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Sarah (7798 KP) rated Crime Scene: The Vanishing at the Cecil Hotel in TV
Feb 22, 2021
Scarily glamourises internet sleuthing
Crime Scene: The Vanishing at the Cecil Hotel is the latest stylised true crime documentary from Netflix, and it’s a pretty scary watch, but not in the way you’d expect from something that has been advertised as a supernatural murder mystery.
The 4 episode documentary series focuses on a notorious hotel in downtown L.A, Hotel Cecil, and the disappearance of a Canadian student, Elisa Lam, who went missing from the hotel in unexplained circumstances and who was later found dead. On paper this has everything a true crime lover wants: CCTV footage of the victim acting strangely, a creepy hotel with a dodgy history and a lot of strange and unusual circumstances, which culminates in Elisa Lam’s decomposing body being found in a water tank on the hotel roof days after her disappearance, the same water that the hotel guests have been drinking all along. It’s a truly fascinating story and if done properly, would have been very interesting. However in the hands of director Joe Berlinger, the disappearance of Elisa Lam has been turned into a dull, drawn out affair that dangerously glamourises baseless conspiracy theories.
One of the two main problems is that this documentary has been drawn out over 4 hour long episodes, when realistically the true story of Elisa Lam’s disappearance could still have been told effectively in an hour, maybe two maximum, without detracting from the facts. And I guess that’s really the problem with The Vanishing at the Cecil Hotel, it isn’t necessarily all that concerned about the facts but rather just wants to create a film-like entertaining story, with the facts almost an afterthought crammed into the final parts of the last episode. It features lengthy and pointless interviews from other guests and tourists to try and give us a feel of what life at the Cecil was like, and these are entirely unnecessary, as some short exposition from the hotel manager or officers involved would’ve sufficed. Every part of this case is stretched so thinly that you almost lose track after having to weed out the truth and facts amongst all the irrelevant interviews and chatter. It isn’t helped by the narration of some of Elisa’s Tumblr posts, which comes across as cheesy and irritating rather than emotional and meaningful like it was probably intended.
What is most irrelevant and dangerous about this documentary, and the second main problem, is the focus on internet sleuths. These are mostly YouTubers who have spent hours dissecting every aspect of the case and have put forward many outrageous theories, all of which are completely laughable. But instead of mocking these idiots, this documentary glamourises them and their theories, and has dedicated more of it’s runtime to them than it has to any of the real life detectives and investigators involved. Watching these people wheel out one ridiculous theory after another had me wanting to throw my remote at the screen to make it stop. The theories ranged from the questionably plausible (foul player or murder) to the downright ludicrous - someone copying the film Dark Water, possible links to the Lam-Elisa TB test and a vast cover up jointly orchestrated by the police, hotel management and coroners staff are the ones that made me laugh and cringe the most.
All jokes aside, this focus on internet sleuths is extremely damaging and dangerous and this is illustrated by the awful accusations they made about Pablo Vergara aka Morbid, who’s only crime was to make music that wouldn’t be considered mainstream. If this documentary had focused on slamming these people and highlighting the dangers of them getting involved, then it would’ve redeemed itself. But it doesn’t, it gives them centre stage and debunking their theories is almost an afterthought. They aren’t even condemned for their treatment of Pablo despite the obviously long lasting effects on his mental health. These people are crazy and this only serves to highlight the huge problem with internet, video streaming sites and social media – how Joe public can ever think they know better than qualified pathologists and investigators is beyond me. And how this documentary can indulge and glamourise these people is even worse. From working a day job in the emergency services, I know how damaging this sort of interference and public perception can be.
The story of Elisa Lam’s disappearance at the Hotel Cecil is undoubtedly an interesting one. However in Crime Scene: The Vanishing at the Cecil Hotel, the real story has been mauled and disrespected by the focus and respect given to the internet sleuths and their absurd theories. I feel like I’m being generous giving it a 3, it made me so angry.
