believable as a Belgian.
However before the murder even takes place, the film starts to dip and gets a little dull. The murder itself is presented in such an uninteresting way and the cinematography at times is a little bizarre. Some of the camera shots don't work and some seem ridiculously cheesy how they're staged. The questioning of the suspects does little to bring any tension or intrigue, and the star studded cast isn't given much to work with although some try their best to ham it up (Michelle Pfeiffer).
And then the finale/resolution itself is just completely bonkers. It might have been unexpected, but not in a good way. It was just very silly and not at all what I was hoping for from this film. Such a disappointment.
The film starts well, with a fun introduction to Poirot and Kenneth Branagh is probably the best thing about the film in general. He does a fantastic job as Poirot for the most part, very believable as a Belgian.
However before the murder even takes place, the film starts to dip and gets a little dull. The murder itself is presented in such an uninteresting way and the cinematography at times is a little bizarre. Some of the camera shots don't work and some seem ridiculously cheesy how they're staged. The questioning of the suspects does little to bring any tension or intrigue, and the star studded cast isn't given much to work with although some try their best to ham it up (Michelle Pfeiffer).
And then the finale/resolution itself is just completely bonkers. It might have been unexpected, but not in a good way. It was just very silly and not at all what I was hoping for from this film. Such a disappointment.
KatieLouCreate (162 KP) rated Pushing Daisies - Season 1 in TV
Jan 9, 2018
Favourite TV Series
This has to be one of my all time favourite television series. The story follows Ned, a man who can bring the dead back to life. But only for a minute. Any longer and something else has to die in their place. If he touches thelay person/thing again, they will die again. Forever.
This is all well for the private investigator, Emerson Cod who accidently discovered Ned's abilities. The two of them solve crime and split the earnings between them.
However, one day Emerson and Ned are given the task to find out who murdered a woman on a cruise. The women just so happens to be Ned's childhood sweetheart Charlotte Charles. Can he keep her alive for only a minute? Or will he succumb to his selfish want of needed company and love.
The series appears to be light hearted and playful. However, this contrasts with the darkness of what is actually happening. Two men solving murder mysteries.
It is humorous and playful, often using metaphors and quirky language in the characters dialogue. Overall, it is a refreshing watch compared to other television series. I highly reccomend if you like lighthearted romance, murder mysteries with laugh out loud humour.
This is all well for the private investigator, Emerson Cod who accidently discovered Ned's abilities. The two of them solve crime and split the earnings between them.
However, one day Emerson and Ned are given the task to find out who murdered a woman on a cruise. The women just so happens to be Ned's childhood sweetheart Charlotte Charles. Can he keep her alive for only a minute? Or will he succumb to his selfish want of needed company and love.
The series appears to be light hearted and playful. However, this contrasts with the darkness of what is actually happening. Two men solving murder mysteries.
It is humorous and playful, often using metaphors and quirky language in the characters dialogue. Overall, it is a refreshing watch compared to other television series. I highly reccomend if you like lighthearted romance, murder mysteries with laugh out loud humour.
MaryAnn (14 KP) rated In the Shadow of Croft Towers in Books
Mar 5, 2019
From debut author Abigail Wilson comes a mysterious Regency tale of secrets and spies, love and treachery. Orphaned Sybil Delafield jumps at the opportunity for a position at the mysterious Croft Towers. She believes she was hired to act as companion to a dying woman, but a highway robbery and a hostile welcome from the Chalcroft family cause her to wonder if she was actually hired to help someone spy for France. An unsolved murder adds intrigue to this already secretive family, and Sybil recognizes Mrs. Chalcroft’s handsome grandson as one of the infamous highwaymen who robbed her. Sybil must determine if this man’s charming smile and earnest eyes speak the truth or if he is simply using her like others in the house. Everyone seems to have something to hide, and Sybil must decide who to trust while also coming to terms with the truth about her own past.
My Thoughts: Abigail Wilson has written a wondrous novel full of mystery and intrigue. This story-line keeps the reader entertained throughout the novel; there is no lagging in the action. The characters are very entertaining and believable.
This is a story full of mystery, secrets and murder! Readers will truly enjoy this debut novel. I look forward to reading more from Abigail Wilson.
My Thoughts: Abigail Wilson has written a wondrous novel full of mystery and intrigue. This story-line keeps the reader entertained throughout the novel; there is no lagging in the action. The characters are very entertaining and believable.
This is a story full of mystery, secrets and murder! Readers will truly enjoy this debut novel. I look forward to reading more from Abigail Wilson.
RəX Regent (349 KP) rated A Time to Kill (1996) in Movies
Mar 7, 2019
Polarising
Contains spoilers, click to show
The lasting appeal of this adapted screenplay of the John Grisham novel is that it's a great debate starter. Everyone seems to have very energised view on the subject of corporal punishment but this delves into even murkier territory, as it asks whether a father has the right to murder his 10-year-old daughters rapists.
The film also takes a position on it which turns it into more of a propaganda piece but still, a very effective and somewhat even handed one. Samual L. Jackson is the father, whilst potentially career best turns form Matthew McConaughey and Sandra Bullock steal the show. Oh and Kevin Spacey turns up but there's little point even mentioning his performance as he makes it all look so easy.
