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Gareth von Kallenbach (965 KP) rated The Book of Eli (2010) in Movies
Aug 8, 2019
In a post apocalyptic future, a loan man travels the desolate roads on a solitary quest. The man known only as Eli (Denzel Washington), has been travelling west for decades on a mission of faith after receiving what he believes to be a mission of divine origin.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
Gareth von Kallenbach (965 KP) rated Bad Times at the El Royale (2018) in Movies
Jul 2, 2019
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.
I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Jan 23, 2020
You never know what kinds of books you'll find when you take your time at the library.
<i>The Winner's Curse</i>, to say the least, is perhaps one of the best, if not <i>the</i> best, book I've read so far in 2015. The characters, the writing, the world, the plot – I loved it all (or most of it, but technically it's still all of it).
Kestrel may be one of my favorite characters – I just love how she resists (flouting them may be more accurate) her father's and society's rules, values, and expectations throughout the entire book, and even how she resists being bossed around by Cheat near the end.
<blockquote>"If a woman can fight and die for the empire, why can't a woman walk alone?"</blockquote>
Frankly, it's fantastic. It's fantastic how she doesn't really care too much about what society thinks of her relationship with Arin, despite the fact the rumors weren't true at the time. And it's even more fantastic how loyal Jess and Ronan are to Kestrel – they stick around even while Kestrel's reputation is obviously going down the drain with each action she takes that society looks down upon (though Ronan may be questionable).
<blockquote>"It doesn't matter what they think. Dance with me."</blockquote>
Then there's the writing – it's beautiful. The parallel structure the author uses occasionally throughout seems almost poetic, or if not poetic, then there seems to be a rhythm every so often.
<blockquote>She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing.</blockquote>
I'm also not typically a fan of authors revealing what really happens through another character (while another character hears differently), but with <i>The Winner's Curse</i>, I find I rather enjoy Rutkoski revealing what really happens through Arin while Kestrel hears something else. Perhaps it's just the character itself, as Arin <i>is</i> an intriguing character and seems to have an air of mystery about him right when he is first sold to Kestrel – the author reveals that there's something up with him, but is vague enough not to give too much away.
The ending to <i>The Winner's Curse</i> is full of tension – with the second book already released or being released soon, I <i>really</i> want to read the next book, in hopes the sequel is as wonderfully written and unpredictable as the first to the <i>Winner's Trilogy</i> is.
<a href="https://bookwyrmingthoughts.com/review-the-winners-curse-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>The Winner's Curse</i>, to say the least, is perhaps one of the best, if not <i>the</i> best, book I've read so far in 2015. The characters, the writing, the world, the plot – I loved it all (or most of it, but technically it's still all of it).
Kestrel may be one of my favorite characters – I just love how she resists (flouting them may be more accurate) her father's and society's rules, values, and expectations throughout the entire book, and even how she resists being bossed around by Cheat near the end.
<blockquote>"If a woman can fight and die for the empire, why can't a woman walk alone?"</blockquote>
Frankly, it's fantastic. It's fantastic how she doesn't really care too much about what society thinks of her relationship with Arin, despite the fact the rumors weren't true at the time. And it's even more fantastic how loyal Jess and Ronan are to Kestrel – they stick around even while Kestrel's reputation is obviously going down the drain with each action she takes that society looks down upon (though Ronan may be questionable).
<blockquote>"It doesn't matter what they think. Dance with me."</blockquote>
Then there's the writing – it's beautiful. The parallel structure the author uses occasionally throughout seems almost poetic, or if not poetic, then there seems to be a rhythm every so often.
<blockquote>She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing.</blockquote>
I'm also not typically a fan of authors revealing what really happens through another character (while another character hears differently), but with <i>The Winner's Curse</i>, I find I rather enjoy Rutkoski revealing what really happens through Arin while Kestrel hears something else. Perhaps it's just the character itself, as Arin <i>is</i> an intriguing character and seems to have an air of mystery about him right when he is first sold to Kestrel – the author reveals that there's something up with him, but is vague enough not to give too much away.