The 4 episode documentary series focuses on a notorious hotel in downtown L.A, Hotel Cecil, and the disappearance of a Canadian student, Elisa Lam, who went missing from the hotel in unexplained circumstances and who was later found dead. On paper this has everything a true crime lover wants: CCTV footage of the victim acting strangely, a creepy hotel with a dodgy history and a lot of strange and unusual circumstances, which culminates in Elisa Lam’s decomposing body being found in a water tank on the hotel roof days after her disappearance, the same water that the hotel guests have been drinking all along. It’s a truly fascinating story and if done properly, would have been very interesting. However in the hands of director Joe Berlinger, the disappearance of Elisa Lam has been turned into a dull, drawn out affair that dangerously glamourises baseless conspiracy theories.
One of the two main problems is that this documentary has been drawn out over 4 hour long episodes, when realistically the true story of Elisa Lam’s disappearance could still have been told effectively in an hour, maybe two maximum, without detracting from the facts. And I guess that’s really the problem with The Vanishing at the Cecil Hotel, it isn’t necessarily all that concerned about the facts but rather just wants to create a film-like entertaining story, with the facts almost an afterthought crammed into the final parts of the last episode. It features lengthy and pointless interviews from other guests and tourists to try and give us a feel of what life at the Cecil was like, and these are entirely unnecessary, as some short exposition from the hotel manager or officers involved would’ve sufficed. Every part of this case is stretched so thinly that you almost lose track after having to weed out the truth and facts amongst all the irrelevant interviews and chatter. It isn’t helped by the narration of some of Elisa’s Tumblr posts, which comes across as cheesy and irritating rather than emotional and meaningful like it was probably intended.
What is most irrelevant and dangerous about this documentary, and the second main problem, is the focus on internet sleuths. These are mostly YouTubers who have spent hours dissecting every aspect of the case and have put forward many outrageous theories, all of which are completely laughable. But instead of mocking these idiots, this documentary glamourises them and their theories, and has dedicated more of it’s runtime to them than it has to any of the real life detectives and investigators involved. Watching these people wheel out one ridiculous theory after another had me wanting to throw my remote at the screen to make it stop. The theories ranged from the questionably plausible (foul player or murder) to the downright ludicrous - someone copying the film Dark Water, possible links to the Lam-Elisa TB test and a vast cover up jointly orchestrated by the police, hotel management and coroners staff are the ones that made me laugh and cringe the most.
All jokes aside, this focus on internet sleuths is extremely damaging and dangerous and this is illustrated by the awful accusations they made about Pablo Vergara aka Morbid, who’s only crime was to make music that wouldn’t be considered mainstream. If this documentary had focused on slamming these people and highlighting the dangers of them getting involved, then it would’ve redeemed itself. But it doesn’t, it gives them centre stage and debunking their theories is almost an afterthought. They aren’t even condemned for their treatment of Pablo despite the obviously long lasting effects on his mental health. These people are crazy and this only serves to highlight the huge problem with internet, video streaming sites and social media – how Joe public can ever think they know better than qualified pathologists and investigators is beyond me. And how this documentary can indulge and glamourise these people is even worse. From working a day job in the emergency services, I know how damaging this sort of interference and public perception can be.
The story of Elisa Lam’s disappearance at the Hotel Cecil is undoubtedly an interesting one. However in Crime Scene: The Vanishing at the Cecil Hotel, the real story has been mauled and disrespected by the focus and respect given to the internet sleuths and their absurd theories. I feel like I’m being generous giving it a 3, it made me so angry.
