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ClareR (6230 KP) rated The Sirens in Books
Nov 23, 2025
Well, we all know by now that I like a slow burn, and The Sirens delivers on that. I enjoyed the flashbacks to the Irish sisters being transported to Australia in the 1800’s, and indeed their story prior to this - along with the reason behind the modern day timeline.
Nature, the sea and the landscape of New South Wales all play a major role in this book, and the descriptions were so evocative. As someone who has never been to Australia, I was able to imagine the setting of this story.
The relationship between the sisters is a strange one: the older sister, Jess, seems very disconnected from her younger sister, doesn’t stay in touch, and when Lucy arrives unannounced at her house, Jess isn’t there. The house is in a state, and no-one knows where she is.
I really enjoyed the 1800 timeline: the oppression of the Transportation ship, the sisters, and their ending was *chef’s kiss* (I’m not saying 🤐).
A book of male violence and manipulation, and an interesting way to deal with it! I enjoyed this, but I do think it could be a marmite book (I like marmite).
Nature, the sea and the landscape of New South Wales all play a major role in this book, and the descriptions were so evocative. As someone who has never been to Australia, I was able to imagine the setting of this story.
The relationship between the sisters is a strange one: the older sister, Jess, seems very disconnected from her younger sister, doesn’t stay in touch, and when Lucy arrives unannounced at her house, Jess isn’t there. The house is in a state, and no-one knows where she is.
I really enjoyed the 1800 timeline: the oppression of the Transportation ship, the sisters, and their ending was *chef’s kiss* (I’m not saying 🤐).
A book of male violence and manipulation, and an interesting way to deal with it! I enjoyed this, but I do think it could be a marmite book (I like marmite).
The Ashes That Remain (Cimmerian Moon #2)
10.0
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We’re at war against the aliens that have invaded Earth, fighting the only way we can—by...
Young Adult Dystopian
Merissa (14009 KP) rated Pulse and Prejudice (The Confession of Mr. Darcy, Vampire #1) in Books
Apr 14, 2023
As a long-term lover of the classics, Pride & Prejudice in particular, I wondered what I would get with this book. Would I love it or loathe it? Would it stay true to the original or go completely farcical?
What I got was a book that thrilled me with the story just as much as the original did. The language is true to form, the behaviour, the attitudes, it's all there. Only now add in the spice of an even more haughty and sultry Mr Darcy as he tries to contend with his vampiric nature.
Trust me when I say that this paranormal addition actually added something for me, it certainly didn't take anything away from the story. I devoured this book, only putting it down when I absolutely had to. If you like Paranormal and also the British Classics, then I really can't recommend this highly enough. It combines the two with excellent narrative, skill and aplomb. Highly Recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 18, 2015
What I got was a book that thrilled me with the story just as much as the original did. The language is true to form, the behaviour, the attitudes, it's all there. Only now add in the spice of an even more haughty and sultry Mr Darcy as he tries to contend with his vampiric nature.
Trust me when I say that this paranormal addition actually added something for me, it certainly didn't take anything away from the story. I devoured this book, only putting it down when I absolutely had to. If you like Paranormal and also the British Classics, then I really can't recommend this highly enough. It combines the two with excellent narrative, skill and aplomb. Highly Recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 18, 2015
Flirting With Fire (A Witch’s Night Out #1)
8.0
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Apprentice witch Catalina Gato is prohibited from assuming her human form in front of her new...
Paranormal Romance Novella
Dirty Game (Annie Carter #1)
8.5
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Book
Adultery, murder and dangerous love collide in Jessie Keane’s gritty debut thriller set in the...
David McK (3801 KP) rated Kingdom of Bones (Sigma Force #16) in Books
Oct 22, 2023
I read this in the latter stages of 2023, approximately 3 years after the Covid-19 Worldwide pandemic had first struck.
It was a little uncomfortable doing so at first, especially as the main driver for the plot was the start of a worldwide pandemic that badly affected the Human Race.
Caused by mans encroachment of, and deforestation of, Nature.
Sound at all familiar?