The ending to <i>The Winner's Curse</i> is full of tension – with the second book already released or being released soon, I <i>really</i> want to read the next book, in hopes the sequel is as wonderfully written and unpredictable as the first to the <i>Winner's Trilogy</i> is.
<a href="https://bookwyrmingthoughts.com/review-the-winners-curse-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ivana A. | Diary of Difference (1171 KP) rated Her Crown of Fire (Molten Crown, #1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2946164637">Her Crown of Fire</a> - ★★★★
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<b><i>Her Crown of Fire is the first book of the Molten Crown series.</i></b>
Rose Evermore is a girl trying to survive high-school. But she suddenly has dreams that can predict the future and she seems to be able to control fire.
Curious about the power she possesses, she finds herself in the fantasy realm of Lotheria with her best friend Tyson. When she arrives, she is welcomed as a fire mage at the academy, while Tyson is forced to hide in order to survive.
With a lot of plot twists and new power discoveries, Rose and Tyson are in trouble and have to find a way back home.
<b><i>I enjoyed this book, and I loved the characters.</i></b>
It is quite difficult for me to find characters I actually feel for in young adult fantasies, but I loved Rose and Tyson. Both characters were full of energy and wisdom. I especially loved the way Tyson developed into a man during his time in Lotheria.
Aside from Rose and Tyson, we also met many side characters which were instantly lovable, such as Laela, Orin and Amisha. They all had something about them that made them special, and I loved every scene that they were in.
I wish that the academy had a more welcoming feeling about it. But given the circumstances, I also loved the mystery and danger that is surrounding it. I loved the the scenes when they talk about their classes and magic, and I loved the runes class. It gave me a Hogwarts vibe.
I enjoyed reading this book, and I cannot wait to read the next book of this series. If you love young adult fantasy, magic, danger and adventure, followed by incredible friendships, you will absolutely love Her Crown of Fire!
<b><i>Thank you to the team at White Plan Publishing, for sending me an ARC paperback copy, in exchange for my honest review.</i></b>
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#1 <a href="https://www.goodreads.com/review/show/2946164637">Her Crown of Fire</a> - ★★★★
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<b><i>Her Crown of Fire is the first book of the Molten Crown series.</i></b>
Rose Evermore is a girl trying to survive high-school. But she suddenly has dreams that can predict the future and she seems to be able to control fire.
Curious about the power she possesses, she finds herself in the fantasy realm of Lotheria with her best friend Tyson. When she arrives, she is welcomed as a fire mage at the academy, while Tyson is forced to hide in order to survive.
With a lot of plot twists and new power discoveries, Rose and Tyson are in trouble and have to find a way back home.
<b><i>I enjoyed this book, and I loved the characters.</i></b>
It is quite difficult for me to find characters I actually feel for in young adult fantasies, but I loved Rose and Tyson. Both characters were full of energy and wisdom. I especially loved the way Tyson developed into a man during his time in Lotheria.
Aside from Rose and Tyson, we also met many side characters which were instantly lovable, such as Laela, Orin and Amisha. They all had something about them that made them special, and I loved every scene that they were in.
I wish that the academy had a more welcoming feeling about it. But given the circumstances, I also loved the mystery and danger that is surrounding it. I loved the the scenes when they talk about their classes and magic, and I loved the runes class. It gave me a Hogwarts vibe.
I enjoyed reading this book, and I cannot wait to read the next book of this series. If you love young adult fantasy, magic, danger and adventure, followed by incredible friendships, you will absolutely love Her Crown of Fire!
