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Kyera (8 KP) rated There's Someone In Your House in Books
Feb 1, 2018
This young adult thriller brings the feeling of Scream to a captivating if a bit on the nose book. I liked the characterization in the book, as each person felt unique but they weren't developed in any meaningful way. As a result, it was an enjoyable and quick read but you're likely to not connect strongly with any of the characters.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
Olivia (102 KP) rated Girls of Paper and Fire in Books
Aug 13, 2018 (Updated Aug 13, 2018)
I'm still trying to process all my feelings about his book, but right now I'm going to give it an 8.5
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
Girls of Paper and Fire is an incredibly addicting read. Within picking it up, I finished reading it in under 24 hours. Every minute that I wasn't reading it, I was thinking about it. It was like an impossible earworm chanting "Read me. Read me!".
Ngan's writing style and character development left me in awe at times. She somehow managed to write this imaginative tale whilst keeping it grounded, a combination that I haven't seen successfully executed very often. The romance in this book is perhaps one of my new all-time favorites. The love is believable. It wasn't a case of "Oh, I like this person a lot and so now I'm gonna make out with them for 80 pages straight and forget about everything else." there was actual chemistry between the two and it made the story all the more intense.
In the seemingly effortless way Ngan could create palpable romantic chemistry, she could also create absolute revulsion.
My problem with so many villains is that the writer will have them have done something terrible, and that's it. They don't truly explore how vile this villain is; they rely on one or two things that all of decent humanity can agree is unforgivable and let that be the reason why they're evil. Sure, anyone would be repulsed by a man who rapes and murders people; it's not like you have to convince people to hate that guy. But Ngan doesn't just throw those two things onto the character and call it a day. She made the king an absolute vile creature with words that made me physically gag, actions that made me have to put the book down and walk away.
Ngan's descriptions are extremely rich; whether that is a good or bad thing will vary from reader to reader. Personally, I found myself sometimes skimming over all the imagery; not because it wasn't good, but because I just really wanted to get back to the main plot and character interactions.
I'm not usually a huge fan of series, but this is one that I heavily look forward to continuing.
Deborah (162 KP) rated Murder at Mansfield Park (Charles Maddox #1) in Books
Dec 21, 2018
The Austen sequel or entertainment is an not uncommon beast these days, even if Pride & Prejudice is more usually the chosen book. As the title might give you a clue - this one relates more to Mansfield Park.
The major characters from the Austen novel are all there in name, but characters and relationships have been seriously altered. The first third of the book is mainly made up of recycled dialogue and narrative from Mansfield Park, but not necesarily in the same order. Mr Rushworth's character is changed to be more like Henry Crawford (and he is given the 'black and plain' description belonging to him in the novel) crossed with Robert Ferrars, so it seems odd when he is given dialogue beloning to the Mr Rushworth of the original novel, although not perhaps as strange when Mrs Norris is found spouting his lines.....
Fanny Price moves to become a rich heiress and the eldest of the female cousins; her character is more like the Maria of the book crossed with Lucy Steele and Caroline Bingley! Maria becomes more like the Julia of the book and Julia becomes more like the Fanny of the novel crossed with Marianne Dashwood - got that yet?! Henry Crawford here I don't really know - I'm not sure we got a proper description, so he does seem a bit of a cipher.
It's not a bad book, but with the murders I found it all rather unpleasant - I prefer such things to be more about the solving of the mystery than the incident itself, and here we have so few characters who could have committed the crime I didn't feel like I was waiting with baited breath for the conclusion (it's not Pug, in case you were worried.....). some characters were so underdeveloped it was rather obvious that they wouldn't have been involved. I do feel that having made so many changes, Lynn Shepherd would have been better off writing her own, original novel; one can't help but feel she has used Austen just to sell her book whereas her original dialogue does suggest that she could allow her writing to stand on its own merits.
The major characters from the Austen novel are all there in name, but characters and relationships have been seriously altered. The first third of the book is mainly made up of recycled dialogue and narrative from Mansfield Park, but not necesarily in the same order. Mr Rushworth's character is changed to be more like Henry Crawford (and he is given the 'black and plain' description belonging to him in the novel) crossed with Robert Ferrars, so it seems odd when he is given dialogue beloning to the Mr Rushworth of the original novel, although not perhaps as strange when Mrs Norris is found spouting his lines.....
Fanny Price moves to become a rich heiress and the eldest of the female cousins; her character is more like the Maria of the book crossed with Lucy Steele and Caroline Bingley! Maria becomes more like the Julia of the book and Julia becomes more like the Fanny of the novel crossed with Marianne Dashwood - got that yet?! Henry Crawford here I don't really know - I'm not sure we got a proper description, so he does seem a bit of a cipher.
It's not a bad book, but with the murders I found it all rather unpleasant - I prefer such things to be more about the solving of the mystery than the incident itself, and here we have so few characters who could have committed the crime I didn't feel like I was waiting with baited breath for the conclusion (it's not Pug, in case you were worried.....). some characters were so underdeveloped it was rather obvious that they wouldn't have been involved. I do feel that having made so many changes, Lynn Shepherd would have been better off writing her own, original novel; one can't help but feel she has used Austen just to sell her book whereas her original dialogue does suggest that she could allow her writing to stand on its own merits.
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
MaryAnn (14 KP) rated Midnight on the River Grey in Books
Nov 4, 2019
Abigail Wilson returns to Regency England with another tale of murder, mystery, and romance.
