Search
Search results
Lyndsey Gollogly (2893 KP) rated The Best Horror of the Year Volume 1 in Books
Apr 30, 2021
56 of 250
Book
The Best Horror of the Year Volume 1
Edited by Ellen Datlow
Once read a review will be written via Smashbomb and link posted in comments!
I will post in comments a short comment on each story!
An Air Force Loadmaster is menaced by strange sounds within his cargo; a man is asked to track down a childhood friend... who died years earlier; doomed pioneers forge a path westward as a young mother discovers her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of a tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smugglers find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them...
What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.
Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume One.
1. Cargo by E.Michael Lewis
So chilling and so sad! This is short I dedication to the families of those children in Jonestown and the men and women who brought the bodies home.
2. If Angels Fight by Richard Bowes
This is about a man searching for his friend who was possessed by an Angel. On this journey you see and find out that this Angel left his friend and left a trail behind him to follow. His family never gave up he managed to find his friend and Angel Michael and return him to his home one last time. Only question was did he bring him home to find his sister to posses or to say goodbye to his mother?.
3. The Clay Party by Steve Duffy
A group of settlers embark on a journey for a new life in California in 1846, the journey does not go as expected. I was a bit bored at the beginning but certainly had a twist at the end.
4. Penguins of the Apocalypse by William Browning Spencer
This is brilliant! A man fighting his personal battles with alcohol! Now is the pulka and penguin freedom movement real or a fragment of his imagination while under the influence? Either way it was entertaining!
5. Esmeralda by Glen Hirshberg
This is a very strange little story involving the end of all books,pens and paper! Very odd!
6. The Hodog by Trent Hergenrader
A good old fashioned urban legend!
7. Very Low Flying Aircraft by Nicholas Royle
Not one for me didnt really grip me.
8. When the Gentlemen Go By. By Margaret Ronald
This was a bit chilling and I would love to have read more about these “Gentlemen” who come at night to make bargains!
9. The Lagerstatte by Laird Barron
Grief does strange things to our minds and body! This was quite chilling.
10. Harry and the Monkey by Euan Harvey
This really plays on every fear a parent has when their kids go missing especially in a place and time where children are vanishing!
11 Dress Circle by Miranda Siemeinowicz
12. The Rising River. By Daniel Kaysen
This was strange and after reading it I’m still not sure what’s happening 😂😂
13 Loup-Garou by R.B. Russell
I enjoyed this strange litte story set in my hometown of Birmingham. A little french film causes a little drama in this mans life.
14. Girl in pieces by Graham Edwards
This was my favourite! So far fetched into a world of monsters a detective helps a Golum save a girl cut to pieces! So much fun
15 It washed up by Joe R. Lonsdale
Wow how to pack a punch in 2 pages! Loved it!
16 The Man from the Peak by Adam Golaski
Brilliant short full of mystery blood and gore! Very well written.
17. The Narrows by Simon Bestwick
This actually chilled me I’d hate sending my child to school and have something like this happen which of course is totally possible.
I loved this book of small tales and discovering those writers I wouldn’t normally be exposed too!
Book
The Best Horror of the Year Volume 1
Edited by Ellen Datlow
Once read a review will be written via Smashbomb and link posted in comments!
I will post in comments a short comment on each story!
An Air Force Loadmaster is menaced by strange sounds within his cargo; a man is asked to track down a childhood friend... who died years earlier; doomed pioneers forge a path westward as a young mother discovers her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of a tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smugglers find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them...
What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.
Legendary editor Ellen Datlow (Poe: New Tales Inspired by Edgar Allan Poe), winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting The Best Horror of the Year, Volume One.
1. Cargo by E.Michael Lewis
So chilling and so sad! This is short I dedication to the families of those children in Jonestown and the men and women who brought the bodies home.
2. If Angels Fight by Richard Bowes
This is about a man searching for his friend who was possessed by an Angel. On this journey you see and find out that this Angel left his friend and left a trail behind him to follow. His family never gave up he managed to find his friend and Angel Michael and return him to his home one last time. Only question was did he bring him home to find his sister to posses or to say goodbye to his mother?.