<b><i>Thank you to the team at White Plan Publishing, for sending me an ARC paperback copy, in exchange for my honest review.</i></b>
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Night Reader Reviews (683 KP) rated The Mandore Rose in Books
Jan 9, 2020
The Mandore Rose by Cyril James Morris is set in the early 1950s yet, for the most part, it feels like it could be set in modern-day. It also has a prologue from the 1700s but it takes a while for the connection to be made. This book can easily be read in a day or two.
Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
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Just Riley is a young Romany girl who is ordered by her elder to take her caravan and run away. This is not because of anything she has done. She must run in order to protect herself from the man pretending to be her uncle after her mother died just so he can steal from her. Just Riley now has to survive on her own with her horse Pixe and her spirit guide, The Bangled Lady for companions. That is until an accident at the beach puts her in contact with Big Pierre and Rhys.
Rhys teaches her how to hunt for crabs and they quickly become friends. Big Pierre owns and works on a crabbing boat and gives Just Riley some work. When Pierre takes Riley with him one day she meets the Monks and Lady Caldey on their island. The Lady agrees to have an instrument repaired for Just Riley and the two feel a bond right away. After learning to trust one another Just Riley learns that they each have a ring identical to the other. It is with these rings and a little bit of luck that they start on an adventure that may lead them to the truth about who Just Riley really is.
What I liked most was how the main character is called Just Riley. At first, I found this to be annoying and awkward, but after the reason is explained I fund it to be cute, if not a little sad as well. What I did not like was that I wish the book would have explained the difference between Romany and Gypsey. This is because on multiple occasions people in the book confuse the two and Riley seems to be insulted by that. I feel like many people (myself included) do not know the difference and would benefit from the explanation.
People who enjoy historical mysteries would enjoy this book the most. This book is appropriate for just about all readers even those in middle school. It is not too heavily historical that it is not enjoyable. I give this book a 3 out of 4 ratings. While there is not anything wrong with this book I could not give it a perfect score. The book just was not compelling to read. While it is classified as a mystery it really doesn't have a quality that made me curious about what was happening.
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Kristy H (1252 KP) rated The Vanishing Season in Books
Mar 19, 2020
Ellery Hathaway is the only female police officer in Woodbury, Massachusetts. She's also the only one on the force who believes Woodbury has a serial killer--one who is picking off people every July. Ellery was once Abby Hathaway, who was kidnapped at fourteen in a very famous case: she was the seventeenth victim of serial killer Francis Coben. And the only one who lived. Now Ellery is convinced these people in Woodbury--who are going missing around her birthday--are tied to her own incident. So she calls the only person she can think of: Reed Markham, the FBI agent who rescued her from the Coben's closet all those years ago. But Reed is battling his own issues. While Ellery's case--and the subsequent book he wrote--made him famous, he's on forced leave after messing up an investigation, and his wife has kicked him out. His most famous moment revolves around Ellery, but did he truly save her? And now they both are about to be sucked back into the case.
Wow, what an excellent start to a series! I loved this book and was drawn immediately to Ellery ("Ellie") and Reed! They are a dynamic duo, with a truly complicated history, and this was a compelling page-turner from the beginning. Schaffhausen has an easy writing style that brings Ellie and Reed to life (along with Ellie's awesome hound dog "Bump"), and I sped through the book in a couple of hours.
"Ellie knew 'touched' could mean gifted or insane. Maybe she was both. But she wasn't wrong, and if anyone out there was ever going to believe her, it was Reed Markham. Because he'd been touched once too."
The story is a dynamic one, tying back to Ellie's original kidnapping, but working in present-day disappearances in the town where she's escaped. Ellie is desperately trying to start over: no one on her police force knows about her old life. (This is the one thing that seems a little crazy--how did that background check fly? And how does she get so far along in these new cases without spilling the beans?)
Still, I'm willing to overlook it, because this is a captivating dark read that keeps you guessing. I figured out a few things here and there, but it in no way diminished my interest. The dynamics between Ellie and Reed are sizzling, and the twists and turns exciting. I love a good mystery/police procedural, and this one did not disappoint. It's deep and creepy, with a powerful lead female character, and I cannot wait to read the next two books! (I finished this book three days ago, and I'm already in the middle of the third book, just to illustrate how much I enjoy this series!) 4 stars.
