Search
Search results
In the Event of Murder
5.0
Rate It
Book
It’s the star-studded event of the season in Silvercrest, Colorado—but some of the guests might...
Mark @ Carstairs Considers (2400 KP) rated Murder at Mallowan Hall in Books
Jan 22, 2025 (Updated Jan 22, 2025)
Murder in Agatha Christie’s Library
Agatha Christie and her second husband, Max Mallowan, are throwing a house party when an unexpected guest arrives in the middle of a summer storm. The man says he is a reporter who has an interview lined up with the famous author. While Agatha doesn’t remember it, she instructs Phyllida Bright, her housekeeper, to set him up in one of the guest rooms, at least for tonight. But the next morning, Phyllida finds the man dead in the library. She doesn’t think the police are up to solving the crime, so she jumps in to find a few clues for them. But who was the victim? And who would want to kill him?
Fans of Agatha Christie will get a kick out of the wink and nods in the set up. But everyone will be hooked on this mystery, which had the clues and red herrings well layered to keep me guessing until the ending. While we got to know Phyllida and a few other characters well, I did feel like we got too much of her thoughts, which slowed things down and kept us from getting to know the suspects better. Only a handful of scenes were told from someone other than Phyllida’s point of view, but when it happened, it always made sense. And one of those scenes was absolutely perfect that way. While current events don’t play a big part in this 1930’s set book, it does give us a clear picture of what life was like for servants during that time. I’m hoping to get to the next book soon.
Fans of Agatha Christie will get a kick out of the wink and nods in the set up. But everyone will be hooked on this mystery, which had the clues and red herrings well layered to keep me guessing until the ending. While we got to know Phyllida and a few other characters well, I did feel like we got too much of her thoughts, which slowed things down and kept us from getting to know the suspects better. Only a handful of scenes were told from someone other than Phyllida’s point of view, but when it happened, it always made sense. And one of those scenes was absolutely perfect that way. While current events don’t play a big part in this 1930’s set book, it does give us a clear picture of what life was like for servants during that time. I’m hoping to get to the next book soon.
Zuky the BookBum (15 KP) rated Lucidity in Books
Mar 15, 2018
I was lucky enough to be part of a Partners in Crime blog tour for this novel. Please go check out my post for extra info about the book, an excerpt and the chance to with an Amazon gift card! https://bookbumzuky.wordpress.com/2017/02/20/blog-tour-review-lucidity-by-david-carnoy/
----
<b><i>Do whatever you do with conviction. Always.</b></i>
This is my first Carnoy novel but Im definitely going to check out his others. <i>Lucidity</i> did not give up all its secrets at once! It was incredible at leaving you guessing what was going to happen next and being able to come up with your own theories on what was going on. That being said, it was still fast paced and exciting enough to keep you hooked. I only say this when I really mean it, but this was <i>unputdownable!</i> I liked the mix of morbidity, mystery and wit in this novel. It had a good mix of all three that made for some excellent, fast paced reading.
To begin with, I wasnt so sure how the two stories connected. When, at 50%, the stories still hadnt really crossed I was a bit unsure if I was going to understand how the separate plots worked together. However, be patient! Its well worth the wait! Even though there are parts that can be predicted, this doesnt take away from the excitement of reading about it.
The characters in this novel are really well executed. Even though I hadnt read any of the other books featuring Madden, I didnt feel like I didnt know him. When you go into a series midway, even when theyre standalone books but with the same characters, you often find yourself a little bit lost on the mc as you dont have their history. This wasnt the case here. Madden was well introduced and maintained throughout the read.
Fremmer was a fun character to get to know. Its not often that you get a character like him in a novel. He was intelligent and quick witted, but he was also arrogant and a little bit self absorbed, so its amazing how likable he still was.
The only negative thing I have to say is that the ending got a little cheesy which felt out of place when compared to tone the book kept throughout, but it wasnt that much of an issue.
