Search
Search results
MONOPOLY Game
Games and Entertainment
9.0
Rate It
App
**YOU VOTED & THE CAT’S OUT OF THE BAG** Thanks to the votes from YOU and thousands of loyal...
Universalis
Lifestyle and Reference
App
Join the thousands of people who use Universalis daily! You will get: • The Catholic liturgical...
My Town : Farm
Games and Education
App
* Pay once & Play forever + receive FREE updates! No ads and no IAP * Feed the animals, Gather the...
The Guides
Games
App
Featured by Apple in: 15 Most Mind-Bending Puzzlers, 15 Most Mysterious Games, The Best Games...
hungryhouse - takeaway food delivery
Food & Drink and Lifestyle
App
Order takeaway online with our free app! With our app you can browse restaurant menus, read customer...
Word Master Pro - Practical scrabble-like game
Games
App
Advantages of the Pro version: **Ad-Free Experience** **7 additional board layouts** **Randomize the...
Zuky the BookBum (15 KP) rated The Mountain in Books
Mar 15, 2018
I was really looking forward to this book because I’d seen loads of great reviews for it, unfortunately I did not enjoy this for a number of reasons… let me explain.
I want to start off this review on a positive note. I did initially enjoy this book. It was slow to take off and the accident in the Bletterbach was gone in seconds (when it seemed like such an important part of the plot!) but the mystery of the years old Bletterbach killings did grab my interest quite quickly and I was looking forward to knowing what the hell happened. Unfortunately, that’s where the good things I have to say end.
This book was so ridiculously drawn out and slow, it really couldn’t grab my attention for very long. I would read about 30 pages and then put it down because I was so bored by all the tedious, pointless descriptions and scene that weren’t necessary to progress the plot. Most of this novel was conversations between two people, that 90% of the time ended with no further information or revelations to the mystery. Then, the bits that weren’t people talking were extremely long, often times overly scientifics bit of information that I think were meant to be eye-opening and exciting, but instead they often confused me and were extremely boring to read.
The writing in this one was also a little weird. I always find I have a bit of trouble with translated books – they feel clunky to read – and this one felt just the same. The conversations that were had between people felt forced and unrealistic most of the time and there was no atmosphere whatsoever. When Salinger was down in the Bletterbach before the accident, there was no nail-biting edge of the seat moment, and again, when he was experiencing his panic attacks, these was no tension or feeling of claustrophobia. I was hoping this was going to give me the same creeped out, terrified feelings that The White Road did, but it let me down.
I thought that maybe while I was being put to sleep by the slow moving story, I might enjoy the characters, however I was disappointed by those too. More specifically, by Salinger, our main character. I hated him. I really, really hated him. He didn’t progress as a character after everything he had been through and no matter how many times his wife came to him angry and distraught at what he was doing. Throughout the novel he was just an awful person, always thinking about throwing a punch and being inconsiderate to other people. There really was nothing nice about him. And then the other characters in the story played such small parts that we really didn’t get to know them very well. Even Werner who seemed to play an important part of the story didn’t get much “screen” time.
In the end, I skim read the last 100 pages of this novel! I’m still counting it as a full read because I pushed myself through <b><i>t h r e e h u n d r e d</b></i> tedious pages. The conclusion of the mystery was disappointing to say the least and I’m glad I didn’t attempt to read the rest of the story.
Overall, I really didn’t enjoy this book, apart from maybe the first 50 pages. I wouldn’t recommend this one, I think there are plenty of better similar books out there that you could pick up instead.
<i>Thanks to Bookbridgr and MacLehose Press for providing me a copy in exchange for an honest review. I’m just sorry I didn’t enjoy it!</i>
I want to start off this review on a positive note. I did initially enjoy this book. It was slow to take off and the accident in the Bletterbach was gone in seconds (when it seemed like such an important part of the plot!) but the mystery of the years old Bletterbach killings did grab my interest quite quickly and I was looking forward to knowing what the hell happened. Unfortunately, that’s where the good things I have to say end.
This book was so ridiculously drawn out and slow, it really couldn’t grab my attention for very long. I would read about 30 pages and then put it down because I was so bored by all the tedious, pointless descriptions and scene that weren’t necessary to progress the plot. Most of this novel was conversations between two people, that 90% of the time ended with no further information or revelations to the mystery. Then, the bits that weren’t people talking were extremely long, often times overly scientifics bit of information that I think were meant to be eye-opening and exciting, but instead they often confused me and were extremely boring to read.
The writing in this one was also a little weird. I always find I have a bit of trouble with translated books – they feel clunky to read – and this one felt just the same. The conversations that were had between people felt forced and unrealistic most of the time and there was no atmosphere whatsoever. When Salinger was down in the Bletterbach before the accident, there was no nail-biting edge of the seat moment, and again, when he was experiencing his panic attacks, these was no tension or feeling of claustrophobia. I was hoping this was going to give me the same creeped out, terrified feelings that The White Road did, but it let me down.
I thought that maybe while I was being put to sleep by the slow moving story, I might enjoy the characters, however I was disappointed by those too. More specifically, by Salinger, our main character. I hated him. I really, really hated him. He didn’t progress as a character after everything he had been through and no matter how many times his wife came to him angry and distraught at what he was doing. Throughout the novel he was just an awful person, always thinking about throwing a punch and being inconsiderate to other people. There really was nothing nice about him. And then the other characters in the story played such small parts that we really didn’t get to know them very well. Even Werner who seemed to play an important part of the story didn’t get much “screen” time.
In the end, I skim read the last 100 pages of this novel! I’m still counting it as a full read because I pushed myself through <b><i>t h r e e h u n d r e d</b></i> tedious pages. The conclusion of the mystery was disappointing to say the least and I’m glad I didn’t attempt to read the rest of the story.
Overall, I really didn’t enjoy this book, apart from maybe the first 50 pages. I wouldn’t recommend this one, I think there are plenty of better similar books out there that you could pick up instead.
<i>Thanks to Bookbridgr and MacLehose Press for providing me a copy in exchange for an honest review. I’m just sorry I didn’t enjoy it!</i>
Gareth von Kallenbach (980 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
The Photographer's Ephemeris
Photo & Video and Navigation
App
"Head and shoulders above the crowd is The Photographer’s Ephemeris. Odd name, great app." -...
Governor of Poker 2 - Offline
Games and Entertainment
App
PLAY POKER, FREE SINGLE PLAYER HOLDEM POKER OFFLINE on your iOS device and beat every cowboy in...