"Crazy Love—A Double Bill Not for the Faint of Heart: On the face, Senso’s operatic melodrama and the pornographic explicitness of In the Realm of the Senses make for an odd coupling, but both serve up powerfully extreme and provocative portrayals of love run amok. Exquisitely photographed and scored, both are tales of unbridled passion and lust told against backdrops of political and social turmoil. Both end with women gone mad, consumed by obsessive love that destroys their men, who both die at their lovers’ hands. Luchino Visconti and Nagisa Oshima are filmmakers of deeply different sensibilities and concerns, of course, and the meaning and import of their stories are utterly divergent. Senso is an opulent, chilling tragedy of individuals bound in their lives and times. In the Realm of the Senses is transcendental; in death, love is forever."

"Crazy Love—A Double Bill Not for the Faint of Heart: On the face, Senso’s operatic melodrama and the pornographic explicitness of In the Realm of the Senses make for an odd coupling, but both serve up powerfully extreme and provocative portrayals of love run amok. Exquisitely photographed and scored, both are tales of unbridled passion and lust told against backdrops of political and social turmoil. Both end with women gone mad, consumed by obsessive love that destroys their men, who both die at their lovers’ hands. Luchino Visconti and Nagisa Oshima are filmmakers of deeply different sensibilities and concerns, of course, and the meaning and import of their stories are utterly divergent. Senso is an opulent, chilling tragedy of individuals bound in their lives and times. In the Realm of the Senses is transcendental; in death, love is forever."