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RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Hazel (1853 KP) rated Danny Dirks and the Heir of Pendragon in Books
Dec 17, 2018
This ebook was provided by the publisher via NetGalley in exchange for an honest review
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
Danny Dirk is and ordinary fourteen year old boy with a passion for baseball, however as he approaches his fifteenth birthday peculiar things begin to happen.
Beginning with the arrival of the new foreman for their apple farm, Danny begins experiencing the impossible. Eventually, Grandfather Pendrake, a surname not unlike Pendragon, reveals that Danny comes from a special lineage, one typically assumed to be a myth; and explains that a particular mythical beast is, in fact, very real.
S. A. Mulraney begins his young adult novel with an interesting prologue that leaves the reader with a range of questions. Firstly, the characters are referred to as 'they' resulting in a feeling of suspense as the reader has no idea whether they are good or bad. It turns out that 'they' are Mr Brennan and his standoffish daughter Kara. However the original use of 'they' leaves the question as to what they are, which is heightened by words such as 'scales' and 'wings' as well as the suggestion that they can communicate with dragonflies.
Danny Dirk and the Heir of Pendragon is an exciting novel. Although it felt a little slow to start, the story picks up towards the end and concludes on a cliffhanger leaving the reader eager for the next book.
Although the main character is in his mid teens, the writing style is suitable for boys and girls in their earlier teens and upwards, however there are some scenes that are more appropriate for readers with a maturer outlook.
This novel will attract a range of interest particularly for those who prefer a book that is quick and easy to read. It should also attract the attention of those with a preference for the fantasy genre, especially about dragons, and also those who enjoy myths and legends, in particularly the legendary king of England, King Arthur.
Mulraney's adaptation of the history of King Arthur is original and intriguing, and his version of dragons are very creative.
This review uses a rating on the basis on personal preference but it is sure to be loved by the intended target audience.
Jordan Binkerd (567 KP) rated The Scorpion King 3: Battle For Redemption (2012) in Movies
Oct 27, 2019
Victor Webster sells the fights (5 more)
Ron Perlman is never a bad thing.
Neither is Temura Morrison.
Billy Zane is comically evil
Krystal Vee and Selina Lo pull off their reason for being here - hot chicks kicking ass.
Nice scenery and sets
Victor Webster fails to sell being The Rock, even aside from skin ton (2 more)
The story and lore are all over the place, not helped by the setting
The Warriors of the book announcing themselves just felt silly and contrived
Muddies the franchise and lore
The longer this goes the more damage this franchise does to itself. Let's review what we've seen so far:
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
-The Mummy Returns: At the end of his life, the Scorpion King leads an army to take over and subjugate the world, aided by Anubis, which proves that the Egyptian gods are, you know, gods.
-The Scorpion King: Mathayus is ostensibly the last living Akkadian, and leads a revolt against an evil king who....wants to take over and subjugate the world. Some tragic irony there, knowing where he ends up.
-The Scorpion King II: Rise of a Warrior: There's a whole kingdom of Akkadians, and Mathayus leads a revolt against the general who killed both his father and the rightful King, usurping the throne. Given that just a decade or two later the entire race has been wiped out, maybe putting the rightful heir back on the throne didn't end well?
Which brings us to this movie, featuring numerous human characters with the names of the Egyptian pantheon (maybe named in homage to their gods, but it feels like the idea is that these men will be mistaken for God's by myth and legend) and doubles down on the "conquest is evil" theme. Mathayus has lost his queen and kingdom from the first film to plague, reduced to being a mercenary again. The action primarily happens in Egypt and.... Cambodia? Vietnam? Thailand? Somewhere around there, with little explanation of how the characters go that distance. This just makes the whole thing more inconsistent and convoluted. I shudder to think about the damage the next one will do....
Phil Leader (619 KP) rated The Big Over Easy (Nursery Crime, #1) in Books
Nov 8, 2019
After the success of his Thursday Next books, in which the heroine can enter works of fiction and interact with the characters, Fforde dusted off a previous idea for a novel: a town where nursery rhyme characters are real. Humpty Dumpty is found in pieces at the bottom of his wall, but did he fall or was he pushed?
Investigated by detective Jack Spratt (usefully the name Jack is quite common in nursery rhymes) and his new partner Mary Mary we meet a number of characters from nursery rhymes, songs and myth and legend. As the body count rises Jack and Mary must do what all the king's horses and all the king's men couldn't, and assemble the pieces of Humpty's demise to find the culprit.
The world Fforde creates - a fictional version of the town of Reading (and strongly implied to be the same world that Thursday Next lives in, in the book-within-a-book Caversham Heights) works suprisingly well, perhaps because other than the traits inherited from their nursery rhymes the characters are otherwise conventional. So Jack can't eat any fat and is destined to sell something for beans, but at the core is a straightforward detective.
This contrasts with, say, The Hollow Chocolate Bunnies of the Apocalypse by Robert Rankin which again is a detective story populated with nursery rhyme characters (and poor Humpty is again a victim, but in a very different murder) where the setting is in Toyland so doesn't have the grounding of reality that The Big Over Easy does.
