Search
Search results
The story is told from multiple perspectives, mainly by Volnay – The Inspector of strange and unexpected death, and Casanova – the seducer of everyone with a vagina. The main character I think is Volnay, and most of the time he shares his findings, uncovered with the help of his companion, the Monk. Casanova is just there, and his story was not very interesting to me, he was more of an obstacle rather than an intriguing participant. The characters are very sophisticated, refined, and most of the time very rich. The atmosphere in this book is quite grand, pompous and fancy, however, there are parts of filthiness and prostitution from time to time as well. My favourite character in this book has to be the Monk, he is the smartest and most intriguing of all of them, and Volnay would be nothing without him.
This book was quite a slow burner for me. First of all, there is not much progress happening towards the murders, and secondly, it is a very political book. There is a lot of scientific talks about alchemy, potions and other science-related things, that sound interesting, but at the same time doesn’t make sense to me at all. :/ The topics discussed in this book were paedophilia (the king was a paedophile), prostitution, scientific inventions, alchemy, French political affairs, etc. There were not many things happening in this book, and I missed the twists and turns to speed up this book.
The writing style of this book is very rich and sophisticated, the author has to be a true intellectual, who is into philosophy and science. It is a translation from French, that’s why it is filled with French expressions and place names. The chapters were too long for my liking and felt quite draggy sometimes. The ending was quite interesting but didn’t leave me fully satisfied. So, to conclude, it is a very complex novel, filled with refined characters, and very layered and political plot. This book is very beautifully written and I believe that the author is very gifted, to be able to write a book like this, but the reader has to be an intellectual as well, to appreciate and enjoy it. So if you are into 18th century France, and enjoy books about politics and science, this historical thriller will be for you.
This book was quite a slow burner for me. First of all, there is not much progress happening towards the murders, and secondly, it is a very political book. There is a lot of scientific talks about alchemy, potions and other science-related things, that sound interesting, but at the same time doesn’t make sense to me at all. :/ The topics discussed in this book were paedophilia (the king was a paedophile), prostitution, scientific inventions, alchemy, French political affairs, etc. There were not many things happening in this book, and I missed the twists and turns to speed up this book.
The writing style of this book is very rich and sophisticated, the author has to be a true intellectual, who is into philosophy and science. It is a translation from French, that’s why it is filled with French expressions and place names. The chapters were too long for my liking and felt quite draggy sometimes. The ending was quite interesting but didn’t leave me fully satisfied. So, to conclude, it is a very complex novel, filled with refined characters, and very layered and political plot. This book is very beautifully written and I believe that the author is very gifted, to be able to write a book like this, but the reader has to be an intellectual as well, to appreciate and enjoy it. So if you are into 18th century France, and enjoy books about politics and science, this historical thriller will be for you.
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
Eleanor (1463 KP) rated The Family in Books
Oct 2, 2019
A culty thriller with too much hand-holding
I was very keen to pick up this book with its culty feel blurb. With the 50th anniversary this year of the infamous Manson murders I always find how people are pulled into groups fascinating. The journey you see Laura and Tilly go through in this book nicely illustrates some of the emotions people go through when looking for a wider family to belong to. This book had a nice look at blood family vs chosen family as a central theme.
Struggling with finances after the death of her husband, Laura and her teenage daughter Tilly find support with a local community. While helping with the communities Organic business Laura and Tilly become more involved with the community run by the charismatic Alex. However the more involved they get the harder it appears to leave their newfound “family.”
Most of the book is told through Laura and Tilly’s POVs and although I didn’t love the characters their emotional journey was believable and interesting. Some parts were told from both of their viewpoints which seemed unnecessary and a bit tiresome, I can appreciate people interpret things differently without it being spelled out (especially when there is a teenage girl involved.)
I did love the premise of this book but unfortunately, the style it was executed in was not for me. I kept feeling I was being told to expect something sinister up ahead rather then having the story build it’s own ominous vibe organically (pardon the organic business pun) It was all too thrust in your face as if the author was afraid we wouldn’t get a feeling of tension without a prod that something big was coming. The characters whose POVs we were seeing through constantly referred to big secrets they were keeping and rather than build curiosity I just felt frustrated that they seemed to lording this knowledge over the reader when we were meant to be seeing from their POV. With all this build-up it meant that a lot of the big reveals fell flat for me; they were overhyped.
Overall an interesting story but as a thriller lost its impact for me with over-hyped twists that didn’t really deliver for me.
