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Chris Sawin (602 KP) rated Werewolves Within (2021) in Movies
Dec 14, 2021
An incredible ensemble cast. (2 more)
Plot stays true to the classic 'whodunit' formula.
Milana Vayntrub.
Not enough horror. (2 more)
Not enough werewolves.
The burning desire for a hard R-rating.
A Sleepover with Guns
A horror comedy film based on the 2016 Red Storm Entertainment developed, Ubisoft published multiplayer VR video game of the same name, Werewolves Within keeps the same mystery/whodunit element of the game by introducing audiences to a small town under attack from a werewolf and leaving them to wonder which of the townsfolk could be the actual lycanthrope.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
magical (1 more)
tender
Jess Winters and her mother, Maud, arrive in the small town of Sycamore, Arizona hoping to start afresh: Maud is recently divorced from Jess' father and both are reeling from the event in different ways. Maud copes by sleeping most of the day away, but a restless teenage Jess wanders the town, searching for peace. Eventually she finds a friendship with Dani Newell, the local "smart kid" at the high school, and her boyfriend, Paul, the son of Jess' employer, Iris. Maybe, just maybe, Jess thinks, she could be happy here.
Flash forward nearly twenty years, when a new resident to town, another restless spirit, stumbles upon some bones in the local dried up lake. Residents immediately fear they belong to Jess, who disappeared shortly before Christmas: a young seventeen-year-old who was never seen again.
Oh, this is a magical book. I felt an immediate attachment to Jess from the first opening chapter. I was connected to her as a child of divorce, as someone who once had that urge to wander, who shared that restlessness as an adolescent. You quickly find that Chancellor has the power to create such real characters, who draw you in from the start.
The book--and the story of Jess--unfolds in snatches and snippets of these characters. Each chapter is told by a different inhabitant of Sycamore, and we get reminiscences and memories of their past, telling more about what happened with Jess, as well as their current life. We also get chapters of Jess' time as a sixteen-and seventeen-year-old in the town. In a way, it is as if we are being caught up backwards sometimes. I was captivated by the oddly suspenseful way they each tell stories from different times and varying viewpoints. It's an interesting (and effective) technique. You are piecing together a mystery, yet also reading a beautiful novel of interwoven characters.
One of the most amazing things about this novel is that for each different point of view, for each character, they have their own voice. Chancellor captures each one in their own unique way: the different way they speak. Some chapters are told in a distinctive sort of format and more. Every one has their own personality. It allows the characters--and the entire town--to really come to life so easily as you read. You can picture this entire small town and its inhabitants so clearly because of her beautiful, clear writing. It's just such a powerful book and so well-written.
There's a sweet tenderness to this book that I cannot truly describe. It really touched me. It's not always an easy read, or a happy one, but it's a lovely book in many ways. It's wonderfully written, surprisingly suspenseful, and a heartbreaking but amazing journey. I highly recommend it.
Flash forward nearly twenty years, when a new resident to town, another restless spirit, stumbles upon some bones in the local dried up lake. Residents immediately fear they belong to Jess, who disappeared shortly before Christmas: a young seventeen-year-old who was never seen again.
Oh, this is a magical book. I felt an immediate attachment to Jess from the first opening chapter. I was connected to her as a child of divorce, as someone who once had that urge to wander, who shared that restlessness as an adolescent. You quickly find that Chancellor has the power to create such real characters, who draw you in from the start.
The book--and the story of Jess--unfolds in snatches and snippets of these characters. Each chapter is told by a different inhabitant of Sycamore, and we get reminiscences and memories of their past, telling more about what happened with Jess, as well as their current life. We also get chapters of Jess' time as a sixteen-and seventeen-year-old in the town. In a way, it is as if we are being caught up backwards sometimes. I was captivated by the oddly suspenseful way they each tell stories from different times and varying viewpoints. It's an interesting (and effective) technique. You are piecing together a mystery, yet also reading a beautiful novel of interwoven characters.
One of the most amazing things about this novel is that for each different point of view, for each character, they have their own voice. Chancellor captures each one in their own unique way: the different way they speak. Some chapters are told in a distinctive sort of format and more. Every one has their own personality. It allows the characters--and the entire town--to really come to life so easily as you read. You can picture this entire small town and its inhabitants so clearly because of her beautiful, clear writing. It's just such a powerful book and so well-written.
