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JT (287 KP) rated Risky Business (1983) in Movies
Mar 10, 2020
That shot of Tom Cruise sliding across the hall in his trademark shades, pink shirt and the tightest pair of white briefs is synonymous with the spring board that launched his career.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
RəX Regent (349 KP) rated Duck Soup (1933) in Movies
Feb 18, 2019
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
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Leanne Crabtree (480 KP) rated Running Into Love (Fluke my Life, #1) in Books
Sep 19, 2019
So I read my first book by this author back in July, Catching Him--a Netgalley read. I liked it but wasn't blown away. So I decided to give this a go, too.
Fawn is running down the street, listening to her music--strangely with her eyes closed?--and bumps literally into Levi sending them sprawling onto the floor. There's an instant attraction but both ignore it and trade a few insults before heading in opposite directions. Only it turns out Levi is moving in across the hall from Fawn.
Before Fawn realises it, she's in a relationship with Levi and they are a cute couple, though Fawn is a little dumb at times. Well, I thought she was a little dumb, Levi thought she was cute in her cluelessness.
I do think the author is very good at writing Alpha males, but they're guys who care about their women and make it obvious they want them. I did like that about Levi.
Fawn's mum and dad made me laugh, mainly her mum with some of her crazy comments like "get yourself knocked up so you don't lose him" and "when's the wedding?"
One again, I liked it but I wasn't in love with the storyline or the characters.
Fawn is running down the street, listening to her music--strangely with her eyes closed?--and bumps literally into Levi sending them sprawling onto the floor. There's an instant attraction but both ignore it and trade a few insults before heading in opposite directions. Only it turns out Levi is moving in across the hall from Fawn.
Before Fawn realises it, she's in a relationship with Levi and they are a cute couple, though Fawn is a little dumb at times. Well, I thought she was a little dumb, Levi thought she was cute in her cluelessness.
I do think the author is very good at writing Alpha males, but they're guys who care about their women and make it obvious they want them. I did like that about Levi.
Fawn's mum and dad made me laugh, mainly her mum with some of her crazy comments like "get yourself knocked up so you don't lose him" and "when's the wedding?"
One again, I liked it but I wasn't in love with the storyline or the characters.
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