The plot itself is very complex - there are red herrings, theories and suspects galore - and Fforde enjoys playing with the reader as much as with Jack. And there is of course humour aplenty, both simple gags from the story and characters and also some good knowing winks to the reader when events mirror the characters' nursery rhymes. Above all Fforde never forgets that this is after all a detective novel.
Probably not quite as good as the Thursday Next books but definitely a good read and will entertain from the first to the last page.
Investigated by detective Jack Spratt (usefully the name Jack is quite common in nursery rhymes) and his new partner Mary Mary we meet a number of characters from nursery rhymes, songs and myth and legend. As the body count rises Jack and Mary must do what all the king's horses and all the king's men couldn't, and assemble the pieces of Humpty's demise to find the culprit.
The world Fforde creates - a fictional version of the town of Reading (and strongly implied to be the same world that Thursday Next lives in, in the book-within-a-book Caversham Heights) works suprisingly well, perhaps because other than the traits inherited from their nursery rhymes the characters are otherwise conventional. So Jack can't eat any fat and is destined to sell something for beans, but at the core is a straightforward detective.
This contrasts with, say, The Hollow Chocolate Bunnies of the Apocalypse by Robert Rankin which again is a detective story populated with nursery rhyme characters (and poor Humpty is again a victim, but in a very different murder) where the setting is in Toyland so doesn't have the grounding of reality that The Big Over Easy does.
The plot itself is very complex - there are red herrings, theories and suspects galore - and Fforde enjoys playing with the reader as much as with Jack. And there is of course humour aplenty, both simple gags from the story and characters and also some good knowing winks to the reader when events mirror the characters' nursery rhymes. Above all Fforde never forgets that this is after all a detective novel.
Probably not quite as good as the Thursday Next books but definitely a good read and will entertain from the first to the last page.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
Kristy H (1252 KP) rated Hazel Bly and the Deep Blue Sea in Books
Jul 8, 2021
A beautiful story about love and loss
Hazel Bly lived a great life with her Mum and Mama until a kayaking accident. Then her Mum died, leaving Hazel with a scar on her face and terrible anxiety. She wants nothing more than to keep her little sister Peach safe. The Blys move around a lot now. Two years after the accident, they are in Maine. It turns out that one of their new neighbors is her Mama's old childhood friend, Claire. The introduction of Claire into Hazel's world--along with her chatty daughter Lemon--makes Hazel feel unsettled. Plus Lemon is fixated on a local legend, the Rose Maid, a mermaid often seen in the waters. Hazel notes a resemblance between herself and Rose and soon she finds herself as fascinated by the mermaid as Lemon. Because sometimes everyone needs to believe in a little magic, especially when their world is crumbling around them.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
Lyndsey Gollogly (2893 KP) rated Stir Until Petrified (Violetta Massoni #1) in Books
Sep 12, 2020
Contains spoilers, click to show
165 of 200
Kindle
Stir until petrified ( A Violetta Massoni book 1)
By Theda Vallee
Welcome to beautiful Palermo Bay, where the witches are fierce
...and the biscotti is to die for.
Violetta "Etta" Massoni is an Italian witch living and working with her overbearing family in the sleepy seaside town of Palermo Bay. Healing from tragedy, she wants nothing to do with the magic she was born with.
Etta soon finds herself forced into the world of magic that she had resisted for so long. The peaceful calm of her community is shattered by a string of attacks that leaves fifteen people trapped in their dreams. An ominous magic task force is sent to investigate, with Etta as their number one suspect.
Her family has never been able to mind their own business, and they aren’t about to start now! Dragging her grandmother from crime scenes will be the least of her worries. Join Etta and the whole Massoni girl gang on a perilous, hilarious adventure filled with magic, myth, and minestrone!
After waiting for so long I finally got round to reading this! Oh my god! I don’t remember the last time I gave a 5* and enjoyed a book so much! I laughed I adore Etta and her family! It was packed with wit and so well written! The last character I loved this much was Charley Davidson from Darynda Jones’s books! I also learnt what a Benandanti was and that in this book I’d be expecting a knock at the door on his 10th birthday. Also my favourite quote which had me laughing out loud!
“Where am I supposed to sit?” I eyed the motorcycle’s seat, trying to calculate how much butt room there was. He handed me a helmet, pointing to the back of the bike. “You sit behind me. It’s called the bitch seat.” “Does that make where you’re sitting the prick perch?” I asked, climbing on behind him. As I’d feared, sitting made my shorts move so far up my nether region, I was positive we’d need a search and rescue team to get them out later.
I really can’t wait to read the next book!
Kindle
Stir until petrified ( A Violetta Massoni book 1)
By Theda Vallee
Welcome to beautiful Palermo Bay, where the witches are fierce
...and the biscotti is to die for.
Violetta "Etta" Massoni is an Italian witch living and working with her overbearing family in the sleepy seaside town of Palermo Bay. Healing from tragedy, she wants nothing to do with the magic she was born with.