There's a sweet tenderness to this book that I cannot truly describe. It really touched me. It's not always an easy read, or a happy one, but it's a lovely book in many ways. It's wonderfully written, surprisingly suspenseful, and a heartbreaking but amazing journey. I highly recommend it.
Kristy H (1252 KP) rated Fragments of the Lost in Books
Jan 10, 2018
Different but enjoyable novel
When Jessa Whitworth's high school ex-boyfriend dies suddenly, it's as if the world stops. One moment Caleb is at her track meet, taking the butterfly necklace she handed to him, and the next, he's gone, his car washed over a flooded bridge on a stormy day. Caleb's mom eventually asks Jessa to pack up his room--she blames Jessa for the accident, since Caleb had gone to see her that day, and Jessa feels she cannot say no. She's left to clean out his room and winds up piecing together bits of Caleb's life as she does. Each photograph, article of clothing, and notebook reminds her of parts of her life with Caleb. Even worse, she realizes there is so much she didn't know about him. With that realization, Jessa wonders, what really happened the day Caleb went over the bridge?
This novel isn't really what I expected at all, though I should have realized that it would be less teen angst and more teen angst and psychological mystery combined, as the two Megan Miranda novels I have read, The Perfect Stranger: A Novel and All the Missing Girls, are more in the suspense/thriller category.
The biggest issue for me was that this one starts off really slow. It's hard to get into any kind of momentum as every forward plot movement is broken by Jessa finding something and immediately remembering back into her past with Caleb. I was a little frustrated in the beginning, wanting more to happen.
I really enjoyed the character of Jessa, though. She was a little hard on herself in relation to Caleb's death, but she was also a teen dealing with both the death of a loved one and a recent breakup (their split occurring not too long before his death). She came across as pretty realistic. The supporting cast was a little more nebulous for me--Caleb's mom was pretty harsh, and we didn't see too much of Jessa's family, though I liked her older brother, Julian. Caleb's best friend and neighbor, Max, was probably the other character that was easiest to get to know and he was rather well fleshed out. Caleb himself--whom we learn about through Jessa's point of view and flashbacks--is a hard one to figure out, but that only adds to the mystique of how he ended up at the bridge that day.
Overall, if you can bring a little patience, this book is one to enjoy. It eventually picks up and while the storyline is somewhat different (this whole novel is rather hard to describe), I really did enjoy it. I felt satisfied with the ending--it was worth reading. I enjoyed Miranda's two adult mysteries and while this is the first of her YA novels that I've read, I will definitely investigate others. 3.5 stars.
This novel isn't really what I expected at all, though I should have realized that it would be less teen angst and more teen angst and psychological mystery combined, as the two Megan Miranda novels I have read, The Perfect Stranger: A Novel and All the Missing Girls, are more in the suspense/thriller category.
The biggest issue for me was that this one starts off really slow. It's hard to get into any kind of momentum as every forward plot movement is broken by Jessa finding something and immediately remembering back into her past with Caleb. I was a little frustrated in the beginning, wanting more to happen.
I really enjoyed the character of Jessa, though. She was a little hard on herself in relation to Caleb's death, but she was also a teen dealing with both the death of a loved one and a recent breakup (their split occurring not too long before his death). She came across as pretty realistic. The supporting cast was a little more nebulous for me--Caleb's mom was pretty harsh, and we didn't see too much of Jessa's family, though I liked her older brother, Julian. Caleb's best friend and neighbor, Max, was probably the other character that was easiest to get to know and he was rather well fleshed out. Caleb himself--whom we learn about through Jessa's point of view and flashbacks--is a hard one to figure out, but that only adds to the mystique of how he ended up at the bridge that day.
Overall, if you can bring a little patience, this book is one to enjoy. It eventually picks up and while the storyline is somewhat different (this whole novel is rather hard to describe), I really did enjoy it. I felt satisfied with the ending--it was worth reading. I enjoyed Miranda's two adult mysteries and while this is the first of her YA novels that I've read, I will definitely investigate others. 3.5 stars.
Hazel (1853 KP) rated Unrivalled in Books
May 25, 2017
Indistinctive
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Unrivalled is the first book in a new young adult series by Alyson Noël. Set in Hollywood, this story takes a look at what it is like to be young and famous, as well as what it is like to be aspiring to be. The lives of four eighteen year olds from completely different circumstances are suddenly thrown together in a prestigious competition to become the best promoter of VIP nightclubs owned by the infamous Ira Redmond.