<i>Thanks to Partners in Crime book tours for giving me a free copy of the book to read, review & promote!</i>
----
<b><i>Do whatever you do with conviction. Always.</b></i>
This is my first Carnoy novel but Im definitely going to check out his others. <i>Lucidity</i> did not give up all its secrets at once! It was incredible at leaving you guessing what was going to happen next and being able to come up with your own theories on what was going on. That being said, it was still fast paced and exciting enough to keep you hooked. I only say this when I really mean it, but this was <i>unputdownable!</i> I liked the mix of morbidity, mystery and wit in this novel. It had a good mix of all three that made for some excellent, fast paced reading.
To begin with, I wasnt so sure how the two stories connected. When, at 50%, the stories still hadnt really crossed I was a bit unsure if I was going to understand how the separate plots worked together. However, be patient! Its well worth the wait! Even though there are parts that can be predicted, this doesnt take away from the excitement of reading about it.
The characters in this novel are really well executed. Even though I hadnt read any of the other books featuring Madden, I didnt feel like I didnt know him. When you go into a series midway, even when theyre standalone books but with the same characters, you often find yourself a little bit lost on the mc as you dont have their history. This wasnt the case here. Madden was well introduced and maintained throughout the read.
Fremmer was a fun character to get to know. Its not often that you get a character like him in a novel. He was intelligent and quick witted, but he was also arrogant and a little bit self absorbed, so its amazing how likable he still was.
The only negative thing I have to say is that the ending got a little cheesy which felt out of place when compared to tone the book kept throughout, but it wasnt that much of an issue.
<i>Thanks to Partners in Crime book tours for giving me a free copy of the book to read, review & promote!</i>
Darren (1599 KP) rated 1922 (2017) in Movies
Jun 20, 2019
Story: 1922 starts as Wilfred James (Jane) is about to lose part of his property to his wife Arlette (Parker), Wilfred doesn’t want to lose the farmland he has raised his son Henry (Schmid) on and wants to come up with a way to keep all the land.
Wilfred’s plan is to get his son to help him murder Arlette, to get the financial gain of taking ownership of the property. The guilt of what he did only ends up driving Wilfred crazy here as the mental state start to unfold.
Thoughts on 1922
Characters – Wilfred is a farmer and father that doesn’t want to leave his farm, he designs a plan to get that as he looks to stay but soon his mind starts slipping into insanity. Arlette is the wife that wants to move away but has to overcome the husband’s decision not to, only to find herself murdered and visiting him in ghost form. Henry is the son that helps with the cover up, but soon goes out on his own to learn the harsh reality of the world.
Performances – Thomas Jane does give us a good performance in this film, but the rest of the cast are just ok, none of the performances drag us into the film in any way to see where it will end up going.
Story – The story was hard to follow, I think the idea is that one man loses everything because of killing his wife, the problem is that this is an incredibly slow-moving film that doesn’t seem to go very far or have any redeemable qualities. Is gets caught in the middle of a breakdown and a supernatural movie without being set on one that could make either feel stronger.
Crime/Horror/Mystery – There was a crime as it leads to a cover up of a murder which leads to the horror involved in the story as the past comes to haunt Wilfred.
Settings – The settings do fit the time in question which is fine but nothing stands out as the best of the best.
Special Effects – The effects are good when used but the film doesn’t just turn to effects to make things happen.
Scene of the Movie – Final Scene.
That Moment That Annoyed Me – It was so so so so slow.
Final Thoughts – Well this is one of the dullest movies of the year, it has nothing happening for the most part and for a Stephen King spin it only disappoints.
Overall: Boring is being polite.
https://moviesreview101.com/2017/10/24/1922-2017/
Wilfred’s plan is to get his son to help him murder Arlette, to get the financial gain of taking ownership of the property. The guilt of what he did only ends up driving Wilfred crazy here as the mental state start to unfold.
