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Gareth von Kallenbach (965 KP) rated Knives Out (2019) in Movies
Nov 28, 2019
Hoo boy. If you are a fan of “whodunit” movies, you are in for a real treat. Rian Johnson directs Knives Out, a film that that brings a great modern twist to the whodunit genre with an amazing all star cast.
Harlan Thrombey (Christopher Plummer) is an acclaimed mystery murder novelist who has committed suicide on the night of his birthday party. At least it seems so at first. A mysterious entity has hired the last of the southern gentlemen detectives, Benoit Blanc (Daniel Craig), to aid Lieutenant Elliot (LaKeith Stanfield) and Trooper Wagner (Noah Segan) in their investigation into what appeared to be a suicide. But soon, the stories of the party-goers starts to crumble, and you see there is something more afoot. Someone killed Mr. Thrombey, but who could it be? The list of suspects is long, and all are close to the deceased in their own way: his daughter, Linda Drysdale (Jamie Lee Curtis); her husband, Richard Drysdale (Don Johnson); or their son, Ransom Drysdale (Chris Evans)? Could it possibly be his son, Walt Thrombey (Michael Shannon); his wife Donna (Riki Lindhome); or their son Jacob (Jaeden Martell). Maybe it was Joni Thrombey (Toni Collette), his widowed daughter-in-law; or her daughter Meg (Katherine Langford). Or it could be Marta Cabrera (Ana de Armas), Mr. Thrombey’s nurse. It’s a large list of suspects who attended the party that night, and it could be any of them.
I am a huge fan of this genre of movie, and I will say that Knives Out, while predictable at some points, did have me guessing, and second-guessing, all the way to the very end. I can’t really give you a lot more without spoiling some major plot points, but the film is outstanding. It was a little slow to start, but I believe there was a purpose behind this. Each actor playing a part that is not their typical role (for the most part) ended up being the real selling point. They all did fantastic, even though it did take a little getting used to seeing James Bond with a southern accent, and Captain America as a bona fide jackass.
The movie gave us a perfect blend of humor, mystery, and even a little action in order to give us what could be a modern masterpiece in the genre. Flay me all you want if you disagree, but it’s been a while since a really good whodunit has been put out that wasn’t a period piece. There were some flaws, but the movie made you connect to these characters, as zany as they seemed. Definitely a good film to check out on a date night.
Harlan Thrombey (Christopher Plummer) is an acclaimed mystery murder novelist who has committed suicide on the night of his birthday party. At least it seems so at first. A mysterious entity has hired the last of the southern gentlemen detectives, Benoit Blanc (Daniel Craig), to aid Lieutenant Elliot (LaKeith Stanfield) and Trooper Wagner (Noah Segan) in their investigation into what appeared to be a suicide. But soon, the stories of the party-goers starts to crumble, and you see there is something more afoot. Someone killed Mr. Thrombey, but who could it be? The list of suspects is long, and all are close to the deceased in their own way: his daughter, Linda Drysdale (Jamie Lee Curtis); her husband, Richard Drysdale (Don Johnson); or their son, Ransom Drysdale (Chris Evans)? Could it possibly be his son, Walt Thrombey (Michael Shannon); his wife Donna (Riki Lindhome); or their son Jacob (Jaeden Martell). Maybe it was Joni Thrombey (Toni Collette), his widowed daughter-in-law; or her daughter Meg (Katherine Langford). Or it could be Marta Cabrera (Ana de Armas), Mr. Thrombey’s nurse. It’s a large list of suspects who attended the party that night, and it could be any of them.
I am a huge fan of this genre of movie, and I will say that Knives Out, while predictable at some points, did have me guessing, and second-guessing, all the way to the very end. I can’t really give you a lot more without spoiling some major plot points, but the film is outstanding. It was a little slow to start, but I believe there was a purpose behind this. Each actor playing a part that is not their typical role (for the most part) ended up being the real selling point. They all did fantastic, even though it did take a little getting used to seeing James Bond with a southern accent, and Captain America as a bona fide jackass.