Layla and Tommy, from less notable backgrounds, are determined to become famous through journalism and guitar playing. For Layla, this competition means winning enough money to go to college in New York. For Tommy, the prize will help him to move up from his lowly rented apartment and begin to make himself known. Aster, on the other hand, is already rich, she does not care about the money, she cares about winning. Winning means being noticed, which for an aspiring actress is an important career move.
The fourth character is already famous and is a face that Redmond has challenged the competitors to get to enter their respective nightclubs. Madison Brooks has made her way to the top as America’s hottest teenage actress – yet how she has managed this is unclear. As the story goes on it becomes clear that Madison has a shaky past that is constantly trying to catch up with her. No one other than her trusted staff know of the true Madison, so when she goes missing the police suspect foul play. The only problem is Layla, Tommy and Aster are so mixed up in recent events surrounding Madison that they immediately become the prime suspects.
Unrivalled is a book that needs a required taste to fully enjoy. The focus is on celebrity life style, which for me is not something I am interested in. I found myself lacking in sympathy for any of the characters – although I slightly liked Layla’s ambition to become a reporter as journalism and writing IS something I am drawn to. What is annoying is that Unrivalled is only the first novel in a series, so I never got to find out what happened to Madison after plowing through pages of tedious narrative. But to be honest, I do not really care about the result.
It is my lack of interest in the subject matter that consequently leaves me to only give this book a two star rating. However, I would like to emphasize that Noël knows how to write. For the right target audience Unrivalled will be a captivating novel. It emphasizes the glamorous and the not-so-glamorous aspects of becoming famous, which the three contestants soon discover: as Shakespeare put it “All that glitters is not gold.”
If you have an interest in celebrity culture, teenage romance and a bit of mystery, then this book may well be for you. If not, you may be headed for disappointment.
Unrivalled is the first book in a new young adult series by Alyson Noël. Set in Hollywood, this story takes a look at what it is like to be young and famous, as well as what it is like to be aspiring to be. The lives of four eighteen year olds from completely different circumstances are suddenly thrown together in a prestigious competition to become the best promoter of VIP nightclubs owned by the infamous Ira Redmond.
Layla and Tommy, from less notable backgrounds, are determined to become famous through journalism and guitar playing. For Layla, this competition means winning enough money to go to college in New York. For Tommy, the prize will help him to move up from his lowly rented apartment and begin to make himself known. Aster, on the other hand, is already rich, she does not care about the money, she cares about winning. Winning means being noticed, which for an aspiring actress is an important career move.
The fourth character is already famous and is a face that Redmond has challenged the competitors to get to enter their respective nightclubs. Madison Brooks has made her way to the top as America’s hottest teenage actress – yet how she has managed this is unclear. As the story goes on it becomes clear that Madison has a shaky past that is constantly trying to catch up with her. No one other than her trusted staff know of the true Madison, so when she goes missing the police suspect foul play. The only problem is Layla, Tommy and Aster are so mixed up in recent events surrounding Madison that they immediately become the prime suspects.
Unrivalled is a book that needs a required taste to fully enjoy. The focus is on celebrity life style, which for me is not something I am interested in. I found myself lacking in sympathy for any of the characters – although I slightly liked Layla’s ambition to become a reporter as journalism and writing IS something I am drawn to. What is annoying is that Unrivalled is only the first novel in a series, so I never got to find out what happened to Madison after plowing through pages of tedious narrative. But to be honest, I do not really care about the result.
It is my lack of interest in the subject matter that consequently leaves me to only give this book a two star rating. However, I would like to emphasize that Noël knows how to write. For the right target audience Unrivalled will be a captivating novel. It emphasizes the glamorous and the not-so-glamorous aspects of becoming famous, which the three contestants soon discover: as Shakespeare put it “All that glitters is not gold.”
If you have an interest in celebrity culture, teenage romance and a bit of mystery, then this book may well be for you. If not, you may be headed for disappointment.
