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Kristy H (1252 KP) rated Pretty Girls: A Novel in Books
Feb 13, 2018
Claire Scott leads a seemingly perfect life - she's beautiful and adored by her wealthy husband, Paul. However, Claire's life is shadowed by the disappearance of her eldest sister, Julia, over twenty years ago. Julia went missing while in college and was never seen again. In the aftermath, Claire lost not only Julia, but her other sister, Lydia, as the sisters have been estranged for years. As a result, Claire has clung to Paul and the comfort and security he provides . However, a new tragic event changes everything for Claire - and will eventually lead her to look at everything in her life differently, including Julia's disappearance and her relationship with Lydia.
I really enjoyed this novel - it's engaging and suspenseful: filled with twists and turns. Sometimes you see them coming and other times you don't. It's a quick read, but not a particularly light one - be prepared for a dark read. The book is raw, violent, and even heartbreaking at points. Most of the story unfolds from Julia and Claire's point of view, but we also hear a little bit from their father between chapters. As the novel progresses, we learn not only about the present day mystery (which is captivating) but what happened to their sister, Julia, so long ago.
The book's strength is that it presents not only a compelling and interesting mystery tale, but a chilling portrait of its characters, as well. You get a good look into the lives of Lydia and Claire and their own psychological motivations. It goes beyond a thriller into a story of parenthood and sisterhood. Frankly, as a parent, there are parts of this book that break my heart and made me want to never let my children out of my sight! But, truly, that was what made it so good - it deftly portrayed the evil that can befall them in the world.
Some of the plot points are a bit fantastical and it suffers from the trope where Claire and Paul Scott just have unlimited financial resources, but overall, I found this one fascinating. Definitely a worthy read.
I really enjoyed this novel - it's engaging and suspenseful: filled with twists and turns. Sometimes you see them coming and other times you don't. It's a quick read, but not a particularly light one - be prepared for a dark read. The book is raw, violent, and even heartbreaking at points. Most of the story unfolds from Julia and Claire's point of view, but we also hear a little bit from their father between chapters. As the novel progresses, we learn not only about the present day mystery (which is captivating) but what happened to their sister, Julia, so long ago.
The book's strength is that it presents not only a compelling and interesting mystery tale, but a chilling portrait of its characters, as well. You get a good look into the lives of Lydia and Claire and their own psychological motivations. It goes beyond a thriller into a story of parenthood and sisterhood. Frankly, as a parent, there are parts of this book that break my heart and made me want to never let my children out of my sight! But, truly, that was what made it so good - it deftly portrayed the evil that can befall them in the world.
Some of the plot points are a bit fantastical and it suffers from the trope where Claire and Paul Scott just have unlimited financial resources, but overall, I found this one fascinating. Definitely a worthy read.
Louise (64 KP) rated Every Last Lie in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I read ‘Don’t you cry’ by Mary Kubica last year and really enjoyed her writing so I knew that I wanted to read more from this author, that’s why I grabbed the chance at reading this book.
This book is told from dual perspective of Clara and Nick Solberg, they are husband and wife with a four-year old daughter and a new-born baby, they have a great life. Nick has his own dental practice, they have a great network of family and friends and are blissfully in love. Until one day Nick and his daughter are involved in a car crash, unfortunately Nick is killed but Maisie the daughter is unharmed. It’s only when the little girl starts mentioning ‘a bad man’ and becoming terrified of a certain car the Clara starts to investigate the death of her husband herself and unravels secrets that Nick has been keeping from her.
Ahhh this book, I have mixed feelings. The story telling was great, the tension and the mystery had me questioning and trying to second guess everything that was going on… I was really invested in the story and then it came to the ending – oh it was so anti-climatic, I felt a bit cheated, I am not going to say much because I don’t want to give anything away but be warned.
