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EmersonRose (320 KP) rated Infinities Gate in Books
Nov 20, 2019
“At the Equinox, a bright blue glow engulfed the entire hill. Above the monument, a vortex opened and sucked them into its eye. When the light faded, they were gone.”
Infinities Gate is the second book in the Tamara Jenkins, Sorcerer series by author John R. Moore. It tells the story of archaeology professor Tamara Jenkins and the magical world of wizards she does not just fall into but becomes one of the greatest wizards and leader against the fight against darkness. In this book, Tamara and her husband mysteriously disappear on their honeymoon, and it is up to their friends to find them. Along the way, they discover the Infinities Gate and realize that they must keep the gate from opening or risk releasing chaos itself. When talking about his book series Moore says it is “In the order of Indiana Jones crossed with Merlin.” This statement perfectly sums up the atmosphere of the book. This was the crossover I never knew I needed. This mashup was an imaginative and clever premise that immediately had me hooked into the first book which continued into the second.
The story begins quickly, showering you with information, questions, and mysteries. This kind of beginning hooked my attention immediately and made it hard to put the book down. This story is filled with mysteries, interesting twists, and exciting adventures. From wizards to Norse gods, Moore delves into the fantastical intricacies of myths and legends while still making the stories his own. You can’t help but root for Tamara as she makes her way through these magical adventures. I really liked seeing her growth in both books and found her to be an interesting and fun heroine to follow on this journey.
The Celtic and Scottish history is something I love learning about so getting to read about it, and the magical side of it was very exciting for me. My love for both Indiana Jones and Arthurian legend fueled this fascination with this story. From the very beginning of the book, it connected itself to these histories and had events taking place in some of the most magical feeling places in the world like Stonehenge and the Isle of the Sky. This setting brought the magic and history into the book beautifully.
I was very impressed with Moore’s writing style. His descriptions of the world are beautiful as is his attention to the details of history. His characters have a depth which is integral for me in any book I read. I enjoyed reading this series so much I am excited to look into some of his other work. His interest in science fiction and fantasy stories align very much with my favorite genres to read. I cannot wait for the third book in this series so I can continue my journey with the wonderful Tamara. This was a very enjoyable book that offered a quick read into a magical world. I would highly recommend this book to fantasy readers!
Infinities Gate is the second book in the Tamara Jenkins, Sorcerer series by author John R. Moore. It tells the story of archaeology professor Tamara Jenkins and the magical world of wizards she does not just fall into but becomes one of the greatest wizards and leader against the fight against darkness. In this book, Tamara and her husband mysteriously disappear on their honeymoon, and it is up to their friends to find them. Along the way, they discover the Infinities Gate and realize that they must keep the gate from opening or risk releasing chaos itself. When talking about his book series Moore says it is “In the order of Indiana Jones crossed with Merlin.” This statement perfectly sums up the atmosphere of the book. This was the crossover I never knew I needed. This mashup was an imaginative and clever premise that immediately had me hooked into the first book which continued into the second.
The story begins quickly, showering you with information, questions, and mysteries. This kind of beginning hooked my attention immediately and made it hard to put the book down. This story is filled with mysteries, interesting twists, and exciting adventures. From wizards to Norse gods, Moore delves into the fantastical intricacies of myths and legends while still making the stories his own. You can’t help but root for Tamara as she makes her way through these magical adventures. I really liked seeing her growth in both books and found her to be an interesting and fun heroine to follow on this journey.
The Celtic and Scottish history is something I love learning about so getting to read about it, and the magical side of it was very exciting for me. My love for both Indiana Jones and Arthurian legend fueled this fascination with this story. From the very beginning of the book, it connected itself to these histories and had events taking place in some of the most magical feeling places in the world like Stonehenge and the Isle of the Sky. This setting brought the magic and history into the book beautifully.