3. The Clay Party by Steve Duffy
A group of settlers embark on a journey for a new life in California in 1846, the journey does not go as expected. I was a bit bored at the beginning but certainly had a twist at the end.
4. Penguins of the Apocalypse by William Browning Spencer
This is brilliant! A man fighting his personal battles with alcohol! Now is the pulka and penguin freedom movement real or a fragment of his imagination while under the influence? Either way it was entertaining!
5. Esmeralda by Glen Hirshberg
This is a very strange little story involving the end of all books,pens and paper! Very odd!
6. The Hodog by Trent Hergenrader
A good old fashioned urban legend!
7. Very Low Flying Aircraft by Nicholas Royle
Not one for me didnt really grip me.
8. When the Gentlemen Go By. By Margaret Ronald
This was a bit chilling and I would love to have read more about these “Gentlemen” who come at night to make bargains!
9. The Lagerstatte by Laird Barron
Grief does strange things to our minds and body! This was quite chilling.
10. Harry and the Monkey by Euan Harvey
This really plays on every fear a parent has when their kids go missing especially in a place and time where children are vanishing!
11 Dress Circle by Miranda Siemeinowicz
12. The Rising River. By Daniel Kaysen
This was strange and after reading it I’m still not sure what’s happening 😂😂
13 Loup-Garou by R.B. Russell
I enjoyed this strange litte story set in my hometown of Birmingham. A little french film causes a little drama in this mans life.
14. Girl in pieces by Graham Edwards
This was my favourite! So far fetched into a world of monsters a detective helps a Golum save a girl cut to pieces! So much fun
15 It washed up by Joe R. Lonsdale
Wow how to pack a punch in 2 pages! Loved it!
16 The Man from the Peak by Adam Golaski
Brilliant short full of mystery blood and gore! Very well written.
17. The Narrows by Simon Bestwick
This actually chilled me I’d hate sending my child to school and have something like this happen which of course is totally possible.
I loved this book of small tales and discovering those writers I wouldn’t normally be exposed too!
Tui Snider has long since been a favorite author of non-fiction of mine. Her research when it comes to her books is impeccable. I try to never miss an opportunity to read a book by Tui Snider, so when I was presented with the opportunity to read 6 Feet Under Texas by Tui Snider, I jumped at the chance!
6 Feet Under Texas by Tui Snider is a book for those who love history as well as for those who have an appreciation for cemeteries and the people who are buried there. Snider goes all over (mostly) north Texas to talk about the history behind some of the graves famous, infamous, and the just plain interesting. As always, Tui Snider has done excellent research for her book, and it really does show the dedication behind it all. In fact, Tui Snider solved the mystery about the identity of the one legged rope walker who's buried in Corsicana. The photos included in the book aren't in color, but I enjoyed them just the same. It was nice to place the story to the photo. I also appreciated Tui Snider placing each city in alphabetical order for easy findings. She also includes the address to where each cemetery is located after each story in case you wanted to visit.
I will admit that many books, I skip the intro. However, I know that Tui Snider never writes a dull and boring intro for her books. 6 Feet Under Texas' intro did not disappoint. Snider talks about how cemeteries are not morbid at all and how cemeteries are actually for the living. Seriously, read the intro. It is short and so very interesting!
