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Ivana A. | Diary of Difference (1171 KP) rated Read and Gone (The Haunted Library Mysteries, #2) in Books
Oct 2, 2020
This is the second book of the series, and even though I haven’t read the first part, I was able to follow this book quite easily. There are a few references to the past and you can quickly realise what happened. Though, if you wish to read the series, don’t start with #2, because there are a few spoilers here that you wish you hadn’t read if you read book #1. I won’t be reading #1 because the spoilers in this book ruined it for me. But I am sure it’s an amazing story as well.
Carrie works in a library and has a cat that brings with her at work. Her father is a famous bad guy, that spent all her childhood in jails. One day, he returns to town, trying to get his share of a box of jewellery that he stole with another man. But a murder changes everyone’s plans, and Carrie has to make some dangerous decisions. It is a wonderful story about family, love, Christmas and tragedy that ends well.
This is a book full of mystery and crime, but it also is warm and family-oriented. I loved the mystery - crime part of it, I loved the scenes where everyone, mostly Carrie plays out to be a detective, but there were also scenes where things were so obvious, and she made terrible choices that made me cringe.
I struggled a lot to understand and like Carrie - I didn’t like the way how she gets quiet and doesn’t talk and just cries, and suddenly when she leaves the situation, she bitches about everything and how things should've been done differently. WELL WHY DIDN’T YOU SAY SOMETHING WHEN YOU HAD THE CHANCE, THEN? But then, there were also moments when she would come up with some interesting hypothesis and actually succeed into making a right choice, and I would think - YEAH, that’s my girl.
All in all, definitely a beautiful read, with a few tweaks here and there. I would love to read something similar to this, and for you that love chick-lit and detective stories, you would most probably enjoy this read :)
Carrie works in a library and has a cat that brings with her at work. Her father is a famous bad guy, that spent all her childhood in jails. One day, he returns to town, trying to get his share of a box of jewellery that he stole with another man. But a murder changes everyone’s plans, and Carrie has to make some dangerous decisions. It is a wonderful story about family, love, Christmas and tragedy that ends well.
This is a book full of mystery and crime, but it also is warm and family-oriented. I loved the mystery - crime part of it, I loved the scenes where everyone, mostly Carrie plays out to be a detective, but there were also scenes where things were so obvious, and she made terrible choices that made me cringe.
I struggled a lot to understand and like Carrie - I didn’t like the way how she gets quiet and doesn’t talk and just cries, and suddenly when she leaves the situation, she bitches about everything and how things should've been done differently. WELL WHY DIDN’T YOU SAY SOMETHING WHEN YOU HAD THE CHANCE, THEN? But then, there were also moments when she would come up with some interesting hypothesis and actually succeed into making a right choice, and I would think - YEAH, that’s my girl.
All in all, definitely a beautiful read, with a few tweaks here and there. I would love to read something similar to this, and for you that love chick-lit and detective stories, you would most probably enjoy this read :)
Heather Cranmer (2721 KP) created a post
Feb 26, 2022
Ross (3284 KP) rated The Way of All Flesh in Books
May 31, 2018
Excellent gripping period thriller set in Edinburgh's medical revolution
This tale of murder takes place in mid 19th century Edinburgh, where the city is at the forefront of the world's advances in medicine - both medical practices and procedures and also drugs and anaesthetics. Many nights are spent with some of the city's top surgeons sitting round the dinner table in the post-prandial slumber sampling various substances looking to find the perfect anaesthetic.
Will Raven, a recently qualified doctor, starts a new job as apprentice to Edinburgh's pre-eminent midwifery expert, Dr James Young Simpson. But he has recently found the dead body of a female friend and starts to investigate the mysterious circumstances of her demise.
The book takes several strands: we have the true history of Edinburgh's medical revolution where doctors like Simpson vied to get the job done but also find better ways to do it for their patients, we have the murder mystery angle, we have the capable and frustrated women who are refused to even attempt to do jobs they are clearly able to do, and we have the class system in full evidence and while many go along with it, some people like Simpson try to get past this and make their households more inclusive for all.