Thoughts on 1922
Characters – Wilfred is a farmer and father that doesn’t want to leave his farm, he designs a plan to get that as he looks to stay but soon his mind starts slipping into insanity. Arlette is the wife that wants to move away but has to overcome the husband’s decision not to, only to find herself murdered and visiting him in ghost form. Henry is the son that helps with the cover up, but soon goes out on his own to learn the harsh reality of the world.
Performances – Thomas Jane does give us a good performance in this film, but the rest of the cast are just ok, none of the performances drag us into the film in any way to see where it will end up going.
Story – The story was hard to follow, I think the idea is that one man loses everything because of killing his wife, the problem is that this is an incredibly slow-moving film that doesn’t seem to go very far or have any redeemable qualities. Is gets caught in the middle of a breakdown and a supernatural movie without being set on one that could make either feel stronger.
Crime/Horror/Mystery – There was a crime as it leads to a cover up of a murder which leads to the horror involved in the story as the past comes to haunt Wilfred.
Settings – The settings do fit the time in question which is fine but nothing stands out as the best of the best.
Special Effects – The effects are good when used but the film doesn’t just turn to effects to make things happen.
Scene of the Movie – Final Scene.
That Moment That Annoyed Me – It was so so so so slow.
Final Thoughts – Well this is one of the dullest movies of the year, it has nothing happening for the most part and for a Stephen King spin it only disappoints.
Overall: Boring is being polite.
https://moviesreview101.com/2017/10/24/1922-2017/
Ross (3284 KP) rated Slow Motion Ghosts in Books
Jan 8, 2019
Some good twists (1 more)
Parallel personal story
A decent intriguing thriller set in the 80s
*** Disclosure - I received a free advance copy of this book from netgalley in return for an honest review ***
Jeff Noon is a writer of speculative fiction who has been on my reading list for some time (not through recommendation, but through finding his books in discount shops and liking the sound of them). Here he travels somewhat less speculative ground, telling the tale of a murder investigation during the aftermath of the Brixton riots of the early 80s.
The body of Brendan Clarke is found in unusual circumstances, with his face mutilated in certain odd patterns and with no apparent signs of struggle. The investigation into his murder leads the detectives to look into the earlier suicide of a Bowie-esque rock star as the links between the two are too big to ignore. There then follows an investigation into the cult-like group of misfit teenagers set up in Hastings and the cult status of King Lost, aka Lucas Bell.
There is the usual conflict within the investigative team - one jaded, opinionated DS, one DS that is hard-working and reliable and one DC that is off-screen most of the time researching things. An added element is the recent controversy surrounding DI Hobbes, as he recently shopped in his colleagues for battering a young black man in retaliation for the Brixton riots.
The main storyline is good, with enough mystery and emerging evidence to keep the interest. The link in to the past suicide of the cult figure adds an extra element. However it feels Noon went a little too far out of his way to make there a reasonable number of plausible suspects, all of whom are fairly interchangeable if I'm honest (I still can't remember which one of two characters died and which didn't).
It was interesting to read a crime book written about pre-Google times, so there really was a need for more hard work, door-knocking and evidence gathering.
There were some early incongruous events that came across as quite needlessly jarring, for example when someone says they can't remember what someone looked like, it was only a quick glimpse, can't remember anything at all and then somehow when asked about facial markings (apropos of nothing) suddenly remembered a facial tattoo. A couple of instances like that really took me out of the book.
All in all, this was a reasonably well-told crime book with a decent setting, but not exactly a ground-breaking storyline.
Jeff Noon is a writer of speculative fiction who has been on my reading list for some time (not through recommendation, but through finding his books in discount shops and liking the sound of them). Here he travels somewhat less speculative ground, telling the tale of a murder investigation during the aftermath of the Brixton riots of the early 80s.
The body of Brendan Clarke is found in unusual circumstances, with his face mutilated in certain odd patterns and with no apparent signs of struggle. The investigation into his murder leads the detectives to look into the earlier suicide of a Bowie-esque rock star as the links between the two are too big to ignore. There then follows an investigation into the cult-like group of misfit teenagers set up in Hastings and the cult status of King Lost, aka Lucas Bell.
