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The Says Wife
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The highly anticipated new historical adventure from the bestselling author of The Champagne War. ...
![The Hidden Village (Wartime Holland Book 1) [Audiobook]](/uploads/profile_image/0c0/c99b7ae5-3878-4d10-b5f0-d71634e510c0.jpg?m=1642341418)
The Hidden Village (Wartime Holland Book 1) [Audiobook]
7.0
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A Nazi soldier slams his rifle into her father’s head. From her hiding place, Sofie stifles a...
I have to admit, I’m not a huge fan of opera, but Diva held me in its thrall from the off. Maria Callas’ life was fascinating: she was dramatic, striking, dedicated and vulnerable. Her mother had exploited her voice in Nazi-occupied Greece, which Maria never forgave her for, and she cuts her off when she makes it big. But even though Callas makes out that she can’t be used again for other’s financial gain, it does happen.
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callas’ career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (there’s a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ‘just’ a narrator. She was very convincing.
I was completely sucked in to Maria Callas’ life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callas’ career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (there’s a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ‘just’ a narrator. She was very convincing.
I was completely sucked in to Maria Callas’ life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Under the Paper Moon
5.0
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Kate Quinn’s The Rose Code meets Mr. and Mrs. Smith in this intrigue-filled debut, as two former...
Andy K (10821 KP) rated Wonder Woman (2017) in Movies
Dec 10, 2017
The casting of Gal Gadot (1 more)
The correct spirit and mood for the film/character
Finally seeing Wonder Woman for the first time, I am torn between joining the film's praise bandwagon and complaining about another stupid villain. While I certainly don't want to go back to the cheesy Bane, Poisin Ivy, Mr. Freeze days of old, I also am not a big fan of the generic CGI villain, in this case Ares, God of War. I would think they could come up with a happy medium using The Dark Knight as a basis for a complex, grounded human character.
As for Wonder Woman herself, I thought Gal Gadot was amazing in personality, spirit, and the physical embodiment of Wonder Woman as a modern, yet retro female superhero.
Unfortunately, the film's historical setting and perspective has already been done better in the first Captain America film, but had to be the way they did it to make it close to the comic book origin of the character. The scene where Wonder Woman emerges on the battlefield was very strong as you, the viewer, had been anticipating this moment throughout the first half of the film.
The use of CGI during some of the fight scenes with the Nazi soldiers was poor and looked very false. Even when she jumped great distances, I thought that looked fake and was more believable in a Hulk film or even the Wonder Woman TV series from the 1970s.
I also sorely missed an appearance by the original Wonder Woman, Lynda Carter. They have said they will have her in the next film. They had better. 😊
Overall, I enjoyed the film more than most recent superhero flicks, but in 10 years, won't all these films just start to run together?
As for Wonder Woman herself, I thought Gal Gadot was amazing in personality, spirit, and the physical embodiment of Wonder Woman as a modern, yet retro female superhero.
Unfortunately, the film's historical setting and perspective has already been done better in the first Captain America film, but had to be the way they did it to make it close to the comic book origin of the character. The scene where Wonder Woman emerges on the battlefield was very strong as you, the viewer, had been anticipating this moment throughout the first half of the film.
The use of CGI during some of the fight scenes with the Nazi soldiers was poor and looked very false. Even when she jumped great distances, I thought that looked fake and was more believable in a Hulk film or even the Wonder Woman TV series from the 1970s.
I also sorely missed an appearance by the original Wonder Woman, Lynda Carter. They have said they will have her in the next film. They had better. 😊
Overall, I enjoyed the film more than most recent superhero flicks, but in 10 years, won't all these films just start to run together?
Phillip McSween (751 KP) rated Overlord (2018) in Movies
Feb 3, 2019
Crazy Insane
When a team of American troops take on a routine mission in Nazi-occupied France during World War II, they stumble upon something abnormal and horrifying that they weren’t expecting.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
RəX Regent (349 KP) rated The Sound of Music (1965) in Movies
Mar 7, 2019
The hills are alive...