The movie gave us a perfect blend of humor, mystery, and even a little action in order to give us what could be a modern masterpiece in the genre. Flay me all you want if you disagree, but it’s been a while since a really good whodunit has been put out that wasn’t a period piece. There were some flaws, but the movie made you connect to these characters, as zany as they seemed. Definitely a good film to check out on a date night.
BookInspector (124 KP) rated Madam in Books
Jul 1, 2021
The protagonist in this novel is Rose, and this story is told from her perspective. Rose is a very well educated Latin teacher that comes to a new, well-known school, but being a child of a very active feminist, stuck in a school that has very old and very strange traditions drives her “crazy”. I could not connect to Rose, I respected her thoughts, but she had no idea what she got herself into, and that made her look stupid. I missed student’s perspectives in this book. I think a student protagonist would have made this book way more interesting and absorbing, they definitely have a lot to tell.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
Kristy H (1252 KP) rated The Newcomer in Books
May 6, 2021
A fairly cute but rather unbelievable romance/mystery
When Letty Carnahan finds her sister Tanya dead, she knows she has to flee. Tanya warned her about this--if anything happened to her, Letty was to take Tanya's four-year-old daughter, Maya, and run. Letty has no idea where to go, but Tanya's left behind one clue: a magazine article with a motel circled. She and Maya arrive at the Murmuring Surf, a little motel in Florida, exhausted. Letty is convinced that Tanya's ex--Maya's father--a rich businessman is after them. But at "the Surf," the owner, Ava DeCurtis, takes a liking to Maya (and Letty). Despite the No Vacancy sign, she lets Letty and Maya stay in a tiny efficiency. But the rest of the hotel regulars regard Letty and Maya--the newcomers--with suspicion, as does Ava's son, local cop Joe DeCurtis. Joe is pretty convinced Letty is a fugitive and maybe even a murderer. As Letty tries to settle in and heal with Maya, she attempts to unravel exactly what happened to Tanya: and the more she finds out, the more it leads back to the Surf.
"Nobody could be trusted. Not after everything that had happened."
This is a cute, serviceable mystery-romance combo, albeit a slightly preposterous and unbelievable one. Letty flees Tanya's murder scene successfully, a wanted criminal, recognized by no one except Joe, an upstanding, rule-abiding cop who doesn't turn her in. And when the FBI enters the tale, their actions seem highly unreasonable, but... I guess we are supposed to believe anything in the name of love?
As for this love, it's complete insta-love and honestly, at times, a little cringe-worthy. Joe falls for Letty basically on sight and is rather pushy in trying to convince her to be in a relationship. (Hey this is crazy, we just met, I'm not turning you in, let's move in together... umm ok?) It was all a bit much.
Now, the old folks staying at the motel were a total trip. I could completely buy their crazy. And I loved Ava, who was a sweet, overly-trusting, but tough and brave mom, who just wanted to take care of everyone. (I didn't believe that Maya, who had endured great trauma, just sweetly sat and colored for hours each day while Letty worked--I'd like to meet that four-year-old!) The motel setting was spot on, and I desperately wanted to be at the beach while reading the entire book.
Overall, this one held my attention and I couldn't help but root for Letty (and Maya), but it probably won't stick with me. Joe often rubbed me the wrong way and some of the plot points had me rolling my eyes. Still, a cute summery read. 3 stars.
"Nobody could be trusted. Not after everything that had happened."
This is a cute, serviceable mystery-romance combo, albeit a slightly preposterous and unbelievable one. Letty flees Tanya's murder scene successfully, a wanted criminal, recognized by no one except Joe, an upstanding, rule-abiding cop who doesn't turn her in. And when the FBI enters the tale, their actions seem highly unreasonable, but... I guess we are supposed to believe anything in the name of love?
