Search
Emma @ The Movies (1786 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 25, 2019
And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
Nickelodeon Play
Entertainment and Games
App
The Emmy® award winning Nickelodeon Play app puts the best of Nickelodeon at your fingertips......
100% Biodegradable Comic Collection 1
8.0
Rate It
Book
The kind of wonderful craziness we've come to demand of the creators involved" - John Freeman, Titan...
Comic
Firefly - Season 1
9.3
Rate It
TV Season
Firefly is an American space western drama television series created by writer and director Joss...
Firefly Serenity Joss Whedon Browncoats TV Series Fox
The Alex Crow
Book
From the critically acclaimed author of cult teen novel Grasshopper Jungle, Andrew Smith, comes a...
Joe Goodhart (27 KP) rated X-23 (2018-) #1 in Books
Nov 30, 2020
As mentioned in my reviews Kyle & Yost's X-FORCE TPBs, I am quite a fan of the character of Laura Kinney. There is nothing of 'shipping or anything of the sort. To me, she is a character with a scarred background, one in which she struggles to move forward from it, leaving her past as a trained killer behind her. I find her to be multi-layered, with a lot of potential for future character development.
When it was announced several months ago that Tom Taylor's ALL-NEW WOLVERINE would be coming to a close, I was saddened. While I didn't always like the light-hearted approach, esp. when it involved Laura's clone "sister" Gabby, I felt that he had done so much to move Laura forward, allowing to become so much more than a) a female version of Wolverine and b) another cold-hearted mutant killer.
Laura's book would be relaunched as 'X-23', with her Wolverine title being traded in for her old Weapon X classification. Canada's Mariko Tamaki (SUPERGIRL: BEING SUPER mini for DC as well as non-superhero prose novels) would be helming it, with ANW's Juann Cabal would be joining her on the art end. I felt good about the art side of it, but I was not all that familiar with Tamaki, as I had never read anything she written previously.
My biggest fear in regard to the new series? How was Laura going to go back to her former title/classification? It made no sense, and considering how they handled her transition into Wolverine (um, yeah, nope. Marvel dropped the editorial ball when ANW was launched!), my worries did not seem entirely unfounded.
Last night, I had those fears shushed away, as I dove into reading the digital version of Tamiki's X-23 (thank you, Comixology, for allowing the first three issues to be included as part of this weekend's BOGO sale). From Cabal's A-MAZ-ING art, to Tamiki's superb handling of Laura (both her inner thoughts and dialogue, as well as her interactions with Gabby), this was such an UNEXPECTED WiN
And a minor spoiler-of-sorts, Issue 3 has Laura saying why she has chosen to go back to being X-23. Not going to say anything more, other than it makes sense. Oh, and that it was this reveal that made me decide to start reading the new series.
As I said, I was not sure about the new series, but after devouring the first issue, i feel safe now having withnessed Tamaki's approach to Laura. There is no scale in mind that can showr Ms. Tamaki with the amount of praise she has earned for this brilliant undertaking! Color me impressed!
RECOMMENDED!!
When it was announced several months ago that Tom Taylor's ALL-NEW WOLVERINE would be coming to a close, I was saddened. While I didn't always like the light-hearted approach, esp. when it involved Laura's clone "sister" Gabby, I felt that he had done so much to move Laura forward, allowing to become so much more than a) a female version of Wolverine and b) another cold-hearted mutant killer.
Laura's book would be relaunched as 'X-23', with her Wolverine title being traded in for her old Weapon X classification. Canada's Mariko Tamaki (SUPERGIRL: BEING SUPER mini for DC as well as non-superhero prose novels) would be helming it, with ANW's Juann Cabal would be joining her on the art end. I felt good about the art side of it, but I was not all that familiar with Tamaki, as I had never read anything she written previously.
My biggest fear in regard to the new series? How was Laura going to go back to her former title/classification? It made no sense, and considering how they handled her transition into Wolverine (um, yeah, nope. Marvel dropped the editorial ball when ANW was launched!), my worries did not seem entirely unfounded.
Last night, I had those fears shushed away, as I dove into reading the digital version of Tamiki's X-23 (thank you, Comixology, for allowing the first three issues to be included as part of this weekend's BOGO sale). From Cabal's A-MAZ-ING art, to Tamiki's superb handling of Laura (both her inner thoughts and dialogue, as well as her interactions with Gabby), this was such an UNEXPECTED WiN
And a minor spoiler-of-sorts, Issue 3 has Laura saying why she has chosen to go back to being X-23. Not going to say anything more, other than it makes sense. Oh, and that it was this reveal that made me decide to start reading the new series.
As I said, I was not sure about the new series, but after devouring the first issue, i feel safe now having withnessed Tamaki's approach to Laura. There is no scale in mind that can showr Ms. Tamaki with the amount of praise she has earned for this brilliant undertaking! Color me impressed!
RECOMMENDED!!
Iron Marines
Games and Entertainment
App
From the creators of the award winner Kingdom Rush trilogy comes the most extraordinary space...
Quidd: Stickers, Cards & 3D
Entertainment and Lifestyle
App
Collect, trade and show off officially licensed, limited edition stickers, trading cards and 3D...
Gareth von Kallenbach (980 KP) rated Deadpool 2 (2018) in Movies
Jun 19, 2019
The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.
One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.
What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.
This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.
I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
http://sknr.net/2018/05/14/deadpool-2-2/