I liked the characters and the alternate POV kept things interesting, we have Clara and then Nicks POV before the accident happened so we get an idea of what their life was like before.Clara’s character was really well written you could feel the anxiety and feel how exhausted she was from the writing, but she also did some things that were questionable and downright stupid. There was something lacking in this story which I can’t put my finger on and obviously the ending.
Overall this is an enjoyable read, a great build up and tension for a mystery/thriller.
I rated this 3 out of 5 stars
I read ‘Don’t you cry’ by Mary Kubica last year and really enjoyed her writing so I knew that I wanted to read more from this author, that’s why I grabbed the chance at reading this book.
This book is told from dual perspective of Clara and Nick Solberg, they are husband and wife with a four-year old daughter and a new-born baby, they have a great life. Nick has his own dental practice, they have a great network of family and friends and are blissfully in love. Until one day Nick and his daughter are involved in a car crash, unfortunately Nick is killed but Maisie the daughter is unharmed. It’s only when the little girl starts mentioning ‘a bad man’ and becoming terrified of a certain car the Clara starts to investigate the death of her husband herself and unravels secrets that Nick has been keeping from her.
Ahhh this book, I have mixed feelings. The story telling was great, the tension and the mystery had me questioning and trying to second guess everything that was going on… I was really invested in the story and then it came to the ending – oh it was so anti-climatic, I felt a bit cheated, I am not going to say much because I don’t want to give anything away but be warned.
I liked the characters and the alternate POV kept things interesting, we have Clara and then Nicks POV before the accident happened so we get an idea of what their life was like before.Clara’s character was really well written you could feel the anxiety and feel how exhausted she was from the writing, but she also did some things that were questionable and downright stupid. There was something lacking in this story which I can’t put my finger on and obviously the ending.
Overall this is an enjoyable read, a great build up and tension for a mystery/thriller.
I rated this 3 out of 5 stars
Lee (2222 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 16, 2018 (Updated Oct 16, 2018)
Nice mystery thriller
The El Royale is a bi-state establishment. A painted red line runs straight through the centre of the car park and right through the centre of reception, leading to a jukebox. One half of this hotel lies in Nevada, the other half in California. The rooms on the California side are a little more expensive because.... well, because it's California!
A number of guests arrive in reception - Jon Hamm is a vacuum cleaner salesmen, keen to stay in the honeymoon suite, Jeff Bridges is a priest and Cynthia Erivo a singer. They chat a while as they wait for somebody to return to the reception desk so that they can check in. And then another woman arrives, played by Dakota Fanning. She's not so chatty.
They all head off to their rooms and begin behaving in very different and mysterious ways. One is taking the room apart, removing microphones and phone taps, another is lifting up floorboards, another is singing into the mirror while another is bringing in a body from the boot of a car.
There's not a lot else that can be said without giving things away but much of the movie is spent exploring each of these characters and what they're all up to. We go back in time days, even years, exploring their past a little and discovering what brought them all to the El Royale. Stories within the hotel overlap and affect each other, with twists and turns revealing different motives for various people. It's all very mysterious, very well executed and very enjoyable.
Where I felt the movie falters is in the latter third, with the introduction of Chris Hemsworth. I didn't really buy into his character at all and that's when the pacing, the mystery and the enjoyment fell apart somewhat for me. It picks up with a couple more twists and surprises towards the but at 141 minutes, I feel the movie could have easily benefited from losing 20-30 minutes from its run time. Overall though, this was an enjoyable bit of fun.
A number of guests arrive in reception - Jon Hamm is a vacuum cleaner salesmen, keen to stay in the honeymoon suite, Jeff Bridges is a priest and Cynthia Erivo a singer. They chat a while as they wait for somebody to return to the reception desk so that they can check in. And then another woman arrives, played by Dakota Fanning. She's not so chatty.
They all head off to their rooms and begin behaving in very different and mysterious ways. One is taking the room apart, removing microphones and phone taps, another is lifting up floorboards, another is singing into the mirror while another is bringing in a body from the boot of a car.