Wow, what an excellent start to a series! I loved this book and was drawn immediately to Ellery ("Ellie") and Reed! They are a dynamic duo, with a truly complicated history, and this was a compelling page-turner from the beginning. Schaffhausen has an easy writing style that brings Ellie and Reed to life (along with Ellie's awesome hound dog "Bump"), and I sped through the book in a couple of hours.
"Ellie knew 'touched' could mean gifted or insane. Maybe she was both. But she wasn't wrong, and if anyone out there was ever going to believe her, it was Reed Markham. Because he'd been touched once too."
The story is a dynamic one, tying back to Ellie's original kidnapping, but working in present-day disappearances in the town where she's escaped. Ellie is desperately trying to start over: no one on her police force knows about her old life. (This is the one thing that seems a little crazy--how did that background check fly? And how does she get so far along in these new cases without spilling the beans?)
Still, I'm willing to overlook it, because this is a captivating dark read that keeps you guessing. I figured out a few things here and there, but it in no way diminished my interest. The dynamics between Ellie and Reed are sizzling, and the twists and turns exciting. I love a good mystery/police procedural, and this one did not disappoint. It's deep and creepy, with a powerful lead female character, and I cannot wait to read the next two books! (I finished this book three days ago, and I'm already in the middle of the third book, just to illustrate how much I enjoy this series!) 4 stars.
LeftSideCut (3778 KP) rated Solo: A Star Wars Story (2018) in Movies
Mar 26, 2020
Let's be honest, Solo was getting un-earnt hate from the minute it was announced. "No one asked for this" was thrown around often. "It's not Harrison Ford" was another one, and as a result, it was met in release with a fair amount of vitriol, and underperformed at the box office (apparently, still made shit tons of money...)
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
This is a great shame in my opinion. Solo isn't a perfect film by any means but it's still a fun and enjoyable sci-fi adventure.
Seeming as the plot revolves mainly around Han Solo, who of course is a huge staple character in the original trilogy, set after this one, the stakes are relatively low, and this gives the film room to relax a present us with what is essentially a heist movie, just one thats set in the Star Wars universe.
Alden Ehrenreich is fine as the titular Solo. He isn't trying to just copy Harrison Ford, but still provides something that feels familiar, whilst giving his own take on the character.
Donald Glover is pitch perfect as a young Lando Calrissian, and is arguably the highlight cast member.
It's great to have the likes of Thandie Newton and Woody Harrelson involved as well.
As I've said in my GoT reviews, I've always struggled to full get on board with Emilia Clarke, and it's no different here. She's just kind of there, and I honestly feel that the film wouldn't have suffered to greatly without her character.
My main gripe with Solo is the constant need to over explain everything - ever wondered how Han got his blaster and jacket? No? Well tough shit because we're going to tell you! Ever wondered where he got those dice that hang in the Millennium Falcon for like two seconds in one of the films? No? Shut up and watch dammit. Ever wondered why Han's second name is Solo? No? Well fuck you, because you're about to find out (and it's horribly cringey) Ever wanted to see what the Kessel Run is that Han spoke about once in the history of Star Wars? Well, maybe, kind of, but surprise, ITS A BIG CGI SQUID HAHAHA.
Any mystery and intrigue that you may have about Han Solo is explained away in incessant detail to the point where it becomes quickly tiresome. Not everything needs a back story dammit.
Honestly though, Solo could have been soooo much worse, but as it happens, it actually decent. It's not perfect as I mentioned, but I would happily take it over episodes 8 and 9. If you're one is those fans who have just straight up refused to watch it for some reason, stop being a silly goose and give it a go.