There is the usual conflict within the investigative team - one jaded, opinionated DS, one DS that is hard-working and reliable and one DC that is off-screen most of the time researching things. An added element is the recent controversy surrounding DI Hobbes, as he recently shopped in his colleagues for battering a young black man in retaliation for the Brixton riots.
The main storyline is good, with enough mystery and emerging evidence to keep the interest. The link in to the past suicide of the cult figure adds an extra element. However it feels Noon went a little too far out of his way to make there a reasonable number of plausible suspects, all of whom are fairly interchangeable if I'm honest (I still can't remember which one of two characters died and which didn't).
It was interesting to read a crime book written about pre-Google times, so there really was a need for more hard work, door-knocking and evidence gathering.
There were some early incongruous events that came across as quite needlessly jarring, for example when someone says they can't remember what someone looked like, it was only a quick glimpse, can't remember anything at all and then somehow when asked about facial markings (apropos of nothing) suddenly remembered a facial tattoo. A couple of instances like that really took me out of the book.
All in all, this was a reasonably well-told crime book with a decent setting, but not exactly a ground-breaking storyline.
Hazel (2934 KP) rated Bury Them Deep (Inspector McLean #10) in Books
Feb 16, 2020
Engrossing
I have said this before and I will say it again ... once more, this is a treat for crime fiction, with a hint of "other", lovers the world over ... Mr Oswald has provided yet another gripping story.
DCI Tony McLean is a Detective Chief Inspector and, as such, should not be on the front line of policing however, he just can't help himself particularly when a trusted colleague, Anya Renfrew, goes missing under suspicious circumstances. Is this connected to a massive multi-agency enquiry that is just about to get underway and which is so hush-hush, that most people involved don't know the full story? Was she just unfortunate to be in the wrong place at the wrong time? Or is this connected to numerous missing persons cases that have remained unsolved for many years? When it transpires why Anya was where she was when she disappeared and her address is not where she actually lives, the mystery deepens.
It's clear that Tony is at his happiest when in the thick of things rather than sitting at his desk reading reports and directing operations and this theme is strong throughout the book. Mr Oswald is able to effortlessly portray the enthusiasm and passion Tony has for investigating and solving the apparently unsolvable crimes whilst trying to appease the top brass and having a life outside of the Police. This ability brings Tony to life and makes him believable and "human".
It's not just Tony who is brought to life, this book is littered with excellent characters ... Grumpy Bob, Norman Bates, Gav, Bobby, Professor Harriet Turner, etc., etc., etc. Ex Detective Superintendent Grace Ramsey was a particular favourite of mine who is described as "a slim, middleaged woman in a severe dark suit with a face like licking piss off a nettle" ... that one line caused a laugh-out-loud moment and conjured up an image that has stuck with me and one that captures a few people I know!! I will definitely be using that one in the future 😎
The opening chapter had me hooked and wondering what the heck it would have to do with a crime in the 21st century however, the subtly of how this was woven and developed into the story was excellent and had me thinking that it isn't something that's beyond what is possible in these times unfortunately.
This is an engrossing read and one in which I was completely drawn into and enjoyed immensely from start to finish and, once again, I am thankful to Headline and NetGalley for my copy in return for an honest and unbiased review.
DCI Tony McLean is a Detective Chief Inspector and, as such, should not be on the front line of policing however, he just can't help himself particularly when a trusted colleague, Anya Renfrew, goes missing under suspicious circumstances. Is this connected to a massive multi-agency enquiry that is just about to get underway and which is so hush-hush, that most people involved don't know the full story? Was she just unfortunate to be in the wrong place at the wrong time? Or is this connected to numerous missing persons cases that have remained unsolved for many years? When it transpires why Anya was where she was when she disappeared and her address is not where she actually lives, the mystery deepens.