There's not a lot else that can be said without giving things away but much of the movie is spent exploring each of these characters and what they're all up to. We go back in time days, even years, exploring their past a little and discovering what brought them all to the El Royale. Stories within the hotel overlap and affect each other, with twists and turns revealing different motives for various people. It's all very mysterious, very well executed and very enjoyable.
Where I felt the movie falters is in the latter third, with the introduction of Chris Hemsworth. I didn't really buy into his character at all and that's when the pacing, the mystery and the enjoyment fell apart somewhat for me. It picks up with a couple more twists and surprises towards the but at 141 minutes, I feel the movie could have easily benefited from losing 20-30 minutes from its run time. Overall though, this was an enjoyable bit of fun.
LeftSideCut (3776 KP) rated American Horror Story - Season 5 in TV
Dec 5, 2019
AHS season 5 - subtitled 'Hotel' - is a real mixture of genres. It's part vampire dram, part crime-mystery thriller, part haunted house... It's ambitious to say the least.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
A lot of people took issue with Hotel before it even aired, mainly due the absence of series favourite Jessica Lange, but in all honesty, as much as I like her, I didn't find myself missing her all that much, and the same goes for subsequent entries!
The season this time around is headed by Lady Gaga, who plays a pretty decent psuedo-villain - The Countess is unnerving, relatable, creepy, and tragic all at the same time, and is the beating heart of Hotel.
Not far behind is Evan Peters Mr March. I personally found this character a bit too cartoony at times, but he's still an important character, especially pulling strings behind everyone else back.
I also loved Kathy Bates and Denis O'Hare in this season, and their characters, and especially their devotion to The Countess, make the Hotel Cortez and oddly alluring place to be.
Wes Bentley gets a starring turn this time around after a bit part in Freak Show, and I actually enjoyed his character arc after not particularly caring to begin with.
Once again, I liked most if the cast, I just found it a shame that Sarah Paulson didn't get much to do here!
The plot itself is pretty thick in Hotel, lots of twists and turns, lots of different time periods being visited, and it's quite disorientating to begin with. It's a less accessible season than before but once you get into it, it's a great supernatural mystery horror ride with some inspiration from The Shining and Twin Peaks thrown in for good measure.
Just to top it off, we even get an appearance from Queenie, creating a direct connection to Coven and the wider AHS universe, an aspect of this show that I truly enjoy.
It's not my favourite season of AHS, (that Devil's Night episode was annoyingly cringey) but all in all, Hotel is pretty engaging television.
Kristy H (1252 KP) rated Good Girls Lie in Books
Mar 19, 2020
The Goode School is an elite prep school in Marchburg, Virginia. Each class contains only fifty girls, hand-picked by Dean Westhaven herself. The school has been in the Dean's family for generations. The girls all go on to college--mostly the Ivies--and are the daughters of the rich and elite. Goode is filled with traditions, rumors, haunted tunnels and arboretums, and secret societies. Coming to Goode from England this year is Ash Carr, now Ash Carlisle. Ash's wealthy parents are dead and Goode gives her a chance to start over without the notoriety that follows in her home country. But soon, a student is dead at Goode. She apparently had a secret--and she isn't the only one.
I am a total sucker for a good boarding school mystery. Add in the fact that this one is set basically in my backyard, the Blue Ridge mountains of Virginia, and it's written by one of my favorite authors, J.T. Ellison: I'm all in. GOOD GIRLS LIE didn't disappoint. This was a captivating thriller that kept me frantically flipping the pages of my Kindle. I didn't know who to believe, what to believe, or what on earth was going on. And I loved it.
The book opens up with a death--a body is found hanging on the school's gates. From there, the story backs up, and you are left guessing, wondering if Ash is a reliable narrator or not. For a story that features teenage girls, it's surprisingly adult and dark.
"Of course, there are a few people who know exactly who is hanging from the school's gates. Know who, and know why. But they will never tell."