Ivana A. | Diary of Difference (1171 KP) rated His and Hers in Books
Aug 3, 2020
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With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-55.png"/>;
With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
Bob Mann (459 KP) rated Murder on the Orient Express (2017) in Movies
Sep 29, 2021
You’ll never guess who dunnit…
There’s a big problem with Kenneth Branagh’s 2017 filming of the Hercule Poirot-based murder mystery…. and that’s the 1974 Sidney Lumet classic featuring Albert Finney in the starring role. For that film was so memorable – at least, the “who” of the “whodunnit” (no spoilers here) was so memorable – that any remake is likely to be tarnished by that knowledge. If you go into this film blissfully unaware of the plot, you are a lucky man/woman. For this is a classic Agatha Christie yarn.
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
Gareth von Kallenbach (968 KP) rated State of Play (2009) in Movies
Aug 14, 2019
In the corridors of the nation’s capital, Washington D.C. alliances and wheeling and dealing are the name of the game. With billions if not trillions of dollars hinging on new laws and policy, corporations clearly have an interest in which way the political winds are leaning and how it will affect their all important bottom line.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
In the political thriller “State of Play”, Director Kevin MacDonald has combined a stellar cast with a strong script from Tony Gilroy, Billy Ray, and Matthew Michael Carnahan to craft one of the best dramas since Gilroy’s “Michael Clayton”.
When the lead researcher of Congressman Stephen Collins (Ben Affleck), dies in an accident, it is a devastating blow to the young Congressman as he prepares for a series of hearings intended to cull the growth of a private security firm.
What is at first listed as an accident raises suspicion in veteran news reporter Cal McAffrey (Russell Crowe), who has had a long friendship, with Collins. Despite tension in recent years, Collins turns to Cal when it is revealed that he had an affair with his researcher. As Cal looks into the story he is under pressure from his editor (Helen Mirren), to deliver a story to keep the papers new owners happy. If this was not bad enough, Cal is also dogged by an online reporter for the paper named Della (Rachael McAdams), who is looking to make a name for herself at the paper.
Cal soon learns that the assistant was killed in what was made to look like an accident, and that a shooting incident that occurred prior to the death may be related to the murder.
Cal teams up with Della and soon learns that some very big players may be involved and that they will stop at nothing to protect their secret.
In a race against time, Cal and Della must get to the bottom of the mystery and stay alive. Unsure who to trust and which way their leads will follow, Cal and Della look for the answers that unaware that the quest they have undertaken will affect the halls of power as well as the very nation itself.
“State of Play” is a very tight thriller that is filled with twists and turns. The characters are interesting and well developed and the performances are first rate. Crowe is powerful as the determined Cal and works well with Affleck and Adams. Robin Wright Penn and Helen Mirren also give very strong performances.
The story of the film seems ripped from the headlines and has an eerie sense of reality to it, and works much better than “The International” attempted to do with its conspiracy premise.
While I have avoided as many spoilers as I could, suffice it to say that the film does have a deep plot that twists and turns to a rewarding conclusion and will keep your attention. I would hope that the fine work in this film is not forgotten when the Oscars come up next.
Night Reader Reviews (683 KP) rated When Darkness Falls in Books
Mar 13, 2020
Honest Review for Free Copy of Book
When Darkness Falls by Kathleen Harryman is an extremely gripping thriller that will have readers up all night. This psychological murder mystery is uniquely written from the killer’s perspective and will have you making conclusions only to find out that you are oh so very wrong.
Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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Kristy H (1252 KP) rated The Missing Ones in Books
Mar 19, 2020
Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book one, Hester is anxious and guilty. This affects her parenting of four-year-old, Kate, the daughter of her partner Morgan's sister, Daphne. (Follow that?) Daphne has now been gone for over a year, and Hester and Morgan are still caring for Kate. Meanwhile, on Finisterre Island in Maine, Rory, a local cop, is watching the ferry come in yet again. He's ignoring the whispers and suspicion of others on the island, who believe he is responsible for taking Oliver, a four-year-old who disappeared over the summer--and whom Rory found, safe and sound. Now another child is missing. Soon Hester gets a text--asking her to come to the island. In short order, she'll find a body there, and connect it to the missing children. But Finisterre Island is a small place, and not one to give up its secrets easily.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
Where Are You Now?
