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Cemetery Road
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The #1 New York Times bestselling author of the Natchez Burning trilogy returns with an electrifying...
The Buried Girl
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'Glittering and sharp, an ice pick of a novel. An astounding talent' AJ Finn, author of The Woman...
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Rachel (48 KP) rated Tortured Dreams (Dreams & Reality Series #1) in Books
May 27, 2017
Managed 17%
*Spoiler Alert*
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
Bookapotamus (289 KP) rated No Less Days in Books
May 29, 2018
I won a copy of this book and I didn't know it was Christian Fiction. Definitely not something I would grab for myself to read. I was not turned off by the religious aspects of it though, as most are subtle and not in your face. I tended to glaze over them, which makes me believe this book would have been just as good without them. I won't say they didn't add anything as that's not my place to judge, but I won't judge the book either on parts that I wasn't particularly interested in. I wouldn't judge a mystery on it being mysterious, or a romance for being romantic. So now that we're past that...
The premise of this story is really cool. I admit, it reminded me of that Blake Lively move, Age of Adeline, but WAY better. There was thought here, and it drew me in the second I started reading.
The main focus of the story is that David Galloway cannot die. It should have happened, many times. But nope. Still here... 100 some odd years later and still looking every bit a healthy 35 year old man. We learn a lot of David's history, as well as his present situation, and we wonder: How did he become this way? Are there others like him? Will he ever die? How does he live live without ever aging?
I read this book really fast as I honestly wanted to find out what would happen. Page after page, it kept me riveted. I would give it 5 Stars, but I had some issues with parts of the story. Particularly all the themes going on - some felt really unnecessary. There was a lot of mystery, racial stuff, domestic abuse, love stories, historical references, religion, murders, celebrity, books.... I'm probably missing more. I felt like too much was happening and a lot could be toned down or eliminated. And it's very obviously set up for a sequel, but the way this "strange character" just showed up and then left... felt really disjointed and out of place.
I'm also not a big Speculative Fiction reader as well as the Christian Fiction genre. I would have never bought this book and read it on my own. But that is how you lose certain generalizations about things, and find some of the best stories. I took a chance, and I won :)
I'm happy to have read this book. And I'm pretty sure this is a sequel in the works, and I'll most likely seek that one out to read!
The premise of this story is really cool. I admit, it reminded me of that Blake Lively move, Age of Adeline, but WAY better. There was thought here, and it drew me in the second I started reading.
The main focus of the story is that David Galloway cannot die. It should have happened, many times. But nope. Still here... 100 some odd years later and still looking every bit a healthy 35 year old man. We learn a lot of David's history, as well as his present situation, and we wonder: How did he become this way? Are there others like him? Will he ever die? How does he live live without ever aging?
I read this book really fast as I honestly wanted to find out what would happen. Page after page, it kept me riveted. I would give it 5 Stars, but I had some issues with parts of the story. Particularly all the themes going on - some felt really unnecessary. There was a lot of mystery, racial stuff, domestic abuse, love stories, historical references, religion, murders, celebrity, books.... I'm probably missing more. I felt like too much was happening and a lot could be toned down or eliminated. And it's very obviously set up for a sequel, but the way this "strange character" just showed up and then left... felt really disjointed and out of place.
I'm also not a big Speculative Fiction reader as well as the Christian Fiction genre. I would have never bought this book and read it on my own. But that is how you lose certain generalizations about things, and find some of the best stories. I took a chance, and I won :)
I'm happy to have read this book. And I'm pretty sure this is a sequel in the works, and I'll most likely seek that one out to read!
Steven Sklansky (231 KP) rated The Happytime Murders (2017) in Movies
Aug 23, 2018
Funny for a Puppet Movie
I did not go in to this movie with the highest of hopes but I came out with a big smile on my face. There were a lot of people that told me not to go to this movie, but I never listen to anyone and this is a good reason why. I try not to judge a movie by the trailer for the the big reason they never tell the whole story and you have to trust the person making the trailer. So I went anyway.
I am really glad I did because it was really funny from start to finish. I thought they would put in to much toilet humor and they didn't. What they did put in was well placed and fit the story line great. It was also kind of great seeing a different side to brutal murders. Without blood and guts they were able to be more creative with the killing and give you something very different.