This is a mystery filled with juicy backstories and gossip. The town of Marchburg has a storied past, and I found myself caught up in all of it. The Dean and her mother--twisted past. An old incident at the school--twisted past. Ash and her family--twisted past. Do you see a pattern emerging? Around every corner, a new dramatic turn emerges. If you like your thrillers with lots of drama and surprises, you'll enjoy this book. It's different, dark and twisty, and quite good. 4.5 stars.
I am a total sucker for a good boarding school mystery. Add in the fact that this one is set basically in my backyard, the Blue Ridge mountains of Virginia, and it's written by one of my favorite authors, J.T. Ellison: I'm all in. GOOD GIRLS LIE didn't disappoint. This was a captivating thriller that kept me frantically flipping the pages of my Kindle. I didn't know who to believe, what to believe, or what on earth was going on. And I loved it.
The book opens up with a death--a body is found hanging on the school's gates. From there, the story backs up, and you are left guessing, wondering if Ash is a reliable narrator or not. For a story that features teenage girls, it's surprisingly adult and dark.
"Of course, there are a few people who know exactly who is hanging from the school's gates. Know who, and know why. But they will never tell."
This is a mystery filled with juicy backstories and gossip. The town of Marchburg has a storied past, and I found myself caught up in all of it. The Dean and her mother--twisted past. An old incident at the school--twisted past. Ash and her family--twisted past. Do you see a pattern emerging? Around every corner, a new dramatic turn emerges. If you like your thrillers with lots of drama and surprises, you'll enjoy this book. It's different, dark and twisty, and quite good. 4.5 stars.
BookInspector (124 KP) rated The House Swap in Books
Sep 24, 2020
I had such high hopes for this book, it had so much praise from famous authors, but I was left quite disappointed.
The whole story was told from multiple perspectives, but Caroline is the main lead. It is mainly her story, and her life events, which are discussed. Even though I would not praise Caroline’s actions in this book, I could not blame her for them either. She had to endure quite a lot in her marriage, and I am really surprised that they decided to make it work because it should be a really hard job to do. I really enjoyed Francis’s story in this book as well, had a good insight into addict’s mind.
The narrative of this novel was interesting and quite original, outlining domestic problems and emotions that these events create, but I would not be able to call this book a thriller, because it did not give me any thrills whatsoever. I did like the twists and turns in this book, they did wake my curiosity of what these events are all about. I missed the suspense and more action. I found the topics, such as cheating on your spouse, drug addiction, really amusing to read about. I enjoyed the insight into these problems and the effect it has on different people.
The book is set in London, and narrative travels between present and past, slowly revealing more with every chapter. So, even though the story built up my curiosity pretty well, the climax left me incredibly disappointed. I was expecting some juicy bits to fulfill my expectations, but all I got was “Meh” :/ I did like the length of the chapters and the way R. Fleet ended every chapter with a cliffhanger. (Very smart, very smart indeed…) The writing style and language used were pleasant and easy to read. I would like to throw in a DISCLAIMER, there is plenty of detailed sex scenes in this book followed by substance addiction. So, to conclude, it is an absorbing family drama, filled with mystery, plenty of emotions, and if you are a mystery fan, who is looking for something lighter and less intense, this would be a good choice, I think. Enjoy 🙂
The whole story was told from multiple perspectives, but Caroline is the main lead. It is mainly her story, and her life events, which are discussed. Even though I would not praise Caroline’s actions in this book, I could not blame her for them either. She had to endure quite a lot in her marriage, and I am really surprised that they decided to make it work because it should be a really hard job to do. I really enjoyed Francis’s story in this book as well, had a good insight into addict’s mind.
The narrative of this novel was interesting and quite original, outlining domestic problems and emotions that these events create, but I would not be able to call this book a thriller, because it did not give me any thrills whatsoever. I did like the twists and turns in this book, they did wake my curiosity of what these events are all about. I missed the suspense and more action. I found the topics, such as cheating on your spouse, drug addiction, really amusing to read about. I enjoyed the insight into these problems and the effect it has on different people.