As for this love, it's complete insta-love and honestly, at times, a little cringe-worthy. Joe falls for Letty basically on sight and is rather pushy in trying to convince her to be in a relationship. (Hey this is crazy, we just met, I'm not turning you in, let's move in together... umm ok?) It was all a bit much.
Now, the old folks staying at the motel were a total trip. I could completely buy their crazy. And I loved Ava, who was a sweet, overly-trusting, but tough and brave mom, who just wanted to take care of everyone. (I didn't believe that Maya, who had endured great trauma, just sweetly sat and colored for hours each day while Letty worked--I'd like to meet that four-year-old!) The motel setting was spot on, and I desperately wanted to be at the beach while reading the entire book.
Overall, this one held my attention and I couldn't help but root for Letty (and Maya), but it probably won't stick with me. Joe often rubbed me the wrong way and some of the plot points had me rolling my eyes. Still, a cute summery read. 3 stars.
Darren (1599 KP) rated The Walker (2007) in Movies
Sep 26, 2019
Characters – Carter Page III has made a career out of mingling around the women of high society, where he walks them in parties to keep them entertained, his actions never put the rumours in the air, until one of the ladies is involved in a murder, Carter sees the once always open doors closing around him, forcing him to uncover the truth to save his own reputation. Lynn Lockner is one of the most frequent clients for Carter, they have a close friendship which is tested when she is involved in the murder of a man, did she discover the body or have something to do with it? Natalie Van Miter is another one of the high society that enjoys Carter’s company only she doesn’t always play fair with the others in the circle. Jack Delorean isn’t the biggest fan of Carter and certain members of the high society, he is always looking for dirt on them.
Performances – Woody Harrelson is the highlight of the film with his engaging performance in an otherwise forgettable story. Kristin Scott Thomas, Lauren Bacall, Ned Beatty bring their big name presence to the film without making the impact to make you care about their characters.
Story – The story takes us into the high society world where the rich believe they can get away with anything, we follow a walker that mingles with the ladies to keep the business with gossip etc, when a murder is committed, he becomes the prime suspect and must figure out how to clear his name before his reputation is ruined. This story is just like you would imagine, it is a series of conversations from people that are always looking down on people who just want to take each other of their high horses through the eyes of a man desperately trying to stay within the circle. This story could have been extended to give more development to the characters through a television series, which would have been a lot more interesting to watch.
Crime/Mystery – The crime side of the film follows the aftermath of the murder which adds to the mystery as to who committed it and why, we do get plenty of suspects, but most people we meet seem to have a shady reason to be in the position they are in.
Settings – The film is set in the Washington high society world, with flashy parties, massive apartments, everything you don’t see people in natural life.
Scene of the Movie – Reporting the murder.
That Moment That Annoyed Me – Not enough time to address the real issues touched on within the story.
Final Thoughts – This is a story that had potential to be much bigger and more interesting only for it to become mostly forgettable with the slow pacing and weak character development.
Overall: Slow and disappointing.
Performances – Woody Harrelson is the highlight of the film with his engaging performance in an otherwise forgettable story. Kristin Scott Thomas, Lauren Bacall, Ned Beatty bring their big name presence to the film without making the impact to make you care about their characters.
Story – The story takes us into the high society world where the rich believe they can get away with anything, we follow a walker that mingles with the ladies to keep the business with gossip etc, when a murder is committed, he becomes the prime suspect and must figure out how to clear his name before his reputation is ruined. This story is just like you would imagine, it is a series of conversations from people that are always looking down on people who just want to take each other of their high horses through the eyes of a man desperately trying to stay within the circle. This story could have been extended to give more development to the characters through a television series, which would have been a lot more interesting to watch.
Crime/Mystery – The crime side of the film follows the aftermath of the murder which adds to the mystery as to who committed it and why, we do get plenty of suspects, but most people we meet seem to have a shady reason to be in the position they are in.