I do have to give props to the puppeteers. At the end of the movie they showed some clips of behind the scenes and some of the things they had to do to get the shots looked difficult. Also how they shot the interactions with human puppet were done fantastic, It really did not look like CGI was used at all even though there was a lot.
Brian Henson did a great job writing the script. The use of humans vs puppets was done very well. It almost reminded me of a Who Framed Roger Rabbit type of movie. I almost thought at the end the killer was going to be a puppet in a human body. Wouldn't that have been a twist.
Buddy cop movies have always been a favorite of mine from Lethal Weapon to Bad Boys. This movie was right up there. I would say the best but it had its moments. I did think Melissa McCarthy wasn't going to be the choice, but she worked out. He type of humor did have place in this movie, although in some places it was over the top. All the puppet cast was really good. You mostly had human puppets but there were some animals thrown in the mix. I do with there were more monster puppets like Oscar the Grouch or Elmo. That would have been great.
Overall I think it is worth a watch if you like puppets and murder mysteries and don't mind the occasional sex joke. Until next time, enjoy the show.
I am really glad I did because it was really funny from start to finish. I thought they would put in to much toilet humor and they didn't. What they did put in was well placed and fit the story line great. It was also kind of great seeing a different side to brutal murders. Without blood and guts they were able to be more creative with the killing and give you something very different.
I do have to give props to the puppeteers. At the end of the movie they showed some clips of behind the scenes and some of the things they had to do to get the shots looked difficult. Also how they shot the interactions with human puppet were done fantastic, It really did not look like CGI was used at all even though there was a lot.
Brian Henson did a great job writing the script. The use of humans vs puppets was done very well. It almost reminded me of a Who Framed Roger Rabbit type of movie. I almost thought at the end the killer was going to be a puppet in a human body. Wouldn't that have been a twist.
Buddy cop movies have always been a favorite of mine from Lethal Weapon to Bad Boys. This movie was right up there. I would say the best but it had its moments. I did think Melissa McCarthy wasn't going to be the choice, but she worked out. He type of humor did have place in this movie, although in some places it was over the top. All the puppet cast was really good. You mostly had human puppets but there were some animals thrown in the mix. I do with there were more monster puppets like Oscar the Grouch or Elmo. That would have been great.
Overall I think it is worth a watch if you like puppets and murder mysteries and don't mind the occasional sex joke. Until next time, enjoy the show.
Debbiereadsbook (1197 KP) rated Dead In The Pond (Grasmere Trilogy #2) in Books
Oct 18, 2018
i love Bishan!
This is book two in the Grasmere Cottage Mystery Trilogy, and you MUST read book one, Dead In The Garden, before you read this one. They are NOT stand alones and they follow on.
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
Bishan, now out of jail, and Valor still have no idea who is killing, and why Bish and Valor have been singled out. Then another body is discovered, and Valor's worst nightmare comes true. Bish tries, he really does, but he just wants things to go back to the way they were, before.
Bishan has his say here, and just Bishan. He is Autistic, and his minds does go off at tangents all over the place, and he does take some following.
But I'm so bloody glad he gets his voice here!!
The guys are trying to piece together who might be doing this, and getting nowhere. Neither are the police. Things seem to calm down, then Bish and Valor are in a car accident that appears to be anything but. Didn't expect that particular person to stoop quite so low, but when HE turns up dead, and Valor is faced with having to deal with the family who disowned him so long ago. Bish struggles with that, but knows it's gotta be done.
Bish's mind wanders all over the place, but always seems to come back to the point at hand, he just goes the long way round. You have to concentrate, pat attention and keep up! For ME?? That's a really good thing! Being a speed reader at the best of times, if I've gotta slow down, it's the sign of a great book.
There is almost two plot lines going on here: the murders, and whatever is happening with Valor's family and just WHY they are so desperate to bring him back to London, away from Bish. But Valor won't go, not without Bishan. He LOVES Bishan, I loved the scene where they decide to definitely NOT get married! The love these two have for each other comes across every time Valor reaches for Bish and is rewarded with their joined hands, every time Bish makes tea for Valor, in every single thing they do for each other.