Haley Mathiot (9 KP) rated Fade to Black (Rojan Dizon, #1) in Books
Apr 27, 2018
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
Phillip McSween (751 KP) rated The Signal (2014) in Movies
Apr 30, 2018
Meh
Three college students get more than what they bargained for when they try to track down a computer genius that hacked their computers and end up fighting for their lives instead.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Acting: 10
Beginning: 5
Characters: 4
The characters harbored no depth whatsoever. As a result there was never a point in the film where I cared about what happened to any of them. They were stale, moving about the film aimlessly. The only time they were remotely interesting was towards the end and I won't spoil why.
Not only did they bore me, they infuriated me at the same time. The decision-making of main character Nic (Brenton Thwaites) was just maddening. How he repeatedly found himself in the same perilous situations blew my mind. At one point, I remember saying, "At this point, you deserve what happens." You know it's going to be a long film when the main character can't win you over.
Cinematography/Visuals: 8
Conflict: 4
While there are some points of intrigue, the film seems to bumble along for the most part with much ado about nothing. You recognize that there is a mystery unfolding, but the terrible character development didn't help to raise my level of caring. The two action sequences that are worthwhile don't redeem the film as a whole.
Genre: 4
I love sci-fi. There are too many films to count that have helped shape the genre. When it comes to sci-fi, this ranks towards the bottom of the barrel for me. There are no real points of connection that gave it the spark it needed to capture my interest. The true sci-fi elements come too little too late.
Memorability: 7
Pace: 5
Watching this film is like watching a baby trying to walk, but not quite as cute. You're waiting for the film to collapse at any moment due to its shaky foundation and then you get to a point where you say, "Just be done already." After about the fourth or fifth eyeroll, I was beyond ready for the film's conclusion.
Plot: 3
Just dumb. Do I need to expand on this? The story has enough holes to make swiss cheese jealous. Sure, things became less confusing as the story progressed, but the answers given were beyond far-fetched. I think a stronger story overall is what could have turned the tides of the entire film.
Resolution: 6
From a visuals standpoint, the ending was pretty cool. From a justifiable and satisfaction-level standpoint? Going to take a hard pass. I won't spoil the ending, but I'll just say the payoff is far from worth it. Interesting yes...but incomplete.
Overall: 56
Even before the ending brought the film to a necessary close, there were so many points along the way director William Eubank could have tweaked to improve this film. Alas, it didnt seem to be worth his time and neither should this film be for yours.
Kristy H (1252 KP) rated The Perfect Mother in Books
May 10, 2018
Compelling and suspenseful novel that grabs you from the start
The May Mothers--a group of parents who all gave birth in May--meet regularly to discuss their parenting woes, joys, and everything in between. On the 4th of July, the group decides to go out in the evening--their first time out since their children were born. They meet at a bar, and most of the group is looking forward to an evening of drinking and dancing. But Winnie, a single mother, is reluctant to leave her son, Midas, with a babysitter for the first time. And, that evening, all goes wrong: while Winnie is out, Midas is taken from his own home while the babysitter sleeps: stolen from his crib without anyone leaving a trace. Suddenly Winnie's life is splashed across the media, who are also saying the police have done everything wrong with the investigation from the start. Three of the other mothers only want to help Winnie get Midas back--but will it come at the cost of their own privacy as well?
This is a compelling and suspenseful novel that grabs you from the beginning, when we are told that it is a year later and a woman from the Mother's group is in prison due to Midas' disappearance. From there, the story rewinds, as told from the point-of-view of several women in the group, including Francie, Colette, Nell, and Winnie. It slowly unfolds with snippets from each and turns out to be incredibly suspenseful. The characters are all entwined a bit, and there are some excellent twists and turns as plot pieces unfold.
Even better, the novel offers some excellent commentary on how women are treated wrapped up in the mystery plot. Woven into the plot twists, we see some of the harsh realities of motherhood (in the U.S., especially) related to working mothers, breastfeeding, sleeplessness, and the overall pressure placed on new moms. As Winnie is increasingly tried in the media, Molloy does a good job of weaving in TV news and commentary on how mothers are expected to behave. It's well-done and I enjoyed the dual aspect of a well-done thriller but also the social commentary aspect, too.