Settings – The film is set in the Washington high society world, with flashy parties, massive apartments, everything you don’t see people in natural life.
Scene of the Movie – Reporting the murder.
That Moment That Annoyed Me – Not enough time to address the real issues touched on within the story.
Final Thoughts – This is a story that had potential to be much bigger and more interesting only for it to become mostly forgettable with the slow pacing and weak character development.
Overall: Slow and disappointing.
Darren (1599 KP) rated The Confines (2015) in Movies
Sep 13, 2019
Characters – Streak is a disturbed young woman, she must prove she can keep a job to get her child back which leads her to the night watchwoman role. She doesn’t have experience in this role which leads her to explore and using her gift to learn the truth about the building. Cooper is the experienced night watchman, he needs this job and with his disability, it seems like a comfortable gig for him, this night turns into a nightmare as he must deal with Streak never being sure if she is unstable herself or there is something going on in the building. To round out our small cast we have a homeless man and the guy that hires Streak, neither do much else in the film.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Lee (2222 KP) rated She Dies Tomorrow (2020) in Movies
Sep 2, 2020
Pretentious waste of time
On paper, the concept behind She Dies Tomorrow is an intriguing one – “Amy thinks she’s dying tomorrow…and it’s contagious..”. And the trailer provided just enough mystery to make me want to seek it out too. Is it a portrayal of paranoia and anxiety, or is there something more sinister or supernatural at work, that they carefully and cleverly avoided showing us in the trailer?
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
Kristy H (1252 KP) rated Remain Silent in Books
Jun 11, 2020
In the third book in Steiner's Manon Bradshaw series, we find Manon at work part-time in cold cases, leaving her "time" to raise her toddler, Teddy, and teenage son, Fly. She's adjusting to domestic living with Mark and all the bliss that comes with it: who will take out the garbage, pick up the kids, cook dinner, and more. Then Teddy and Manon take a walk to the park and discover a body: a Lithuanian immigrant named Lukas hanging from a tree, a note attached to his body. Manon's annoying and perhaps clueless boss assigns her to lead the case--with her faithful partner Davy Walker--and Manon is back, attempting to juggle work, motherhood, and what could be a very dangerous murder case.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
Ivana A. | Diary of Difference (1171 KP) rated The Die of Death in Books
Oct 2, 2020
The Die of Death is the second book from The Great Devil War Series, written by Kenneth B. Andersen. If you have read my review of the first book, The Devil’s Apprentice, you would be familiar with Philip.
Philip is a good boy, but he ends up in Hell by mistake. And on top of that, he is chosen to be the Devil’s Apprentice. Even though he’s always be good, he is not good at being bad. A danger occurs in Hell and the Devil is dying. When Philip solves the mystery, he returns on Earth to continue his normal life.
But when the future of the underworld is threatened once again, they need Philip’s help. Death’s Die has been stolen, the one that decides when each person is going to die. Because of that, immortality is now spreading. Philip goes back to hell to solve the mystery, but during his adventures he discovers some horrible truths…
I really have no clue why it took me quite a long time to get to the second book, but I am so happy that I finally got to read it, and endeavour this story.
It is so unique and I am in love!
The chapters just flow through – even better than the first book – and within minutes you are captured in this world, full of good and evil, or decisions being made that question your moral time and time again, in a very understandable way for young adults as well.
The story of the Die of Death, and the scenes related to it were my favourite. I love what Kenneth created, and how Death rolls a dice at the beginning of each life, that determines how many years each person gets to live. I loved how everyone had their own hourglasses and the mysterious snake that guards them.
We get to see the Purgatory in this book too. Only for a moment, but it was wonderful to read about it. It reminded me so much of Dante’s inferno, and I loved it! There was also the theory of reincarnation, told by a dog – a scene that was quite powerful! We even got a glimpse of Heavan, a few mentions here and there, that made me want to know more.