It's clear that Tony is at his happiest when in the thick of things rather than sitting at his desk reading reports and directing operations and this theme is strong throughout the book. Mr Oswald is able to effortlessly portray the enthusiasm and passion Tony has for investigating and solving the apparently unsolvable crimes whilst trying to appease the top brass and having a life outside of the Police. This ability brings Tony to life and makes him believable and "human".
It's not just Tony who is brought to life, this book is littered with excellent characters ... Grumpy Bob, Norman Bates, Gav, Bobby, Professor Harriet Turner, etc., etc., etc. Ex Detective Superintendent Grace Ramsey was a particular favourite of mine who is described as "a slim, middleaged woman in a severe dark suit with a face like licking piss off a nettle" ... that one line caused a laugh-out-loud moment and conjured up an image that has stuck with me and one that captures a few people I know!! I will definitely be using that one in the future 😎
The opening chapter had me hooked and wondering what the heck it would have to do with a crime in the 21st century however, the subtly of how this was woven and developed into the story was excellent and had me thinking that it isn't something that's beyond what is possible in these times unfortunately.
This is an engrossing read and one in which I was completely drawn into and enjoyed immensely from start to finish and, once again, I am thankful to Headline and NetGalley for my copy in return for an honest and unbiased review.
Gareth von Kallenbach (980 KP) rated Dark Crimes (2018) in Movies
Jul 8, 2019
great many of us film aficionados have, at one time or another, thought that they’ve seen so many films from so many different genres or written by so many ‘messed up’ writers or directed by so many warped minds that have simply ‘walked off the map’ that nothing and I mean absolutely nothing could shock us. We think we’ve ‘seen everything’ or have been ‘prepared’ for anything shocking that filmmakers might throw our way. As today’s film for your consideration will demonstrate, even folks like ‘us’ can be caught off guard by the occasional ‘curve ball’ by a writer, director, or actor/actress we’ve become acquainted with through their work over the years. I can say this much before we go any further … I have never seen nor did I ever imagine seeing Jim Carrey in a film like this.
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Today’s selection is a 2016 Polish-American dramatic-mystery film entitled ‘Dark Crimes’. The film is based upon an article published in ‘The New Yorker’ in 2008 entitled ‘True Crime:A Post-Modern Murder Mystery’ by David Grann about convicted Polish murderer, writer, and photographer Krystian Bala. Directed by Alexandros Avranas and written by Jeremey Brock, ‘Dark Crimes’ stars Jim Carrey, Marton Csokas, Agata Kulesza, Kati Outinen, Charlotte Gainsbourg, and Zbigniew Zamachowski. Jim Carrey is Detective Tadek. Formerly a highly decorated and respected detective, his recent work with the police department has been nothing more than administrative duties in the records department after a controversial case he was investigating involving an unsolved murder at a sex club was suddenly ‘shelved’ and he was relegated to his current desk job. A recent book by a controversial author Kozlow (Csokas), describes a murder almost identical to the unsolved murder of a businessman Tadek was investigating and even contains details that mirror many he discovered in his original investigation. After pleading with his immediate superior to allow him to continue examining the case, Tadek begins to delve deeper into the incident re-visiting the location of the murder and interviewing possible witnesses and others who may have been present or involved in the murder.
Soon Tadek’s determination overshadows everything else. He becomes paranoid and obsessed to such severity that he alienates his family and crosses lines professionally and personally as a sort of madness begins to take over. The moment he believes he has figured out the solution to the case that has become his obsession and cost him everything he has and the person he is, it all slips away as the truth about Kozlow’s involvement in the crime becomes clear and Tadek’s only remaining option is the one you don’t see coming.