I learned so much reading 6 Feet Under Texas. For example, did you know there was such thing as a backronym? I sure didn't until I read about Amber Hagerman, the little girl from which the AMBER Alert was invented. Tui Snider discusses about Amber's case and gives us an English lesson as well! There's also a touching story about a reverend who took in single mothers back in 1894, a time when society shunned those who weren't married. That story really warmed my heart. In Danville, a young woman by the name of Karen Silkwood is buried. She died under mysterious circumstances back in 1974. The mystery of Silkwood's death definitely left me intrigued. Her story was also very interesting. I learned that in the olden days, scraped graveyards were commonplace. Tui Snider explains that the grass from cemeteries was scraped because the lawn mower actually wasn't invented until 1830, and lawn grasses weren't a thing until the 1930s. Grass, back then, was home to all sorts of snakes and insects, and dry grass could catch on fire easily. So back then, people would get rid of all the grass growing around graves. It's pretty interesting to read about. I also read about Marlene Johnson in 6 Feet Under Texas. Marlene Johnson was the first female postmaster for Eastland, Texas. She made a huge mural out of millions of postage stamps. I loved reading about Mrs. Johnson, and I believe others will too. I was intrigued by Anthony Bascilli's grave. He went all out for his grave including having brick walls around his coffin, doors leading down to his coffin, and pipes sticking out of his coffin where keys to the door were to be dropped. Those pipes are still visible above ground if you take a trip out to the cemetery in Thurber, Texas.
It's not just humans that Tui Snider includes in her book 6 Feet Under Texas. Did you know that back in the day, it was a normal thing to have your limbs buried? For example, there are true stories of people burying amputated limbs and having grave markers made for them. What I really loved was how Tui Snider also mentions animal burials. She discusses the Alamo cats who are buried at the Alamo. (I had no idea that the Alamo had official cats!) She also writes about other animals that were special in some form, but I really loved reading about the Texas horned lizard that had been buried alive for thirty-one years and came back to life when he was exhumed.
I could go on and on about how amazing Tui Snider's newest book is, but you are better off just reading it for yourself. This was one of those books where I never wanted it to end. Luckily, Tui Snider is making a volume 2! I would definitely recommend 6 Feet Under Texas by Tui Snider to everyone that would love to go on a real life adventure without leaving wherever their reading Snider's book from. Seriously, pick up your copy of 6 Feet Under Texas so you can understand why I gushed so much on this book!
--
(A special thank you to Lone Star Literary Life for providing me with a paperback copy of 6 Feet Under Texas by Tui Snider in exchange for an honest and unbiased review.)
6 Feet Under Texas by Tui Snider is a book for those who love history as well as for those who have an appreciation for cemeteries and the people who are buried there. Snider goes all over (mostly) north Texas to talk about the history behind some of the graves famous, infamous, and the just plain interesting. As always, Tui Snider has done excellent research for her book, and it really does show the dedication behind it all. In fact, Tui Snider solved the mystery about the identity of the one legged rope walker who's buried in Corsicana. The photos included in the book aren't in color, but I enjoyed them just the same. It was nice to place the story to the photo. I also appreciated Tui Snider placing each city in alphabetical order for easy findings. She also includes the address to where each cemetery is located after each story in case you wanted to visit.
I will admit that many books, I skip the intro. However, I know that Tui Snider never writes a dull and boring intro for her books. 6 Feet Under Texas' intro did not disappoint. Snider talks about how cemeteries are not morbid at all and how cemeteries are actually for the living. Seriously, read the intro. It is short and so very interesting!
I learned so much reading 6 Feet Under Texas. For example, did you know there was such thing as a backronym? I sure didn't until I read about Amber Hagerman, the little girl from which the AMBER Alert was invented. Tui Snider discusses about Amber's case and gives us an English lesson as well! There's also a touching story about a reverend who took in single mothers back in 1894, a time when society shunned those who weren't married. That story really warmed my heart. In Danville, a young woman by the name of Karen Silkwood is buried. She died under mysterious circumstances back in 1974. The mystery of Silkwood's death definitely left me intrigued. Her story was also very interesting. I learned that in the olden days, scraped graveyards were commonplace. Tui Snider explains that the grass from cemeteries was scraped because the lawn mower actually wasn't invented until 1830, and lawn grasses weren't a thing until the 1930s. Grass, back then, was home to all sorts of snakes and insects, and dry grass could catch on fire easily. So back then, people would get rid of all the grass growing around graves. It's pretty interesting to read about. I also read about Marlene Johnson in 6 Feet Under Texas. Marlene Johnson was the first female postmaster for Eastland, Texas. She made a huge mural out of millions of postage stamps. I loved reading about Mrs. Johnson, and I believe others will too. I was intrigued by Anthony Bascilli's grave. He went all out for his grave including having brick walls around his coffin, doors leading down to his coffin, and pipes sticking out of his coffin where keys to the door were to be dropped. Those pipes are still visible above ground if you take a trip out to the cemetery in Thurber, Texas.