Overall, I really enjoyed this one. It was very exciting and very surprising. At times, there often seemed to be a frustrating character involved with something to hide and making bad decisions (secretly copying files, hacking into things, etc.), but I suppose that comes with the territory. And yes, I am a little tired of the multiple POV/surprise twist format, but it worked so well here that I'll forgive. In the end, this is a really enjoyable novel with a vast cast of characters, some excellent twists, and amazing insight into motherhood. I'm really excited that this will be turned into a movie with Kerry Washington.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
This is a compelling and suspenseful novel that grabs you from the beginning, when we are told that it is a year later and a woman from the Mother's group is in prison due to Midas' disappearance. From there, the story rewinds, as told from the point-of-view of several women in the group, including Francie, Colette, Nell, and Winnie. It slowly unfolds with snippets from each and turns out to be incredibly suspenseful. The characters are all entwined a bit, and there are some excellent twists and turns as plot pieces unfold.
Even better, the novel offers some excellent commentary on how women are treated wrapped up in the mystery plot. Woven into the plot twists, we see some of the harsh realities of motherhood (in the U.S., especially) related to working mothers, breastfeeding, sleeplessness, and the overall pressure placed on new moms. As Winnie is increasingly tried in the media, Molloy does a good job of weaving in TV news and commentary on how mothers are expected to behave. It's well-done and I enjoyed the dual aspect of a well-done thriller but also the social commentary aspect, too.
Overall, I really enjoyed this one. It was very exciting and very surprising. At times, there often seemed to be a frustrating character involved with something to hide and making bad decisions (secretly copying files, hacking into things, etc.), but I suppose that comes with the territory. And yes, I am a little tired of the multiple POV/surprise twist format, but it worked so well here that I'll forgive. In the end, this is a really enjoyable novel with a vast cast of characters, some excellent twists, and amazing insight into motherhood. I'm really excited that this will be turned into a movie with Kerry Washington.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Midge (525 KP) rated Who (Stalker #1) in Books
Feb 9, 2019
A Touch Of Brilliance!
Who scares you the most, a complete stranger or a person you know that has you in their sight?
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
The Disappointing Mr. Whicher...or is it the Wandering Ms. Summerscale? No, I've got it! The Bloated Book of Everything Victorian!
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
I was looking forward to reading, what I thought was, a true crime book with a bit of a look into Mr. Whicher's professional life too. What I got instead was four, possibly more, books in a 304 page book. These four parts consist of the murder of Saville Kent, Mr. Jonathan Whicher himself, an analysis of detective fiction (especially Poe, Dickens, and Collins), the origin of words and phrases in the detection field, many murder/crime stories of the day, other oddly inserted facts and history, etc., etc.
Now, Ms. Summerscale is a fine writer (and researcher for that matter), but it seems as if she wrote for herself instead of us, the readers. While her odd bits and pieces of history are interesting (usually), they are not essential to the plot (or what I thought was the main story), and I found myself glazing quite a bit. Whenever she rhapsodized poetic about Poe, Dickens or any of the other writers of the early detection mystery, it had the overall feel of a research paper and usually didn't have much to do with the murder in the least. The author wandered off way too many times to her own fancy and whenever she went back to the supposed case, it felt as if she had forgotten that she was supposed to be writing about the murder. This left the plotting of the book oddly pieced together and me discombobulated. Where was the editor? Out to lunch? Or did the author disregard what the editor(s) advised her to do? Who knows, but all this extraneous information was just filler and added nothing to the book. I cannot believe this actually won anything. Another quibble was that she also had a bit of a problem with her 'sensationalistic' chapter endings; they just didn't go (or flow) with the whole book.
My biggest problem with the whole book is there isn't much on the murder, which you would think there would be by the cover, synopsis, praise, and marketing. Only a little speculation is spared on a few other suspects; no why might they have done it, how the family may have felt - I wish there had been more focused on the murder and less on everything else. That's why I picked up the book, I wanted to know about the crime and consequences, not on the way of Victorian life or how it influenced writers, there are other books for that (which are listed in the notes and select bibliography in the back I might add). Now, don't get me wrong, I enjoyed the subject content, but the overall construction of the book with all the un-necessary passages left me dissatisfied and grumpy.
MaryAnn (14 KP) rated Revealed (Intrigue under Western Skies) (Volume 3) in Books
Mar 5, 2019
Nothing can be hidden that won’t be revealed.
When her father dies, Katherine Levinson discovers her parents have kept secrets that render her happy childhood a farce. She and her gravely ill mother face eviction, and she has no choice but to appeal to the brother she’s never seen, the famous cattle baron, Rhyan Cason. Over her gravely ill mother’s objections, they move to Nebraska and the sprawling cattle ranch, Sollano.