The threads are all interwoven brilliantly and combine to give a story that is both thrilling and interesting.
Having read a lot of Chris Brookmyre, I had high expectations for his storytelling and these were more than met with a brilliantly paced and enjoyable page-turner. I believe writing with his wife has helped tone down the language a little and the tone of the dialogue is very different to his previous work.
My one gripe would be that the climax of the story was a little laboured, with every single event, decision and twist explained numerous times from different perspectives. Given I had spotted a number of hints quite early on and knew who the perpetrator was, and was happy to assume certain things had happened, I didn't feel the need to have this confirmed at length in great detail.
Otherwise an excellent book and the start of a new series that I will be avidly waiting for the next instalment of.
Will Raven, a recently qualified doctor, starts a new job as apprentice to Edinburgh's pre-eminent midwifery expert, Dr James Young Simpson. But he has recently found the dead body of a female friend and starts to investigate the mysterious circumstances of her demise.
The book takes several strands: we have the true history of Edinburgh's medical revolution where doctors like Simpson vied to get the job done but also find better ways to do it for their patients, we have the murder mystery angle, we have the capable and frustrated women who are refused to even attempt to do jobs they are clearly able to do, and we have the class system in full evidence and while many go along with it, some people like Simpson try to get past this and make their households more inclusive for all.
The threads are all interwoven brilliantly and combine to give a story that is both thrilling and interesting.
Having read a lot of Chris Brookmyre, I had high expectations for his storytelling and these were more than met with a brilliantly paced and enjoyable page-turner. I believe writing with his wife has helped tone down the language a little and the tone of the dialogue is very different to his previous work.
My one gripe would be that the climax of the story was a little laboured, with every single event, decision and twist explained numerous times from different perspectives. Given I had spotted a number of hints quite early on and knew who the perpetrator was, and was happy to assume certain things had happened, I didn't feel the need to have this confirmed at length in great detail.
Otherwise an excellent book and the start of a new series that I will be avidly waiting for the next instalment of.
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
Mark @ Carstairs Considers (2163 KP) rated A Killer Carol in Books
Sep 25, 2019
A Killing at Christmas is Anything but Heavenly for Claire
Christmas is approaching in Heavenly, Pennsylvania, and Claire Weatherly has her hands full. Not only does she have the normal tourists coming into her shop, Heavenly Treasures, but she is organizing the first annual One Heavenly Night event designed as a chance for residence and tourists to enjoy the town at Christmas. However, murder rears its ugly head once again one night. Annie, the Amish teen who works for Claire, is out Christmas caroling with some friends, and when they stop at the Esch’s farm, they find both of the them dead. Detective Jakob Fisher is quick to realize it was murder. Unfortunately, the last people to visit the victims were Claire’s Amish friend Ruth and her new husband Samuel. Even worse, the couple appear to have a motive for committing the crime. Claire doesn’t believe they could have done it, but Jakob has to follow the evidence wherever it leads, even if it ruins the unofficial inroads he has made in building relationships with the people who used to be his family before he left the Amish community. Can Claire help him solve the case before that happens?
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
Lucy Buglass (45 KP) rated Knives Out (2019) in Movies
Oct 24, 2019
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Darren (1599 KP) rated The Abominable Snowman (1957) in Movies
Jul 8, 2019 (Updated Oct 24, 2019)
Due to its ensemble cast, gorgeous aesthetics and whodunit storyline, it’s safe to say that I had high expectations for Knives Out.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
I’m pleased to report that it surpassed each and every one of them.
Rian Johnson’s tale of mystery follows the death of renowned crime novelist Harlan Thrombey (Christopher Plummer), which took place after his 85th birthday. Presumed to be a murder, his eccentric and very large family are soon under investigation by Detective Benoit Blanc (Daniel Craig) and his team.