It's not just humans that Tui Snider includes in her book 6 Feet Under Texas. Did you know that back in the day, it was a normal thing to have your limbs buried? For example, there are true stories of people burying amputated limbs and having grave markers made for them. What I really loved was how Tui Snider also mentions animal burials. She discusses the Alamo cats who are buried at the Alamo. (I had no idea that the Alamo had official cats!) She also writes about other animals that were special in some form, but I really loved reading about the Texas horned lizard that had been buried alive for thirty-one years and came back to life when he was exhumed.
I could go on and on about how amazing Tui Snider's newest book is, but you are better off just reading it for yourself. This was one of those books where I never wanted it to end. Luckily, Tui Snider is making a volume 2! I would definitely recommend 6 Feet Under Texas by Tui Snider to everyone that would love to go on a real life adventure without leaving wherever their reading Snider's book from. Seriously, pick up your copy of 6 Feet Under Texas so you can understand why I gushed so much on this book!
--
(A special thank you to Lone Star Literary Life for providing me with a paperback copy of 6 Feet Under Texas by Tui Snider in exchange for an honest and unbiased review.)
Emma @ The Movies (1786 KP) rated Old (2021) in Movies
Aug 22, 2021
Having been out of the "coming soon" game for quite a while so this one came as a surprise when I saw the trailer. It looked good, but there's always that "what is Shyamalan going to do" feeling.
An idyllic resort, a glorious beach. What starts out to be a pleasant day trip turns into tragedy and horror as the guests start ageing at an accelerated rate. What's going on and why can't they seem to do anything about it?
I'm going to mix this up a bit from my usual reviews because it seems appropriate for this oddity of a film.
As a whole, the film probably has a place in the Lost extended universe (especially considering Miles' role in it). Mystery and generalised horror abound, and you're left for prolonged periods of time with more questions than answers. Let's cover the biggie though.
That whole ageing thing... it is in the trailer so I'm going to do my best not to be spoilery.
Let's face it... there's a massive inconsistency. I'm happy to go with the fact that kids will change more physically with age than the adults will initially... no problem with that bit. But the assembled people on the beach have been there for (more or less) two different periods of time. While I don't remember it being established when the first arrived, I would have expected a more pronounced visual than the one we were presented with.
When the group get to the beach, Maddox is 11 and her brother Trent is 6. then there's Kara who is also 6. They progressively age throughout the events and we end up with three teenage looking kids. I'm still on board here, perfectly "logical". But here is also where I start to tail off into what could be a massive psychological debate... their bodies age, but their minds are only exposed to what is around them in that time, so are their actions in line with that?
Thomasin McKenzie seemed to have the right balance, with her character at a starting age of 11 she has the best chance of getting away with it, and her effort was good. I'm not sure the same is true of Alex Wolff and Eliza Scanlen though. Their storyline together, and their behaviour, didn't feel consistent. Particularly with Trent. Mentally the pair should still have been 6, or at least more immature than their look, but that didn't come across very effectively.
We're introduced to all of the characters in fairly quick succession at the beginning, but you do get a very clear idea about what you can expect from them going forward. They don't all really work together, and if chaos wasn't a necessary part of the film then I think I would have tired quickly of them all. As it was, I didn't particularly like any of the characters, including the parents of Trent and Maddox, but at least their journey evolved well through the film.
I feel like I need to mention the dubious sexualisation of the kids, in particular when we have Thomasin McKenzie as Maddox. When they discover the kids have aged up, Mum tells her to change into a swimsuit she has in her bag. The swimsuit she was already wearing covered everything relatively well, and actually has more cloth on it than the alternative. When I think about the things I bring to a beach in my bag with me, I bring a t-shirt, shorts, a sarong... never a second bikini. Would it not have been more logical to give her something different to wear? And was it really necessary to be there at all? I also have another point under this, but it would constitute spoilers I'm afraid.
