Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (245)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Woody Woodmansey recommended track Always Crashing in the Same Car by David Bowie in Low by David Bowie in Music (curated)

 
Low by David Bowie
Low by David Bowie
1977 | Rock
9.3 (4 Ratings)
Album Favorite
Details

Always Crashing in the Same Car by David Bowie

(0 Ratings)

Track

"I hadn't actually heard this song one before we played Carnegie Hall last year [for The Music of David Bowie concert featuring the Pixies, Debbie Harry, Cyndi Lauper and Michael Stipe]. We were the house band and had quite a few artists coming on to play, so I had to learn it. For me, it wasn't an obvious one. When I first heard it, I even thought it was a terrible song! Like it wasn't even a song! That was just my first impression of it. But it was only when I started playing it, and trying to do my own version of it, that I realised that it all fit perfectly. It was great to play live. It was just him throwing something together - it's unserious, a totally unpretentious concept, and the music just fits the lyrics so perfectly. You know, the drums are not that tight, and there are drum rolls where you think: 'Wow, that's like a beginner that's just been playing drums for six months!' But then you play it and it actually fits! It's really weird. It fits the idea of always crashing in the same car. If it had been played technically correctly it wouldn't have worked. For me, it was a good example of how everything in the backing of a song has to line up with the message of a song. I think a lot of music these days, gets into this over-produced, too-tight, no feel thing, but you can't fault it. It's correct. The dots are all in the right place, but there is no soul. Or even, there isn't a message to grab a hold of and it all falls down. It's so easy now to put something together in your bedroom on your computer that sounds like a finished record, but if you don't have those same elements there that make a good song, you may as well not bother!"

Source
  
    Atom Run

    Atom Run

    Games and Entertainment

    (0 Ratings) Rate It

    App

    "In 2264, an unprecedented disaster put an end to all living things. Only the robots survived - but...

    EQ Player Plus

    EQ Player Plus

    Music and Entertainment

    (0 Ratings) Rate It

    App

    The best equalizing technologies are applied for you who want to experience true sound. No more...

40x40

Greg Mottola recommended Manhattan (1979) in Movies (curated)

 
Manhattan (1979)
Manhattan (1979)
1979 | Comedy, Drama, Romance
8.7 (3 Ratings)
Movie Favorite

"I love Woody Allen‘s movies, and it’s hard for me to pick only one, but I’d pick Manhattan because so many of his films feel influenced by his heroes — you see some Bergman or Fellini or the Marx Brothers or whoever — and to me Manhattan is the one that most captures Woody. Even Annie Hall has bits of Amarcord in it; it’s a perfect movie, and it’s unique, but Manhattan seems to be the one where Woody does everything he does in his own particular way. One of the things I love about his movies is the tension between the sort of romantic ideals versus his true skepticism about human nature. There’s always this push, this back and forth, about how he loves people and hates people; the misanthropy and the idealism fight each other constantly in the movie, and that’s why I think his films have a special quality. Manhattan has beautiful cinematography and the Gershwin music, and the characters are actually pretty dark and lost and restless, and unhappy. You mix it together and I find it really fascinating. I know some people are really creeped out by him and the girl, but we’ll skip over that."

Source
  
40x40

Pete Fowler recommended 6 6 6 by Aphrodite's Child in Music (curated)

 
6 6 6 by Aphrodite's Child
6 6 6 by Aphrodite's Child
1971 | Psychedelic, Rock
6.3 (3 Ratings)
Album Favorite

"This album was massive for me. Still is. I first heard this on a cassette in the post from my brother with a note saying, "Demis Roussos on bass!" He put two tracks on there and they both blew my mind. I knew immediately I needed to find this record but was convinced it was incredibly obscure. A few weeks later, I was in this old drill hall in Falmouth that doubled up as a house-clearance furniture shop. Flicking through the records in there, between multiple copies of No Jacket Required and some Cornish male-voice choir stuff, there was 666. I bought it and raced home and was pretty pleased to hear it was a lot more bonkers than I could ever have imagined. This album is properly bonkers. The gatefold sleeve has a 2CV crashed into a wall; the music is so incredibly inspirational. As a piece of work it's outside of any frame of reference – it's like discovering a new colour or a new flavour. Every time I see a copy I have to buy it – I give it to anyone I know who doesn't have it yet."

Source