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From America's Queen of Suspense comes a gripping tale of a young woman trying to unravel the...
BankofMarquis (1832 KP) rated Enola Holmes (2020) in Movies
Oct 18, 2020
A Winning (enough) combination
I'm a sucker for Sherlock Holmes. I grew up watching the fantastic black and white Holmes films from the 1940's starring Basil Rathbone and Nigel Bruce. I checked out '70's Holmes flicks like MURDER BY DECREE and the 7 PERCENT SOLUTION and then re-fell-in-love with Holmes with the Jeremy Brett BBC SHERLOCK HOLMES TV series of the 1980's and, of course, Benedict Cumberbatch's modern take on the master sleuth in the 2000's was "must see TV" for me. I was even on-board with Robert Downey Jr's. "take" on this iconic sleuth and was thrilled when Sir Ian McKellen portrayed an elderly Sherlock Holmes in MR. HOLMES.
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
So...I eagerly awaited the Netflix treatment of the "younger" sister of Sherlock Holmes in ENOLA HOLMES -and, I gotta say, I wasn't disappointed.
Based on the Young Adult series of novels by Nancy Springer, ENOLA HOLMES introduces us to the (heretofore unknown) younger sister of Sherlock and Mycroft Holmes. Raised by a fiercely independent mother in the late 1880's, Enola goes searching for her when she goes missing and gets mixed up in the "The Case of the Missing Marquess" along the way.
Millie Bobbie Brown (STRANGER THINGS) is a winning, charismatic (enough) performer as Enola. She is a steady and sure hand at the helm of this ship throughout the course of this 2 hour and 3 minute adventure. While I would have liked her to command the screen more with her presence, she does enough to make it a good, solid, effort.
The supporting cast is just as good. Helena Bonham Carter (FIGHT CLUB) is perfectly cast as Enola's (and Sherlock's and Mycroft's) mother - she has that fierce streak of independence and "don't mess with me" energy while carving her own path. She is the type of character that one would go looking for if she went missing. Sam Claflin (HUNGER GAMES: CATCHING FIRE) is finely unrecognizable (at least to me) as Mycroft - written in this piece as the more "traditional" of the Holmes family and Henry Cavill (MAN OF STEEL) brings a strong arrogance to his portrayal of Sherlock. He also brings something else - heart - to this character, a character trait that has "traditional" fans of this character up in arms. For me, it works well in the context of this film.
As for the film itself - it is good (enough). I found myself enjoying the mystery and the characters and enjoyed my time in this world. It's not anything new, but it's like putting on a pair of old shoes - comforting to wear.
This is an adaptation of the first book of the series, and I, for one, hope that there are more. It's a winning combination that was pleasant to watch.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated Dark Roads in Books
Aug 12, 2021
A dark and unsettling mystery
For years, the nearly five hundred mile stretch of Cold Creek Highway has been infamous as a place where young women go missing. Drivers, hitch hikers, and more. But their abductor has never been found. Hailey McBride lives in Cold Creek. Her father recently died in a car accident, leaving her to live with her aunt and her controlling police officer husband, Vaughn. Vaughn watches Hailey's every move, bullying and terrorizing her, keeping her from seeing her best friend, Jonny and her new love interest, Amber. Using what her dad taught her about the local land, Hailey plans her escape to the mountains. With Jonny's help, the idea is that everyone will think she was another victim of the highway killer. A year after Hailey disappears, Beth Chevalier arrives in town, desperate for closure after her sister Amber's murder. Beth's life is in shambles after Amber's death, and she starts to look into what happened. But Beth's search puts her in danger--and starts to reveal the truth about what happened to Hailey.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
Cyn Armistead (14 KP) rated Down These Strange Streets in Books
Mar 1, 2018
This anthology gathers stories from authors who normally write in various genres. The commonality is that each story is a mystery, and there's a fantastic twist to each. Martin's introduction calls such stories the "bastard stepchild" of mystery and horror.