After her elder brothers mysterious death, Rebecca Hunter vows to expose the man she believes responsible-Mr. Lewis Browning-known by the locals as the Midnight Devil and by Rebecca as her new guardian. He alone was on the bridge that fateful night and openly admits striking her brother with his horse, but he claims he remembers little else. Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation. Yet, Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and Rebeccas restless feelings are further complicated by the shadow of her mothers prior descent into madness and whether she too will follow the same heartbreaking path. Even as midnight rides, strange injuries, and further murders lead back to Lewis, Rebecca cant ignore the subtle turn of her heart. Has she developed feelings for the man she swore to see hanged? And moreover, can she trust him with her uncertain future?
My Thoughts: This was an amazing read; full of plot twists, murder and even a little love involved. Abigail Wilson has spun a tale of intrigue that keeps the readers on the edge of their seat. In this book, you never know who to really trust and just when you think you have it all figured out, the plot twists again!
The characters in this story are intriguing, some are very lovable and some are just mysterious. There is a warm feeling with the Aunt/niece relationship with Rebecca and her aunt. The readers get a true feel for the loving relationship that Rebecca has with her aunt. Since Rebecca has not had a stable family relationship, she is a free-spirited young woman who has a very independent nature for this time period. This is a helpful trait for her, to help her search for her bother's killer. Even though it's a second in a series, this is a stand-alone book. I certainly look forward to reading more from this author.
After her elder brothers mysterious death, Rebecca Hunter vows to expose the man she believes responsible-Mr. Lewis Browning-known by the locals as the Midnight Devil and by Rebecca as her new guardian. He alone was on the bridge that fateful night and openly admits striking her brother with his horse, but he claims he remembers little else. Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation. Yet, Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and Rebeccas restless feelings are further complicated by the shadow of her mothers prior descent into madness and whether she too will follow the same heartbreaking path. Even as midnight rides, strange injuries, and further murders lead back to Lewis, Rebecca cant ignore the subtle turn of her heart. Has she developed feelings for the man she swore to see hanged? And moreover, can she trust him with her uncertain future?
My Thoughts: This was an amazing read; full of plot twists, murder and even a little love involved. Abigail Wilson has spun a tale of intrigue that keeps the readers on the edge of their seat. In this book, you never know who to really trust and just when you think you have it all figured out, the plot twists again!
The characters in this story are intriguing, some are very lovable and some are just mysterious. There is a warm feeling with the Aunt/niece relationship with Rebecca and her aunt. The readers get a true feel for the loving relationship that Rebecca has with her aunt. Since Rebecca has not had a stable family relationship, she is a free-spirited young woman who has a very independent nature for this time period. This is a helpful trait for her, to help her search for her bother's killer. Even though it's a second in a series, this is a stand-alone book. I certainly look forward to reading more from this author.
Sophia (Bookwyrming Thoughts) (530 KP) rated The City of Veils (Princess Vigilante, #1) in Books
Jan 23, 2020
I am complete trash for novels involving princesses that hide under the guise of anonymity so they can protect their kingdom (bonus points for not wanting to rule), and The City of Veils by S. Usher Evans is no exception to this. While Brynna is working on bringing down a prominent businessman known for scamming civilians, she is taken in by the captain of the king’s guard and finds out both her father and brother have been murdered in less than a month. The murders leave behind a mystery and also force her to step in as the rightful queen of Forcadel. However, staying away from the castle for years to escape an arranged marriage comes with a cost: not only is she not aware of the court politics that have been happening in the castle, but she’s not sure who she could trust. Despite having no particular desire to rule, she definitely doesn’t want to be the next dead royal.
Despite being advised against it, Brynna finds herself negotiating with Felix, the captain of the king’s guard, to continue working as a vigilante at night while working on her royal duties during the day. This begins an amusing back and forth between the two throughout the novel as they butt heads constantly and try to negotiate with each other. I loved seeing their relationship develop, along with Brynna’s relationship with the other characters, including Katarine, the other guards, and others who will likely be playing a major role in later books.
The first novel in Evans’ newest series, Princess Vigilante, was a fun ride from beginning to end. The overall pacing of the story was perfect, although there are parts I felt were slow or a little rushed. The story was engaging and entertaining, and I was constantly kept on my toes as Brynna tries to navigate her life as a masked vigilante and a queen while trying to stay wary of potential dangers.
<a href="http://theartsstl.com/s-usher-evans-the-city-of-veils-suns-golden-ray-publishing/">This review is originally posted on The Arts STL</a>
Despite being advised against it, Brynna finds herself negotiating with Felix, the captain of the king’s guard, to continue working as a vigilante at night while working on her royal duties during the day. This begins an amusing back and forth between the two throughout the novel as they butt heads constantly and try to negotiate with each other. I loved seeing their relationship develop, along with Brynna’s relationship with the other characters, including Katarine, the other guards, and others who will likely be playing a major role in later books.
The first novel in Evans’ newest series, Princess Vigilante, was a fun ride from beginning to end. The overall pacing of the story was perfect, although there are parts I felt were slow or a little rushed. The story was engaging and entertaining, and I was constantly kept on my toes as Brynna tries to navigate her life as a masked vigilante and a queen while trying to stay wary of potential dangers.
<a href="http://theartsstl.com/s-usher-evans-the-city-of-veils-suns-golden-ray-publishing/">This review is originally posted on The Arts STL</a>
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Notorious: The Immortal Legend of the Kray Twins
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Ever since the Kray twins invited John Pearson to write their 'official' biography more than forty...
Heretic: Why Islam Needs a Reformation Now
Book
Continuing her journey from a deeply religious Islamic upbringing to a post at Harvard, the...