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The Fact of A Body
8.0
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A young law student, an unspeakable crime, and a past that refuses to stay buried. Before...
Biography memoir true crime
Easter Basket Murder
Barbara Ross, Leslie Meier and Lee Hollis
8.0
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Put on your springtime best and grab a basket, because Easter egg hunting is to dye for in this...
The Great Mortdecai Moustache Mystery: The Fourth Charlie Mortdecai Novel
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The Great Mortdecai Moustache Mystery - the fourth Charlie Mortdecai novel, soon to be a major film...
Closed Casket: The New Hercule Poirot Mystery
Agatha Christie and Sophie Hannah
7.5
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Hercule Poirot returns in another brilliant murder mystery that can only be solved by the eponymous...
Death In Provence
10.0
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The first entry in a clever, lighthearted mystery series set in modern Provence—a delightful blend...
Fiction Contemporary Cultural France Cozy Mystery
Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
Mark @ Carstairs Considers (2393 KP) rated Pairing a Deception in Books
May 8, 2018
Food, Wine, Murder
Katie Stillwell and her boyfriend, Dean, are out of town for the weekend, spending it at a food and wine festival outside of Santa Barbara. Several times on opening night, they witness a woman who seems to be stalking festival emcee, Hudson Wiley. When a dead body turns up, they begin to wonder what is going on.
With Katie and Dean out of town, they are the only two real returning characters in the series, but I loved getting to spend more time with them. The new characters are good. The mystery is a little light, but once we get past some set up, Katie uncovers some surprises before we reach the logical and suspenseful conclusion. I’m not a wine lover, but the facts about wine certainly make me want to taste some and see if I can tell the differences that Katie talks about, and those who do love wine will enjoy the pairing suggestions at the beginning of each chapter.
With Katie and Dean out of town, they are the only two real returning characters in the series, but I loved getting to spend more time with them. The new characters are good. The mystery is a little light, but once we get past some set up, Katie uncovers some surprises before we reach the logical and suspenseful conclusion. I’m not a wine lover, but the facts about wine certainly make me want to taste some and see if I can tell the differences that Katie talks about, and those who do love wine will enjoy the pairing suggestions at the beginning of each chapter.
April Rose Mossow (93 KP) rated Sadie in Books
May 20, 2019
When Sadie’s sister Maddie is found dead, it sets off a series of events: A road trip, uncovering secrets, but also, asking more questions than it answers. I really enjoyed this book, slowly the adrenaline just kicks you into gear and you’re rushing through the book to finish. It’s a murder-mystery, tangled with lies, family dysfunction, and vengeance. Told between podcasts and the perspective of its main character, it’s a different style of writing, written especially for this generation’s teens. You feel so deeply for Sadie, and the people she meets along the way. The story is fast-paced and keeps you thoroughly engaged. (I didn’t want to put it down!) Sadie is a well written, real character you root for through the entirety of the book. It’s such a sad chain of events, you don’t really know what to expect, but you hope against all hope that Sadie makes it out alive.
Lindsay (1774 KP) rated Dead Gold (Moccasin Hollow Mystery #4) in Books
Jun 14, 2019
Well we meet up with Spencer once again. Only this time it in this hometown. What would you do if you were in a town but did not know what was happening and their seems to be several murders popping up?
Well this book is filled with it and drugs for that matter. Spencer as invited his friend Craige to Aspen, Colorado to spend time with and see what Aspen is like. The author does well with the plot. He does not disappoint.
This book is filled with lots of action and some thrills. Can Spencer and Craige solve the mystery and crimes and find the murder? The plot thicken as you read. Why and what is up in Aspen? I believe that this book is only good for 17 and older though that is up the parent to decide. I suggest this it got drugs and sex scenes involved. I would rather the child or children be advised and also have their parents approval.
Well this book is filled with it and drugs for that matter. Spencer as invited his friend Craige to Aspen, Colorado to spend time with and see what Aspen is like. The author does well with the plot. He does not disappoint.
This book is filled with lots of action and some thrills. Can Spencer and Craige solve the mystery and crimes and find the murder? The plot thicken as you read. Why and what is up in Aspen? I believe that this book is only good for 17 and older though that is up the parent to decide. I suggest this it got drugs and sex scenes involved. I would rather the child or children be advised and also have their parents approval.
ArecRain (8 KP) rated When Passion Rules in Books
Jan 18, 2018
I had been wanting to read this novel since I first saw the cover before it was even released. I don't understand why the cover is so delectable, but it made this novel a must read for me.
I love Lindsey's Malory Series. It's on my top 10 series list in fact. I have read some of her other works but this is the first in a few years. The greatest thing about Lindsey is that she knows how to tell a story. From her style to the dialogue, from the plot and character development to the story itself, the woman has a gift.
However, I did not fall in love with it the way I expected myself to. I love historical romance, and Lindsey is the Queen of Historical Romance. Despite this, I was not wowed like I thought I would. I loved how Lindsey put a little murder mystery in it. The twist towards the end was interesting, though not wholly unexpected.
I love Lindsey's Malory Series. It's on my top 10 series list in fact. I have read some of her other works but this is the first in a few years. The greatest thing about Lindsey is that she knows how to tell a story. From her style to the dialogue, from the plot and character development to the story itself, the woman has a gift.
However, I did not fall in love with it the way I expected myself to. I love historical romance, and Lindsey is the Queen of Historical Romance. Despite this, I was not wowed like I thought I would. I loved how Lindsey put a little murder mystery in it. The twist towards the end was interesting, though not wholly unexpected.