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With The Player and The Return of the Player, Michael Tolkin established himself as the master...
Science fiction fiction
The Best of Wodehouse: An Anthology
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.G. Wodehouse was, by common consent, the most brilliant writer of English comedy in the 20th...
Titan Quest
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One of the best hack-and-slash games of all time now fits in your pocket! Originally released on...
The Shadow Sister
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Following on from the bestselling The Seven Sisters and The Storm Sister, The Shadow Sister is the...
Heather Cranmer (2721 KP) created a post
Sep 2, 2021
ClareR (5603 KP) rated Medusa: The Girl Behind The Myth in Books
Sep 28, 2021
Now THIS is the side of the story I have always wanted to hear about! Medusa’s OWN story from her OWN mouth. In mythology, she is always portrayed as ugly, dangerous and unpredictable - lethal. In this story, we see a young girl, afraid and alone, forced to live away from others in case she hurts them - or they harm her. Her only companions, a dog and her sisters, the Gorgons, who fly out to hunt during the day, returning to their sister at night with food.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
Greek mythology is my catnip, and Elektra was the only thing I wanted to listen to for the week it took me to finish it (work and families can be really inconvenient sometimes!).
Elektra by Jennifer Saint is told from three female perspectives: Clytemnestra, the sister of Helen, the wife of Agamemnon; Cassandra, a Princess of Troy; and Elektra, Clytemnestra and Agamemnon’s youngest daughter.
The things these women had to put up with! Clytemnestra’s husband Agamemnon, acts like a madman (but it’s ok, it’s all for the Gods!) and she’s supposed to accept it all. Except she doesn’t.
Cassandra is treated like a madwoman after she’s cursed by Apollo. She can tell the future, but no-one believes her. So they only have themselves to blame when Troy is destroyed.
And then there’s Elektra. She seems to have fully bought into the whole “men/ daddy knows best, and anyway, he’s a hero” story. She’s a young woman who adores her father and believes he can do no wrong. She can’t understand her mothers reaction to the sacrifice of her eldest daughter and Elektra’s sister. Can we blame Elektra though? Probably. She certainly knows how to play the long game.
The narrators were well chosen, and really helped to add life and vigour to the characters of the three women. Listening to these Greek myths haas added something extra special to the stories - after all, I’ve read these stories so many times over the years in different forms. And I still can’t see a time where they’ll get old. In every retelling there’s a different angle, and I don’t think I can express enough how much I enjoy the story told from the women’s points of view.
Elektra is just fabulous - a timeless story about strong women.
Elektra by Jennifer Saint is told from three female perspectives: Clytemnestra, the sister of Helen, the wife of Agamemnon; Cassandra, a Princess of Troy; and Elektra, Clytemnestra and Agamemnon’s youngest daughter.
The things these women had to put up with! Clytemnestra’s husband Agamemnon, acts like a madman (but it’s ok, it’s all for the Gods!) and she’s supposed to accept it all. Except she doesn’t.
Cassandra is treated like a madwoman after she’s cursed by Apollo. She can tell the future, but no-one believes her. So they only have themselves to blame when Troy is destroyed.
And then there’s Elektra. She seems to have fully bought into the whole “men/ daddy knows best, and anyway, he’s a hero” story. She’s a young woman who adores her father and believes he can do no wrong. She can’t understand her mothers reaction to the sacrifice of her eldest daughter and Elektra’s sister. Can we blame Elektra though? Probably. She certainly knows how to play the long game.
The narrators were well chosen, and really helped to add life and vigour to the characters of the three women. Listening to these Greek myths haas added something extra special to the stories - after all, I’ve read these stories so many times over the years in different forms. And I still can’t see a time where they’ll get old. In every retelling there’s a different angle, and I don’t think I can express enough how much I enjoy the story told from the women’s points of view.
Elektra is just fabulous - a timeless story about strong women.
Lyndsey Gollogly (2893 KP) rated Open Your Eyes ( Chosen Fate book 1) in Books
May 31, 2022
94 of 230
Kindle
Open your eyes ( Chosen by Fate book 1)
By Aspen Winters
⭐️⭐️
Gods are vanishing; their only salvation is bonding to a human soul.
My name is Clara Daniels. I was your average New Yorker with a degree in business and a need for a job. Everything in my life was normal; well, as normal as it could be with an overbearing mother obsessed with the Lord and trying to find me a man. Not to mention, dealing with the many chauvanistic men that dominate the business world of New York.
Then one day, I ran into Fate - literally - and my entire world was changed. Now, my normal is being the human soul for four, overpowering, disturbingly hot gods. Think Zeus, Aries, Hades - see where I'm going with this. Turns out all that mythology was true. Now, I'm the only chance these four gods have to continue to live and soon they'll become my only chance.
