"A film that could have been as good as The Third Man—if Welles had had a bit more money and a more charismatic leading man. But the unpolished nature of the endeavor gives it a certain mystique."

"I think this counts as an illustrated sleeve. I mean Kraftwerk are up there with Bowie as being one of the coolest. I think when you look at Kraftwerk they are the perfect example of a band that always retain their mystique and really live by the whole world they've projected. Every record of theirs really draws you into it. On top of that, they're one of the world's best live bands. I've seen them maybe three times and their sound quality was unbelievable, they just sounded so good. I got really into running at one point and I'd always listen to Tour de France. I guess it was kind of made for that."

"Not so much for the guitar work, but what’s represented on this collection is a real tight, small band. Wolf’s nickname was appropriate because he actually sounded like a wild animal when he sang. What an outrageous, maniacal voice! He could’ve been a star of those old Wolfman movies and they wouldn’t have needed any special effects. “He played great harmonica, and he could certainly get with it on the guitar. He had a mystique that came through on record. He could be overwhelming and scary. Not many artists can do that. So I’d call him one of the true originals of the blues. I love this collection. Just to have one big box set that encompasses something like ten different recordings, that’s pretty special."