Etta soon finds herself forced into the world of magic that she had resisted for so long. The peaceful calm of her community is shattered by a string of attacks that leaves fifteen people trapped in their dreams. An ominous magic task force is sent to investigate, with Etta as their number one suspect.
Her family has never been able to mind their own business, and they aren’t about to start now! Dragging her grandmother from crime scenes will be the least of her worries. Join Etta and the whole Massoni girl gang on a perilous, hilarious adventure filled with magic, myth, and minestrone!
After waiting for so long I finally got round to reading this! Oh my god! I don’t remember the last time I gave a 5* and enjoyed a book so much! I laughed I adore Etta and her family! It was packed with wit and so well written! The last character I loved this much was Charley Davidson from Darynda Jones’s books! I also learnt what a Benandanti was and that in this book I’d be expecting a knock at the door on his 10th birthday. Also my favourite quote which had me laughing out loud!
“Where am I supposed to sit?” I eyed the motorcycle’s seat, trying to calculate how much butt room there was. He handed me a helmet, pointing to the back of the bike. “You sit behind me. It’s called the bitch seat.” “Does that make where you’re sitting the prick perch?” I asked, climbing on behind him. As I’d feared, sitting made my shorts move so far up my nether region, I was positive we’d need a search and rescue team to get them out later.
I really can’t wait to read the next book!
ClareR (5603 KP) rated Savage Beasts in Books
Jul 4, 2023
Savage Beasts is a re-imagining of the story of Medea. This time, Meena (not Medea) betrays her father, the Nawab of Bengal, and runs away with an adventurer called James Chilcott. But Meena’s initial feelings of adventure and excitement soon wear off when she realises that the man she took to be an adventurer, was just an opportunist who spends her money and betrays her in turn.
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Kirk Bage (1775 KP) rated Conversations With A Killer: The Ted Bundy Tapes in TV
Mar 3, 2020
The third of these was the most powerful for me. It was Confessions of a killer: the Ted Bundy tapes. I mean… I had no idea. His name was in my imagination somewhere as a candidate for pure evil, but I had no notion of the level of media hype and drama behind and before this. Which is why I recommend this absolutely comprehensive 4 part series as the best in this dubious category I have yet to see.
With the benefit of at least some hindsight, we can see in this case the epitome of such terms as “serial killer” and “sociopath”. Looking at it in pure terms of an idea worthy of dramatic exploration, then this is it! And, interestingly, to this date, besides the Zac Efron misfire, it is a story beyond worthy of correct telling, the basis of which should be the real footage. Because nothing is more bizarre than the real man and what he not only attempted to do, but actually did.
Take the basic idea that one individual is capable of murdering 30 plus women and girls over a period of two decades… then accept that he systematically went back to the corpses and committed acts of necropholia and decapitation without ever skipping a beat in what he perceived as his true persona as a competent lawyer in his own right, and you have the stuff of true nightmare. Add to that the fact that he escaped custody twice, and defended himself in court to such a charming extent that the judge himself admitted an affinity with him, and you have the recipe for something that transcends fact and becomes myth. Don’t believe me? Watch for yourself.
Do I agree with these cases being shown as entertainment? No, I don’t. Essentially. Because they are rarely told from the victim’s point of view. We have a fascination with an unsolved mystery and grim death that is undeniably curious. The cult of personality pervades, and we should be wary of why we get involved with this stuff. As addictive TV it is undeniably going to continue. Please be careful of the line between understanding and entertainment. God forbid I would give these shows a rating, as if it were a thing worthy of encouragement. It is the most undeniable yet horrific side effect of our media growth imaginable. Watch at your peril. But watch discerningly with interest.
With the benefit of at least some hindsight, we can see in this case the epitome of such terms as “serial killer” and “sociopath”. Looking at it in pure terms of an idea worthy of dramatic exploration, then this is it! And, interestingly, to this date, besides the Zac Efron misfire, it is a story beyond worthy of correct telling, the basis of which should be the real footage. Because nothing is more bizarre than the real man and what he not only attempted to do, but actually did.
Take the basic idea that one individual is capable of murdering 30 plus women and girls over a period of two decades… then accept that he systematically went back to the corpses and committed acts of necropholia and decapitation without ever skipping a beat in what he perceived as his true persona as a competent lawyer in his own right, and you have the stuff of true nightmare. Add to that the fact that he escaped custody twice, and defended himself in court to such a charming extent that the judge himself admitted an affinity with him, and you have the recipe for something that transcends fact and becomes myth. Don’t believe me? Watch for yourself.
Do I agree with these cases being shown as entertainment? No, I don’t. Essentially. Because they are rarely told from the victim’s point of view. We have a fascination with an unsolved mystery and grim death that is undeniably curious. The cult of personality pervades, and we should be wary of why we get involved with this stuff. As addictive TV it is undeniably going to continue. Please be careful of the line between understanding and entertainment. God forbid I would give these shows a rating, as if it were a thing worthy of encouragement. It is the most undeniable yet horrific side effect of our media growth imaginable. Watch at your peril. But watch discerningly with interest.