Unfortunately, there's a group of people that don't agree with this and I just became their next target.
Can I trust them to protect me? Or will they let me down like so many others before them? Only Fate knows...and she's not telling.
I almost DNFd this a few times but something in me wanted to see how it played out. Now I’m not into author bashing and I’m not about to start now. This had some major plot holes and a few cringy parts. The mother is just instantly dis likeable I mean she is absolutely vile. There are bits that make you think why?. There are some ok bits and towards the end it came together. The story had good foundation so I think it why I stuck it out.
Kindle
Open your eyes ( Chosen by Fate book 1)
By Aspen Winters
⭐️⭐️
Gods are vanishing; their only salvation is bonding to a human soul.
My name is Clara Daniels. I was your average New Yorker with a degree in business and a need for a job. Everything in my life was normal; well, as normal as it could be with an overbearing mother obsessed with the Lord and trying to find me a man. Not to mention, dealing with the many chauvanistic men that dominate the business world of New York.
Then one day, I ran into Fate - literally - and my entire world was changed. Now, my normal is being the human soul for four, overpowering, disturbingly hot gods. Think Zeus, Aries, Hades - see where I'm going with this. Turns out all that mythology was true. Now, I'm the only chance these four gods have to continue to live and soon they'll become my only chance.
Unfortunately, there's a group of people that don't agree with this and I just became their next target.
Can I trust them to protect me? Or will they let me down like so many others before them? Only Fate knows...and she's not telling.
I almost DNFd this a few times but something in me wanted to see how it played out. Now I’m not into author bashing and I’m not about to start now. This had some major plot holes and a few cringy parts. The mother is just instantly dis likeable I mean she is absolutely vile. There are bits that make you think why?. There are some ok bits and towards the end it came together. The story had good foundation so I think it why I stuck it out.
ClareR (5603 KP) rated Sun of Blood and Ruin in Books
Mar 10, 2024
It’s not often I have something negative to say about a book (you may have noticed), because I really try to choose books that I know I’ll enjoy. After all, who wants to read something they don’t enjoy? I did have high hopes that Sun of Blood and Ruin would be so much more. I was excited that this book was using Mesoamerican mythology and a bit of Mexican history, something I know nothing about.
I remember watching Zoro as a child, and this book felt like that in places. Except Pantera is female - she is a ‘master’ swords-person, a magician and a shapeshifter. So far, so good. Leonora de Las Casas Tlazohtzin is her alter-ego (or is it the other way round? Im never sure which way round it should be) - it’s a great disguise. She is the sister of the regent of New Spain, and promised to the Spanish Prince - who will ever guess that she’s really Pantera?
What didn’t quite gel with me was the way the story was put together. It didn’t feel like a cohesive novel, more like exciting shorts that had been joined together. I think if I’d read this as a graphic novel or a series of short stories, I would have enjoyed it so much more. The second half of the novel is far better than the first half, I will say that.
Perhaps I’m not the right audience for this book? I do like this genre though, and I do read a fair bit of YA Fantasy, so I’m really not so sure it’s that. It looks as though there will be a follow up, and I’d be interested to see if the style is in any way improved and where the story is going next - so this book is definitely a “like” from me.
I remember watching Zoro as a child, and this book felt like that in places. Except Pantera is female - she is a ‘master’ swords-person, a magician and a shapeshifter. So far, so good. Leonora de Las Casas Tlazohtzin is her alter-ego (or is it the other way round? Im never sure which way round it should be) - it’s a great disguise. She is the sister of the regent of New Spain, and promised to the Spanish Prince - who will ever guess that she’s really Pantera?
What didn’t quite gel with me was the way the story was put together. It didn’t feel like a cohesive novel, more like exciting shorts that had been joined together. I think if I’d read this as a graphic novel or a series of short stories, I would have enjoyed it so much more. The second half of the novel is far better than the first half, I will say that.
Perhaps I’m not the right audience for this book? I do like this genre though, and I do read a fair bit of YA Fantasy, so I’m really not so sure it’s that. It looks as though there will be a follow up, and I’d be interested to see if the style is in any way improved and where the story is going next - so this book is definitely a “like” from me.
Acanthea Grimscythe (300 KP) rated The Motion of Puppets in Books
May 16, 2018
In Keith Donohue's modern retelling of Orpheus and Eurydice, The Motion of Puppets, we're introduced to a range of characters from a besotted husband and his missing wife, to an emotionally unstable puppet girl as the husband embarks on a journey to save his wife from eternity as a doll. For fans of mythology, this sounds like a great read and it is, without a doubt, beautifully written; however, when it comes to execution, the story fell flat.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.