Old's beach location is stunning, and some of the features allow for a slightly sinister edge. But a lot of the atmosphere is brought in with the cameras, and at one point I felt a rage come over me because of a collection of panning shots of the group. Yes, I know there are better things to be annoyed about, but it bugged me, I couldn't help it!
As a quick round-up of other points:
- I quite enjoyed Shyamalan's role
- Listening to people pronounce my surname wrong gives me palpitations, and
- The one bit of massively noticeable CGI was bad, so very, very, bad.
I'm interested to read the source material and see how its ending compares to what Shyamalan conjured. It's difficult to discuss the end without spoilers, but that's probably just as well because it'll lead to another heavy discussion. The actual resolution though does have a satisfying moment, even though it felt a little wrong.
Now for my overall feelings on the film... I enjoyed the mystery of it, and there are plenty of debates that arise. But the inconsistent moments in the ageing and how the ending comes around, sadly ate into my total score.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/old-movie-review.html
An idyllic resort, a glorious beach. What starts out to be a pleasant day trip turns into tragedy and horror as the guests start ageing at an accelerated rate. What's going on and why can't they seem to do anything about it?
I'm going to mix this up a bit from my usual reviews because it seems appropriate for this oddity of a film.
As a whole, the film probably has a place in the Lost extended universe (especially considering Miles' role in it). Mystery and generalised horror abound, and you're left for prolonged periods of time with more questions than answers. Let's cover the biggie though.
That whole ageing thing... it is in the trailer so I'm going to do my best not to be spoilery.
Let's face it... there's a massive inconsistency. I'm happy to go with the fact that kids will change more physically with age than the adults will initially... no problem with that bit. But the assembled people on the beach have been there for (more or less) two different periods of time. While I don't remember it being established when the first arrived, I would have expected a more pronounced visual than the one we were presented with.
When the group get to the beach, Maddox is 11 and her brother Trent is 6. then there's Kara who is also 6. They progressively age throughout the events and we end up with three teenage looking kids. I'm still on board here, perfectly "logical". But here is also where I start to tail off into what could be a massive psychological debate... their bodies age, but their minds are only exposed to what is around them in that time, so are their actions in line with that?
Thomasin McKenzie seemed to have the right balance, with her character at a starting age of 11 she has the best chance of getting away with it, and her effort was good. I'm not sure the same is true of Alex Wolff and Eliza Scanlen though. Their storyline together, and their behaviour, didn't feel consistent. Particularly with Trent. Mentally the pair should still have been 6, or at least more immature than their look, but that didn't come across very effectively.
We're introduced to all of the characters in fairly quick succession at the beginning, but you do get a very clear idea about what you can expect from them going forward. They don't all really work together, and if chaos wasn't a necessary part of the film then I think I would have tired quickly of them all. As it was, I didn't particularly like any of the characters, including the parents of Trent and Maddox, but at least their journey evolved well through the film.
I feel like I need to mention the dubious sexualisation of the kids, in particular when we have Thomasin McKenzie as Maddox. When they discover the kids have aged up, Mum tells her to change into a swimsuit she has in her bag. The swimsuit she was already wearing covered everything relatively well, and actually has more cloth on it than the alternative. When I think about the things I bring to a beach in my bag with me, I bring a t-shirt, shorts, a sarong... never a second bikini. Would it not have been more logical to give her something different to wear? And was it really necessary to be there at all? I also have another point under this, but it would constitute spoilers I'm afraid.
Old's beach location is stunning, and some of the features allow for a slightly sinister edge. But a lot of the atmosphere is brought in with the cameras, and at one point I felt a rage come over me because of a collection of panning shots of the group. Yes, I know there are better things to be annoyed about, but it bugged me, I couldn't help it!
As a quick round-up of other points:
- I quite enjoyed Shyamalan's role
- Listening to people pronounce my surname wrong gives me palpitations, and
- The one bit of massively noticeable CGI was bad, so very, very, bad.
