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Jordan Binkerd (567 KP) rated The Kid Who Would Be King (2019) in Movies
Aug 15, 2019 (Updated Aug 15, 2019)
The script is excellent and a clever take on the classic mythology, with some good allusions to previous incarnations. (2 more)
The cast is amazing all around
The effects are stellar, with the undead warriors hitting the right balance between too scary and not threatening enough
Merlin's hand magic pulled me right out of the story and made me think "That's the stupidest thing I've seen in quite a while...." (1 more)
Pacing was a bit off; the runtime was a bit long and there was a false climax with about half an hour to go in the film.
Surprisingly good family-friendly fantasy
I'm not sure why this bombed, aside from the fact that I barely remember seeing it advertised. It's a good film, well-executed on nearly every level. It was a bit long, perhaps, dragged a bit in the middle, but otherwise the only thing I have to complain about is the hand-waving tomfoolery they gave Merlin to execute his magic - that crap looked dumb as @#$&. I've seen lots of complaining about young Merlin, but for me it was just that his magic looked dumb - he was weird, but Merlin's supposed to be like that. The acting was top-notch across the board, though Patrick Stewart and Rebecca Ferguson were under-utilized. What set it apart for me, though, was that it refused to dumb itself down for its audience as so many kids' movies do. This film references obscure versions of the legend and makes them integral to the story without feeling they have to over-explain everything. For example, Merlin ages backwards. It's not that he looks like Patrick Stewart and is in disguise as a sixteen-year-old, but that he looks like a sixteen-year-old and occasionally puts on the guise of Patrick Stewart to prove a point or gain credibility. (I think in the original take it's less that he ages backwards and more that he lives backwards, but close enough.) I'd have loved this as a kid, and one day I'm sure my kids will love it as well.
Gareth von Kallenbach (971 KP) rated Wrath of the Titans (2012) in Movies
Aug 7, 2019
Sequels often struggle to live up to the expectations set by their predecessors. Wrath of the Titans delivers. Sam Worthington, Liam Neeson, and Ralph Fiennes reprise their roles as Perseus, Zeus, and Hades in this continuation of the Clash of the Titans remake from 2010. They’re joined this time by Rosamund Pike, who portrays the strong, female love interest as the beautiful Queen Andromeda.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
Perseus has settled down to become a fisherman with his son. His wife has been written out of the story — either by design or because the actress was not available. She seems to be dead for no particular reason. Perseus has chosen to live life as a mortal, despite his father, Zeus (Neeson), offering him a seat of power on Olympus. Early in the movie, Zeus comes to his son and asks for help, telling him something big is coming. Only Perseus, a demi-god, would have the strength to ensure humanity’s survival.
The rest of the story involves Perseus’s journey to save the world from the reawakening of Chronos. Mythology geeks and fantasy buffs will appreciate the severity of this situation.
While the makers of this film certainly didn’t reinvent the wheel, or even attempt to one-up their previous film, they surely succeeded in making an entertaining screenplay. In short: if you liked the first, you will like this one. It has all the action, sword-swinging, flying-horse-riding, and titan-killing you would expect from the series. The CGI is impressive, and the 3D effects were not too objectionable.
One scene in particular stuck out as ill-conceived. The kiss at the end of the film felt forced. There was very little romantic build-up throughout the movie, so it felt as if the filmmakers included the kiss because moviegoers expect to see romantic resolution. Perhaps this is one of the several endings they filmed, at which point they let focus groups make the call. Either way, it felt awkward.
As I said before, if you enjoyed the first, seeing the second is worth your time and money.
Amanda Palmer recommended In the Aeroplane Over the Sea by Neutral Milk Hotel in Music (curated)
Merissa (11731 KP) rated Hope's Deceit (The Fated #2) in Books
Apr 25, 2023
The dude is back! Morpheus reigns supreme with his sarcasm and cocky attitude, although you do also see a softer side to him occasionally. As for the rest of the characters, they continue to change and grow with each situation, divulging their secrets and showing strength where none was expected.