I was very impressed with Moore’s writing style. His descriptions of the world are beautiful as is his attention to the details of history. His characters have a depth which is integral for me in any book I read. I enjoyed reading this series so much I am excited to look into some of his other work. His interest in science fiction and fantasy stories align very much with my favorite genres to read. I cannot wait for the third book in this series so I can continue my journey with the wonderful Tamara. This was a very enjoyable book that offered a quick read into a magical world. I would highly recommend this book to fantasy readers!
Survival Arena™ TD
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Build and customize your arsenal of deadly towers, ammunition, and power-ups until other players...
The Career Lattice: Combat Brain Drain, Improve Company Culture, and Attract Top Talent
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Reroute your career path for better, faster, longer-lasting success. "If you've been waiting for...
ClareR (5879 KP) rated The Once and Future Witches in Books
Oct 15, 2020
It’s 1893 and witches are no more since Old Salem was burnt to the ground along with all of its witches. Women’s fights have now taken to the ballot box with the Suffragist movement. In reality, the difference between ‘Witch’ and ‘Suffragist’ is quite blurred for many men. All women with too much power, knowledge or motivation are something to be reviled and controlled. Yes, this is really all about feminism, and this is only one of the many reasons why it’s a top read for me.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
As far back as I can remember (and that’s quite a long way), I’ve loved fairytales, myths and legends. The original stories, if you will. Witches didn’t fare well in these stories, but they were always the characters that I wanted to know more about. What motivated them? Why were they ‘evil’? How did they do THAT?! I wanted to be the ‘good’ version! So this book has ticked a lot of boxes for me. They’re witches, they’re good, normal, women, and they want to make ALL of their lives better.
The main three characters reflect the three stages of a woman’s life (maiden, mother, crone) and also reflect the kinds of lives that many women would (and still do) live.
James Juniper, the youngest, wants to come in to her own power - whether that’s as a suffragist or a witch. She believes that you don’t have to choose: she’s a true fighter and is willing to stand up for her beliefs.
Beatrice Belladonna has escaped her life with the family years ago and works as a librarian: knowledge is her greatest power. Finally, Agnes Amaranth is an unmarried mother who wants to protect her unborn child.
They’ve all been damaged by their abusive father, and this story is as much about them rebuilding their relationship as it is about women coming in to their own power.
The Once and Future Witches has a lot to offer all ages of reader. It makes you think about not just women’s rights, but also race, LGBTQI+ rights, survival, and just standing firm for what you believe in. It shows through the example of the three estranged sisters, that we are all stronger if we stand together.
I didn’t want to stop reading this - I inhaled it, couldn’t put it down, went to bed early two days in a row just to read it, and thought about it in between times. And I’m still thinking about it. If you like witches, you’ll like this. If you like a good story, you’ll love it. If you want to read a book that encompasses all of this and has relevance to our lives today, here’s your book.
This is going to remain a firm favourite for me for a long time. Perhaps I’m one of the future witches?
Many thanks to Little, Brown and NetGalley for my copy of this book.
How to Hypnotise Anyone - Confessions of a Rogue Hypnotist
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The number 1 Amazon kindle bestseller on hypnosis is now available in paperback! Finally the hidden...
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
Sophia (Bookwyrming Thoughts) (530 KP) rated Gates of Thread and Stone (Gates of Thread and Stone #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Dark Shadows (2012) in Movies
Aug 7, 2019
Tim Burton has always been one of my all time favorite directors because of his strange-yet-humorous nature and the frequent use of my favorite actor, Johnny Depp. For the last decade or so we have been plagued with remakes of stories that we are all familiar with and the only thing that makes them different is the addition of the iconic Tim Burton style. Once again Tim Burton brings us yet another remake, only this time of the 70’s cult classic soap opera Dark Shadows.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.
Complete Babylonian Beginner to Intermediate Course: A Comprehensive Guide to Reading and Understanding Babylonian, with Original Texts
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Is this the right book for me? Do you want to engage with Babylonian culture and literature in the...
Life on the Mississippi
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The eagerly awaited return of master American storyteller Rinker Buck, Life on the Mississippi is an...