I'm interested to read the source material and see how its ending compares to what Shyamalan conjured. It's difficult to discuss the end without spoilers, but that's probably just as well because it'll lead to another heavy discussion. The actual resolution though does have a satisfying moment, even though it felt a little wrong.
Now for my overall feelings on the film... I enjoyed the mystery of it, and there are plenty of debates that arise. But the inconsistent moments in the ageing and how the ending comes around, sadly ate into my total score.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/old-movie-review.html
Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
SummerLGrant (185 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Aug 5, 2017
Visual effects (1 more)
Rihanna - surprisingly
Predictable (2 more)
The script and story had weak moments
Dated and lacking diversity
A mish mash that fails to hit the mark
Contains spoilers, click to show
It had the potential to be the sci-fi blockbuster of the summer, but where there was plenty of ambition the execution was lacking. One of the first things to crop up was right at the beginning of the film, well, two things really. First was the opening scene explaining the situation that led to the main story, each delegation of new astronauts popped in and greeting the humans on the space station - but unless they were obviously meant to be from a different country you only ever saw white men climbing aboard with the odd token woman thrown in for good measure. The other thing was when it said it was based on the Valerian and Laureline comics - so typical that when the film industry gets hold of it they cut off the woman's name.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Anyway, it begins with the destruction of Mul - pretty much a paradise - and this launches the story as we find Valerian on his ship enjoying some sun on an artificial beach. And this is when it starts to get really predictable, which is a shame because it's only about 15 minutes in. After the mission to take the last known Converter into government custody Valerian and Laureline head to their rendezvous where we meet their Commander - at which point we know who the bad guy is through a mixture of a bad script and failed attempts at setting up some mystery. So when we finally get told he's the guy who pretty much destroyed Mul there's no surprised and you can't help but roll your eyes at the "twist"
There are some good bits though, if you want a film that you don't want to think and just want to sit back and enjoy then this is it. The visual effects are fantastic, it's amazing to watch the two main characters jump from environment to environment, especially as Valerian is chasing after the Pearls who kidnapped the Commander. There were also some ideas that were good and could probably have been expanded on.
One thing that was better than expected was Rihanna. I didn't expect her to be any good and while there was some clunky parts to her role, she was mostly good and I would have liked to see more of Bubble - although, again, her fate was struck by predictability. For all its faults it's still an enjoyable film, you just have to be willing to look past everything it's lacking.
Haley Mathiot (9 KP) rated Seth Baumgartner's Love Manifesto in Books
Apr 27, 2018
Seth Baumgartner’s Love Manifesto by Eric Luper
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasn’t had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and he’s having some friendship problems with his best friend… add to that the fact that his father wants him to win a golf tournament that he really doesn’t care about, he can’t keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why we’re stupid enough to keep coming back for more… and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartner’s Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasn’t quite sure I really liked Seth that much, because he was doing some pretty stupid things… but in the end when he got his head back on straight and started making the right choices, I saw that he really wasn’t too bad after all. His best friend Dimitri was hilarious (I think he was my favorite… the description on the back of the book of “smut-minded” is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you don’t quite know who the good guy is, and you feel bad for Seth, but it’s not too depressing either.
Although Luper didn’t quite explain or define “love,” he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasn’t had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and he’s having some friendship problems with his best friend… add to that the fact that his father wants him to win a golf tournament that he really doesn’t care about, he can’t keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why we’re stupid enough to keep coming back for more… and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartner’s Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasn’t quite sure I really liked Seth that much, because he was doing some pretty stupid things… but in the end when he got his head back on straight and started making the right choices, I saw that he really wasn’t too bad after all. His best friend Dimitri was hilarious (I think he was my favorite… the description on the back of the book of “smut-minded” is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you don’t quite know who the good guy is, and you feel bad for Seth, but it’s not too depressing either.