The book is set in London, and narrative travels between present and past, slowly revealing more with every chapter. So, even though the story built up my curiosity pretty well, the climax left me incredibly disappointed. I was expecting some juicy bits to fulfill my expectations, but all I got was “Meh” :/ I did like the length of the chapters and the way R. Fleet ended every chapter with a cliffhanger. (Very smart, very smart indeed…) The writing style and language used were pleasant and easy to read. I would like to throw in a DISCLAIMER, there is plenty of detailed sex scenes in this book followed by substance addiction. So, to conclude, it is an absorbing family drama, filled with mystery, plenty of emotions, and if you are a mystery fan, who is looking for something lighter and less intense, this would be a good choice, I think. Enjoy 🙂
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
Heather Cranmer (2721 KP) rated Local Woman Missing in Books
Jul 28, 2021
I had been after a good thriller for awhile, when I read about Local Woman Missing by Mary Kubica, my interest was piqued very much. I will say that this book certainly filled that thriller sized hole for sure!
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
Acanthea Grimscythe (300 KP) rated The Cutaway in Books
May 16, 2018
I seem to be of a minority when it comes to those that have read Christina Kovac's debut novel The Cutaway. Tagged as a mystery, suspense, and thriller novel, it really doesn't feel like one to me. While there are elements of a typical thriller, the crime at hand and the persons of interest take a back seat to the main character's love life for nearly three-fourths of the novel. In fact, the missing woman is practically non-existent for much of the story. To me, that's a pretty big turn off. I nearly dropped it, actually.
The Cutaway is supposed to focus on Virginia Knightly's efforts of getting the scoop on a missing person. En route to tracking down the perpetrator, readers encounter the typical sort of motives: affairs, money, political intrigue. It's a pretty standard plot when it comes to suspense novels. The twists are predictable and the story remains dreadfully slow until the final twenty to thirty percent.
For the most part, the characters of The Cutaway are painfully flat. Most of the male characters, with the exception of the News Director, are handsome with exceptionally whiny personalities. The News Director, Mellay, is a stereotypical angry boss sort who only cares about his own pockets. Even worse, the female characters are all Mary Sues. Sure, they have their own troubling pasts, but for as much suffering as they went through in their childhoods, the effect it has had on their adulthood is fairly minor. All of the women are drop dead gorgeous, not counting one of the witnesses. Ugh - that's all I can really say about that.
It's also clear from reading the novel that Kovac's most familiar with the reporting side of an investigation, which is to be expected from someone who has spent much of their time in the same career as the main character. Unfortunately, it also lends a bit of blandness to the story telling.
Overall, The Cutaway was an extremely painful read. Many times I considered dropping it: I could not get into the characters and I feel that the novel is more suited to the romance genre. There are several questions left unanswered and parts of it feel either rushed or as if Kovac is simply grasping at straws.
I would like to thank Atria Publishing, the author, and NetGalley for providing me with a copy for review.
The Cutaway is supposed to focus on Virginia Knightly's efforts of getting the scoop on a missing person. En route to tracking down the perpetrator, readers encounter the typical sort of motives: affairs, money, political intrigue. It's a pretty standard plot when it comes to suspense novels. The twists are predictable and the story remains dreadfully slow until the final twenty to thirty percent.
For the most part, the characters of The Cutaway are painfully flat. Most of the male characters, with the exception of the News Director, are handsome with exceptionally whiny personalities. The News Director, Mellay, is a stereotypical angry boss sort who only cares about his own pockets. Even worse, the female characters are all Mary Sues. Sure, they have their own troubling pasts, but for as much suffering as they went through in their childhoods, the effect it has had on their adulthood is fairly minor. All of the women are drop dead gorgeous, not counting one of the witnesses. Ugh - that's all I can really say about that.
