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Shocker (1989)
Shocker (1989)
1989 | Comedy, Horror, Mystery
Mitch Pileggi (1 more)
Peter Berg
Shock Till You Drop
Shocker- is a underrated wes craven film. Its a really good movie. It mixes sci-fi, horror, comedy, shock and terror all into one. I mean its really shocking, so shocking i might get shocked. Okay enough with the pawns.

The Plot: After being captured for a series of gruesome murders, Horace Pinker (Mitch Pileggi), a television repairman, faces execution by the electric chair -- but a deal with the devil allows him to come back as electricity. Once he changes into his new form, Pinker goes after the detective that brought him down, Lt. Don Parker (Michael Murphy), as well as Parker's adopted son, Jonathan (Peter Berg). However, Jonathan's mysterious connection to Pinker through
dreams might help track the killer's moves.

According to Craven, the film was severely cut for an "R" rating. It took around thirteen submissions to the Motion Picture Association of America to receive an "R" instead of an "X". Some scenes that were cut included Pinker spitting out fingers that he bit off of a prison guard, a longer and more graphic electrocution of Pinker, and a longer scene of a possessed coach stabbing his own hand. Despite fan interest, an uncut version has never been released.

Its a shocking entertaining movie.
  
The Lantern Men
The Lantern Men
Elly Griffiths | 2020 | History & Politics, Mystery, Thriller
8
8.0 (1 Ratings)
Book Rating
I adore all Ruth Galloway books, and I'm so glad the series continues. I was surprised to find the book opening with Ruth away from her beloved Norfolk and its marshes--and giving more permanence to her relationship with Frank. The move only complicates Ruth's own relationship with Nelson, and their chemistry crackles as always. I love how familiar the characters feel--Ruth, Nelson, and young Kate. Ruth's friends, to include Cathbad, the eclectic druid, and his family. Nelson's co-workers. Ruth's co-workers. Each of these books feels like coming home and Griffiths captures each of their individual voices so perfectly. I love Nelson's sarcasm and Ruth's intelligence and desire for solitude--they are all so wonderful.

The case in this book is excellent; Griffiths is an expert at tying together murders in the past with those in the present, and that happens here. It kept me guessing, and it's great that's it's so often Ruth's intelligence--not just Nelson's brawn--that helps resolve things. There are some strong twists that keep things moving as well.

This book will stand-alone, though I always recommend the whole series, because Ruth and Nelson's relationship and character development alone is worth it. 4 stars for this installment, and I'll look forward to #13!