Trinity still has her hands full as she tries to learn about her powers and prepares for her eighteenth birthday which is rapidly approaching. Things are not all sunshine and roses with her and Blain - some of which is caused by miscommunication, some by age (she is only 17 after all) and some by circumstances. Every time they were together, my heart was in my mouth! I really want them to be together, but can also understand how the others say that Blain makes her weak. I really hope that she will start to show her true strength now, she has reason enough - and that is all I will say so that I don't give out any spoilers.
The one character I didn't get on with as much in this book is Trinity's dad. He seemed to have whiplash with his emotions and I just couldn't keep up. Still, this is a small thing and also understandable as a father realises he has to let his daughter grow up, even if these circumstances are slightly unusual! 😉
Well-written, fast-paced and chock full of emotion, you will be held prisoner by this book, turning the pages as you immerse yourself within the storyline. With no spelling or grammatical errors that I found, this was an amazing second book and I am now on tenterhooks whilst I wait for the third. If you like Urban Fantasy with a bit of Greek Mythology thrown in, then I can highly recommend this book and the first one in the series. Absolutely fantastic.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 13, 2015
Trinity still has her hands full as she tries to learn about her powers and prepares for her eighteenth birthday which is rapidly approaching. Things are not all sunshine and roses with her and Blain - some of which is caused by miscommunication, some by age (she is only 17 after all) and some by circumstances. Every time they were together, my heart was in my mouth! I really want them to be together, but can also understand how the others say that Blain makes her weak. I really hope that she will start to show her true strength now, she has reason enough - and that is all I will say so that I don't give out any spoilers.
The one character I didn't get on with as much in this book is Trinity's dad. He seemed to have whiplash with his emotions and I just couldn't keep up. Still, this is a small thing and also understandable as a father realises he has to let his daughter grow up, even if these circumstances are slightly unusual! 😉
Well-written, fast-paced and chock full of emotion, you will be held prisoner by this book, turning the pages as you immerse yourself within the storyline. With no spelling or grammatical errors that I found, this was an amazing second book and I am now on tenterhooks whilst I wait for the third. If you like Urban Fantasy with a bit of Greek Mythology thrown in, then I can highly recommend this book and the first one in the series. Absolutely fantastic.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 13, 2015
Heather Cranmer (2721 KP) rated Summer's End in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> in October).
As a fan of horror, I thought I'd end up loving this book. However, that wasn't the case. It was an okay read, and I use that term loosely.
Lisa Morton is a horror author who knows a vast amount about Halloween, as in she knows where the tradition started and all the variations. When she gets an email from a university professor saying they found a 1,500 year old Celtic manuscript, she's a bit skeptical. However, she decides to visit the professor and see what he has to say. After translating the manuscript, the professor is found dead. Could this be the work of the manuscript that spoke of the Sidh? It's up to Lisa and Conor ó Cuinn, an Irish archaeologist who found the manuscript, to save the world. But will they be in time?
I'm not a fan of the cover at all. I'm not sure if that's supposed to be a Sidh or not. I have no idea. All I know is that the cover never really pulled me in.
As for the title, it makes me think more of a love story than a horror story. Saying that, one of the translations of Samhain is summer's end according to the book, so the title does fit in with the book.
I thought the world building was alright. I really didn't find any flaws with it. The setting is a university office and an apartment, so nothing too exciting. I though the author did a fantastic job of making the Sidh feel real and like this could actually happen. However, the ending lets the world building down. (This next sentence may be slightly spoilerish). We're led to believe that the world will be destroyed if Bal-sab (the god of death) isn't destroyed. Well, I don't want to give it away too much, but yeah, it's very anti-climatic.
The pacing is extremely slow at the beginning. I was considering adding this title to my DNF (did not finish) pile. For whatever reason, I decided to carry on. Luckily, the story did improve and picked up quickly which meant I was able to finish this book.
The plot was interesting enough. It's told from the author's point of view (although this book is a work of fiction), and she even throws in titles of her other books along the way. I did like the whole Celtic/Pagan mythology throughout the book. I also really enjoyed the little footnotes throughout the book. Anyway, the protagonist of the story needs to translate a Celtic manuscript and save the world. While, it was an interesting premise, I felt that it was poorly executed due to too much info dumping, and what I felt was too much self-promotion for the author's other works.
