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Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Notorious: The Immortal Legend of the Kray Twins
Book
Ever since the Kray twins invited John Pearson to write their 'official' biography more than forty...
Heretic: Why Islam Needs a Reformation Now
Book
Continuing her journey from a deeply religious Islamic upbringing to a post at Harvard, the...
Lyndsey Gollogly (2893 KP) rated Fearless (Scarlet Suffragette #1) in Books
Apr 21, 2021
54 of 250
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
Kindle
Fearless ( Scarlet suffragette book 1)
By Nicola Claire
Once read a review will be written via Smashbomb and link posted in comments
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler New Zealand at the end of the nineteenth century - brightened by a fearless and talented heroine and a loyal and secretive police inspector...
Free spirit. Brilliant. A Liability?
Doctor Anna Cassidy has been trained by the best; the former Chief Surgeon for the Auckland Police Force. She knows how to dissect a body. She knows how to treat any ailment. And she knows how to find a cause of death.
But society is not ready for a female surgeon.
Fighting for what she believes in has been ingrained in Anna since she was a young child. But the battles she faces now are not all based on equality. A murderer stalks her fellow Suffragettes and the police inspector in charge of the case could be Anna's downfall.
Experienced. Dedicated. Something to hide?
Inspector Andrew Kelly holds duty and honour in the highest regard. His role as a detective proves just that; he never stops until justice is served. Love is something he has forsaken, for reasons he'd rather you didn't know.
But Anna is not a woman a man can ignore.
Fighting his instincts with cold determination is something Kelly has become accustomed to. But a murderer is loose in his adopted city, bringing memories to the fore of a killer who walked in the shadows of Whitechapel, and shining light on a dark past the Inspector is trying hard to forget.
A gritty, twisted, and authentic Victorian romantic suspense, sure to rip you apart... just like old Jack.
This had all of my favourite things! Gruesome murders linked to Jack the Ripper, historical romance , strong female lead and a very good story. Although the murderer was quite clear to me from the beginning I absolutely loved reading it play out! Definitely worth a try if you like any of the things I mentioned!
BookInspector (124 KP) rated The Killing Choice in Books
Jul 1, 2021
This novel is told from multiple perspectives, sharing the thoughts of a very wide variety of characters. The detectives Finn and Paulsen are the ones tasked to solve murders that happened in a very strange circumstances. This crime story is very strongly driven by it’s characters. There are a lot of thoughts shared not only by police, but by the victims’ family as well. The characters are very different and all of them troubled, none of the character is happy in this book. 😀 Every character analise different topic and different feelings, and it does become a little overwhelming sometimes. I really enjoyed the diversity and inclusion of the characters in this book, I like wider representation of people.
As I mentioned before, this novel is more character driven than the plot, that is why, I think the investigation part was quite thin in this book. The surprising discoveries just kind of appear, missing the juicy surprises while investigating. I think all the thinking parts made this book seem quite slow, but on the other hand it allowed the reader to get to know the characters better. I liked that this book has different storylines, and it was interesting to see how all the stories get connected at the end. The topics discussed in this book were all possible aspects of grief, family relationships, drug dealing, guilt, council estate life, mental health issues, revenge, and many more.
The writing style of this book is enjoyable and easy to read. The setting of this book keeps changing, depending on the character, and I really enjoyed that. When the book has many perspectives, I find it difficult to know who is who, especially when their names and surnames are being used without one another. Personally, I prefer either names or surnames, otherwise I am wondering who that person is. 😀 The chapters are pretty short and the pages just flew by for me. I liked the ending of this novel, it rounded up the story very nicely.
So, to conclude, it is a very thought provoking crime story, filled with complex and deeply troubled characters as well as a layered plot. It is a slow burner, that allows the reader to delve deeply into the character’s world.
As I mentioned before, this novel is more character driven than the plot, that is why, I think the investigation part was quite thin in this book. The surprising discoveries just kind of appear, missing the juicy surprises while investigating. I think all the thinking parts made this book seem quite slow, but on the other hand it allowed the reader to get to know the characters better. I liked that this book has different storylines, and it was interesting to see how all the stories get connected at the end. The topics discussed in this book were all possible aspects of grief, family relationships, drug dealing, guilt, council estate life, mental health issues, revenge, and many more.
The writing style of this book is enjoyable and easy to read. The setting of this book keeps changing, depending on the character, and I really enjoyed that. When the book has many perspectives, I find it difficult to know who is who, especially when their names and surnames are being used without one another. Personally, I prefer either names or surnames, otherwise I am wondering who that person is. 😀 The chapters are pretty short and the pages just flew by for me. I liked the ending of this novel, it rounded up the story very nicely.