[a:Charlaine Harris|17061|Charlaine Harris|http://photo.goodreads.com/authors/1307925926p2/17061.jpg]'; "Death by Dahlia," set in the Sookie Stackhouse universe, is one of a series of stories about the vampire Dahlia Lynley-Chivers. Each story stands alone, but my enjoyment grows greater with each addition to her tales. I'd much rather see Dahlia as the main character of a novel than Sookie, to be honest. This story, set at the party for the ascension of a new vampire sherrif, was a little gem, and a nice start to the collection.
"The Bleeding Shadow" by [a:Joe R. Lansdale|58971|Joe R. Lansdale|http://photo.goodreads.com/authors/1200406474p2/58971.jpg] is grittier from start to finish, set in the south of black folks in the 1950s. A beautiful woman sends her sometime-suitor to find her brother, a blues musician who has gotten into music that isn't of this world. I couldn't be done with this one soon enough, as it gave me the willies. I have a feeling Lansdale would be happy that it stuck with me for a while.
[a:Simon R. Green|41942|Simon R. Green|http://photo.goodreads.com/authors/1224555729p2/41942.jpg]'s "Hungry Heart" takes us to the Nightside, where John Taylor is hired by a young witch to retrieve her stolen heart. I haven't read any of the Nightside novels, but this is probably the third or fourth short story I've read, and for some reason they never leave me wanting more. I don't hunger for the darkness, I guess. I will give Green points for creativity in evil henchmen, though.
"Styx and Stones" by [a:Steven Saylor|42919|Steven Saylor|http://photo.goodreads.com/authors/1243268148p2/42919.jpg] takes a teenage version of his novel hero Gordianus on a world tour to see the Seven Wonders of the World, and this stop is Babylon. Gordianus and his companion, Antipater, find a murderous ghost in residence near their inn in addition to seeing the Ziggurat, the Gate of Ishtar, and what's left of the Hanging Gardens.
[a:S. M. Stirling|6448047|S. M. Stirling|http://www.goodreads.com/assets/nophoto/nophoto-U-50x66.jpg]'s "Pain and Suffering" was unsatisfying to me. It opened with an ex-soldier's combat flashback twisted into something Other, then we learn that the ex-soldier is a cop. He and his partner spend a lot of time investigating an apparent arson and possibly-connected kidnapping. The flashbacks repeat. There's more, but I don't want to spoil the story. I just felt that there was a lot of build-up for very little payoff, and that perhaps this story was meant as a teaser for a novel in which context it would all make far more sense.
"It's Still the Same Old Story' by [a:Carrie Vaughn|8988|Carrie Vaughn|http://photo.goodreads.com/authors/1231952277p2/8988.jpg] features vampire Rick, from the Kitty Norville books. An old friend calls him needing his help, but by the time he gets to her, she's dead. Most of the story is told in flashback, with him remembering when he originally met the now-old-woman, when they were lovers for a time. The murder is no great mystery for very long. The story felt more rote than anything else, as if perhaps Vaughn wanted to humanize Rick a bit by showing that he had cared for this woman at one time. I didn't feel much of anything from it.
One of the more creative pieces, "The Lady is a Screamer" by [a:Conn Iggulden|119121|Conn Iggulden|http://photo.goodreads.com/authors/1235073163p2/119121.jpg], is told in first person by a con man turned ghostbuster. I didn't like it, precisely, and i certainly didn't like the narrator. It stands alone, though, and doesn't feel derivative at all, so that says something all by itself.
"Hellbender" by [a:Laurie R. King|6760|Laurie R. King|http://photo.goodreads.com/authors/1314242901p2/6760.jpg] is probably the only story that left me determined to hunt down more of the author's work. I would classify it as near-future science fiction, but it certainly fits in the noir detective genre as well. I have no hesitation giving this one story five out of five stars.