This film is DARK and not for the faint of heart. The world knows Jim Carrey for comedy and that’s what he’ll ALWAYS be known for. This film metaphorically takes all that, throws it right out the window, then proceeds to run downstairs and then outside and stomp on it. Prepare to be shocked as this was Carrey like I’ve never seen him before. The film is dark, gritty, serious, and will tempt you to keep your finger on the ‘off button’ all the way through the film. In that regard, it is indeed a great film. It’s like a modern take on a classic well-written murder mystery novel where even in the end, the outcome is sometimes equal to if not worse than the actual crime itself. The world knows Marton Csokas for his villainous roles where he typically portrays Russian or Eastern European madmen and once again he does the same in this film with great flair. The film is rated R for strong and disturbing content and runs about an hour and a half so it’s most definitely NOT one for young folks. Which it late at night when it’s dark if you’re looking for something scary that will keep you awake all night. I’m going to give the film 3 out of 5 stars. It’s okay to see once but in all honesty, it’s nothing original that hasn’t been done in other films with other actors. This one is just a variation on a theme with deferent players and different aspects and details
Kristy H (1252 KP) rated The Secret Place in Books
Feb 13, 2018
The fifth installment in Tana French's Dublin Murder Squad series reintroduces some familiar faces, notably Holly Mackey, Frank Mackey, and Stephen Moran from French's [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]. Detective Moran is toiling away in Cold Cases, dreaming of joining the Murder Squad, when Holly shows up. She holds in her hand a card reading "I know who killed him," featuring a photo of Chris Harper, a handsome boy from a private school who was killed a year ago. Suddenly, Stephen finds himself inserted into the middle of St. Kilda's School, Holly's private all-girls' school, the neighborhood school to Chris', and the place where his body was found. Stephen joins up with the Murder Squad's Detective Antoinette Conway, one of the original leads on Chris' case, to find out what happened. But Stephen quickly realizes that Antoinette isn't a popular figure in the Squad, and that the girls of St. Kilda's are a tight-knit, complicated bunch whose interconnected relationships present Conway and Moran many obstacles in finding Chris' killer. Can they find the killer before the girls close ranks for good?
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).
Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.
The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Chris Sawin (602 KP) rated Last Looks (2022) in Movies
Feb 5, 2022
Charlie Hunnam (1 more)
Mel Gibson
Interesting side characters that don't pay off (1 more)
Ultimately a boring mystery
"Last Looks" (2022) Review: A Bland, Overstuffed Mystery
In Last Looks, Charlie Waldo (Charlie Hunnam) is a retired cop and former LAPD officer. He ghosted everyone he knew, parked a trailer on the top of a mountain, got rid of nearly everything he owned, and now lives a life of solitude off the grid. Waldo seems genuinely happy surrounded by nothing but nature and his chickens until his new simplistic life is interrupted by his on again and off again ex-girlfriend Lorena (Morena Baccarin) asks for Waldo’s help on a new case.
Alistair Pinch (Mel Gibson) is a talented and accomplished actor whose drinking pushes him to erratic behavior. Pinch is the prime suspect when his wife is murdered. It’s up to Waldo to come out of retirement to prove Pinch’s innocence despite his reluctance to take the case.
Based on the 2018 crime, mystery novel of the same name, Last Looks is written by Howard Michael Gould (who wrote the book and the screenplay) and directed by Tim Kirkby (Action Point). The film attempts to be quirky and funny while offering its audience something intriguing and entertaining; something along the lines of Rian Johnson’s Brick, Shane Black’s Kiss Kiss Bang Bang, or David Robert Mitchell’s Under the Silver Lake.
The biggest draw is that Waldo literally just gets his ass kicked the entire film. It’s repeatedly mentioned that Waldo is rusty in all aspects of investigating, so that likely plays a part of it. But he is knocked down and knocked out more times than you can count throughout the film. One of the only interesting aspects of the film is that Waldo is consistently given signs that he shouldn’t take this case. He’s threatened by gangsters, Pinch is arrested almost immediately after Waldo shows up in Los Angeles, and Lorena disappears without a trace. It may be as simple as Waldo still having a thing for Lorena, but you like to think that it’s also because she’d only ask him for help with a case that deserves his attention.