Instead of the warm welcome, Katherine expects, she and her mother are met with whispers and scorn in the little prairie town near Sollano. Gradually, the sins of her parents’ past surface
and Katherine begins to doubt her very identity. With her brother busy with cattle rustlers and her mother too ill to be bothered, Katherine turns to Colt Holliman, a soft-spoken neighboring rancher, for comfort.
Tired of waiting for the right woman to come along, Colt has promised to wait for Charley Ryder, an acclaimed female sharpshooter and equestrian acrobat with the Wild West Show, but it’s becoming clear Charley loves the show more than him. As his attraction to Katherine grows, he finds himself spiritually conflicted. How can he break from past commitments and follow his heart?
Then unexpected danger strikes, testing Katherine’s and Colt’s faith in God—and each other.
My Thoughts: This was a delightful novel to read, the storyline is based in Nebraska. Nebraska is known for their corn, beef , horses ,rodeos and sugar beets! I lived in Nebraska and this brought back some great memories for me. The author has done a phenomenal job of bringing the reader into the ranching life. I love that she brings in the Wild West shows as well, there is so much history from the west that people don't have any idea that living in the west is truly like and the author has given the reader a great glimpse of the history.
Katherine is such a loveable character, the reader feels her plight, her father has passed away, her mother is ill, there are bills to pay. What is she to do?
Katherine sends a letter to a brother she hasn't met which changes her life forever.
Katherine has many things to deal with, the lies that her parents told her, gossip, and of course love. How must it feel to fall in love with someone promised to another? will she repeat her mother's past?
It's not hard to fall in love with Colt. He is every woman's dream, including Katherine's but Colt is promised to Charley; who it seems cares more about herself than anyone else.
This is a novel full of love, mystery, and suspense. It also shows us what happens when the love of money and pride come into our lives. It also teaches us that we must lean on God for everything and to turn to him when times get troubled.
I enjoyed the author's writing and will certainly be looking forward to reading more from Elaine Manders.
When her father dies, Katherine Levinson discovers her parents have kept secrets that render her happy childhood a farce. She and her gravely ill mother face eviction, and she has no choice but to appeal to the brother she’s never seen, the famous cattle baron, Rhyan Cason. Over her gravely ill mother’s objections, they move to Nebraska and the sprawling cattle ranch, Sollano.
Instead of the warm welcome, Katherine expects, she and her mother are met with whispers and scorn in the little prairie town near Sollano. Gradually, the sins of her parents’ past surface
and Katherine begins to doubt her very identity. With her brother busy with cattle rustlers and her mother too ill to be bothered, Katherine turns to Colt Holliman, a soft-spoken neighboring rancher, for comfort.
Tired of waiting for the right woman to come along, Colt has promised to wait for Charley Ryder, an acclaimed female sharpshooter and equestrian acrobat with the Wild West Show, but it’s becoming clear Charley loves the show more than him. As his attraction to Katherine grows, he finds himself spiritually conflicted. How can he break from past commitments and follow his heart?
Then unexpected danger strikes, testing Katherine’s and Colt’s faith in God—and each other.
My Thoughts: This was a delightful novel to read, the storyline is based in Nebraska. Nebraska is known for their corn, beef , horses ,rodeos and sugar beets! I lived in Nebraska and this brought back some great memories for me. The author has done a phenomenal job of bringing the reader into the ranching life. I love that she brings in the Wild West shows as well, there is so much history from the west that people don't have any idea that living in the west is truly like and the author has given the reader a great glimpse of the history.
Katherine is such a loveable character, the reader feels her plight, her father has passed away, her mother is ill, there are bills to pay. What is she to do?
Katherine sends a letter to a brother she hasn't met which changes her life forever.
Katherine has many things to deal with, the lies that her parents told her, gossip, and of course love. How must it feel to fall in love with someone promised to another? will she repeat her mother's past?
It's not hard to fall in love with Colt. He is every woman's dream, including Katherine's but Colt is promised to Charley; who it seems cares more about herself than anyone else.
This is a novel full of love, mystery, and suspense. It also shows us what happens when the love of money and pride come into our lives. It also teaches us that we must lean on God for everything and to turn to him when times get troubled.
I enjoyed the author's writing and will certainly be looking forward to reading more from Elaine Manders.