"Shadow Thieves" is a Garrett, P.I. story by [a:Glen Cook|13026|Glen Cook|http://photo.goodreads.com/authors/1207159752p2/13026.jpg]. That's another series I haven't read, but I believe this is the first time I've read a short story set in that world. I wouldn't mind reading the series if the novels are all light-hearted like this story. There was some darkness, obviously, or the piece wouldn't be in this anthology - but overall, there was humor.
[a:Melinda M. Snodgrass|725899|Melinda M. Snodgrass|http://photo.goodreads.com/authors/1271184595p2/725899.jpg]'; "No Mystery, No Miracle" is probably the most controversial story in the book if anybody is really paying attention. I found it intriguing and well-written.
"The Difference Between a Puzzle and a Mystery" by [a:M.L.N. Hanover|1868743|M.L.N. Hanover|http://www.goodreads.com/assets/nophoto/nophoto-M-50x66.jpg] takes us a big city, where an overworked cop is trying to get a confession out of a supposedly demon-possessed killer. He gets help from an unusual minister (Unitarian, we're told - not something that will thrill any UUs out there). I found this one of the most chilling stories in the book. Telling you why, however, would be a spoiler.
I would love to see a novel featuring the main characters of [a:Lisa Tuttle|38313|Lisa Tuttle|http://photo.goodreads.com/authors/1296860221p2/38313.jpg]'s "The Curious Affair of the Deodand" - a young woman in the Watson role and a young man as a Sherlock Holmes-type consulting detective. The young lady is every bit as vital to resolving the case as the man is, which is one of the things I enjoyed about the story. The resolution isn't as satisfying as it could be, though, which is one of the reasons I'd like to see the same characters in other circumstances.
"Lord John and the Plague of Zombies" by [a:Diana Gabaldon|3617|Diana Gabaldon|http://photo.goodreads.com/authors/1213918339p2/3617.jpg] is a Lord John Grey story. This is, I believe, the first thing I've read by Gabaldon. It wasn't bad and it wasn't earth-shakingly good. It was decently-plotted with predictable characters and a nice little twist at the end, so enjoyable to read. I won't avoid her work but I'm not burning to read more, either.
"Beware the Snake" is an SPQR story by [a:John Maddox Roberts|19522|John Maddox Roberts|http://photo.goodreads.com/authors/1285244765p2/19522.jpg]. Once again, I'm unfamiliar with the author and the series, but the story gave enough context for me to understand the setting and the characters, so that was all right. It was enjoyable, although I probably would have twigged to a couple of things more quickly were I more familiar with Roman naming customs.
[a:Patricia Briggs|40563|Patricia Briggs|http://photo.goodreads.com/authors/1228867484p2/40563.jpg]'; "In Red, With Pearls" is set in Mercedes Thompson's world but featuring werewolf Warren Smith and his lover Kyle. Kyle is set upon by a zombie assassin who is thwarted by Warren, but of course Warren wants to know who sent the zombie, why, and who made the zombie. It's a very good story, as I've come to expect from Briggs. I had a bit of a hard time keeping up with some of the secondary characters in the story, but then I was distracted at the time.
"The Adakian Eagle" by [a:Bradley Denton|198305|Bradley Denton|http://photo.goodreads.com/authors/1320697919p2/198305.jpg] is a Dashiell Hammett story - as in, Hammett is a character. That was interesting alone, but the story in general was well-told. Spare and hard, as befits one of the main characters.
All in all this is a collection that I can definitely recommend. There are very few clunkers are several excellent stories. [a:George R.R. Martin|346732|George R.R. Martin|http://photo.goodreads.com/authors/1195658637p2/346732.jpg] and [a:Gardner R. Dozois|12052|Gardner R. Dozois|http://photo.goodreads.com/authors/1247758142p2/12052.jpg] did their jobs very well.