Although Luper didn’t quite explain or define “love,” he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Kristy H (1252 KP) rated Her Pretty Face in Books
Mar 10, 2019
Compulsively readable with some great twists & turns
Frances is struggling. She feels overweight and socially inept, struggling to keep up with the beautiful, wealthy mothers at the fancy private school, Forrester Academy, that her son Marcus attends. That struggle is made even harder by an incident with Marcus and a classmate, Abbey Dumas, that sets the other moms against her. Even worse, no one knows about a horrible event in Frances' past that haunts her: not even her husband, Jason, and Marcus. But she feels rescued when she forges a friendship with a beautiful mother, Kate Randolph. She's funny, irreverent, and almost seems to recognize a kind of darkness in Frances. Suddenly, life at Forrester--and life in general--seems bearable. Meanwhile Kate's teenage daughter Daisy feels as if her mother has stopped loving her. Every few years her parents uproot her and younger brother to move yet again. What is the purpose of trying at school--in life--she wonders? Then a startling discovery comes to light, changing everything for Frances, Kate, and Daisy.
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Phillip McSween (751 KP) rated Captain Marvel (2019) in Movies
Mar 20, 2019
A Solid Taster Before the Main Event
Set in the 1990’s, Captain Marvel follows the story of Carol Danvers (Brie Larson), a powerful woman caught in the middle of an intergalactic war.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.
Peter Russell (61 KP) rated Legacy of Dragonholt in Tabletop Games
May 3, 2019
Its an rpg without a dm (1 more)
The biggest book based choose your adventure youve probably ever played
As with any choose your adventure choices can seem limiting (2 more)
The game is the only one of its kind and feels like it should be a series, but unfortunately discontinued
Its a one time playthrough
Largest choose your adventure ever
This game takes on roleplaying games for a single player rpg experience using "choose your adventure" style mechanics. At the beginning of the game a player makes a character, chooses a class and chooses skills. These character design choices do very much affect gameplay, providing different adventure paths/ options for characters of different races or having given skills in a situation. The box includes multiple adventures, each with a rough playtime of 30-60 minutes, though it can become longer with more players. Each booklet is designed to be played as a single gaming session, providing a convenient place to stop for the night or for a breather. The game also has a story tracking mechanic where bubbles are filled in based on choices made. These can affect interaction with npcs or track overarching campaign events that have shaped the world.
I played through this game once and it took me about 6 hours and feel tgere are not enough alternate choices to merit another playthrough. Even though the game says it can be played with 1 to 6 players I recommend one player because only a single choice can be made with each entry and multiple players may not agree on a single course of action. For this game you fo need some tablespace as there are lots of tracking sheets and books and possibly a map you will have out.
*Minor Spoiler Ahead
My overall view of this game is that I wish it was different in one of two ways.
1. It would be nice if there were expansions to this where a character could carry over to another campaign or an expansion that weaves in more npc drama. At the end there are only 4 possible endings and then the game just ends, I wanted more, but knew it would never be.
2. This game with all of its tracking was more akin to muds and I feel it would have been better suited (at least for single player) as an interactive book for a computer where the tracking is done behind the scenes. This would of provided more mystery and made the game feel more in the moment rather than breaking out of the story to reference tracking sheets to see if a choice was allowed.
I played through this game once and it took me about 6 hours and feel tgere are not enough alternate choices to merit another playthrough. Even though the game says it can be played with 1 to 6 players I recommend one player because only a single choice can be made with each entry and multiple players may not agree on a single course of action. For this game you fo need some tablespace as there are lots of tracking sheets and books and possibly a map you will have out.
*Minor Spoiler Ahead
My overall view of this game is that I wish it was different in one of two ways.
1. It would be nice if there were expansions to this where a character could carry over to another campaign or an expansion that weaves in more npc drama. At the end there are only 4 possible endings and then the game just ends, I wanted more, but knew it would never be.
2. This game with all of its tracking was more akin to muds and I feel it would have been better suited (at least for single player) as an interactive book for a computer where the tracking is done behind the scenes. This would of provided more mystery and made the game feel more in the moment rather than breaking out of the story to reference tracking sheets to see if a choice was allowed.