Last Looks is an odd film. The performances from Charlie Hunnam and Mel Gibson are relatively solid, but it’s as if they’re wasting all of their talent being trapped within the walls of a trampled and soggy paper bag. Waldo encounters all of these eccentric characters as you follow his investigation from his perspective, but it feels like it goes nowhere once it’s all said and done. In the grand scheme of things, Last Looks is boring. There’s no real humor here. The entire film can be summed up as watching Charlie Hunnam stand around and talk and get punched in the face consistently over the course of two hours.
There are some peculiar cameos in Last Looks. Method Man mostly appears in internet videos watched on a mobile phone while Dominic Monaghan shows up as a vape smoking lawyer only to never be seen again after one brief bike rack encounter. Jacob Scipio has a great introductory sequence as a gangster named Don Q who is troubled by deciding whether to get a Kindle or a Nook and then his character kind of fizzles out after that despite being featured prominently in the supporting cast. Don Q has a connection to Lorena that starts off as intriguing with a disappointing payoff.
Jayne White (Lucy Fry) is Gaby Pinch’s, Alistair’s daughter, preschool teacher and her inclusion in the story is a complete mess. White flirts with Waldo from the start, so you know where that’s going but her connection to Alistair and what that branches off into seems overly complicated for the grand scheme of things.
Last Looks is a mysterious stew that experiments with flavorful ingredients throughout its two hour duration. The film ultimately collapses under its own potential resulting in a bland and flavorless concoction. Every side character is just interesting enough to pique your interest and the film is written in a way where it seems like everyone is a suspect, but every potentially exciting aspect fizzles out before it has a chance to light up the sky; like a really expensive firecracker that turns out to be a dud. The film may be worth a look for Mel Gibson’s flashy, boisterous, and drunkenly absurd performance. The mystery in Last Looks is essentially comparable trying to discover the expiration date on a can of mystery meat that has lost its label; it may be life threatening but is otherwise a bore to experience by others.
Alistair Pinch (Mel Gibson) is a talented and accomplished actor whose drinking pushes him to erratic behavior. Pinch is the prime suspect when his wife is murdered. It’s up to Waldo to come out of retirement to prove Pinch’s innocence despite his reluctance to take the case.
Based on the 2018 crime, mystery novel of the same name, Last Looks is written by Howard Michael Gould (who wrote the book and the screenplay) and directed by Tim Kirkby (Action Point). The film attempts to be quirky and funny while offering its audience something intriguing and entertaining; something along the lines of Rian Johnson’s Brick, Shane Black’s Kiss Kiss Bang Bang, or David Robert Mitchell’s Under the Silver Lake.
The biggest draw is that Waldo literally just gets his ass kicked the entire film. It’s repeatedly mentioned that Waldo is rusty in all aspects of investigating, so that likely plays a part of it. But he is knocked down and knocked out more times than you can count throughout the film. One of the only interesting aspects of the film is that Waldo is consistently given signs that he shouldn’t take this case. He’s threatened by gangsters, Pinch is arrested almost immediately after Waldo shows up in Los Angeles, and Lorena disappears without a trace. It may be as simple as Waldo still having a thing for Lorena, but you like to think that it’s also because she’d only ask him for help with a case that deserves his attention.
Last Looks is an odd film. The performances from Charlie Hunnam and Mel Gibson are relatively solid, but it’s as if they’re wasting all of their talent being trapped within the walls of a trampled and soggy paper bag. Waldo encounters all of these eccentric characters as you follow his investigation from his perspective, but it feels like it goes nowhere once it’s all said and done. In the grand scheme of things, Last Looks is boring. There’s no real humor here. The entire film can be summed up as watching Charlie Hunnam stand around and talk and get punched in the face consistently over the course of two hours.
There are some peculiar cameos in Last Looks. Method Man mostly appears in internet videos watched on a mobile phone while Dominic Monaghan shows up as a vape smoking lawyer only to never be seen again after one brief bike rack encounter. Jacob Scipio has a great introductory sequence as a gangster named Don Q who is troubled by deciding whether to get a Kindle or a Nook and then his character kind of fizzles out after that despite being featured prominently in the supporting cast. Don Q has a connection to Lorena that starts off as intriguing with a disappointing payoff.