I fell in love with Bishan here, and his mum!
I'm still none the wiser as to whodunnit or why, but it's great that I'm being kept on my toes!
OH!!! Massive cliffhanger here! There was one for book one, but here's is far bigger!
Since Bishan has such an interesting voice
5 full stars
**same worded review will appear elsewhere**
BookblogbyCari (345 KP) rated What Did I Do? in Books
Nov 4, 2018
Book review by Cari Mayhew. Rating 6/10.
This is an odd book, but despite its haphazard beginnings, by the three-quarter mark I was hooked and could not put it down!
The first chapter runs from the viewpoint of the somewhat mentally disturbed Kristin, who has recently immigrated to Sweden following the death of her husband, Brandon, which she suspects that she caused (cause of death being an allergic reaction to nuts).
The following chapter runs from the viewpoint of Frank, who has just returned from a holiday with his wife, Birgitta, to learn that his son, Anders, has been murdered. The couple suspect that Anders was murdered by his sister, their daughter Sofia.
Frank hires a private to track down Sofia, who, it transpires, is Kristin by another name. Frank and Birgitta also immigrate to Sweden. Despite Frank’s anger at Sofia, he wants to confront her personally rather than hand her over to the police.
Interspersed between chapters on Kristen and Frank, are chapters taken from the viewpoint of a young woman who finds herself the victim of an organisation of pimps, and feels trapped in an unwanted lifestyle. For a long time in the book, it was hard to see how this had any relevance to Kristen’s or Frank’s story, but it all came together at the three quarter point, and the action heated up as characters found each other.
While reading the earlier chapters, I had a strong feeling that there had been a lot going on behind the scenes and that characters were often unaware of the whole story.
There were some characters and elements to the story that, although they were critical to the plot, often felt unnecessary, such as Kristen’s therapy sessions, and chapters from the viewpoint of a neighbour.
What was good about this book was the believability of the story telling, which I imagine would be hard to pull off, given that the subject matter includes murders and sex trafficking.
I had chosen this book hoping it would be like Memory Box by Eva Lesko Natiello where the protagonist uncovers clue after mysterious clue, but in this book the clues were few and far between.
I don’t normally make educated guesses as to who is the culprit in a mystery, but on this occasion I did and I was partly right (no spoilers).
The story’s ending and epilogue left me feeling satisfied that justice had been served.
Overall I did enjoy the book, but I’m not inclined to read more from the author. Although the writing kept me interested, it felt like reading 3 different stories that barely linked together.
This is an odd book, but despite its haphazard beginnings, by the three-quarter mark I was hooked and could not put it down!
The first chapter runs from the viewpoint of the somewhat mentally disturbed Kristin, who has recently immigrated to Sweden following the death of her husband, Brandon, which she suspects that she caused (cause of death being an allergic reaction to nuts).
The following chapter runs from the viewpoint of Frank, who has just returned from a holiday with his wife, Birgitta, to learn that his son, Anders, has been murdered. The couple suspect that Anders was murdered by his sister, their daughter Sofia.
Frank hires a private to track down Sofia, who, it transpires, is Kristin by another name. Frank and Birgitta also immigrate to Sweden. Despite Frank’s anger at Sofia, he wants to confront her personally rather than hand her over to the police.
Interspersed between chapters on Kristen and Frank, are chapters taken from the viewpoint of a young woman who finds herself the victim of an organisation of pimps, and feels trapped in an unwanted lifestyle. For a long time in the book, it was hard to see how this had any relevance to Kristen’s or Frank’s story, but it all came together at the three quarter point, and the action heated up as characters found each other.
While reading the earlier chapters, I had a strong feeling that there had been a lot going on behind the scenes and that characters were often unaware of the whole story.
There were some characters and elements to the story that, although they were critical to the plot, often felt unnecessary, such as Kristen’s therapy sessions, and chapters from the viewpoint of a neighbour.
What was good about this book was the believability of the story telling, which I imagine would be hard to pull off, given that the subject matter includes murders and sex trafficking.
I had chosen this book hoping it would be like Memory Box by Eva Lesko Natiello where the protagonist uncovers clue after mysterious clue, but in this book the clues were few and far between.