Gareth von Kallenbach (965 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
“Inherent Vice” Follows Doc (Joaquin Phoenix), a private investigator, as he falls down a dark rabbit hole into a world of crime and systemic corruption.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Kristy H (1252 KP) rated The Girl from Widow Hills in Books
Jun 18, 2020
Arden Mayor was just a child when she was swept away while sleepwalking during a terrifying rainstorm and went missing for days. Then she became the miracle of her small town of Widow Hills, Kentucky when she was found clinging for life to a storm drain. Her mother, Laurel, wrote a book. The family received money, fan letters, and, yes, stalkers. Soon it became too much and when she was old enough, Arden changed her name. She became Olivia. Now, as the twentieth anniversary of the incident nears, she has her own life. No one in her new world knows about her past. But when she receives word via phone call about her mother's death, something jolts loose in Olivia. She starts sleepwalking again, waking outside her house. And then one night she awakens, outside yet again, the body of a corpse at her feet. Even worse, the man is someone she knew from her previous life as Arden. Suddenly, Olivia's right back where she started: under scrutiny and media attention. And this time, she isn't the media darling, but a murder suspect.
"I was the girl who survived. The girl who held on. The girl you prayed for, or at least pretended to pray for--thankful most of all that it wasn't your own child down there, in the dark. And after: I was the miracle. The sensation. The story."
I don't have a lot of notes from reading this, but I think it's because I was too caught up in the story. This was a twisty thriller, and I simply wanted to know what happens. You can't ask for much more in a good mystery, can you? I've read a few books lately that cast a strong shadow of doubt on the protagonist (Heather Gudenkauf's This Is How I Lied being a great example)--and Miranda does great work of it here. Olivia sleepwalks, and we have a hard time fully trusting her throughout the novel. Heck, she has a hard time trusting herself.
Of course, there are plenty of other suspects and lots of twists and turns to keep you guessing. I enjoyed the story of a girl escaping her past, only to find it catching up with her, no matter how hard she tried. We see how the media and attention can unravel even the happiest of tales, how Olivia's mother couldn't handle the pressure, how Olivia had to become a different person to survive. Why, we wonder, does society have to take a happy thing and ruin it.
"The case made all of us, and then it unmade us."
Overall, this was a fast-paced and intriguing read. Olivia is an interesting character, oddly sympathetic despite her possibility of being a murderess. 3.75 stars, rounded to 4 here.
"I was the girl who survived. The girl who held on. The girl you prayed for, or at least pretended to pray for--thankful most of all that it wasn't your own child down there, in the dark. And after: I was the miracle. The sensation. The story."
I don't have a lot of notes from reading this, but I think it's because I was too caught up in the story. This was a twisty thriller, and I simply wanted to know what happens. You can't ask for much more in a good mystery, can you? I've read a few books lately that cast a strong shadow of doubt on the protagonist (Heather Gudenkauf's This Is How I Lied being a great example)--and Miranda does great work of it here. Olivia sleepwalks, and we have a hard time fully trusting her throughout the novel. Heck, she has a hard time trusting herself.
Of course, there are plenty of other suspects and lots of twists and turns to keep you guessing. I enjoyed the story of a girl escaping her past, only to find it catching up with her, no matter how hard she tried. We see how the media and attention can unravel even the happiest of tales, how Olivia's mother couldn't handle the pressure, how Olivia had to become a different person to survive. Why, we wonder, does society have to take a happy thing and ruin it.
"The case made all of us, and then it unmade us."
Overall, this was a fast-paced and intriguing read. Olivia is an interesting character, oddly sympathetic despite her possibility of being a murderess. 3.75 stars, rounded to 4 here.
Ross (3282 KP) rated We Ride The Storm in Books
May 18, 2021
Great Asian-inspired twisting, back-stabbing fantasy
'We Ride the Storm' is an epic fantasy book set in an Asian-inspired world, with savage tribes, in-bred empires and age-old family rivalries.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.