[a:Charlaine Harris|17061|Charlaine Harris|http://photo.goodreads.com/authors/1307925926p2/17061.jpg]'; "Death by Dahlia," set in the Sookie Stackhouse universe, is one of a series of stories about the vampire Dahlia Lynley-Chivers. Each story stands alone, but my enjoyment grows greater with each addition to her tales. I'd much rather see Dahlia as the main character of a novel than Sookie, to be honest. This story, set at the party for the ascension of a new vampire sherrif, was a little gem, and a nice start to the collection.
"The Bleeding Shadow" by [a:Joe R. Lansdale|58971|Joe R. Lansdale|http://photo.goodreads.com/authors/1200406474p2/58971.jpg] is grittier from start to finish, set in the south of black folks in the 1950s. A beautiful woman sends her sometime-suitor to find her brother, a blues musician who has gotten into music that isn't of this world. I couldn't be done with this one soon enough, as it gave me the willies. I have a feeling Lansdale would be happy that it stuck with me for a while.
[a:Simon R. Green|41942|Simon R. Green|http://photo.goodreads.com/authors/1224555729p2/41942.jpg]'s "Hungry Heart" takes us to the Nightside, where John Taylor is hired by a young witch to retrieve her stolen heart. I haven't read any of the Nightside novels, but this is probably the third or fourth short story I've read, and for some reason they never leave me wanting more. I don't hunger for the darkness, I guess. I will give Green points for creativity in evil henchmen, though.
"Styx and Stones" by [a:Steven Saylor|42919|Steven Saylor|http://photo.goodreads.com/authors/1243268148p2/42919.jpg] takes a teenage version of his novel hero Gordianus on a world tour to see the Seven Wonders of the World, and this stop is Babylon. Gordianus and his companion, Antipater, find a murderous ghost in residence near their inn in addition to seeing the Ziggurat, the Gate of Ishtar, and what's left of the Hanging Gardens.
[a:S. M. Stirling|6448047|S. M. Stirling|http://www.goodreads.com/assets/nophoto/nophoto-U-50x66.jpg]'s "Pain and Suffering" was unsatisfying to me. It opened with an ex-soldier's combat flashback twisted into something Other, then we learn that the ex-soldier is a cop. He and his partner spend a lot of time investigating an apparent arson and possibly-connected kidnapping. The flashbacks repeat. There's more, but I don't want to spoil the story. I just felt that there was a lot of build-up for very little payoff, and that perhaps this story was meant as a teaser for a novel in which context it would all make far more sense.
"It's Still the Same Old Story' by [a:Carrie Vaughn|8988|Carrie Vaughn|http://photo.goodreads.com/authors/1231952277p2/8988.jpg] features vampire Rick, from the Kitty Norville books. An old friend calls him needing his help, but by the time he gets to her, she's dead. Most of the story is told in flashback, with him remembering when he originally met the now-old-woman, when they were lovers for a time. The murder is no great mystery for very long. The story felt more rote than anything else, as if perhaps Vaughn wanted to humanize Rick a bit by showing that he had cared for this woman at one time. I didn't feel much of anything from it.
One of the more creative pieces, "The Lady is a Screamer" by [a:Conn Iggulden|119121|Conn Iggulden|http://photo.goodreads.com/authors/1235073163p2/119121.jpg], is told in first person by a con man turned ghostbuster. I didn't like it, precisely, and i certainly didn't like the narrator. It stands alone, though, and doesn't feel derivative at all, so that says something all by itself.
"Hellbender" by [a:Laurie R. King|6760|Laurie R. King|http://photo.goodreads.com/authors/1314242901p2/6760.jpg] is probably the only story that left me determined to hunt down more of the author's work. I would classify it as near-future science fiction, but it certainly fits in the noir detective genre as well. I have no hesitation giving this one story five out of five stars.