I don’t normally make educated guesses as to who is the culprit in a mystery, but on this occasion I did and I was partly right (no spoilers).
The story’s ending and epilogue left me feeling satisfied that justice had been served.
Overall I did enjoy the book, but I’m not inclined to read more from the author. Although the writing kept me interested, it felt like reading 3 different stories that barely linked together.
Phil Leader (619 KP) rated The Last Dickens in Books
Nov 18, 2019
I will hold my hand up to two things at the start of this review. Firstly I am drawn to fiction based on other fiction, and secondly I'm not a big Dickens fan. For various reasons I just don't find him an interesting read.
However I can't deny his impact as a novelist at a time when reading as a past time was only just reaching the masses. And so this book looked intriguing.
Primarily set immediately after the death of the famous author, having completed exactly half of the installments of his latest book - The Mystery of Edwin Drood - James Osgood, the junior partner in his American publishers is sent to England to try to track down any other parts of the manuscript.
However dark forces are afoot; there are two murders related to the Dickens papers in short order and Osgood is attacked on the ship to England. Clearly someone does not want any more of Drood to be published.
Pearl has taken one of the greatest literary mysteries of all (there really are no clues about how Drood was supposed to conclude) and wrapped it in another fictional conundrum. He has clearly researched all of the details very well and uses real people - including Osgood and Dickens himself- along with fictional characters to tell the story. This gives the plot a certain solidity because so much of it is based in reality, with the fabricated parts showing through the cracks.
The narrative moves between 1870 and Osgood's quest, to India at the same time where Frank Dickens (son of Charles) is investigating drug smuggling and to 1868 when Dickens is performing a reading tour of America.
The plot is more-or-less highly plausible, just some coincidental points that require a little suspension of disbelief. The writing is excellent throughout, highly descriptive and particularly good at capturing the personalities of the characters (as would be expected given how carefully this has been researched). There are several action scenes at the book progresses and these are handled well. The villains are unmasked in classical style, gloating with our heroes apparently doomed only for the tables to be turned.
Honestly I was expecting this to be reasonably interesting, highlighting aspects of Dickens' life and death with a little light murder mystery thrown in. In the end I would call this nothing less than a triumph and will definitely be looking to read more of Pearl's work.
It's still not tempted me to read any Dickens, though...
However I can't deny his impact as a novelist at a time when reading as a past time was only just reaching the masses. And so this book looked intriguing.
Primarily set immediately after the death of the famous author, having completed exactly half of the installments of his latest book - The Mystery of Edwin Drood - James Osgood, the junior partner in his American publishers is sent to England to try to track down any other parts of the manuscript.
However dark forces are afoot; there are two murders related to the Dickens papers in short order and Osgood is attacked on the ship to England. Clearly someone does not want any more of Drood to be published.
Pearl has taken one of the greatest literary mysteries of all (there really are no clues about how Drood was supposed to conclude) and wrapped it in another fictional conundrum. He has clearly researched all of the details very well and uses real people - including Osgood and Dickens himself- along with fictional characters to tell the story. This gives the plot a certain solidity because so much of it is based in reality, with the fabricated parts showing through the cracks.
The narrative moves between 1870 and Osgood's quest, to India at the same time where Frank Dickens (son of Charles) is investigating drug smuggling and to 1868 when Dickens is performing a reading tour of America.
The plot is more-or-less highly plausible, just some coincidental points that require a little suspension of disbelief. The writing is excellent throughout, highly descriptive and particularly good at capturing the personalities of the characters (as would be expected given how carefully this has been researched). There are several action scenes at the book progresses and these are handled well. The villains are unmasked in classical style, gloating with our heroes apparently doomed only for the tables to be turned.
Honestly I was expecting this to be reasonably interesting, highlighting aspects of Dickens' life and death with a little light murder mystery thrown in. In the end I would call this nothing less than a triumph and will definitely be looking to read more of Pearl's work.
It's still not tempted me to read any Dickens, though...
Gareth von Kallenbach (980 KP) rated Dark Places (2015) in Movies
Aug 6, 2019
Although it was exciting to hear “Dark Places” is based on a novel written by the same author who wrote “Gone Girl,” unfortunately it just doesn’t measure up.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.