My thanks to the author, publisher and NetGalley for the ARC of this book in exchange for an honest review.
Struggling with finances after the death of her husband, Laura and her teenage daughter Tilly find support with a local community. While helping with the communities Organic business Laura and Tilly become more involved with the community run by the charismatic Alex. However the more involved they get the harder it appears to leave their newfound “family.”
Most of the book is told through Laura and Tilly’s POVs and although I didn’t love the characters their emotional journey was believable and interesting. Some parts were told from both of their viewpoints which seemed unnecessary and a bit tiresome, I can appreciate people interpret things differently without it being spelled out (especially when there is a teenage girl involved.)
I did love the premise of this book but unfortunately, the style it was executed in was not for me. I kept feeling I was being told to expect something sinister up ahead rather then having the story build it’s own ominous vibe organically (pardon the organic business pun) It was all too thrust in your face as if the author was afraid we wouldn’t get a feeling of tension without a prod that something big was coming. The characters whose POVs we were seeing through constantly referred to big secrets they were keeping and rather than build curiosity I just felt frustrated that they seemed to lording this knowledge over the reader when we were meant to be seeing from their POV. With all this build-up it meant that a lot of the big reveals fell flat for me; they were overhyped.
Overall an interesting story but as a thriller lost its impact for me with over-hyped twists that didn’t really deliver for me.
My thanks to the author, publisher and NetGalley for the ARC of this book in exchange for an honest review.
Gangster Rio City: Crime Simulator 3D Full
Games
App
The rivalry between criminals and police takes a new twist! Build your own crime business in Rio!...
The NBC App – Stream TV Shows
Entertainment
App
Watch the latest episodes of your favorite NBC TV shows any time, anywhere on the NBC App! Catch...
Cemetery Road
Book
The #1 New York Times bestselling author of the Natchez Burning trilogy returns with an electrifying...
The Buried Girl
9.5
Rate It
Book
'Glittering and sharp, an ice pick of a novel. An astounding talent' AJ Finn, author of The Woman...
Crime Thriller Mystery Suspense Psychological
Belinda Blake and the Snake in the Grass
7.0
Rate It
Book
When exotic pet-sitter Belinda Blake moves into a carriage house in tony Greenwich, Connecticut,...
Rachel (48 KP) rated Tortured Dreams (Dreams & Reality Series #1) in Books
May 27, 2017
Managed 17%
*Spoiler Alert*
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
It's really uncommon for me to start a book and just give up on it. I always endeavor to finish everything but this time I just couldn't!
I found everything about this story excruciating. The writing is all over the place, pretty much 0 description of anything. None of the characters were sympathetic in any way, I really could not have cared less about the lead character. Dialogue is stilted, not natural in any way and the actions of people were as natural as Dolly the cloned sheep.
Even though I only read 17% of the story certain thoughts, and even whole sentences, had already been repeated.
The main character is a sociopath, something that is hammered at over and over again, yet the author presents her in a totally unrealistic way.
"She couldn't have PTSD because she had no feelings for others". That is utterly wrong. PTSD has nothing to do with empathy or feelings for others - the clue is in the name.
I have a friend who is diagnosed with sociopathic personality disorder and it is a fallacy that sociopath's have no apparentlysympathy nor empathy for anyone. The way they process it is just different. They can be very dampened down, yes, but they exist!
Apparently another character - who is a psychopath - managed to somehow beat all of the psychological testing and is part of the FBI! This character apparently secretly gives the sociopathic character money to live on. Why would a fully blown psychopath do that? There is nothing in it for him and it wouldn't even feed his narcissism as it's not a public spectacle.
Now our 'sociopath' character somehow manages to recognise serial killers/rapists from across crowded bars, they are magically drawn only to her, so she let's them follow her home and she kills them. Isn't that convenient?! Oh - she also has a serial killer stalker who writes her letters detailing all 200 of his murders.......
Then homeland security turn up - they somehow know all about her and her magical murdering skills - and need her to help in a case that involves mediaeval torture. Luckily she owns an extremely rare book that answers their most burning question's so she is asked to join a taskforce. Which just happens to be made up entirely of emotionally and psychologically damaged men.
Because that is what every law service desperately wants.
I could go on but I'm just getting annoyed again as I write about it! Honestly, save your time and money and get something more realistic. A comic book of Tom and Jerry perhaps
Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.