It's also clear from reading the novel that Kovac's most familiar with the reporting side of an investigation, which is to be expected from someone who has spent much of their time in the same career as the main character. Unfortunately, it also lends a bit of blandness to the story telling.
Overall, The Cutaway was an extremely painful read. Many times I considered dropping it: I could not get into the characters and I feel that the novel is more suited to the romance genre. There are several questions left unanswered and parts of it feel either rushed or as if Kovac is simply grasping at straws.
I would like to thank Atria Publishing, the author, and NetGalley for providing me with a copy for review.
Kristy H (1252 KP) rated Her Perfect Life in Books
Oct 14, 2021
A twisty and personal thriller
Lily Atwood is a famous television reporter known for being perfect. She has a gorgeous young daughter, Rowen, a lovely home, and multiple Emmys. But when Lily was young, her college-age sister, Cassie, just vanished. Then their grieving mother died, leaving Lily alone. Lily and her producer, Greer, have an anonymous source who has been feeding them tips that only increase Lily's popularity. But when the tips start getting personal, Lily begins to panic. Someone is ready to uncover her past and destroy all she holds dear--but why?
"At some point you have to stop looking, I told myself. But still. If she did something truly bad, how much did I want to know? How would that knowledge change my life? My career? Maybe it's better for me to pretend she never existed. But I know she did exist."
This is crazy page-turner with lots of wild plot twists. It certainly keeps you guessing. Lily has the "perfect" life and she and her producer are determined to keep it that way, so that Lily (and Greer) stay on top. It seemed a bit much that Lily's fans would drop her at the sign of one mistake, but I suppose we all understand cancel culture these days...
Neither Lily nor Greer seem particularly likable, with their desire to win at all costs, so I wasn't particularly attached to their characters. I did like Lily's young daughter Rowen. The format of the book, however, is very easy-to-read, with flashbacks to Cassie's life in college interspersed with Greer and Lily's present day narrative. Honestly, college-age Cassie may be the easiest character to root for! Ryan certainly weaves a compelling mystery.
There's a lot going on in LIFE... I can't go into all the threads due to spoilers, but there are a lot of various plot points and sometimes it all seemed like a bit much. The book ended a tad fast, too, considering all those different narratives.
Still, this is a gripping thriller that keeps you on your toes. It illustrates how life is not always perfect... but maybe it does not need to be? 3.5+ stars.
I received a copy of this book from the author's Super Reader club and Macmillan-Tor/Forge in return for an unbiased review.
"At some point you have to stop looking, I told myself. But still. If she did something truly bad, how much did I want to know? How would that knowledge change my life? My career? Maybe it's better for me to pretend she never existed. But I know she did exist."
This is crazy page-turner with lots of wild plot twists. It certainly keeps you guessing. Lily has the "perfect" life and she and her producer are determined to keep it that way, so that Lily (and Greer) stay on top. It seemed a bit much that Lily's fans would drop her at the sign of one mistake, but I suppose we all understand cancel culture these days...
Neither Lily nor Greer seem particularly likable, with their desire to win at all costs, so I wasn't particularly attached to their characters. I did like Lily's young daughter Rowen. The format of the book, however, is very easy-to-read, with flashbacks to Cassie's life in college interspersed with Greer and Lily's present day narrative. Honestly, college-age Cassie may be the easiest character to root for! Ryan certainly weaves a compelling mystery.
There's a lot going on in LIFE... I can't go into all the threads due to spoilers, but there are a lot of various plot points and sometimes it all seemed like a bit much. The book ended a tad fast, too, considering all those different narratives.
Still, this is a gripping thriller that keeps you on your toes. It illustrates how life is not always perfect... but maybe it does not need to be? 3.5+ stars.
I received a copy of this book from the author's Super Reader club and Macmillan-Tor/Forge in return for an unbiased review.