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RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Hazel (1853 KP) rated Danny Dirks and the Heir of Pendragon in Books
Dec 17, 2018
This ebook was provided by the publisher via NetGalley in exchange for an honest review
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
Jordan Binkerd (567 KP) rated The Scorpion King 3: Battle For Redemption (2012) in Movies
Oct 27, 2019
Victor Webster sells the fights (5 more)
Ron Perlman is never a bad thing.
Neither is Temura Morrison.
Billy Zane is comically evil
Krystal Vee and Selina Lo pull off their reason for being here - hot chicks kicking ass.
Nice scenery and sets
Victor Webster fails to sell being The Rock, even aside from skin ton (2 more)
The story and lore are all over the place, not helped by the setting
The Warriors of the book announcing themselves just felt silly and contrived
Muddies the franchise and lore
The longer this goes the more damage this franchise does to itself. Let's review what we've seen so far:
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
Phil Leader (619 KP) rated The Big Over Easy (Nursery Crime, #1) in Books
Nov 8, 2019
After the success of his Thursday Next books, in which the heroine can enter works of fiction and interact with the characters, Fforde dusted off a previous idea for a novel: a town where nursery rhyme characters are real. Humpty Dumpty is found in pieces at the bottom of his wall, but did he fall or was he pushed?
Investigated by detective Jack Spratt (usefully the name Jack is quite common in nursery rhymes) and his new partner Mary Mary we meet a number of characters from nursery rhymes, songs and myth and legend. As the body count rises Jack and Mary must do what all the king's horses and all the king's men couldn't, and assemble the pieces of Humpty's demise to find the culprit.
The world Fforde creates - a fictional version of the town of Reading (and strongly implied to be the same world that Thursday Next lives in, in the book-within-a-book Caversham Heights) works suprisingly well, perhaps because other than the traits inherited from their nursery rhymes the characters are otherwise conventional. So Jack can't eat any fat and is destined to sell something for beans, but at the core is a straightforward detective.
This contrasts with, say, The Hollow Chocolate Bunnies of the Apocalypse by Robert Rankin which again is a detective story populated with nursery rhyme characters (and poor Humpty is again a victim, but in a very different murder) where the setting is in Toyland so doesn't have the grounding of reality that The Big Over Easy does.
The plot itself is very complex - there are red herrings, theories and suspects galore - and Fforde enjoys playing with the reader as much as with Jack. And there is of course humour aplenty, both simple gags from the story and characters and also some good knowing winks to the reader when events mirror the characters' nursery rhymes. Above all Fforde never forgets that this is after all a detective novel.
Probably not quite as good as the Thursday Next books but definitely a good read and will entertain from the first to the last page.
Investigated by detective Jack Spratt (usefully the name Jack is quite common in nursery rhymes) and his new partner Mary Mary we meet a number of characters from nursery rhymes, songs and myth and legend. As the body count rises Jack and Mary must do what all the king's horses and all the king's men couldn't, and assemble the pieces of Humpty's demise to find the culprit.
The world Fforde creates - a fictional version of the town of Reading (and strongly implied to be the same world that Thursday Next lives in, in the book-within-a-book Caversham Heights) works suprisingly well, perhaps because other than the traits inherited from their nursery rhymes the characters are otherwise conventional. So Jack can't eat any fat and is destined to sell something for beans, but at the core is a straightforward detective.
This contrasts with, say, The Hollow Chocolate Bunnies of the Apocalypse by Robert Rankin which again is a detective story populated with nursery rhyme characters (and poor Humpty is again a victim, but in a very different murder) where the setting is in Toyland so doesn't have the grounding of reality that The Big Over Easy does.
The plot itself is very complex - there are red herrings, theories and suspects galore - and Fforde enjoys playing with the reader as much as with Jack. And there is of course humour aplenty, both simple gags from the story and characters and also some good knowing winks to the reader when events mirror the characters' nursery rhymes. Above all Fforde never forgets that this is after all a detective novel.
Probably not quite as good as the Thursday Next books but definitely a good read and will entertain from the first to the last page.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
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