I felt that the characters were just too run of the mill. They weren't written poorly, but they weren't written well either. I felt that maybe some back story for the characters, especially the main character, would've helped me relate to each character, but I just found myself not really caring what happened to them. I just couldn't relate at all, and believe me, I did try, but all the characters felt too monotonous for my liking. I would've liked it if at least one character had some sort of personality instead of feeling like a cardboard cutout.
The dialogue never seemed forced, but it did feel a bit stale. As I've said before, there was way too much info dumping for my liking especially towards the beginning of the book. The info dumping isn't quite so bad once the story progresses though. As for swear words, there are a few, but it's not too bad.
Overall, Summer's End by Lisa Morton is an okay (again, I use this word loosely) story. It was a fantastic idea but poorly executed, I think.
I'm on the fence with whether or not I'd recommend this book. I'd just say to read it yourself and come to a decision especially if you're into Celtic/Pagan mythology. I'd say the age group it would best fit would be those aged 16+.
I'd give Summer's End by Lisa Morton a 2.5 out of 5.
(I received a free ARC print copy through LibraryThing's Early Reviewers for a fair and honest review).
As a fan of horror, I thought I'd end up loving this book. However, that wasn't the case. It was an okay read, and I use that term loosely.
Lisa Morton is a horror author who knows a vast amount about Halloween, as in she knows where the tradition started and all the variations. When she gets an email from a university professor saying they found a 1,500 year old Celtic manuscript, she's a bit skeptical. However, she decides to visit the professor and see what he has to say. After translating the manuscript, the professor is found dead. Could this be the work of the manuscript that spoke of the Sidh? It's up to Lisa and Conor ó Cuinn, an Irish archaeologist who found the manuscript, to save the world. But will they be in time?
I'm not a fan of the cover at all. I'm not sure if that's supposed to be a Sidh or not. I have no idea. All I know is that the cover never really pulled me in.
As for the title, it makes me think more of a love story than a horror story. Saying that, one of the translations of Samhain is summer's end according to the book, so the title does fit in with the book.
I thought the world building was alright. I really didn't find any flaws with it. The setting is a university office and an apartment, so nothing too exciting. I though the author did a fantastic job of making the Sidh feel real and like this could actually happen. However, the ending lets the world building down. (This next sentence may be slightly spoilerish). We're led to believe that the world will be destroyed if Bal-sab (the god of death) isn't destroyed. Well, I don't want to give it away too much, but yeah, it's very anti-climatic.
The pacing is extremely slow at the beginning. I was considering adding this title to my DNF (did not finish) pile. For whatever reason, I decided to carry on. Luckily, the story did improve and picked up quickly which meant I was able to finish this book.
The plot was interesting enough. It's told from the author's point of view (although this book is a work of fiction), and she even throws in titles of her other books along the way. I did like the whole Celtic/Pagan mythology throughout the book. I also really enjoyed the little footnotes throughout the book. Anyway, the protagonist of the story needs to translate a Celtic manuscript and save the world. While, it was an interesting premise, I felt that it was poorly executed due to too much info dumping, and what I felt was too much self-promotion for the author's other works.
I felt that the characters were just too run of the mill. They weren't written poorly, but they weren't written well either. I felt that maybe some back story for the characters, especially the main character, would've helped me relate to each character, but I just found myself not really caring what happened to them. I just couldn't relate at all, and believe me, I did try, but all the characters felt too monotonous for my liking. I would've liked it if at least one character had some sort of personality instead of feeling like a cardboard cutout.
The dialogue never seemed forced, but it did feel a bit stale. As I've said before, there was way too much info dumping for my liking especially towards the beginning of the book. The info dumping isn't quite so bad once the story progresses though. As for swear words, there are a few, but it's not too bad.
Overall, Summer's End by Lisa Morton is an okay (again, I use this word loosely) story. It was a fantastic idea but poorly executed, I think.
I'm on the fence with whether or not I'd recommend this book. I'd just say to read it yourself and come to a decision especially if you're into Celtic/Pagan mythology. I'd say the age group it would best fit would be those aged 16+.
I'd give Summer's End by Lisa Morton a 2.5 out of 5.