I like Philip as a character, but Satina was my hero! She has the best comment on everything, and they make such a good team with Philip. Also – did you know Hell has its own newspaper? It’s called Hell Times! So cool!
I loved this book. I cherish it. And I can’t wait to see what happens next and I highly recommend it to you – especially this month, as it’s Spooky October already!
Philip is a good boy, but he ends up in Hell by mistake. And on top of that, he is chosen to be the Devil’s Apprentice. Even though he’s always be good, he is not good at being bad. A danger occurs in Hell and the Devil is dying. When Philip solves the mystery, he returns on Earth to continue his normal life.
But when the future of the underworld is threatened once again, they need Philip’s help. Death’s Die has been stolen, the one that decides when each person is going to die. Because of that, immortality is now spreading. Philip goes back to hell to solve the mystery, but during his adventures he discovers some horrible truths…
I really have no clue why it took me quite a long time to get to the second book, but I am so happy that I finally got to read it, and endeavour this story.
It is so unique and I am in love!
The chapters just flow through – even better than the first book – and within minutes you are captured in this world, full of good and evil, or decisions being made that question your moral time and time again, in a very understandable way for young adults as well.
The story of the Die of Death, and the scenes related to it were my favourite. I love what Kenneth created, and how Death rolls a dice at the beginning of each life, that determines how many years each person gets to live. I loved how everyone had their own hourglasses and the mysterious snake that guards them.
We get to see the Purgatory in this book too. Only for a moment, but it was wonderful to read about it. It reminded me so much of Dante’s inferno, and I loved it! There was also the theory of reincarnation, told by a dog – a scene that was quite powerful! We even got a glimpse of Heavan, a few mentions here and there, that made me want to know more.
I like Philip as a character, but Satina was my hero! She has the best comment on everything, and they make such a good team with Philip. Also – did you know Hell has its own newspaper? It’s called Hell Times! So cool!
I loved this book. I cherish it. And I can’t wait to see what happens next and I highly recommend it to you – especially this month, as it’s Spooky October already!
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Clair (5 KP) rated The Essex Serpent in Books
Sep 29, 2017
Purely a cover book buy, I had high hopes for this as it has won lots of awards. I’ve given it 3 stars – it took me over 100 pages before I really started to like it – I struggled to engage with the story and found my mind wandering, meaning I had to go back and reread several paragraphs again.
Set in 1893, Cora Seaborne finds herself a widow after her controlling husband dies. She and her son Francis and companion Martha leave for Colchester in Essex as she is a keen amateur naturalist and hopes to explore the area looking for fossils.
On arrival she hears rumours of the mythical Essex Serpent that has returned to the coastal parish of Aldwinter and she sets off to explore. She is introduced to William Ransome, a vicar who doesn’t believe in the Serpent but on meeting the pair find they have a connection.
There are many characters in the book, and this is for me what kept it interesting. Its meanders quite a bit but once I got used to the style, I ended up quite enjoying the story, and the historical and mystery elements were interesting.
I read it for my book club (my recommendation) and I have a feeling they may have enjoyed it more than me. I much prefer contemporary novels, but I’m glad I read this.
Set in 1893, Cora Seaborne finds herself a widow after her controlling husband dies. She and her son Francis and companion Martha leave for Colchester in Essex as she is a keen amateur naturalist and hopes to explore the area looking for fossils.
On arrival she hears rumours of the mythical Essex Serpent that has returned to the coastal parish of Aldwinter and she sets off to explore. She is introduced to William Ransome, a vicar who doesn’t believe in the Serpent but on meeting the pair find they have a connection.
There are many characters in the book, and this is for me what kept it interesting. Its meanders quite a bit but once I got used to the style, I ended up quite enjoying the story, and the historical and mystery elements were interesting.
I read it for my book club (my recommendation) and I have a feeling they may have enjoyed it more than me. I much prefer contemporary novels, but I’m glad I read this.