So, to conclude, it is a very thought provoking crime story, filled with complex and deeply troubled characters as well as a layered plot. It is a slow burner, that allows the reader to delve deeply into the character’s world.
BookInspector (124 KP) rated The Burning Girls in Books
Jan 26, 2021
The protagonist in this book is Jack, a female vicar, that has been sent to a little village to take over the church that has been vacant. Her daughter Flo is a teenager that had to change her life from Nottingham to Chapel Croft. I really loved the brilliant selection of characters. They are all mysterious, intriguing and different. I thoroughly enjoyed Jacks thoughts about being a priest, the church’s role and religion in general. It was very modern and stigma defining. I really liked Flo as well, she seems like a very smart young lady, full of curiosity and teenage rebellion. 🙂
Like always, the narrative is creepy, mysterious and very well planned out. There are multiple stories running through this book. This book is told from multiple perspectives, and I absolutely adored that. Jack’s perspective investigates a story of two young ladies that disappeared thirty years ago and a mysterious suicide of the previous vicar. And Flo’s perspective shares very creepy encounters with local youth. The whole book is covered in a mysterious shroud, suspense is seeping through the pages, and the story simply had me absorbed. The topics discussed in this book are religion, evil youth, parenting issues, over the top religiousness, church work, vicar’s life, tight community nuances, murder and many more.
The writing style of this book is impeccable. C.J. Tudor’s writing is evolving with every single book. The setting and the mood of this book is perfect for horror, and the mystery just drives suspense through this novel. The chapters are pretty short, so it is a fast and gripping book. The culmination and the ending are brilliant, and I loved how the book was rounded up. I have to warn the reader, that this book has murders, pretty gross stories, burning people and psychopaths.
So, to conclude, this was my first book of 2021 and is going straight to my top 10 of this year. I loved everything about this novel, it has very unique and complex characters as well as an amazingly delivered plot full of twists, intriguing stories and mystery. I strongly recommend to anyone who loves Stephen King or a good mystery.
Like always, the narrative is creepy, mysterious and very well planned out. There are multiple stories running through this book. This book is told from multiple perspectives, and I absolutely adored that. Jack’s perspective investigates a story of two young ladies that disappeared thirty years ago and a mysterious suicide of the previous vicar. And Flo’s perspective shares very creepy encounters with local youth. The whole book is covered in a mysterious shroud, suspense is seeping through the pages, and the story simply had me absorbed. The topics discussed in this book are religion, evil youth, parenting issues, over the top religiousness, church work, vicar’s life, tight community nuances, murder and many more.
The writing style of this book is impeccable. C.J. Tudor’s writing is evolving with every single book. The setting and the mood of this book is perfect for horror, and the mystery just drives suspense through this novel. The chapters are pretty short, so it is a fast and gripping book. The culmination and the ending are brilliant, and I loved how the book was rounded up. I have to warn the reader, that this book has murders, pretty gross stories, burning people and psychopaths.
So, to conclude, this was my first book of 2021 and is going straight to my top 10 of this year. I loved everything about this novel, it has very unique and complex characters as well as an amazingly delivered plot full of twists, intriguing stories and mystery. I strongly recommend to anyone who loves Stephen King or a good mystery.
Kristy H (1252 KP) rated Girls Like Us in Books
Jul 12, 2019
Nell Flynn has reluctantly returned home to Long Island after the death of her father, Martin Flynn, a homicide detective. Nell hasn't seen her father in years, but must settle his estate after his motorcycle skidded off Montauk Highway in the early morning. She assumes her dad was drunk, per usual, when the incident occurred. Nell's mom was murdered when she was a child, and there's nothing about being home that makes her happy. But when Lee, a young homicide detective and her dad's latest partner, asks her to informally help with a case, Nell's curiosity is piqued. She is, after all, on paid medical leave from the Behavioral Analysis Unit at the FBI. Lee and team have found the body of a girl, murdered, near the dunes. It's similar to a case her father worked a year ago. Nell gets caught up in the investigation and the more she digs, the more she can't help but wonder if her father was involved in the killings.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
Party Hard Go
Games and Entertainment
App
"You’ll easily find yourself losing hours at a time to the intriguing puzzling rhythms of the...
Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The Midnight Peacock: The Sinclair's Mysteries
9.0
Rate It
Book
A fast-paced historical mystery adventure for readers aged 9+ years, with gorgeous Edwardian period...
young adult crime