(I received a free ARC print copy through LibraryThing's Early Reviewers for a fair and honest review).
graveyardgremlin (7194 KP) rated Trio of Sorcery (Diana Tregarde, #0.5) (Jennifer Talldeer, #2) in Books
Feb 15, 2019
<u>Arcanum 101</u>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Heather Cranmer (2721 KP) rated god-chaser in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.)
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
This is my first time reviewing a poetry book, so hopefully my review will do this book justice as it's a wonderful and well written book of poetry.
god-chaser by Sari Krosinsky is a short book of mainly poetry and some prose. The main subject of this book are gods although there are a few prose and poetry from the author's memories.
I think the title of this book suits it. Most of the prose and poetry contained in this book deal with all sorts of gods, so the title "god-chaser" works perfectly. It's even mentioned in one of the poems.
I like the simplistic design of the cover. I assume the photo of the woman on the cover is the author. I love the tree in the background as well. The cover, to me, symbolises the whole "what you see is what you get with this book." Yes, the cover could've been more decorated with pictures of gods and goddesses but this cover works for this book.
The pacing of each poem and story is perfect. I found myself devouring each story and poem as I read them. Not once did I grow bored with this little book of prose and poetry.
When it comes to dialogue, most of it is easy to understand. There are a few words that I didn't know what they meant, but over all, the prose and poetry is easy to understand. I must mention here that the poems and stories spoke to my soul!! There are a few swear words in it, but not many.
My favourite piece in this book is a prose piece entitled "Election Day Memorial, 1984." I can't pinpoint why it's my favourite but I just love the way it's written. I also like the dry humour used in it.
This is definitely a great book for fans of prose and poetry as well as those that are into mythology. When I heard this book dealt with mythological gods and goddesses, I had to read it! The author does a fantastic job with the wording. It is beautifully written.
I'd recommend this book mostly to fans of prose and poetry aged 16+, but I think mostly everyone could benefit from reading it as it's a lovely read!
Inky Books (3 KP) rated Eona: The Last Dragoneye (Eon, #2) in Books
Jun 21, 2018
When I was young, well, younger, I was obsessed with dragons. I would read anything with dragons in it. So when I found Eon, and saw that there was another book in the series I was so happy.
Back in that time when all I had to worry about was getting good grades and reading books, I would have given this book five stars. Now, however, that I’ve come to read some of the finer offerings this genre has to give, I find myself disappointed. Let this be a lesson to anyone: never re-read your favorite childhood book series (unless it’s Harry Potter or Eragon).
To be 100% honest, this book was a mess from start to finish. I found that the writing wasn’t descriptive enough for me to fully appreciate what the author was trying to do. There was also a lot of world building in a small space, and it didn’t work at all. There needed to be more time for that. I felt that 80% of the book was action. Yes, action is good, but there was too much and not enough time left for characters to develop.
Now my major problem is the main character, Eona. She continues to lie and deceive and deny that she’s doing it throughout the book. It’s very annoying and the author should have been able to come up with other events to keep me interested. Also, bringing all those lies out at the end? Yeah, well, that didn’t work for as much as a shock factor as intended. It was easy to see the outcome.
There are only two things going for this book. The first being the overall plot with the dragons. I won’t say more because I don’t want to spoil it, but I think that was a good way to get the book to end. The second is all the mythology and the world history that was weaved into the plot. I really liked learning about those pieces of the world.
All of that being said, I’ve finally decided on just 3 stars. While I did like it at one point in my life, I don’t as much now. I like parts of the book, but it overall lost all importance in my opinion. I won’t be reading it again unless I forget, for some reason, about how confusing the plot ended up being.
Back in that time when all I had to worry about was getting good grades and reading books, I would have given this book five stars. Now, however, that I’ve come to read some of the finer offerings this genre has to give, I find myself disappointed. Let this be a lesson to anyone: never re-read your favorite childhood book series (unless it’s Harry Potter or Eragon).
To be 100% honest, this book was a mess from start to finish. I found that the writing wasn’t descriptive enough for me to fully appreciate what the author was trying to do. There was also a lot of world building in a small space, and it didn’t work at all. There needed to be more time for that. I felt that 80% of the book was action. Yes, action is good, but there was too much and not enough time left for characters to develop.