"Shadow Thieves" is a Garrett, P.I. story by [a:Glen Cook|13026|Glen Cook|http://photo.goodreads.com/authors/1207159752p2/13026.jpg]. That's another series I haven't read, but I believe this is the first time I've read a short story set in that world. I wouldn't mind reading the series if the novels are all light-hearted like this story. There was some darkness, obviously, or the piece wouldn't be in this anthology - but overall, there was humor.
[a:Melinda M. Snodgrass|725899|Melinda M. Snodgrass|http://photo.goodreads.com/authors/1271184595p2/725899.jpg]'; "No Mystery, No Miracle" is probably the most controversial story in the book if anybody is really paying attention. I found it intriguing and well-written.
"The Difference Between a Puzzle and a Mystery" by [a:M.L.N. Hanover|1868743|M.L.N. Hanover|http://www.goodreads.com/assets/nophoto/nophoto-M-50x66.jpg] takes us a big city, where an overworked cop is trying to get a confession out of a supposedly demon-possessed killer. He gets help from an unusual minister (Unitarian, we're told - not something that will thrill any UUs out there). I found this one of the most chilling stories in the book. Telling you why, however, would be a spoiler.
I would love to see a novel featuring the main characters of [a:Lisa Tuttle|38313|Lisa Tuttle|http://photo.goodreads.com/authors/1296860221p2/38313.jpg]'s "The Curious Affair of the Deodand" - a young woman in the Watson role and a young man as a Sherlock Holmes-type consulting detective. The young lady is every bit as vital to resolving the case as the man is, which is one of the things I enjoyed about the story. The resolution isn't as satisfying as it could be, though, which is one of the reasons I'd like to see the same characters in other circumstances.
"Lord John and the Plague of Zombies" by [a:Diana Gabaldon|3617|Diana Gabaldon|http://photo.goodreads.com/authors/1213918339p2/3617.jpg] is a Lord John Grey story. This is, I believe, the first thing I've read by Gabaldon. It wasn't bad and it wasn't earth-shakingly good. It was decently-plotted with predictable characters and a nice little twist at the end, so enjoyable to read. I won't avoid her work but I'm not burning to read more, either.
"Beware the Snake" is an SPQR story by [a:John Maddox Roberts|19522|John Maddox Roberts|http://photo.goodreads.com/authors/1285244765p2/19522.jpg]. Once again, I'm unfamiliar with the author and the series, but the story gave enough context for me to understand the setting and the characters, so that was all right. It was enjoyable, although I probably would have twigged to a couple of things more quickly were I more familiar with Roman naming customs.
[a:Patricia Briggs|40563|Patricia Briggs|http://photo.goodreads.com/authors/1228867484p2/40563.jpg]'; "In Red, With Pearls" is set in Mercedes Thompson's world but featuring werewolf Warren Smith and his lover Kyle. Kyle is set upon by a zombie assassin who is thwarted by Warren, but of course Warren wants to know who sent the zombie, why, and who made the zombie. It's a very good story, as I've come to expect from Briggs. I had a bit of a hard time keeping up with some of the secondary characters in the story, but then I was distracted at the time.
"The Adakian Eagle" by [a:Bradley Denton|198305|Bradley Denton|http://photo.goodreads.com/authors/1320697919p2/198305.jpg] is a Dashiell Hammett story - as in, Hammett is a character. That was interesting alone, but the story in general was well-told. Spare and hard, as befits one of the main characters.
All in all this is a collection that I can definitely recommend. There are very few clunkers are several excellent stories. [a:George R.R. Martin|346732|George R.R. Martin|http://photo.goodreads.com/authors/1195658637p2/346732.jpg] and [a:Gardner R. Dozois|12052|Gardner R. Dozois|http://photo.goodreads.com/authors/1247758142p2/12052.jpg] did their jobs very well.
Erika (17788 KP) Mar 1, 2021
Sarah (7798 KP) Mar 2, 2021