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David McK (3425 KP) rated Lancelot in Books

Jan 30, 2019  
L
Lancelot
10
10.0 (1 Ratings)
Book Rating
I read Giles Kristian's Raven: Blood Eye series of books a few year back.

They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)

I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.

As such, I'd never really gone out of my way to look for any other book by Giles Kristian

However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.

And I'm glad I did: it's in (I felt) a completely different league that any of his previous.

This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.

This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.

I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
  
W(
Wolfsangel (Craw Trilogy, #1)
2
2.0 (1 Ratings)
Book Rating
Described (by 2 different authors, in the blurb on the back of the book in this edition) as "A unique take on the werewolf mythos, on the Norse pantheon an on magic itself. An enthralling, mesmeric book" and "A fresh take on the werewolf myth ... Brutal and relentlessly original", I have to say: this novel was nothing at all like I expected. Where I was expecting an excting tale of Vikings, shapeshifters and magic, instead I got a slow, torpid and (sometimes) impenetrable read instead. The first in a planned series of such books, I doubt I'll be looking for any of the sequels.
  
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