Now my major problem is the main character, Eona. She continues to lie and deceive and deny that she’s doing it throughout the book. It’s very annoying and the author should have been able to come up with other events to keep me interested. Also, bringing all those lies out at the end? Yeah, well, that didn’t work for as much as a shock factor as intended. It was easy to see the outcome.
There are only two things going for this book. The first being the overall plot with the dragons. I won’t say more because I don’t want to spoil it, but I think that was a good way to get the book to end. The second is all the mythology and the world history that was weaved into the plot. I really liked learning about those pieces of the world.
All of that being said, I’ve finally decided on just 3 stars. While I did like it at one point in my life, I don’t as much now. I like parts of the book, but it overall lost all importance in my opinion. I won’t be reading it again unless I forget, for some reason, about how confusing the plot ended up being.
Deborah (162 KP) rated The Mythology of Richard III in Books
Dec 21, 2018
As usual, Ashdown-Hill has given us a well-written and accessible book with an extensive index and bibliography and reasoning well backed up with factual evidence; I find his books are always worth reading an a refreshing change from a lot of the nonsense there is out there. In this particular book he looks at myths and legends, both old and rather worryingly modern, that surround one or our best known monarchs.
Early chapters deal with the mythology perpetuated by Tudor propagandists and blinkered 'traditionalists' despite lack of evidence in many cases and even explicit evidence to the contrary in others! He looks at how some stories, such as the 'body in the river' became perpetuated over time so that they eventually become accepted as 'truth' by the uninformed. Even I had taken rather at face value the story of the White/Blue Boar Inn, but as Ashdown-Hill points out, it would be much more logical for Richard III to have stayed at Leicester Castle, as he had on a previous occasion, and also there is no evidence that an inn with a boar in its name existed at all in Leicester at this time!
The latter part of the book deals with more modern myths and I was really rather saddened and disappointed that it was necessary to have to set the record straight on many aspect of the rediscovery of the king's grave. I completely understand Ashdown-Hill's need to do so. After reading his earlier book 'The Last Days of Richard III' I was thoroughly convinced by his well reasoned arguments and never for a moment did I seriously doubt that that is where Richard III's resting place was. I was almost ready to go and dig the car park up myself! Whatever the rights and wrongs of it, I did find all the arguments over a final resting place to be somewhat distasteful, with some people sinking very low in voicing their opinions. It is disheartening that a British University PR department is less interested in truth than in trying to keep all the kudos for itself and I hope that people will read this and know the truth. With all its apparent misinformation I doubt I will be bothering with the visitor centre in Leicester any more than I have bothered to visit the putative site of Bosworth.
Early chapters deal with the mythology perpetuated by Tudor propagandists and blinkered 'traditionalists' despite lack of evidence in many cases and even explicit evidence to the contrary in others! He looks at how some stories, such as the 'body in the river' became perpetuated over time so that they eventually become accepted as 'truth' by the uninformed. Even I had taken rather at face value the story of the White/Blue Boar Inn, but as Ashdown-Hill points out, it would be much more logical for Richard III to have stayed at Leicester Castle, as he had on a previous occasion, and also there is no evidence that an inn with a boar in its name existed at all in Leicester at this time!
The latter part of the book deals with more modern myths and I was really rather saddened and disappointed that it was necessary to have to set the record straight on many aspect of the rediscovery of the king's grave. I completely understand Ashdown-Hill's need to do so. After reading his earlier book 'The Last Days of Richard III' I was thoroughly convinced by his well reasoned arguments and never for a moment did I seriously doubt that that is where Richard III's resting place was. I was almost ready to go and dig the car park up myself! Whatever the rights and wrongs of it, I did find all the arguments over a final resting place to be somewhat distasteful, with some people sinking very low in voicing their opinions. It is disheartening that a British University PR department is less interested in truth than in trying to keep all the kudos for itself and I hope that people will read this and know the truth. With all its apparent misinformation I doubt I will be bothering with the visitor centre in Leicester any more than I have bothered to visit the putative site of Bosworth.