Straight away, Daniel Craig steals the show with his hilarious performance of Detective Blanc. From his deep Southern American drawl to his quirky mannerisms, this is so far removed from what you’d expect from a Craig performance. I’ve never seen him have this much fun in a role before.
He’s tasked with getting to the bottom of what happened, which involves a delightful series of interviews in which the family are sitting in front of several display knives, just one of the many eccentricities of the Thrombey manor house. In terms of set design it’s just glorious to look at, and even one of the characters compares it to a Cluedo board.
Even the characters themselves are quirky enough to be boxed up inside the classic board game, and could give the likes of Miss Scarlet and Colonel Mustard a run for their money.
Characters include Thrombey’s daughter and real estate mogul Linda Drysdale (Jamie Lee Curtis), her husband Richard (Don Johnson), and outcast trust fund son Ransom (Chris Evans), who form quite the dysfunctional family even when you remove them from the bigger picture.
Then there’s the rather insufferable, yet hugely entertaining, lifestyle guru Joni Thrombey (Toni Collette) and her daughter and social activist Meg (Katherine Langford). These two characters are parodies of popular blogging culture and ‘social justice warriors’, and they’re hilarious.
Each character has been wonderfully crafted by Rian Johnson, who both wrote and directed Knives Out. They’re essentially caricatures, but the result of this is a thoroughly entertaining cinema experience. What a brilliant use of such a talented cast.
The only seemingly normal person wrapped up in all this is caretaker Marta Cabrera (Ana de Armas), who acted as both a friend and nurse to Harlan prior to his death. Even against a backdrop of such bold characters, de Armas’ performance shines just as brightly.
Mysteries are hard to get right, and being able to predict the ending is a bragging right for many cinephiles. Well unfortunately, this script absolutely floored me with how fantastic it was, and I was unable to predict anything that went down. Johnson has serious talent when it comes to crafting a murder-mystery.
Don’t even get me started on how gorgeous the wardrobe in this film is either. If anyone knows where I can get Jamie Lee Curtis’ striking red suit, you need to tell me immediately.
Watching Knives Out was the most fun I’ve had in the cinema this year, perhaps ever. I was fully engrossed from start to finish, and walked out with the biggest smile on my face.
If you see one film this autumn, make it this one. You won’t regret it.
Mark @ Carstairs Considers (2163 KP) rated One Feta in the Grave in Books
Feb 28, 2019
Beach Festival Interrupted by Murder
It’s mid-August in Ocean Crest, New Jersey, and Lucy Berberian is on the planning committee for this year’s beach festival. Unfortunately, Archie Kincaide is proving to be a pain during the week. He owns a shop on the boardwalk, and he and his neighbor have been feuding since Archie moved to town. He’s also been causing problems for Lucy’s friend Katie, not only at the festival but also at her job at city hall. Taking a break one afternoon, Lucy is walking on the beach when she discovers Archie’s body under the boardwalk. It’s clear he’s been shot, but who did it? With Katie among Detective Clemmons’s suspects, Lucy jumps in to figure out what really happened.
This is another fun mystery. While we have two obvious suspects before Lucy finds Archie’s body, we quickly get more, and I enjoyed how the plot unfolded. The climax was a lot of fun. I do wish the supporting cast of the series were better developed; I like them, but I feel like most are still not as developed as they could be. That isn’t true for Lucy or the suspects, who manage to keep us guessing. And I loved the location. I can easily picture myself enjoying an annual vacation in Ocean Crest, and the added fun of the beach festival made me long to go stick my feet in some warm sand myself. There are 3 delicious sounding recipes to be enjoyed once you’ve finished the book.
