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Kaysee Hood (83 KP) rated The Novice (Summoner Book 1) in Books
Apr 30, 2018
Fletcher Wulf & Ignatius (2 more)
Dwarfs & Elves
Magic & Demons
War (2 more)
Orcs
Race Issues
A new favorite...
Can I say this book took me by surprise? This has been on my TBR for a bit and was going to be an ebook purchase until I came across the paperback copy at B&N. What became a read out of interest with not much for expectations has become a new favorite for me.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Bob Mann (459 KP) rated Fences (2016) in Movies
Sep 29, 2021
The Last Post.
In “Fences” Denzel Washington plays Troy – a bitter, self-centred and selfish man in his mid-fifties who loves the sound of his own voice. They say “empty vessels make the most noise” and here is a case in point. Set in the early fifties, race plays a strong card in every aspect of life, and Troy feels betrayed by a failed baseball career that – in his eyes at least – looked over his skills to the colour of his skin. But Troy is also a stubborn cuss, and refuses to acknowledge that even in the 50’s “The times they are a changing’”. His cussedness puts him on a collision course with his teenage son Cory (Jovan Adepo), given his aspirations for a college football scholarship, and his mother (Viola Davis, “The Help”) tries to keep the peace between the two of them.
This is a film primarily about resistance to change. All those changes in the outside world are on the ‘other side of the fence’ that Troy habitually tries to finish but never seems to put his mind to. Fences keep things out; but they also keep things in, and Troy is in a cocoon of his own making. He justifies his actions as a ‘family provider’ with lengthy speeches but ultimately they deliver hollow words and assertions that don’t stand up to scrutiny.
This is a pressure cooker of family life that is primed to blow, and a revelation (which I didn’t see coming) sets that fuse alight.
This is a film worth watching for the acting performances of Denzel Washington and (particularly) Viola Davis, winner of the Best Supporting Actress BAFTA and a strong contender for the Oscar. Both give assured performances, although Troy is such an instantly dis-likable and pitiable character that I could feel my emotions influencing my judgement about his performance.
But this is also a strong ensemble cast, with Mykelti Williamson (famously appearing as Bubba of the ‘Bubba Gump Shrimp Factory’ fame) being effective as Troy’s disabled brother and English-born Jovan Adepo being particularly impressive in an extremely assured feature debut.
However, the Broadway roots of the piece are highly visible with 98% of the film set either in the back yard, in the house, or on the front steps (the set could clearly rotate!). For such a claustrophobic topic, this is perhaps apt. But as a feature film I longed for the action to go elsewhere. The film version of the story – with a few tweaks to the screenplay – has lots of opportunities for this, but these are never taken. This makes the whole piece feel ‘worthy but dull’. In particular, anyone looking for a useful tutorial on fence building needs to look elsewhere!
As for the recent “Moonlight” there is also excessive use of the “N” word and other outdated racial references that have the potential to offend.
Good luck to Viola Davis and Denzel Washington (who also directed this) for their Best Supporting Actress and Best Actor Oscars nominations. But “Best Film” Oscar? No, I don’t think so. In truth this is a film that I will struggle to remember or get excited about in a month’s time and it will not be on my re-watch list.
This is a film primarily about resistance to change. All those changes in the outside world are on the ‘other side of the fence’ that Troy habitually tries to finish but never seems to put his mind to. Fences keep things out; but they also keep things in, and Troy is in a cocoon of his own making. He justifies his actions as a ‘family provider’ with lengthy speeches but ultimately they deliver hollow words and assertions that don’t stand up to scrutiny.
This is a pressure cooker of family life that is primed to blow, and a revelation (which I didn’t see coming) sets that fuse alight.
This is a film worth watching for the acting performances of Denzel Washington and (particularly) Viola Davis, winner of the Best Supporting Actress BAFTA and a strong contender for the Oscar. Both give assured performances, although Troy is such an instantly dis-likable and pitiable character that I could feel my emotions influencing my judgement about his performance.
But this is also a strong ensemble cast, with Mykelti Williamson (famously appearing as Bubba of the ‘Bubba Gump Shrimp Factory’ fame) being effective as Troy’s disabled brother and English-born Jovan Adepo being particularly impressive in an extremely assured feature debut.