Jayne White (Lucy Fry) is Gaby Pinch’s, Alistair’s daughter, preschool teacher and her inclusion in the story is a complete mess. White flirts with Waldo from the start, so you know where that’s going but her connection to Alistair and what that branches off into seems overly complicated for the grand scheme of things.
Last Looks is a mysterious stew that experiments with flavorful ingredients throughout its two hour duration. The film ultimately collapses under its own potential resulting in a bland and flavorless concoction. Every side character is just interesting enough to pique your interest and the film is written in a way where it seems like everyone is a suspect, but every potentially exciting aspect fizzles out before it has a chance to light up the sky; like a really expensive firecracker that turns out to be a dud. The film may be worth a look for Mel Gibson’s flashy, boisterous, and drunkenly absurd performance. The mystery in Last Looks is essentially comparable trying to discover the expiration date on a can of mystery meat that has lost its label; it may be life threatening but is otherwise a bore to experience by others.
Kristy H (1252 KP) rated Broken Harbor in Books
Feb 13, 2018
The fourth book in French's excellent Dublin Murder Squad series picks up with [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]'s Mick Kennedy. Scorcher, as he's known, is a by-the-book cop famous for his diligence, attitude, and solve rate. However, he's still trying to make amends for one case, so he's given this one - a family found in an estate in the Irish suburbs. Father Patrick and the two children are dead, while mother/wife Jenny is in critical condition at the hospital. At first, Scorcher and his rookie partner, Richie, think the case is open and shut. But they quickly discover things aren't what they seem--with the Spains themselves or the murder case. Why are there holes all over the family's home, and baby monitors and cameras everywhere? Who erased the family's computer? Why did Jenny pull their young son out of preschool? Scorcher finds himself on a case that will test his resolve and the morals he holds so dearly.
This was an superb book; I don't know how French does it, but her novels never disappoint. It's a bit slow going, but amazingly interesting. Her painstaking detail of a crime scene and murder investigation is thorough and somehow beautiful; she knows her stuff. The first person detail with Mick is a welcome relief, honestly, after the "varying POV" chapters that seem to be the method du jour lately (I know the book is a few years old, but still). Mick is a crazily complex character and hearing his innermost thoughts just adds to his depth.
I won't lie: the book is long and it's probably not for everyone. You need to be a mystery fan and not be thrown off by a main character who talks and shares a lot. There's a dynamic between Mick and his new partner that adds to this detail and character development. Further, Mick and his family have a tie to Broken Harbor (the site of the murder), which involves some flashbacks. Again, it adds length, but also to the depth of his character. Plus, the plot kept me guessing, which I really appreciated. It would have been an easy 4.5 star rating, but it dived a little with the ending and a move that seemed a bit out of character for Mick, but still - an excellent mystery with a detailed and thoughtful plot. I'm glad I've picked up French's series again and look forward to getting completely caught up.
This was an superb book; I don't know how French does it, but her novels never disappoint. It's a bit slow going, but amazingly interesting. Her painstaking detail of a crime scene and murder investigation is thorough and somehow beautiful; she knows her stuff. The first person detail with Mick is a welcome relief, honestly, after the "varying POV" chapters that seem to be the method du jour lately (I know the book is a few years old, but still). Mick is a crazily complex character and hearing his innermost thoughts just adds to his depth.
I won't lie: the book is long and it's probably not for everyone. You need to be a mystery fan and not be thrown off by a main character who talks and shares a lot. There's a dynamic between Mick and his new partner that adds to this detail and character development. Further, Mick and his family have a tie to Broken Harbor (the site of the murder), which involves some flashbacks. Again, it adds length, but also to the depth of his character. Plus, the plot kept me guessing, which I really appreciated. It would have been an easy 4.5 star rating, but it dived a little with the ending and a move that seemed a bit out of character for Mick, but still - an excellent mystery with a detailed and thoughtful plot. I'm glad I've picked up French's series again and look forward to getting completely caught up.