This is another fun mystery. While we have two obvious suspects before Lucy finds Archie’s body, we quickly get more, and I enjoyed how the plot unfolded. The climax was a lot of fun. I do wish the supporting cast of the series were better developed; I like them, but I feel like most are still not as developed as they could be. That isn’t true for Lucy or the suspects, who manage to keep us guessing. And I loved the location. I can easily picture myself enjoying an annual vacation in Ocean Crest, and the added fun of the beach festival made me long to go stick my feet in some warm sand myself. There are 3 delicious sounding recipes to be enjoyed once you’ve finished the book.
Sean Farrell (9 KP) rated I am Pilgrim in Books
Mar 15, 2018
This novel has been garnering high praise all summer long so I was very excited to get into it, and I was certainly not disappointed. This suspense novel simultaneously tells the story of a mysterious murder in New York City and a potential terrorist plot in the Middle East that could have unimaginably catastrophic effects for civilization as we know it. The protagonist, who has gone by many names throughout his life, is a compelling and necessarily flawed character. There are certainly things about him that one could find disagreeable, but he is still more than human enough to be worth rooting for. The other primary characters are also fleshed out enough to be equally compelling. As for the plot, it jumps around the world and across decades smoothly and at such a breakneck pace that it gets harder and harder to put this book down as it goes. While the mystery winds up being satisfyingly twisty, it is the terrorist plot that is the main point of the book, and it is easily one of the most plausibly horrifying things I have ever read. Suffice it to say that it has added something new to my list of worries, and I certainly hope that some actions are taken to ensure something like this never happens in real life. This is one of the most entertaining (and harrowing) books I have read this year, and is likely to wind up on more than a few end-of-the-year best lists.
Lesley (60 KP) rated Lying in Wait in Books
Aug 11, 2018
Twisty, fun read!
Oh boy. Strap yourself in for this one.
I kept seeing this book everywhere, and couldn't WAIT to read it. So when it landed on a Kindle sale for $3.99, I snapped it right up. The first night I started reading it, it kept me up until around 2 AM. I couldn't stop.
I don't like to write book reviews that include any sort of synopsis. Not only because I personally prefer to go in blind, or semi-blind, but it's easy enough to glance at the description on the Goodreads, Amazon, or whatever page and I feel it to be quite redundant. So I will just say that, like most books I read, this is a murder story that doesn't really go the way you think it will. It's not a MYSTERY, because the opening detail reveals what happened and who did it. The interesting part of this story is how things spiral out of control from there, and how many peoples lives this very huge mistake shapes and changes.
I finished the book this morning and I feel...weird. Disturbed. Dirty. What a great book. There is some serious creepy Oedipal vibes happening between Lydia and her son, Laurence. I got kind of a V.C. Andrews sense from the writing style. I am haunted - the subject matter could have been spun very badly. It could have been trite, or oversexed, or cliche. Instead, Liz Nugent has struck a perfect macabre balance and woven a tale that will make you feel unsettled, fascinated, and shaken.
I kept seeing this book everywhere, and couldn't WAIT to read it. So when it landed on a Kindle sale for $3.99, I snapped it right up. The first night I started reading it, it kept me up until around 2 AM. I couldn't stop.
I don't like to write book reviews that include any sort of synopsis. Not only because I personally prefer to go in blind, or semi-blind, but it's easy enough to glance at the description on the Goodreads, Amazon, or whatever page and I feel it to be quite redundant. So I will just say that, like most books I read, this is a murder story that doesn't really go the way you think it will. It's not a MYSTERY, because the opening detail reveals what happened and who did it. The interesting part of this story is how things spiral out of control from there, and how many peoples lives this very huge mistake shapes and changes.
I finished the book this morning and I feel...weird. Disturbed. Dirty. What a great book. There is some serious creepy Oedipal vibes happening between Lydia and her son, Laurence. I got kind of a V.C. Andrews sense from the writing style. I am haunted - the subject matter could have been spun very badly. It could have been trite, or oversexed, or cliche. Instead, Liz Nugent has struck a perfect macabre balance and woven a tale that will make you feel unsettled, fascinated, and shaken.