The film follows the events of the rape, the rapist's murder and the trial which ensues. The K.K.K. takes sides, the N.C.A.A.P. wade in and death threats and bombs are flying through the swamps of the deep south. This is a very good thriller and one of the best Grisham adapts to date, but it's the question that drives it throughout; the question of is there ever a time to kill which keeps this 149 minute thriller burning, even when the plot falls foul of the clichés.
The film also takes a position on it which turns it into more of a propaganda piece but still, a very effective and somewhat even handed one. Samual L. Jackson is the father, whilst potentially career best turns form Matthew McConaughey and Sandra Bullock steal the show. Oh and Kevin Spacey turns up but there's little point even mentioning his performance as he makes it all look so easy.
The film follows the events of the rape, the rapist's murder and the trial which ensues. The K.K.K. takes sides, the N.C.A.A.P. wade in and death threats and bombs are flying through the swamps of the deep south. This is a very good thriller and one of the best Grisham adapts to date, but it's the question that drives it throughout; the question of is there ever a time to kill which keeps this 149 minute thriller burning, even when the plot falls foul of the clichés.
Mark @ Carstairs Considers (2532 KP) rated Custom Baked Murder in Books
Mar 9, 2018
Stan’s mother is engaged to Frog Ledge’s new mayor, and the pair are throwing a big engagement party. However, the groom to be isn’t there. Instead, Stan is running into several people she is less than happy to see again from her days in the corporate world, including her ex-boyfriend. The night gets worse when a body is found upstairs. The police quickly make an arrest, but something seems off. Are they trying to cover something up?
Since the last book took place out of town, it was wonderful to be back in Frog Ledge and spending time with our favorite characters. The author has really built a sense of community, and I love how she is growing Stan, the others characters, and their relationships. The downside of that is the murder moves slowly in the beginning as the sub-plots that help with the community building are front and center. But the mystery takes center stage in the second half, offering us several viable suspects and some great twists and surprises.
NOTE: I received an ARC of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/12/book-review-custom-baked-murder-by-liz.html">Carstairs Considers</a>.
Since the last book took place out of town, it was wonderful to be back in Frog Ledge and spending time with our favorite characters. The author has really built a sense of community, and I love how she is growing Stan, the others characters, and their relationships. The downside of that is the murder moves slowly in the beginning as the sub-plots that help with the community building are front and center. But the mystery takes center stage in the second half, offering us several viable suspects and some great twists and surprises.
NOTE: I received an ARC of this book.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/12/book-review-custom-baked-murder-by-liz.html">Carstairs Considers</a>.
Necole (36 KP) rated She Was The Quiet One in Books
Oct 14, 2018
This twisting, turning thriller follows twin sisters, Bel and Rose who attend a prestigious high school after they are taken in by their grandma after the deaths of their father and mother. Bel is the "bad girl" who makes choices that are not the best, however, it is Rose who suffers the consequences of Bel's decisions, which ultimately causes the death of one sister.
Along with the twins, there are numerous characters who seem to think they are above everyone else, who have narcissistic personality traits, and who want only what is best for them.
Then you have Sara who is a loving, doting mother, wife and student advisee who is caught up in the middle of the murder mystery thrill ride.
You also have the Detective and Police woman who are investigating the murder of one of the twins which adds a great layer to the book through their interrogations and investigative questioning of many of the characters in this book.
It is a multi-layered, well written novel you will be thrown into and will have you guessing at times what will happen next and what did happen. It is a perfect blend of narcissism within characters, a blend of trying to decide who did what, and what will happen in the end.
Along with the twins, there are numerous characters who seem to think they are above everyone else, who have narcissistic personality traits, and who want only what is best for them.
Then you have Sara who is a loving, doting mother, wife and student advisee who is caught up in the middle of the murder mystery thrill ride.
You also have the Detective and Police woman who are investigating the murder of one of the twins which adds a great layer to the book through their interrogations and investigative questioning of many of the characters in this book.
It is a multi-layered, well written novel you will be thrown into and will have you guessing at times what will happen next and what did happen. It is a perfect blend of narcissism within characters, a blend of trying to decide who did what, and what will happen in the end.
Matthew Krueger (10051 KP) rated Halloween III: Season of the Witch (1982) in Movies
Oct 17, 2019
That Song
So this movie, why does this movie get hated on so much. Well one- no micheal myers in it. Two- the plot doesnt connect to the other movies. Three- the plot makes no sense. Four- the title of the film, lies their are no witches. Their are many reasons why this movie gets hated on. That why so many people love it, well because it is so different from the others, it is a oringal film, it is so weird, its so bad its good. Their are other reasons why people love this movie. So what happens in it you may say well....
Hospital emergency room Dr. Daniel "Dan" Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin), the daughter of a murder victim, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O'Herlihy), a madman who's planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge, the use of Silver Shamrock masks and a triggering device contained in a television commercial -- all designed to kill millions of children.
Also that damn song, that annoying song that plays on the tv.
So would i reccordmend this movie, well yes i would. It is so different from the others, its own movie.
Hospital emergency room Dr. Daniel "Dan" Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin), the daughter of a murder victim, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O'Herlihy), a madman who's planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge, the use of Silver Shamrock masks and a triggering device contained in a television commercial -- all designed to kill millions of children.
Also that damn song, that annoying song that plays on the tv.
So would i reccordmend this movie, well yes i would. It is so different from the others, its own movie.