Indeed, in his foreward the author even states that he debated finishing the novel for that very reason ...
Anyway, once you get past the uncomfortable feeling, what you have here is a fairly standard Sigma Force story, with Guy Pierce and his team racing against the clock to find the cause of, and a cure to, the contagion whilst other members of the team look for a scientific solution.
I have to say, however, that this particular entry didn't gel as much with me: perhaps because of the complete sidelining of Seichan and Guy's home life? Perhaps because I didn't find the heavy focus on the natural world as interesting as those that focus more on history (and mythology).
Whatever the reason, it just didn't come across as enjoyable to me.
It was a little uncomfortable doing so at first, especially as the main driver for the plot was the start of a worldwide pandemic that badly affected the Human Race.
Caused by mans encroachment of, and deforestation of, Nature.
Sound at all familiar?
Indeed, in his foreward the author even states that he debated finishing the novel for that very reason ...
Anyway, once you get past the uncomfortable feeling, what you have here is a fairly standard Sigma Force story, with Guy Pierce and his team racing against the clock to find the cause of, and a cure to, the contagion whilst other members of the team look for a scientific solution.
I have to say, however, that this particular entry didn't gel as much with me: perhaps because of the complete sidelining of Seichan and Guy's home life? Perhaps because I didn't find the heavy focus on the natural world as interesting as those that focus more on history (and mythology).
Whatever the reason, it just didn't come across as enjoyable to me.
True Story
8.0
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After a college party, two boys drive a girl home: drunk and passed out in the back seat. Rumours...
Lyndsey Gollogly (2893 KP) rated Of Shadow and Elves ( Of Goblin Kings 2) in Books
Oct 13, 2023
151 of 235
Kindle
Of Shadows and Elves ( Of Goblin Kings 2)
By Emma Hamm
⭐️⭐️⭐️⭐️
Freya couldn't have known she would destroy the entire faerie court by beating the Goblin King. All she wanted was her sister back, not to imprison the king. But with her sister refusing to return home, Freya is left trapped in her own mess. She has to fix what she broke or the faerie realm will get infinitely more dangerous.
Bring the Goblin King back. Save the people she harmed. And do her best to avoid the temptation of falling into the Goblin King's arms. Considering the Goblin King is locked away in a magical prison, at least one of her goals may be impossible to achieve...
...unless she's willing to go through hardships unnumbered.
I needed this it was all magic and fantasy with kings queens hero’s and villains plus a few goblin creatures thrown in. It followed on from book one seamlessly and was a fun read. Freya is a sweet hero who has to reach deep in this one to go against her own nature all for her goblin king.
Kindle
Of Shadows and Elves ( Of Goblin Kings 2)
By Emma Hamm
⭐️⭐️⭐️⭐️
Freya couldn't have known she would destroy the entire faerie court by beating the Goblin King. All she wanted was her sister back, not to imprison the king. But with her sister refusing to return home, Freya is left trapped in her own mess. She has to fix what she broke or the faerie realm will get infinitely more dangerous.
Bring the Goblin King back. Save the people she harmed. And do her best to avoid the temptation of falling into the Goblin King's arms. Considering the Goblin King is locked away in a magical prison, at least one of her goals may be impossible to achieve...
...unless she's willing to go through hardships unnumbered.
I needed this it was all magic and fantasy with kings queens hero’s and villains plus a few goblin creatures thrown in. It followed on from book one seamlessly and was a fun read. Freya is a sweet hero who has to reach deep in this one to go against her own nature all for her goblin king.
Professor Daddy: A Small Town Age Play Romance
7.0
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Book
Daddy’s is not the only one who notices how special Violet is… A well-respected professor,...
Contemporary Romance Age Play DD/lg
Movie Metropolis (309 KP) rated Pompeii (2014) in Movies
Jun 11, 2019
The disaster movie has always been a genre guaranteed to create incredible box-office returns. If you look at Roland Emmerich’s impressive blockbuster hit 2012, which grossed over $750million, it is clear that destroying well-known landmarks = bums on seats.
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/