Contains spoilers, click to show
The film opens with a long travelogue styled flight through the Alps, with little music and just the wind and the clear air for company, until we end up on that now famous hill top, where the sound of music soars high and loud. This was shot in one of the many rival formats of the day, in this case, TODD-AO, a dynamic 70mm frame, and projected onto a massive screen, to great effect.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
It is on that hilltop that we meet Maria, Julie Andrews, as she sings her way around the hills and Austria, unable to contain her musical aspiration or free spirit. We soon learn that she is finding it difficult to find her way as a nun, and is sent to work as a governess for Christopher Plummer's, Capatin von Trapp's, seven children.
Once there, she manages to endear herself to the family and well, the rest is history. The film is based on a true story but there a are several differences, mainly surrounding the political situation to added effect and the names and ages of the children to name but a few.
In the end the film looks great, with the von Trapp's villa set in a glorious location in Austria, relaxing a peaceful. There is a great sense of the family's interaction and growing bonds, both with the children and the Captain, whilst there is a gentle threat and tension from the baroness, the third party in the love triangle within the film, but there is little nastiness within the film, with the exception of the Nazi element, obviously.
With memorable songs, beautiful surroundings and great direction from Robert Wise, this has more than earned its place within the annuls of Hollywood greatness and will no doubt continue to flourish for generations to come, as timeless is not the word.
Lenard (726 KP) rated Long Shot (2019) in Movies
May 8, 2019
Seth Rogen is NOT a movie star
I am a little shocked this did not do better and I would like to apologize to the filmmakers for posting this review 2 weeks late and not generating word-of-mouth. Long Shot is a comedic romance (romantic comedies are love stories with comedic moments where as this is a laugh out loud comedy with a little romance) between schlub Seth Rogen and glamorous Charlize Theron.
The introductions clearly favor Charlotte who is film in a Audrey Hepburn glamour lighting as she negotiates world politics with barely a moment for herself. She can't even take a bath without compromising. Fred is shown in a dark pallette as he infiltrates a neo-Nazi organization for his boutique periodical. He is a Neil Sheehanesque investigative journalist living in Brooklyn so committed to his ideals he is impervious to physical pain along with the emotional weight he carries fot idealism. When Fred quits in protest of a media mogul buyout of his ezine, his best friend takes him tona fundraiser where Secretary of State Charlotte Field is. Twenty years ago, Charlotte lived next to Fred in Washington and babysat him. He was mesmerized by her passion and she had a tiny crush on the sweet boy next door. After their reintroduction and a focus group evaluation, Charlotte realizes she may need the writing skills Fred possesses and without a job Fred takes a position.
Long Shot takes pot shots at the pressure of a woman in politics who has to work twice as hard as a man and is judged much more harshly if she is unattached. Fred learns that compromise is not an all or nothing affair whether in politics, the boardroom, or the bedroom. Overall, a highly entertaining romance with a little bit of a Notting Hill conclusion.
The introductions clearly favor Charlotte who is film in a Audrey Hepburn glamour lighting as she negotiates world politics with barely a moment for herself. She can't even take a bath without compromising. Fred is shown in a dark pallette as he infiltrates a neo-Nazi organization for his boutique periodical. He is a Neil Sheehanesque investigative journalist living in Brooklyn so committed to his ideals he is impervious to physical pain along with the emotional weight he carries fot idealism. When Fred quits in protest of a media mogul buyout of his ezine, his best friend takes him tona fundraiser where Secretary of State Charlotte Field is. Twenty years ago, Charlotte lived next to Fred in Washington and babysat him. He was mesmerized by her passion and she had a tiny crush on the sweet boy next door. After their reintroduction and a focus group evaluation, Charlotte realizes she may need the writing skills Fred possesses and without a job Fred takes a position.
Long Shot takes pot shots at the pressure of a woman in politics who has to work twice as hard as a man and is judged much more harshly if she is unattached. Fred learns that compromise is not an all or nothing affair whether in politics, the boardroom, or the bedroom. Overall, a highly entertaining romance with a little bit of a Notting Hill conclusion.
Unwritten Diary of Israel Unger
Carolyn Gammon and Israel Unger
Book
At the beginning of the Nazi period, 25,000 Jewish people lived in Tarnow, Poland. By the end of the...
W. J. Stein: A Biography
Johannes Tautz and John M. Wood
Book
Based on personal knowledge and intimate interviews with his subject, as well as access to W.J....