However, the Broadway roots of the piece are highly visible with 98% of the film set either in the back yard, in the house, or on the front steps (the set could clearly rotate!). For such a claustrophobic topic, this is perhaps apt. But as a feature film I longed for the action to go elsewhere. The film version of the story – with a few tweaks to the screenplay – has lots of opportunities for this, but these are never taken. This makes the whole piece feel ‘worthy but dull’. In particular, anyone looking for a useful tutorial on fence building needs to look elsewhere!
As for the recent “Moonlight” there is also excessive use of the “N” word and other outdated racial references that have the potential to offend.
Good luck to Viola Davis and Denzel Washington (who also directed this) for their Best Supporting Actress and Best Actor Oscars nominations. But “Best Film” Oscar? No, I don’t think so. In truth this is a film that I will struggle to remember or get excited about in a month’s time and it will not be on my re-watch list.
Hazel (1853 KP) rated The Glass Magician (The Paper Magician Trilogy, #2) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
The magic continues in Charlie N. Holmberg’s latest novel <i>The Glass Magician</i>. It is three months since the ending of <i>The Paper Magician</i> and Ceony is still apprenticing under Magician Thane – now mostly referred to as Emery. Despite the near death experiences of both the characters in the previous book, Ceony is well on her way to become a Folder – a magician that uses paper.
When an explosion occurs at a paper mill that Ceony is visiting, she realizes that not all her problems have been solved. Her defeat of an evil Excisioner has resulted in two more wanted criminals on her tail. Mistakenly, Ceony believes she can tackle this problem by herself, putting those she loves in danger.
As well as the characters from the first book, <i>The Glass Magician</i> contains a few new names including Delilah, an apprentice of a glass magician, who is a similar age to Ceony. Through Delilah the reader is introduced to another form of magic using glass or more precisely, in the case of this novel, mirrors.
In comparison to <i>The Paper Magician</i> there is a more romantic theme running throughout the book. Events of the past have brought Ceony and Emery closer together causing Ceony to fall in love with him, however she is uncertain whether Emery feels the same way. Even so, fantasy or steampunk remained the key genre.
A criticism I had of the first book was that the characters felt far too modern for the time period it was set in. The case was the same in <i>The Glass Magician</i>, although this may be more to do with the author’s writing style and therefore was unlike to differ. On the other hand the events in this book were more plausible and therefore less confusing which ultimately makes this a slightly better story.
Readers need to have read <i>The Paper Magician</i> before starting this book, as it requires knowledge of previous events, which are vital to the story line. If you loved the first book it is almost guaranteed that you will love the second.
The magic continues in Charlie N. Holmberg’s latest novel <i>The Glass Magician</i>. It is three months since the ending of <i>The Paper Magician</i> and Ceony is still apprenticing under Magician Thane – now mostly referred to as Emery. Despite the near death experiences of both the characters in the previous book, Ceony is well on her way to become a Folder – a magician that uses paper.
When an explosion occurs at a paper mill that Ceony is visiting, she realizes that not all her problems have been solved. Her defeat of an evil Excisioner has resulted in two more wanted criminals on her tail. Mistakenly, Ceony believes she can tackle this problem by herself, putting those she loves in danger.
As well as the characters from the first book, <i>The Glass Magician</i> contains a few new names including Delilah, an apprentice of a glass magician, who is a similar age to Ceony. Through Delilah the reader is introduced to another form of magic using glass or more precisely, in the case of this novel, mirrors.
In comparison to <i>The Paper Magician</i> there is a more romantic theme running throughout the book. Events of the past have brought Ceony and Emery closer together causing Ceony to fall in love with him, however she is uncertain whether Emery feels the same way. Even so, fantasy or steampunk remained the key genre.
A criticism I had of the first book was that the characters felt far too modern for the time period it was set in. The case was the same in <i>The Glass Magician</i>, although this may be more to do with the author’s writing style and therefore was unlike to differ. On the other hand the events in this book were more plausible and therefore less confusing which ultimately makes this a slightly better story.
Readers need to have read <i>The Paper Magician</i> before starting this book, as it requires knowledge of previous events, which are vital to the story line. If you loved the first book it is almost guaranteed that you will love the second.
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